Without AI, I would probably not be writing

I recently got another anti-AI one-star review that I want to pull apart, because it’s pertinent to what I want to say. I actually came up with the title for this post before I received the one-star review, so I’m not just fisking this one for the sake of fisking. With that said, though, there is definitely a lot to pull apart.

I was prepared to rate this as 2 stars. It is repetitive with no real character depth or development and a sincere lack of dynamic or engaging writing. 

Two stars… so magnanimous! In all seriousness, though, it’s worth pointing out that in spite of all the book’s flaws, she did read it all the way through. That’s important for later.

Then I read the “author” note at the end of the book that was defending their use of generative AI in their writing process…. not only that but also seemingly insulting other writers who are anti-AI claiming that readers dont seem to care about it.

You know what’s insulting to any author, whether or not they are “anti-AI”? Putting scare quotes around the word “author” when referring to them Though I suspect that she did that on purpose, fully intending to insult me, whereas I did not intentionally insult anyone. For the record, this is the passage from the author’s note that she claims is “insulting” to authors by saying that “readers dont [sic] seem to care about [AI writing]”:

Besides which, after sharing The Riches of Xulthar with lots of readers, I’ve found that most of the rage and vitriol against AI-assisted writing is on the writer side of things, not the reader side.

The other thing is that I was not trying to “defend” my pro-AI stance through the author’s note, just explaining my writing process and sharing the story behind the story like I do in the author’s notes I write in the back of all my books. That’s not me being “defensive,” that just me sharing my story.

But there is something profoundly narcissistic about the way this reader is framing her review. Because I stated something about readers that contradicts her anti-AI worldview, I must be intentionally “insulting” her (or the anti-AI authors she’s white knighting for, which amounts to the same thing). Because I wrote about how I used AI to help write the book, I must be “defending” myself against her anti-AI views. This kind of narcissism can only really come from someone who lives in an echo chamber and is not used to having their worldview challenged.

Well Joe, you are wrong. This book was lifeless and dull and the use of AI showed. Everything was one dimensinal and flat. Word choises were even static. We (readers) get it… FMC had auburn hair. There are other words besides auburn to describe it….

I’m not going to deny, there is some legitimate criticism here. Rescuer’s Reward was one of my earlier AI-assisted books, when I was still experimenting a lot and learning how to incorporate AI into my creative process while still preserving my voice and writing multi-“dimensinal” [sic] characters and stories. So it doesn’t surprise me all that much that I missed the mark with this particular reader for this particular book. Lesson learned. Thanks for the feedback and the useful data point.

With all of that said, though… I can’t help but notice that she read the whole book.

I have yet to hear a compelling AI argument in the reralm of artistic expression and this “book” just exemplified everything yet again. No heart. No depth. Not good.

This is the crux of the issue, and the reason I wanted to frame this post as a line-by-line response to this review. Is there “a compelling AI argument in the reralm [sic] of artistic expression”? Or is any author who uses AI committing an unforgivable transgression against their art?

Here’s the thing: most of the other authors I know gave up writing a long time ago. We all started out with bright-eyed dreams about telling great stories and creating great art, but the hard truth is that it’s almost impossible to make it as an author.

There are many reasons for this: people don’t read very much in today’s culture (I personally blame the public school system for that), and the publishing industry has always been brutally rapacious and exploitive of writers (just read The Untold Story of Books by Michael Castleman—it’s a really fantastic history of the written word).

But the writing itself is also very hard. There’s a reason why even many succesful writers are like this guy, single and living in what amounts to a glorified shack. Most of my writing friends quit when they got married and starting having kids. I sincerely hope that they’re just on a 20+ year hiatus, and plan to get back to writing again someday, because some of the stuff they wrote was really, really good (I’m looking at you, Nathan Major!) But sadly, that won’t make up for the stuff they would have written, but never did.

My wife and I just had our third child. Writing with small children is very difficult, especially when your wife has a full-time job. I love them all to death, though. If I had to choose between being a single writer, or putting my writing on hold for 20+ years and having to restart my whole writing career from zero, just to be able to raise a family, I wouldn’t hesitate for a moment to make that choice. But it would put a huge burden of guilt on my wife, because my writing was one of the key things that drew her to me back when we were dating. And while our marriage is probably strong enough to survive that, I can’t deny that it would be an incredible strain.

Without AI, I probably would be facing this choice right now. Even though I had managed to streamline my writing process in the last few years, I’ve never been an especially fast writer. Without AI, it took me about a year to write each novel—and that’s before all the demands on my time and energy that come with having small children.

But AI has enabled me to continue to pursue my career and my art, even through this period of life. Not only does this help me to be a better husband and father (which is ultimately the most important thing), but it also means that my readers don’t have to wonder about the things I would have written, but never did. I can write those books now. I can give those stories to the world.

I’m not talking about AI slop. I’m talking about incorporating AI into the creative process deeply enough that it enhances, rather than replaces, my human creativity. We don’t have to be afraid of AI. It makes so many things possible—including running a profitable indie author business while raising (and soon homeschooling) 3+ small children. But it takes a lot of practice to get to that point. And generative AI is still so new that I don’t think there’s anyone who’s truly mastered the art of AI-assisted writing.

My Sea Mage Cycle books are mostly for practice. They’re meant to be fun, light reading. If it gives my readers a satisfying respite from all the doom and gloom in the world these days, I consider that book a success. The experience of writing each of them has helped me to be a better AI-assisted writer. And while the earlier ones may read like AI slop, that won’t be the case for long.

A fascinating update on the ongoing fertility crisis

Stephen J. Shaw is doing amazing work on the fertility crisis and the ongoing depopulation collapse. He’s the one who made the original Birthgap documentary, and I think he just came out with a new one, which is why he’s doing the podcast circuit.

In any case, I found this interview quite fascinating. From what I’ve seen of him, Stephen J. Shaw strikes me as a thoughtful, gentle, and caring man—not at all the sort of monster that the left-wing opponents of the pro-natalist movement like to paint us all as. It’s not at all about forcing women to have children, or about trying to breed more of the right kind of genes and less of the wrong kind. Rather, he sees our collapsing fertility as an existential human crisis, and wants to do everything he can to avert (or at least mitigate) the coming collapse.

Bringing Stella Home free this weekend!

Bringing Stella Home

Bringing Stella Home

In a galaxy ravaged by war, a young man must decide how far he’ll go—and what he’s willing to become—to save his sister.

When a ruthless Hameji battle fleet kidnaps his sister, James McCoy—a young merchant starfarer untested by war—vows to bring her home. But to save her, he must give up everything he has and become something he never thought he could be.

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About the Book
In a galaxy ravaged by war, a young man must decide how far he’ll go—and what he’s willing to become—to save his sister. James never imagined that when his older brother and sister departed on planetside leave, it would be the last he’d ever see them. But as soon as they’re gone, a ruthless Hameji battle fleet invades their peaceful star system, transforming it into a war zone. Fleeing with his father on board the family starship, James can only watch in horror as the verdant planet below is reduced to molten slag. On the way home, James learns the devastating truth: his sister is alive but enslaved. To rescue her, he must make an impossible choice. He’s no warrior—has never even held a gun, much less fired one. But to save his sister, he’ll become whatever he needs to be—even if it means crossing a line he can never uncross.
Details
Author: Joe Vasicek
Series: Hameji Cycle, Book 1
Genres: Military, Science Fiction, Space Opera
Tag: 2011 Release
Length: novel
List Price: 14.99
eBook Price: $2.99
Joe Vasicek

Joe Vasicek fell in love with science fiction and fantasy when he read The Neverending Story as a child. He is the author of more than twenty books, including Genesis Earth, Gunslinger to the Stars, The Sword Keeper, and the Sons of the Starfarers series. As a young man, he studied Arabic at Brigham Young University and traveled across the Middle East and the Caucasus Mountains. He lives in Utah with his wife and two apple trees.

Some of the links in the page above are "affiliate links." This means if you click on the link and purchase the item, I will receive an affiliate commission. You will not receive any additional charge. As an Amazon Associate I earn from qualifying purchases.

Midweek Excerpt: The Unknown Sea, Chapter 2

There are two viewpoint characters in The Unknown Sea, each of whom is a love interest to the other. Chapter 1 is where we meet Enoch, the seventh son of a penniless noble family who embarks as a sea mage to make his fortune. Chapter 2 is where we meet Celeste, the younger half-sister of Seraph, who is determined to leave her tiny little fishing village and make her own way in the world, out from under her sister’s shadow. Enjoy!


The first rays of dawn slanted through the cottage’s single window, catching the steam that rose from the porridge pot on the side of the hearth. Celeste stirred the oats with a wooden spoon and glanced over her shoulder at her mother Elara, who was busy kneading dough for the morning bread.

“Tristan, set the table please,” Elara called. Her silver-streaked hair was pulled back in a severe bun. Celeste glanced away before their eyes met, unwilling to see the wariness there. 

Celeste’s younger half-brother scrambled to open the cupboard, standing on his tip-toes to reach. At eight years old, he was all gangly limbs and boundless energy.

“The wooden ones or the good ones?” Tristan asked, though there was no way he didn’t already know the answer.

“The wooden ones,” Celeste and Elara said in unison, making both of them grin. The good bowls were four pieces of actual glazed pottery that had survived the family’s various relocations. They only emerged for feast days, or when Celeste’s stepfather, Gerard, brought in an especially profitable catch.

Celeste stirred the porridge again, absently fingering the pearl amulet that hung from her neck on a silver chain. A parting gift from her older sister Seraph, it was one of the most valuable pieces in their humble cottage. But the feel of the cool metal against her skin only served as a reminder of all the adventures that she’d missed and wasn’t likely to have. Unlike her older sister, who wandered with her mother nearly halfway around the world, the small cottage was the only home that Celeste had ever known. 

“I’m going away for a while, and I don’t know when I’ll be back,” Seraph had told her. “But if you ever miss me or feel a need to talk, use this amulet to summon me. I promise, I will come.”

“How?” Celeste had asked. Her older half-sister had smiled.

“I’ve woven a powerful summoning spell into the pearl at the center of this amulet. All you need to unlock it is to use your magic to complete it. As soon as you do, the spell will open a portal to me wherever I am.”

“So then I’ll be able to come to you?” 

She still remembered the way her heart had sunk as her sister had paused before answering.

“Yes, but I think it would be better if I came to you. It might not be safe where I am, after all. Besides, mother would be worried sick if you left the village without telling her.”

That, of course, was the crux of the issue. All her life, Celeste had been kept safe—precisely because her older half-sister, Seraph, had grown up in so much danger. But where Seraph seemed to have all the adventures, Celeste seemed doomed to live a life tethered to her quiet and boring home.

“What if the spell doesn’t work?” she had asked. Her half-sister must have mistaken her tone for worry, because she’d smiled and placed a reassuring hand on her arm.

“I promise, it will work. It’s a complex spell, but I’ve mastered it by now. We can test it, if you want.”

“No,” Celeste had said, groaning a little inside. “I trust you.”

Seraph’s effortless mastery of magic was enough to make her jaw clench. It was all a fulfillment of the sibyl’s prophecy, of course—that for good or for evil, Seraph would one day become the world’s most powerful sorceress. Unlike her older sister, Celeste had no such destiny to look forward to. She was just a simple village girl with a modest gift for magic—hardly remarkable at all.

I’ll show them all, she thought fiercely as she flipped the eggs. I won’t just be known as Seraph’s younger sister.

“Celeste, dear, would you bring the porridge to the table?” her mother asked.

“Yes, Mother.” Celeste used the hook from the fireplace to lift the pot, and set it on the hot pad at the center of the table while her mother cut up the last of yesterday’s loaf of bread. Tristan got a plate of cheese slices from the cupboard and set it out next to the butter. 

“We’ve got a lot of work today,” Elara said as she served up the porridge with the wooden spoon. “Celeste, could you help me with the washing and mending?”

Celeste’s shoulders tensed. “But Mother, I promised the fishermen I’d help with their catch.”

Elara’s brow furrowed, making Celeste’s stomach sink. It wasn’t hard to see the argument that was brewing.

“You know I don’t like you going out on those boats. It isn’t the proper place for a young woman like yourself.”

“Proper?” Celeste scoffed. “Seraph got to leave home and study advanced magic at the Alynthian court. Why shouldn’t I learn to use my powers by helping our village?”

“Your sister’s situation is… different,” Elara said carefully. Her answer made Celeste clench her fists in frustration.

“You mean she was more talented than me. More special.”

“That’s not what I meant. Now, let’s have our breakfast. We’ll talk about it later.”

From the tone of her voice, Celeste knew that arguing with her mother was pointless, so she picked up her spoon and stared at her porridge and bread. Beneath her blouse, she felt the amulet dangling on its silver chain. Through the window, she could see the first fishing boats already leaving the village harbor, their sails catching the morning breeze.

“I bet Seraph’s eating fancy meals in the royal court by now,” Tristan piped up as he cut a large slab of butter for his porridge. “When I grow up, I’m going to be a famous mage too!”

“Not without any talent for it,” Celeste grumbled.

“Hey! Just because I haven’t felt it yet doesn’t mean I don’t have it too, just like you and Seraph!”

“If you do, it’s buried awful deep.”

“Now, now,” Elara chided, eying them both sharply. “No arguments at breakfast. That goes for both of you.”

For several long minutes, they ate in silence, Tristan glowering at Celeste for bringing up his lack of magical talent. It was a sore issue with him, much like Seraph’s power was to Celeste. Perhaps she had been too hard on him for it, but the looming threat of chores had been weighing on her mind. More than anything else, she just wanted to get out of the house.

She waited until her mother’s bowl was empty before she brought up the subject again.

“Mother, please,” she said, shortly after Elara had finished her last spoonful. “I need to practice if I’m ever going to get better. You know how important this is to me.”

“It’s dangerous out there, Celeste.”

Her cheeks flushed hot. “I’m not a child anymore! I can handle myself.”

“Celeste—”

“Why can’t you trust me like you trusted Seraph?” 

The words burst out before she could stop them. She braced herself, expecting a major fight. Instead, her mother just sighed.

“You have your sister’s restless spirit and your father’s stubborn streak. I suppose it was foolish of me to think you’d be content with a fisherwoman’s life forever.”

Tristan looked up sharply. “Is Celeste going away too?”

“No, darling,” Elara said softly, ruffling his dark hair. “Your sister isn’t going anywhere. She’s just… eager to spread her wings a little.”

“So can I go?” Celeste asked, her heart beginning to race. “I’ll be careful, I promise. Please, Mother—just for the morning.”

Elara sighed again, her shoulder sagging. “Very well. But I want you back no later than noon. I really do need help with the mending. Understood?”

Celeste nodded eagerly, already pushing back from the table. “Thank you, Mother! I promise I’ll be careful.”

Figuring out the posting schedule

With the new baby, things are going to be touch-and-go for the next month or two. I’m hoping that by Halloween, we’ll be a lot more settled into a routine, but I’m not expecting to get a good night of sleep until basically Thanksgiving. Also, the priority is obviously going to be helping out with stuff around the house, since besides having a baby, my wife is also finishing her dissertation and teaching a class at BYU. So for the next couple of months at least, my writing is going to take a back seat to all the family stuff, and the blog is going to take a back seat to that.

With that said, I do think I can keep up the writing even with all that’s going on. My goals are super light—basically, to do at least a little bit of AI writing and human writing each day—but I’ve got that work all split up in a way that’s easy to pick up and set down again whenever I have a fifteen minute break to work on it.

The blog is going to be a bit trickier, but I think I can still keep blogging daily, if I set a regular routine. Here is what I’m thinking:

  • Sundays: an interesting quote.
  • Mondays: a just-for-fun post, usually something silly from YouTube.
  • Tuesdays: an analysis of some trope that I find interesting (yes, I want to bring back the Trope Tuesday posts).
  • Wednesdays: a midweek excerpt from my current WIP.
  • Thursdays: a quick writing/personal update, with some random thoughts.
  • Fridays: an interesting long-form podcast that I recently watched or listened to.
  • Saturdays: a post about AI-assisted writing.

Of those posts, the only ones that take a significant amount of work are the ones on Tuesdays and Saturdays—and even then, it’s only about an hour of writing. The Trope Tuesday posts will be useful for feeding AI, and the AI-assisted writing posts will eventually get recycled into a non-fiction book about writing with AI (though I still need to come up with an outline for that). Everything else, though, I can probably schedule in an afternoon.

That’s the plan, anyway. This isn’t our first rodeo, though I hear the third child is the hardest one, since it’s at that point that you become outnumbered. I’ll do my best to keep blogging, but if I have to drop one of the balls, the blog is going to be first. But this is what you can expect to see from me moving forward.

Excerpt: The Unknown Sea, Chapter 1

I’m working on another Sea Mage Cycle book right now, alternating between the AI revisions (where I generate multiple iterations of each chapter using the same prompts, and combine the best parts for the final AI draft) and humanizing the AI draft to produce the rough human draft. So far, it’s working out really well. I do a little bit of work each day: maybe a chapter of the AI draft, or a scene of the human draft, but it’s steady progress and the kind of thing that I can probably keep up to some degree, even with the demands of a newborn baby, which is sure to throw things off in the coming weeks.

In any case, here is an excerpt from the first scene of the first chapter of The Unknown Sea. This is the rough human draft, so the writing is all mine and not AI-generated, though there may be some AI-isms because I used the AI draft as a guide. I’m going to write a post next week detailing my current AI-assisted writing process, so if any of that is confusing, check out my post there. In the meantime, enjoy!


The sea-soaked wood of the pier groaned under Enoch’s boots as he walked out onto the dock. He squinted, eyes stinging a little in the salty breeze as he peered out across the bustling harbor. Fat merchant caravels sat low in the water as they crawled into port, dockhands rushing to secure them. Elsewhere, sailors hauled heavy sacks of trade goods down to the docks, or rolled barrels of supplies up the narrow gangplanks for the ships that were preparing to depart. 

Enoch Ashenford took a deep breath. Few ports on the Azure Sea buzzed with the raw, desperate energy of the capital of the kingdom of Caravelia. Many a merchant prince had made his fortune here, and many a man with little to his name had rewritten his own story.

So why did he feel so thoroughly out of place?

He fished the letter of introduction from his waistcoat pocket. The elegant script had smudged a little at the corners from nervous handling, but the words on the parchment were still clear. Our son is of sound mind and steady hand, he read, taking encouragement from the words. He has a promising magical talent and will serve you well in the position of sea mage.

Of course, it wasn’t just the endorsement that had landed him the position. His father had had to pull some high-placed favors to get it. Not that Enoch wasn’t qualified, of course—as the only one in his family to be born with magical talent, he had worked hard to cultivate it with what meager resources the dwindling family wealth could acquire. But few young mages landed a berth quite so lucrative as a merchant caravel so early in their apprenticeship.

He tucked the letter away, hoping it would dutifully impress the captain. The morning air was thick with the stench of old fish and burning pitch, the unlovely aroma of commerce. Enoch drew another sharp breath and squared his shoulders before setting out to find the ship.

He pretended not to notice the stares and glances aimed his way. It was rare for a noble scion to set foot on these docks, let alone seek employment on a common merchant. His mother had insisted on dressing him well, in fine leather boots and a silk tunic, but these made him stand out almost as much as his pale, untanned skin and soft hands. He also had all his teeth, which was more than he could say of many of the men he passed.

It was frustrating, because if any of these gawkers looked closer, they would see the threadbare patches on his tunic and pants, the cracks and creases in the ageworn leather of his belt and boots. A noble son he might be, but the battered satchel slung over his shoulder held little of real value. 

He stopped to get his bearings. It seemed like the forest of masts and sails stretched almost to the horizon. Somewhere among them was the merchant ship that would be his ticket to wealth and glory—if he could only find the blasted thing.

“Make way,” a grizzled sailor shouted, carrying a large barrel on one shoulder. Enoch tried to get out of his way, but the man still nearly knocked him off his feet, swearing as he did so.

“Ouch!”

“Watch yourself, young lordling. This is no place for soft hands and slippered feet.”

Blood rushed to Enoch’s cheeks. “I’m not a ‘lordling,’” he muttered under his breath. “Just the seventh son of a penniless house.”

It was no use, of course. These common folk probably all thought that all nobles were rich. But Enoch’s noble birth had been more of a burden than a blessing. His older brothers had already divided up the Ashenford house’s few minor titles, barely managing to secure respectable positions and marriages for themselves. Even Carl, the second youngest in the family, had received a captain’s commission in the King’s Fleet. But by the time Enoch had come of age, the Ashenford house’s coffers had run as dry as a salt pan at high noon.

The manor still stood, of course. One couldn’t exactly pawn bricks and stone. But the paintings and tapestries had been sold, then the family silver, then most of the furniture. His mother wore the same gown to every court function, cleverly disguising the fact with slight alterations made by her own hands. As for his father, he spent most of his days in the family library, poring over the same old tomes—as if the secret to restoring the family’s fortune could be found in books alone.

No. Enoch had had enough of that dusty old manor, and he had no patience for the duties and pretenses of the court. He’d be damned before he gave up and turned around, even with all the snickering glances and gawking stares. He thought again of the letter of recommendation in his pocket, resisting the urge to take it out. If he could just find that blasted ship…

“You look a bit lost, lad,” a voice called out. “You wouldn’t happen to be young Master Ashenford, would you?”

Enoch turned to see a burly clean-shaven man in a leather apron, a crooked grin splitting his wind-chapped face. Sun and sea had tanned his skin to the color of old rope, which was almost as tough and leathery as the apron he wore. He swayed a little where he stood, and his shrewd eyes shone with the keenness of a man who had spent most of his life at sea.

“I might be,” Enoch hedged. “Who’s asking?”

“Marcus Reed, ship’s cook of the Waverunner. Captain sent me to fetch our new sea mage. That’d be you, I’d reckon?”

Enoch nodded, extending his hand. “That’s right. Pleased to meet you, Marcus.”

The man took it and gave him a single shake before gesturing toward the dock. Enoch quickly fell into step with his confident gait, grateful to have a guide to his new berth. 

“So,” Marcus asked, breaking the silence between them, “what brings a young nobleman to life at sea? Chasing adventure? Seeking your fortune?”

“A little of both,” Enoch admitted. “As the seventh son, it’s not like I’ve got much of an inheritance.”

“Ah,” said Marcus, chuckling dryly. “Well, the sea’s a great leveler, lad. Noble or commonfolk, it’s all the same when the storms hit.”

“Yes, sir.”

“Call me Marcus. We’re mates now, after all.”

“Right,” said Enoch, nodding. “And I guess you can call me Enoch. Like you said, the sea’s a great leveler.”

Marcus raised an eyebrow at him and smiled.

The Waverunner sat moored at one of the last piers. Enoch felt his breath catch as his eyes fell upon it. The sturdy single-masted caravel creaked a little as it swayed gently at the dock. Sixty feet of weathered oak, with a dark, waterlogged hull that had clearly seen many voyages. Despite her elegant curves, the salt and sun had clearly had their way with the wood.

“You there!” a commanding voice rang out from the upper deck. “The new mage?”

Enoch looked upward, meeting the gray eyes of a woman whose gaze held the relentless intensity of a hawk. She stood with confident poise, her graying hair pulled back into a tight braid, and her weather-beaten face held the sort of authority that needed no crown or title.

“Enoch Ashenford, Ma’am,” he answered, straightening his posture. “I’m to be your new sea mage.”

“Don’t just stand there, lad. Come let me get a look at you.”

He quickly climbed the narrow gangplank, ignoring how his stomach lurched. Once on board, he withdrew the letter of introduction and handed it to her.

“For you, Ma’am.”

Captain Maren Black plucked the letter from his hands and stuffed it into her waistcoat, barely giving it a glance. Instead, she looked him over from head to toe. Her eyes narrowed, making Enoch swallow.

“Hmm,” she muttered—a sound that could have meant anything. “Ever worked a ship before?”

“I’ve studied maritime magic extensively, ma’am. My family’s library—”

“That’s a no, then.” She turned away. “Marcus! Show the boy where to stow his gear. Thaddeus, check those lines again. They look slack.”

The pit in Enoch’s stomach fell—a pit that until now, he hadn’t realized was there. Like a dog with his tail between his legs, he quickly followed Marcus across the wooden deck and down into the hold.

“How large is the crew?” he asked the burly.

“Just five of us,” Marcus answered cheerily, ducking as they passed through the door. “Captain Black, First mate Thaddeus, Felix, yourself, and me. But what we lack in manpower, we’ll more than make up for in your magic. Right?”

“Right,” said Enoch, swallowing nervously. Just what had he gotten himself into? Seeing his discomfort, Marcus chuckled and clapped a hand on his shoulder.

“You’ll do fine, friend. Think of it this way: the fewer of us to crew the ship, the greater each man’s share of the profits.”

That was a good point, though it did little to quell Enoch’s growing anxiety. He also couldn’t help but notice how rough and calloused Marcus’s hands were to his own. With only five of them, he’d have to work hard to earn his keep, and not just with book learning and magic.

“This is where you’ll bunk,” Marcus announced, pointing to a cramped berth with a nod of his head. He leaned casually against the doorframe, folding his arms atop his leather apron. “This your first time at sea?”

Enoch’s cheeks burned. “Is it that obvious?”

“Don’t worry, lad. You’ll find your sea legs soon enough. The sea’s a harsh mistress, and an even harsher teacher.”

Enoch drew a sharp breath and nodded. A harsh mistress indeed, he told himself silently, but one I intend to master. As Marcus watched, he quickly unpacked his meager belongings, making space near the head of his bunk for the two most valuable pieces.

“Those look interesting,” Marcus remarked. “Family heirlooms?”

“Gifts from my parents,” Enoch explained. He unsheathed the dagger his father had given him and tilted it in the gleam of the candlelight. “The edge is inlaid with silver. It’s supposed to let it cut through magical shields and wards.”

Marcus raised an eyebrow. “And the amulet?”

He pulled out his mother’s amulet, fashioned from a spiral shell and hanging from a leather cord. “This one is called the Whispering Shell. It doesn’t look like much, but it’s enchanted with a powerful spell that helps the one who wears it to translate foreign speech.”

“So it lets you understand what the people around you are saying?”

“That, and it makes the bearer’s speech intelligible to all who hear. Like I said, it’s a powerful spell.”

Marcus whistled appreciatively. “Now that’s a rare piece of work. Must have cost a pretty penny.”

More than my family could afford, Enoch thought but didn’t say. His mother had pawned her grandmother’s emerald brooch to raise the funds, one of the last valuable pieces the family possessed. Instead of saying that, though, he simply nodded.

“My family wanted me to have every advantage.”

“Aye—and they’ll serve you well, I’d wager. Though not half as well as a sturdy pair of sea legs and a strong stomach.” Marcus grinned and slapped his back. “Though we’ll be giving you those in no time.”

“Thanks. I’ll keep that in mind.”

Marcus turned and left then, his footsteps creaking along the old, wooden floor of the deck. Enoch watched him for a moment, then carefully tucked the dagger and amulet away.

He thought of his mother, pawning a priceless family heirloom to buy him this chance. His father, struggling to maintain the fiction of their wealth while the walls grew bare around him. Seven sons, and the seventh was their last hope for something more than genteel poverty.

The thought hardened Enoch’s will until the pit in his stomach no longer seemed so terrible. He would not fail them. He could not afford to. He would stay on this ship and win his own fortune, restoring the family name and making his own way in this world. All of his doubts, all of his misgivings—it was time to throw those away. He was not just the overlooked son. It was time to become something more.

My spicy take on the ethics of AI art

There is nothing unethical about using generative AI to write or make art. Those who say otherwise either haven’t thought through their position, or they are lying for rhetorical effect. Or both.

If Andrew Tate wrote a book titled How To Enslave Your Woman For Fun and Profit, would he be within his rights to demand that no woman ever read that book? If you believe that AI is unethical because it was trained on writers’ and artists’ work without their consent, congratulations—that is exactly the position you have taken. You can’t pick up one end of the stick without also picking up the other.

Whether or not writers and artists were fairly compensated for the use of their work is a separate issue. Many of these AI companies obtained their training data by indescriminately scraping the internet, which means the used a lot of pirated work. But if using copyrighted material to train an AI system is fair use—and here in the US, the courts have ruled that it is—then all that they owe you is the cost of your book. So if your book is $2.99 on Kindle, that is what OpenAI owes you. Congratulations.

Does Brandon Sanderson owe Barbara Hambly royalties? Brandon Sanderson has sold something like $45 million in books, comics, and other media. Barbara Hambly struggles to pay her bills. Barbara Hambly wrote Dragonsbane, the young adult book that inspired Brandon Sanderson to write fantasy. Clearly, her work had a deep and lasting influence on him. So does he owe her?

If you believe that AI companies owe artists and writers more than simply the price of their own published work, this is a question that you must wrestle with. If it counts as “stealing” to train an AI on artists’ and writers’ work, then every artist and writer is also a thief, and owes royalties to the people who inspired them. Which is why the word “plagiarism” has a tight definition, and why our legal code recognizes fair use.

There is nothing unethical about using generative AI to write or make art. Almost everyone who says otherwise is either lying to themselves about that fact, or lying to you.

Why would someone lie about that? For the same reason people accuse you of being a racist, or a sexist, or a fascist, or a white supremacist, or a Christian nationalist… because using that term gives them power. They don’t actually want to make a reasoned argument. They just want to “win” the argument without ever having to make it in the first place. They use words that they know will get the reaction that they want, and they scream them as loudly as they can until they get it. That’s what the public discourse looks like in 2025.

To be fair, this is not just something that happens on the left. Plenty of people on the right will scream “woke” or “based” or “demonic” to cow people into accepting their point of view. These words do have meaning, and can be used to make a well-reasoned argument—just like “racist” and “fascist” have meaning. But most of the people who use these words are just wielding them like rhetorical clubs to bully their way around.

There is nothing unethical about using generative AI to write or make art. Most of the people who say otherwise are just using the word “ethical” to mean “things I don’t like.” They don’t believe in objective good or objective evil, and instead believe that things like truth and morality are relative. In other words, they think that good and evil change depending on who’s looking at it. This is why so many writers today can’t write a compelling villain (or a compelling hero, for that matter). They just don’t understand how good and evil work.

So why should you listen to them when they scream at you for using AI? You shouldn’t. They don’t know what they’re talking about. Or worse, they do, but they’re lying to you, because they want to compel you not to use AI in your art. Why? Because they’re afraid that if you do, you’ll create something better than what they can create. And on that point, they’re probably right.

Getting ready for the baby

Things are fairly quiet around here, though that’s going to change soon. The baby is nearly full term, and the doctors want to induce labor in just a few days, so that’s the plan. We’re just trying to get things ready for that.

Writing-wise, things are going very well. I recently finished the AI draft of The Soulbond and the Sling, and started work on The Unknown Sea again. My goal is to have the final draft ready to send to my editor by Thanksgiving, so that I can publish it in January. That’s going to be a tall order with the baby, though, so I may have to push the publication date back by a month or two.

Moving forward, I really want to publish a new novel at least every quarter. Some of those are going to be short, like the Sea Mage Cycle books, but eventually I hope to get up to epic fantasy length. And of course, I plan to finish my three unfinished trilogies in the next year or two. I’ve been taking the last couple of years to really figure out my AI-assisted writing process, and I think I’ve got that mostly down now, so it’s time to apply those lessons to these books and get them done.

One thing I’ve done recently was pull out all of my books from InAudio, formerly Findaway Voices. I was crunching the numbers from the last year, and I only made something like $12 during that twelve-month period, averaging something like $.04 per sale. Those numbers are skewed by all of the free audiobooks that get downloaded, but when I drilled into the reports, I found a bunch of places that were literally paying me only $.01 per sale. Literally just a penny. For an audiobook that a reader paid money for. Someone got paid in that transaction, and it sure as hell wasn’t me. Since InAudio doesn’t let you pick and choose which distributors you can send to—it’s literally all or nothing—I made the choice to just drop them. There’s no way I can sustain a career if I’m only getting pennies (if that much!) per sale.

I know that Audible has been in the news a lot recently, and for good reason—they really have been playing dirty, simply because they can get away with it. And while I don’t like the way they’re screwing authors over, I don’t think they’ve been screwing me nearly as bad as some of the places where InAudio distributes their books. For one thing, all of my audiobooks are AI narrated, so it’s not like I have a lot of production costs to make back. It’s literally just a value-add on top of the ebooks. For another thing, the least amount of royalties they’ve paid me is $.80 per book, which is more than what I get from just about every library service for audiobooks.

So for the time being, I’m going to keep my AI-narrated audiobooks up on Audible, even though I wish they would treat their authors better. But I’m not going to shell out the money for a human narrator at this time. It just doesn’t make sense, especially with the way that Audible squeezes us. With AI-narrated audiobooks, there really is no reason not to put them out, so long as they don’t drop the royalties any further. But it would take a hell of a long time to earn back an investment of several thousand dollars if all they’re paying me is $.80 per listen.

If you want to listen to my books on audio, the best way to do it is to click on the link at the top of the page and visit my online store. You also have the added bonus of owning the files, not just licensing them. And Bookfunnel is really good at delivering the audiobook to whatever app or device you prefer—or even opening it up in your browser, if you don’t have an audiobook app.