So I had an extremely vivid dream last Friday night where I got cancer and learned that I had only a month to live. Among other things, I found myself asking: “What am I going to do about my writing career? Who is going to finish all these books? Are they going to fade into obscurity, or will someone promote them so that my family will benefit from them after I’m gone?”
The whole thing made me feel like the race was suddenly over, and I hadn’t finished it, but had to hand off the baton to someone else who would. So instead of spending that final month of my life writing, I would have to spend it outlining things in such a way that the person who carried it all after me would be able to do it right.
(And then, hilariously, when I told my friend and cowriter Scott Bascom that I had terminal cancer, his response was: “So what? Get back to writing.” And when I told him IRL about that dream, his reaction was: “Well, was I wrong?”)
Obviously, it was an incredibly sobering and emotional dream, for reasons that had nothing to do with my writing. But it also got me to thinking about some things I’ve taken for granted about my writing process, and how I ought to change them or at least experiment with other ways of doing things.
For example, for the last fifteen years—really, since I started writing professionally—I’ve just sort of assumed that I would 1. work on one novel WIP at a time, and 2. write that novel sequentially from start to finish, rather than hopping around.
In the early years, I experimented with doing things differently and decided that I just wasn’t wired that way. But that was also when I thought I was a 100% discovery writer and didn’t have any sort of outlining process. Basically, I tried to keep the whole novel in my head, a nearly impossible task even for a veteran writer.
Now, I have a much more rigorous outlining process that divides each novel WIP into chapters and scenes, so that instead of trying to keep an entire novel in my head, I can eat the elephant one small bite at a time. So I’ve actually got the infrastructure in place right now to experiment with those things, in a way that I didn’t before.
Another thing that I’ve always taken for granted is that in order to be a working professional, I need to set strict deadlines for each project and schedule those deadlines at least a year in advance. Never mind that I have never kept an original deadline that I’ve made for a project, or kept to those schedules. Instead of finding a better way, however, those deadlines and schedules always just keep getting pushed back.
I’ve also been trying to find a way to write a novel all the way through from start to finish, without getting stuck in the middle and feeling like I need to put it aside for a while (on the “back burner,” as I used to say). In fact, that was one of the main reasons why I developed my outlining process in the first place. But even with a well-developed outline that still has some flexibility to adapt to a changing story, I still can’t write a novel straight through without having to take a break.
Another thing I’ve always failed at is hitting my daily word count goals consistently. Instead, I typically write in starts and fits, especially when I’m in the messy middle of whatever novel WIP I’m working on at the moment. However, I did have some success with those nanowrimo challenges where I worked on short stories—in other words, where I hopped from project to project.
Also, until this year, I could never manage to read very consistently. I’d go through phases where I’d read a lot, followed by long reading droughts where I’d read almost nothing. But then, I discovered some reading hacks that completely changed everything, and now I’m reading between one and two dozen books a month (most of them just the first and last chapters, but about 6-10 of them all the way through).
One of those reading hacks was—wait for it—reading more than a dozen books simultaneously and hopping from book to book. And the thing that made that possible was my reading log, which provides some structure and helps me to see how much I need to read from each book to not just totally drop the ball.
So why don’t I try something similar with my writing? What if, instead of working on one novel WIP at a time, I used these outlines to break them all up into scenes and just skipped around, writing whatever stands out as the most interesting thing to write at the moment? The outlines will help to keep it all straight, so I don’t have to keep an entire novel in my head. And when I inevitably get stuck with one WIP, I don’t have to lay it aside for months on end—instead, I can jump to something else, since I’m already jumping around in the first place.
It sounds kind of crazy, but I’ve found that my ADHD brain actually works better that way, at least when it comes to reading. So why not writing as well? It’s worth a shot, at least. And maybe one of the upsides will be that I won’t have to angst so much about those deadlines. If the focus is on hitting daily word count instead of staying on deadline for my current WIP, then solving the first problem will ultimately solve the second one, once I hit my stride.
So that’s what I’m going to experiment with: hopping from project to project, with a goal of hitting my daily word count goal rather than advancing a single project to an arbitrary deadline.
In order to do that, I need to make some outlines. Here are all of my unfinished novel(ish) WIPs that I haven’t trunked yet:
- The Sword Bearer (Twelfth Sword Trilogy #2)
- The Sword Mistress (Twelfth Sword Trilogy #3)
- Captive of the Falconstar (Falconstar Trilogy #2)
- Lord of the Faconstar (Falconstar Trilogy #3)
- Children of the Starry Sea (Outworld Trilogy #2)
- Untitled (Outworld Trilogy #3)
- A Brotherhood of Swords (First Sword Trilogy #1)
- Untitled (First Sword Trilogy #2)
- Untitled (First Sword Trilogy #3)
- The Lifewalker Chronicles (standalone)
- Starship Lachoneus (standalone, may be a collection)
- The Justice of Zedekiah Wight (collection)
- The Mercy of Zedekiah Wight (collection)
- Christopher Columbus, Interstellar Explorer (collection)
Of those, only Children of the Starry Sea and Captive of the Falconstar are fully outlined. So I’ve got a lot of work to do.
Instead of taking time off to outline all of these, however, I’m going to prioritize hitting word count, and work on the outlines on the side, in my voluminous spare time </sarc>. It’ll probably take a while, but I’ll eventually get it done—and that will provide some extra motivation to hit word count each day.
Also, I plan to outline all of them, even the book 3s where book 2 still hasn’t been written. The reason for that is so that I’ll have something to hand off to another writer, in case that crazy dream comes true. I don’t think that it will, but I’m gonna go sometime, so it’s better to get into the habit of doing that now. Besides, it may be helpful to skip ahead to the next book and write a few scenes: give me something to write toward.
TL;DR: I’m going to be doing a lot of experimentation in the next couple of months, skipping around in all of my WIPs instead of focusing on one at a time. It’s going to be crazy, but hopefully in a productive way. And a fun way too.
