science fiction romance – Page 2 – One Thousand And One Parsecs

Blurb and cover for Star Wanderers

So the first quarter finalists for the Writers of the Future contest were finally announced (finally!), and I wasn’t among them. Oh well. But the good news is that I can move ahead now to publish part 1 of Star Wanderers!

First, though, I need to work out a killer blurb. This is what I’ve got so far:

When Jeremiah arrived at Megiddo Station, all he wanted was to make some trades and resupply his starship. He never thought he’d come away from the frontier outpost with a wife.

Before he knows it, he’s back on his ship again, alone with his accidental bride. Since neither of them speak the same language, he has no way to tell her that there’s been a terrible mistake. And because of the deadly famine that has ravaged her home, there’s no going back either. The only way forward lies across a dozen parsecs of cold, empty space.

Jeremiah wasn’t looking for someone to keep him warm on the long voyages, and he certainly isn’t ready to settle down. He’s a star wanderer, roaming the Outworlds in search of his fortune. But there’s a dark side to his wandering–a loneliness that threatens to destroy him. His unexpected passenger may be willing to end that, but how can she when they barely understand each other?

So what do you think? Does it tickle your fancy? Are you intrigued to read more? Or are you thinking it’s kind of “meh”? Any feedback would be much appreciated, even if it’s just “this reminds me of _____.”

By the way, here’s the cover:

I’m experimenting a lot with this next novel. The plan is to release it in a serial format first, then publish the full-length novel once I’ve serialized the sequel (more of a parallax actually. The tentative title for that one is Star Home, and it’s the story from the girl’s perspective).

Here’s how I plan to publish it:

Release Part I for $2.99.
Give newsletter subscribers a two week coupon code on Smashwords to download Part I for free.
Release Part II for $2.99 and drop Part I to free.
Give newsletter subscribers a two week coupon code on Smashwords to download Part II for free.
Release Part III for $2.99 and drop Part II to $.99. Keep Part I at free.
Give newsletter subscribers a two week coupon code on Smashwords to download Part III for free.
Release Part IV for $2.99 and drop Part III to $.99. Keep Part II at $.99 and Part I at free.
Give newsletter subscribers a two week coupon code on Smashwords to download Part IV for free.
Publish the full-length novel at $4.95.

This way, no one has to pay more than five bucks for the whole thing, and people who subscribe to the newsletter get a really sweet deal. There shouldn’t be more than a month or two between release dates–Part II is almost ready to go, and I plan on finishing the complete first draft in the next couple of days.

So yeah, that’s the plan. I’m excited to finally get this story out to you! I really had a blast writing it, and I think you’ll enjoy reading it, especially if (like me!) you’re a fan of science fiction romance.

More to come!

Quick update and Star Wanderers cover previews

First off, I’m happy to say that Stars of Blood and Glory is coming along quite nicely. I’m currently finishing up with the last couple of chapters, and should have the first draft done by the middle of next week. Hopefully by then I’ll know if and when I’m starting my TEFL job overseas, but I’m sure I’ll have it finished before then.

This first draft is pretty rough, so I’m sure it’ll be a while before it’s up and ready for you to read. For some reason, this draft is extremely short–I doubt it’ll be much longer than 80,000 words. I don’t know if that means my writing has gotten tighter since Bringing Stella Home, or if I’ve unintentionally left too much out. I’ll probably let it simmer for a few months, do a quick revision, and send it out to some first readers, just like I’ve done for Heart of the Nebula.

In the meantime, I’m getting really excited to pick up work again on Star Wanderers. I’ve been workshopping part II in Kindal’s writing group, just to get some reactions. I’ll probably revise that part while I’m writing parts III and IV, getting it ready for publication after I hear back from Writers of the Future according to the serial model I outlined previously.

I’m so excited, in fact, that I went ahead and made some mock-ups for the cover art!

Pretty cool, huh? These make me sooo happy. 🙂

I’m not quite sure if this is the right design, though. Star Wanderers is very much a science fiction romance, and while these covers definitely scream “science fiction!” they don’t really seem to say “romance!”

My original idea was to use these as backgrounds and commission an artist to do some character portraits from the waist up, using one portrait each for the foreground. But then again, that might make the covers a bit too complicated. I can always redo the first one to get rid of the planet, keeping the galaxy–the other ones probably wouldn’t be so bad with a character in the middle. But then again…

I don’t know. What do you guys think? If you saw one of these covers while browsing for ebooks, what kind of impression would it give you, and would you be interested in checking it out?

(By the way, I made the covers with Celestia. Coolest. Space simulation. Ever.)

EDIT: I decided to redo the first cover; the planet wasn’t quite doing it for me. I’m not sure if that means I should redo the cover for the third part, since that one is a heck of a lot more colorful than the others…hmm. We’ll have to see.

Trope Tuesday: Celibate Hero vs. The Fettered

schlockreverend — Yes, there are still good men out there...and they tend to know who's boss.

I’m mashing up two tropes this week because I’m not satisfied with the one. There are a bazillion tropes about characters who are sexually active, but very few about sexually chaste characters that don’t portray them as weak, clueless, or socially inept.

According to tvtropes, a celibate hero is a main character who “doesn’t do the romance thing.” Unlike the chaste hero, who is just clueless, the celibate hero has made a conscious decision not to engage in sexual relations or get tied down in a relationship. There may be any number of reasons for this, but it usually comes down to some combination of Love is a Weakness, Love Hurts, and It’s Not You, It’s My Enemies.

(As a hilarious example of this: TESLA!!!)

But what about the character who isn’t necessarily opposed to romance, but feels that they should wait until marriage to have sex? Unfortunately, this trope is pretty rare nowadays. I can only think of two mainstream examples: Edward from Twilight and Reverend Theo from Schlock Mercenary.

Theo in particular is a great example of this, because he’s not clueless, he’s not weak, and he not only gets the girl, he gets the girl that everyone wants. The only reason he holds out is because his religious order forbids sex before marriage. It does permit priests to marry, however, so Theo does manage to balance the two.

So why are characters like this so rare? Unfortunately, I think it comes down to the widespread notion that a true man isn’t a virgin, and that sex makes people cool. If we accept these tropes as true, then that means that men who exercise self-restraint are actually weak and pitiful, and couples who choose to wait are pathetic losers.

It’s worth pointing out that both Edward and Reverent Theo were created by writers who are practicing Mormons–people who belong to a religious community where it’s still the norm to wait until marriage. If literature is the way that the culture speaks to itself, then this goes to show just how unrestrained the rest of Western society has become.

This is why I think that the better trope for this kind of character is The Fettered. Unlike the celibate hero, who usually gives up sex for some kind of external reason, the fettered gives it up as a matter of principle. Living by his ideals isn’t easy, and he’s constantly tempted to give in and break his moral code. However, by resisting these temptations, the fettered gains great strength, and can stand like a beacon of light in an otherwise disillusioned world.

This is actually something that I tried to do with my latest novel, Desert Stars. The main character, Jalil, is a man who believes in honor, and follows a code of abstinence before marriage. However, to manipulate him into staying at the camp, his father charges Mira, the female protagonist, to seduce him. Since the fettered’s strength is also his greatest weakness, if Mira can get Jalil to sully her honor, then out of shame he will return and marry her.

The catch? She actually has feelings for him, and doesn’t want to manipulate him in this way. In this way, merely persuading him to have sex isn’t a win condition–in fact, if done in the wrong way, it could be a very serious “game over.”

Whether or not I actually pulled it off well is up to the readers to judge. But one thing I was definitely shooting for was to write a character who fulfills this trope in an unconventional yet powerful way. And if you’ll permit me to step onto my soapbox for a little bit, I think our culture desperately needs more heroes like this–heroes who show that real men are capable of self-restraint, and that following a moral code is still cool, even if it means waiting to consummate a relationship.

To publish or not to publish?

That’s what I’m wondering about right now with my latest project, Star Wanderers. The full-length novel isn’t complete yet, but the first part forms a self-contained novelette that has been sooo much fun to write.

The story takes place in the Gaia Nova universe, about five hundred Earth years before the events of Bringing Stella Home. The main character is a 20-something boy who, as is customary in the outworlds, left his home to wander the stars, searching for a suitable place to settle down and start a family.

While visiting a remote space station, he unwittingly gets roped into marrying this girl, whose father is trying save her from starvation by sending her away. The problem, though, is that neither the boy nor the girl speak the same language.

So basically, he just wants to drop her off at the next port and be done with it, while she thinks that she’s his wife and is trying to live up to those expectations. Over the course of their voyage, though, they gradually fall in love and become a couple. That’s where the novelette ends, and the second part of the novel begins.

Because I’m a total dork, I looked up all the major tropes in Star Wanderers on tvtropes. Here’s just a few of them:

So yeah, I’m really excited to share this story with people. The only problem is I want to submit it to the Writers of the Future contest, and I’m not sure if they’ll consider it if it’s already self published. The contest guidelines say that all the rights remain with the author, and defines “professional publication” as something with >5,000 sales/downloads, but that doesn’t say whether it’s okay to publish the piece you’re submitting. I’ll probably have to shoot someone an email or something.

In any case, I’ll probably put up the first part of Star Wanderers before I publish the novel. For everyone who’s signed up for the newsletter, I”ll probably give it out as a free ebook. If Writers of the Future is okay with it, I’ll do that in the next month or so; if not, I’ll submit it to the contest first and wait to see what happens.

But either way, I really want to share this story!

Just following my bliss

They say the way you know you’re a writer is if you can’t not write. Well, last week I had the gratification of experiencing that again firsthand.

For all of August, I was more or less betwen projects and not writing a lot of new material. I’d just epublished Bringing Stella Home and was busy getting Sholpan ready for epublication. Then Worldcon happened, and my writing dropped off precipitously. I tried to get back in a groove, but found it difficult to choose between projects, none of which seemed to fit my writing schedule.

And then the creative half of my brain said “screw it” and ran off on an idea that came from practically out of nowhere.

It all started when I was taking a power nap after a long day at work. For some reason, my mind wandered to Jeremiah Johnson, an old Western with an awesome love story.

In the movie, Robert Redford unkowingly insults an indian chief by giving him several captured scalps. The chief must return with a gift of equal or greater value, and so gives Redford his daughter, who doesn’t speak a word of English. At first, things are hilariously awkward, but over time they grow into a beautiful and touching relationship.

Well, as I lay there thinking about the movie, I wondered: what if the same basic storyline were set in space? Instead of a mountain man, the protagonist would be a space explorer / interstellar merchanter. Instead of an indian chief’s daughter, the female protagonist would be the daughter of a station master whose colony is facing severe famine and widespread starvation. When the merchanter boy unwittingly shows up at the doomed colony, the station master coerces him into taking his daughter to save her life. And so, for the next two months, the boy finds himself crammed into a tiny little ship with a girl who doesn’t speak his language. Hilarity ensues.

At first, I thought I’d keep it as a short story, but…yeah, that didn’t last long. The more I run with it, the more ideas keep coming to me–ideas that I haven’t played with in a couple of years. The story is set in the same universe as Gaia Nova and Bringing Stella Home, but about a thousand years earlier, back when things were, shall we say, more primitive. I still don’t know where this story is going to take me, but I can tell it’s going to be a lot of fun.

The best part is that even if I expand this into a full length novel, the first part stands on its own so well that I could probably submit it to Writers of the Future. That never happens! It’s been years since I submitted to the contest; I always wanted to send something, but all I could ever write was novels with long, complex beginnings that couldn’t be cut off at the 17,000 word mark.

Anyhow, the working title of the novel is Star Wanderer (I can’t believe it’s not already taken), and it’s probably going to end up around 80k words or so. I only have a vague idea at this point, but it’s much more intimate and personal than epic in scope, so I don’t expect it to go much longer. I’ll probably finish the first part sometime next week and start looking for some first readers. I’d like to finish the rough draft before I start the Desert Stars revision in October, but we’ll see whether that works out.

As for Edenfall, don’t worry, I’m still working on that project too. One of the advantages of writing longhand is that it’s much easier to pick up and just go; instead of having to stop and think about what needs to happen next, the physical act of writing is slow enough that the ideas come much more organically. I might not finish it before October, but if I can juggle it with Star Wanderer, I can probably juggle it with Desert Stars. In any case, it’ll be good to work on new material and keep my writing sharp while I’m doing the revision. We’ll see how it turns out.

So that’s what I’ve been up to in the last week. I only wish I were doing this full time, so that I could spend all day working on these stories. Soon, inshallah.

Edenfall update

So I haven’t exactly gotten into a good writing routine yet, but Edenfall is coming along pretty well. I’m just about finished with the first chapter, and the dominoes are already starting to fall.

It’s fun to revisit the world of Genesis Earth, but I’m not going to get too bogged down in recapping the events of the first book or setting things up. I hate it when sequels do that. Fortunately, since the majority of this story is going to be from a new character’s point of view (Michael and Terra’s oldest daughter), I don’t really have to do that, except to lampshade some of the worldbuilding.

One thing I need to do is get more in the mood of the first book, which was a lot more introspective and big-picture than my other science fiction. To do that, I found an excellent collection of videos called The Sagan Series. Here is my favorite:

Man, I get shivers every time I watch that. “Sailors on a becalmed sea…”

Another good video is this one from The Piano Guys:

I know it says “Southern Utah,” but you could substitute that for “Icaria” and it wouldn’t be that far off. In particular, the night clip from the bottom of the slot canyon at 2:05 looks like something straight out of Genesis Earth. Throw in some primitive natives, a few giant lizards and various avians and insectoids, and you’re pretty much there.

I’m still adjusting to writing in longhand, but so far I think it’s going to work out well. Because the writing process itself is much slower, it’s much more time intensive but surprisingly easy to jump in and get started. Once I’ve got some momentum going, I think the story will practically write itself.

I do have a confession to make, though. A couple days ago, I had an idea for another science fiction story that was just so awesome I decided to run with it. At first, I thought I could keep it down to a short story, or perhaps a novella at most, but…well, I think it’s going to be a bit longer than that.

Don’t worry: Edenfall is still my primary project, and if juggling them both becomes too difficult (which it probably will), I’ll put this new one on the back burner until Edenfall is finished. It’s kind of a guilty pleasure anyways, a sci-fi romance that draws heavily on tropes from old westerns (Jeremiah Johnson in particular). I have no idea where it’s going to go (well, nothing more than a vague idea about the twist at the end), but that just makes it all the more exciting to write.

So anyhow, that’s what I’ve been up to these last few days. Now if you’ll excuse me, I need to get back to writing. See you around!

Worldcon 2011: Friday

Wow, it feels like the second day of Worldcon was forever ago. Usually, Friday is the first real day of a convention, but since Thursday was the first full day of Worldcon, that wasn’t the case.

I don’t remember a whole lot from it, but there were a few really awesome panels.

In the morning, I went to a social networking panel with Tee Morris and Cory Doctorow, among others. Awesome, fast paced discussion–pure gold, every second of it. The main takeaway I got was to try out everything, but only stick with the things I actually enjoy. There are lots and lots of ways to use social networking tools, and if something is compelling but not enjoyable, it’s not much better than a life-killing addiction. Also, Facebook is the equivalent of high fructose corn syrup.

In the afternoon, I went to a panel on romantic elements in science fiction, with Louis Master Bujold on it, among others. She made perhaps the most interesting point I heard all weekend: that in romance, women typically write about love and life, whereas men typically write about love and death. SO TRUE. It happens all the time in my own work, to the point where you can set your watch by it.

After a long and tiring day, I took off a couple hours before the parties just to decompress (and also blog about Thursday, as you may have noticed). Got caught up on David Gaughran‘s blog, which as usual had some interesting analysis about the latest news in the ebook revolution. And then…well, let’s just say I got into a little bit of a discussion with a senior editor at Tor about ebooks and whether it’s a good idea now to self publish. His parting shot: “You’re not going to win this argument!” To which I wanted to respond: “I don’t care about winning it with you; I care about winning it with the readers.”

Seriously, when it came to ebooks and epublishing, almost every editor, agent, and author at the convention either had deer in the headlights syndrome or was in outright denial. It’s gotten to a point where they can’t ignore it, but literally everyone who brought up the subject on a panel either dismissed all successful indie writers as outliers, or brought up the flood-of-crap argument that so many people have already debunked. I don’t think the publishers are quite as stupid as the record labels in the late 90s…but seriously, they aren’t much better.

Not that I was purposefully trying to be antagonistic. I only brought up the subject with that particular editor because I knew I didn’t have a chance with him. For the most part, all I did at the con was listen and observe. But man–there’s a lot of willful ignorance out there. And after a while, that made me a little disillusioned with the whole convention…but more on that later.

Suffice it to say, Friday was a long and eventful day that went by so quickly I’ve forgotten almost everything else that happened.

Into the Nebulous Deep 1.1 is finished!

That’s right; my fifth novel, Into the Nebulous Deep, is finished! Here are the stats:

ms pages: 447
words: 101,215
file size: 230 KB
chapters: 20
start date: 7 March 2011
end date: 14 May 2011

And the wordle:

This novel is a direct sequel to Bringing Stella Home, and takes place within the same universe as Worlds Away from Home (note to self: find new title for that one). I got the idea for the novel from a conversation with one of my first readers for BSH, who mentioned that James didn’t get a whole lot of closure at the end and still had a lot of maturing to do. Immediately, I saw that there was a story there, and got to work figuring out how to tell it.

This was back in October, and like so many other things, the project quickly started going in about twenty different directions. I was still on something of an sf romance binge, so I decided to throw in a love story, and that quickly turned into a love triangle with a weird sf twist. But then, I started getting interested in the girls’ stories, which led to other subplots, which led to more stuff…and…and…

Actually, for a rough draft, I feel I pulled it off pretty well. I dropped the ball on some aspects of the story (didn’t develop the techno-democracy elements of the Colony hardly at all, and dropped James’s sidekick without giving his character a satisfying arc), and forgot to throw in other stuff until well past midway through (the wolf vs. sheepdog debate–Lars has a rather feisty take on that, which should be interesting), but I think the overall structure is mostly intact. For a rough draft, I’m rather pleased.

Of course, it will need a major triage edit before I can send it out to any first readers. It has problems, I know what they are, and I need to give the draft a major overhaul to get it to the point where feedback would be helpful.

But after ten weeks of working on this thing, I’m ready to move on to something else. Next up: my second revision of Worlds Away from Home. I am sooo stoked to get working on this project–it’s going to be AWESOME!

The song that had the biggest impact on my as I wrote ITND was probably this remix of hot head bop on ocremix. I think the lyrics sum up James’s character pretty well, especially in this book:

Now, onto other exciting things!

Looking for alpha readers and planning the next project

Worlds Away from Home 2.1 is going along well. I had a hard time switching from Bringing Stella Home back to this other project, but I’ve got some good momentum going and assuming no major interruptions, should be able to do about 3k words a day for the rest of the week.

Then again, if I get interrupted by work, that might be a good thing…

The second draft is going to be pretty rough, but good enough to start sending out to alpha readers. Anyone want to volunteer? It’s basically a far future love story on a planet with desert-dwelling tribal nomads who drive micronuclear powered dune buggies and centuries-old arcologies under giant continent-sized domes. Earth is an ancient, mythical legend, and roving bands of starfaring nomads stand poised to crush the galactic empire.

I hope to be finished with the second draft by March 1st, and I’d want to get feedback no later than the end of April. If you’ve been one of my alpha readers before, or if we’re friends IRL, let me know if you’re interested.

So earlier today, I was thinking about the project I want to do after WAFH–a sequel to Genesis Earth. I’ve been toying with the idea of releasing GE as an ebook, but I don’t want to do that until I have a sequel in the works. Anyhow, I was thinking of ideas for the title, and out of the blue, it struck me:

EDENFALL.

Kind of plays on the subtle Adam and Eve theme of the first one (and no, Genesis Earth isn’t technically a sci-fi Adam and Eve story…but it kind of evokes one). I like it because it fits well with my ideas for the story, which basically center around shattering the Edenic paradise that Michael and Terra reach at the end of GE.

I’ve got a lot of ideas for this book, and I think they’re reaching a critical mass. Just last month, I came up with a great name for the main female protagonist: Estee. She’s the eldest daughter of Terra and Michael, and kind of takes after her mother’s personality. The male protagonist will be a young soldier from the military force sent out by panicky Earth officials to neutralize any threat on Icaria–which gives the commanders of the expedition a broad mandate to do whatever the hell they want. As you can imagine, conflict ensues.

I know how this story begins, and I know how it’s supposed to end (and thereby set things up for an awesome third book in the trilogy), but I have no idea how to build things up to the crazy twist ending. It’s going to require some serious worldbuilding, and that’s going to take some time. Daydreaming is such hard work, after all.

Anyhow, I should be ready by the time I finish WAFH 2.1. As an experiment, I’m going to write the rough draft entirely in longhand. Am I crazy? Perhaps. But I also want to spend some time in the Utah wilderness for inspiration while I’m writing it, so pen and paper is probably the best medium for that.

So those are my plans. To close, let me link to this awesome cover of “Something About Us” by Daft Punk. Now that’s some sweet theremin action…enjoy!

Merchanter’s Luck by C. J. Cherryh

He was a down and out merchanter, the captain, crew, and sole proprietor of a run-down bucket of bolts spacecraft. She was a daughter of one of the finest starfaring clans, with seven hundred cousins standing between her and the one thing she wanted more than anything else: command of a starship.

They met at Pell during the height of the Company War–the key strategic point on the border between Union and Earth. Their fateful meeting would affect not only the outcome of the war, but the course of their own lives–for the starship Lucy of Wyatt’s Combine was not at all what she seemed to be.

Before I review this book, I need to issue a disclaimer: you probably aren’t going to enjoy it very much unless you’ve already read Downbelow Station. Cherryh isn’t the best at easing her readers into her worlds, and without the background on Union, Alliance, and the Company War, you’ll probably be hopelessly lost.

That said, I absolutely loved this book.

The premise is so awesome. Space adventure hardcore, with a beautiful love story set amidst an epic interstellar war, where alliances are constantly broken and no one can be trusted…oh man, I LOVED this book!

While the premise seems pretty standard, C. J. Cherryh transcends the well-worn tropes and cliches of her genre by intimately developing her characters and working their motivations into the story until they are the ones driving the plot, and not the other way around.

Every character is unique, and though they act in ways that may seem strange to our modern sensibilities, there are always reasons for everything they do, cultural or otherwise. As windows into their far-future spacefaring culture, they give the reader a wonderful view of Cherryh’s unique and marvelously constructed universe.

The thing that surprised me the most, however, was the sharp contrast between this book and Downbelow Station. While Downbelow Station traces the epic arc of the Company War through the viewpoints of a large cast of characters, much like Tolkien or Dune, Merchanter’s Luck focuses more on the characters themselves, in much the same way as David Gemmell or Ursula K. Le Guin. In other words, while Downbelow Station is comparable to “high” or epic fantasy, Merchanter’s Luck would fall closer to “low” fantasy or sword & sorcery.

The interesting self-realization I took from the book was that I’m much more interested in the intimately personal stories than the sweeping epic tale of the Rise and Fall of cultures and civilizations. I suppose that’s why I’m more of a David Gemmell nut than a Tolkien fanatic, and perhaps why I’m more into space opera and military sf than epic fantasy. In all of my novels, the focus is always on the individual characters and their personal conflicts, and whenever I get sidetracked and focus too much on the overworld story, it always falls apart.

Merchanter’s Luck definitely doesn’t get sidetracked, and that’s why I loved it so much. I fell in love with the characters almost from the very first page–from the blurb on the back cover, even. And most of all, I fell hopelessly in love with the starship Lucy:

You know you’re doing science fiction right when your readers bemoan the fact that they weren’t born in the 26th century, when they could command their own spaceship. C. J. Cherryh is an amazing writer, and if I had the chance, I would teleport into her Union-Alliance universe in a heartbeat.

If you love well-crafted far-future worlds and stories about the people that live in them, check out Downbelow Station (or really, just the first chapter–that’s all you need for a solid grounding) and read this book!