Trope Tuesday: The Alliance

In fiction, the fight against the Empire usually follows a clear progression.

First, you have the Resistance, a scrappy band of misfit freedom fighters who take up arms, barricade the streets, and fight back against all odds. Think Rogue One, or Les Miserables.

If they aren’t immediately crushed, the Resistance eventually turns into the Alliance. Only slightly more organized than the Resistance, it’s still not unheard of for members of the alliance to turn on each other if the right opportunity arises. That said, when they’re united, the Alliance can muster a lot more firepower than the Resistance could ever hope to bring.

The Alliance is what happens when the local powers commit to the fight. It’s what happens when a low-level insurgency turns into a full-blown civil war. Whether or not everyone in the alliance trusts each other, together they have all crossed the Rubicon in the fight against the Empire.

If the Alliance is successful and defeats the Empire, it will either turn into the Republic or the Federation. The Republic is much more centralized and behaves like a single nation, whereas the Federation is a collection of semi-autonomous states united under one banner.

To pull a page from history, the United States started as the Resistance, with the patriots dumping the tea at the Boston tea party. With the Declaration of Independence, the Resistance turned into the Alliance as the minutemen became the Continental Army. With the Constitution of the United States, the Alliance became the Federation, which (depending on your reading of history) has either endured to the present day, or transformed into the Republic and/or Empire.

Star Wars used to have a very clear progression from Republic to Empire (episodes I-III) and Resistance to Alliance to Republic (Rogue One, episodes IV-VI, and the expanded Star Wars universe), but the new movies have apparently thrown all that out and moved us from Resistance to Alliance to… Resistance again? And the Empire went from Remnant to Empire, even after losing Starkiller Base in episode VII? Yet another reason why The Last Jedi really did not impress me.

In my own books, this progression figures prominently in Sons of the Starfarers. It starts with the Resistance in Comrades in Hope, but soon transforms into the Alliance and stays that way for most of the rest of the series. It’s on my mind right now, as I finish An Empire in Disarray and get ready to write the last book, Victors in Liberty.

 

Early January Update

The holidays are over. Blergh.

I don’t generally do well when my routine gets broken up by outside forces, which is why this blog has fallen by the wayside for the last week or so. I’m also not very good at creating structure in my life where none exists, so during times like the holidays I don’t tend to do very well. This is definitely a skill that I need to work on.

In any case, the holidays are over, which means it’s time to get back to work. Thank goodness!

I am about 10,000 words from finishing my current WIP, An Empire in Disarray. With the work on my friends’ basement finished and my roommate starting school in Salt Lake today, there shouldn’t be any more interruptions between now and the end of next week. This bodes well.

When that’s done, I’ll jump right into work on Victors in Liberty. I’ve got to admit, there are other projects I’d really like to work on right now, but finishing Sons of the Starfarers takes priority.

The series was supposed to be finished way back in 2015. But I underestimated the volume of work I’d taken on—and that was before I got a girlfriend. I fell behind on my writing as the relationship got really serious, and then we broke up, which didn’t help with productivity either.

Long story short, I did a lot of things wrong back in 2014. But I learned from my mistakes, and I think my books are better because of it. So instead of finishing up Sons of the Starfarers in 2015, I’m finishing it now in 2018. And then I’m moving on to other projects.

Edenfall is at the top of that list. It’s been years since I started the Genesis Earth trilogy, which is another ball that I’ve dropped. Genesis Earth does stand alone, but I’ve been promising to finish the trilogy since I published it in 2011, and judging from the reviews (as well as the slow but remarkably steady trickle of sales), this is a WIP that deserves to get priority.

One thing I’m really trying to do this year is to get better at structuring things: my writing, my publishing and marketing efforts, my daily routine, etc. Towards that end, I’ve put together a publishing schedule for 2018. Here it is as it stands at the beginning of the new year:

  • JANUARY — Patriots in Retreat (Sons of the Starfarers, Book 6)
  • FEBRUARY — The Janus Anomaly: A Short Story
  • MARCH — A Queen in Hiding (Sons of the Starfarers, Book 7)
  • APRIL — Time and Space in Amish Country: A Short Story
  • MAY — An Empire in Disarray (Sons of the Starfarers, Book 8)
  • JUNE — Lizzie-99XT: A Short Story
  • JULY — Victors in Liberty (Sons of the Starfarers, Book 9)
  • AUGUST — Edenfall (Genesis Earth Trilogy, Book 2)
  • SEPTEMBER — Sholpan
  • OCTOBER — The Sword Bearer (The Twelfth Sword Trilogy, Book 2)
  • NOVEMBER — In the Beginning: A Short Story
  • DECEMBER — Gunslinger to the Galaxy (Gunslingers Trilogy, Book 2)

Lots of book 2s and finishing series. I suppose you could say this is the year where I start to finish what I’ve started.

And while the schedule may seem a bit daunting, the first four books are already ready to go, with Patriots in Retreat and A Queen in Hiding already up for preorder. Of the ones that are left, half are already written. So even though it seems ambitious, it’s actually quite doable, even if something crazy happens and I end up eloping to Mongolia before the end of the summer.

So that’s what I’m up to. I’ll get back to blogging as I can, but my first priority is writing, followed closely by publishing. Lots of behind the scenes stuff happening which I don’t have time to get into right now.

Take care, and thanks for reading!

Joe

Trope Tuesday: The Chessmaster

The Chessmaster is a fun trope, especially when done well. A good villain is always at least one step ahead of the good guys, so when it turns out that he’s three or four or ten steps ahead of them, it can make for some interesting plot twists.

Of course, the chessmaster isn’t always the bad guy. Sometimes, it turns out that the mysterious figure behind the scenes pulling all the strings is actually working for good, even though he may sacrifice a few pawns along the way. Or is he? There’s always that tension, simply because of the chessmaster’s manipulative nature.

I’ve played it both ways. The last time I wrote a chessmaster was Gunslinger to the Stars, but the Patrician in Heart of the Nebula definitely also qualifies. In both cases, the character was introduced as a mysterious employer. I won’t tell you which one was the bad guy, and which one was the good guy.

I’ve never written a story from the perspective of the chessmaster. I imagine it would be quite difficult, since all of the plot twists would have to be telegraphed and/or th reader would have to be kept in the dark about the main character’s plans. Dune is an excellent example of the former, but I can’t think of any good examples of the latter. The Davinci Code comes to mind, but the way it kept the viewer in the dark (seen the movie, haven’t read the book) didn’t work for me.

Even as a non-viewpoint character, the chessmaster can be difficult to write. Careful plotting is key, of course, but so is the iceberg principle. For everything the reader can see, there has to be a bunch of stuff beneath the surface that they can’t see. It doesn’t require the same level of detail as the surface level stuff, of course, but you have to at least have an idea of what the chessmaster would do if the story went in a very different direction. Even if the chessmaster never reveals those plans, you can bet that he still has them figured out.

In part, this is what made Heart of the Nebula so difficult to write. The final draft bears little resemblance to the first draft, with characters and subplots cut out or combined with others. Still, I’m satisfied with how it turned out, and it seems that the readers are as well.

In Sons of the Starfarers, Gulchina isn’t a chessmaster so much as a magnificent bastard with delusions of grandeur. She has plans and does tend to be three or four steps ahead of everyone else, but she’s less interested in manipulating events than she is in manipulating people. Her ultimate goal, as revealed in Captives in Obscurity, is to establish a proud warrior race that will one day wipe out and take over both the Empire and the Outworlds. She doesn’t know how that’s going to happen, but she knows what needs to be done to lay the foundation for that work.

The chessmaster is a challenging trope to write well, but I’m sure I’ll use it many more times in the future. The storytelling potential is just too great to leave it out.

Yeah, about that deadline…

They say that every battle plan falls apart upon contact with the enemy. Well, it seems I have misjudged mine. Not only are the holidays upon us, but my friend needed an extra hand on his crew to finish another friend’s basement, and I could certainly use the extra cash. An Empire in Disarray is going to be on hold until the new year.

The good news is that this shouldn’t impact the release schedule. Patriots in Retreat is finished and set to release on January 19th. The important thing now is to get A Queen in Hiding up for preorder before then.

Things are going to be a little crazy for the next couple of weeks, and not only because of the holidays. Take care!

Pantser vs. plotter? There is no such thing

I have come to the conclusion that the “pantsing vs. plotting” way of thinking about writing is as impractical and useless as nature vs. nurture, or talent vs. learned ability.

Are you a pantser who discovery writes from the seat of his pants, or a plotter who has to outline every character, every plot point, and the whole world first? Well, that’s about as useful as asking whether you were born stupid or whether you were taught to be. Probably a combination of both.

The pantsing vs. plotting dichotomy is something I learned early on, when I was just starting out as a writer. At the time, it seemed like a useful distinction to make. Beginning writers tend to make a lot of mistakes, and those range from world-builder’s disease (where you spend all your time outlining instead of actually writing), to rewriting the first chapter into oblivion, to writing yourself into a corner and having all your characters scream at you. It’s amazing how many things you can get wrong. By dividing these things up into pantsing problems vs. plotting problems, it was helpful to figure out how to fix those.

But then you start to identify with one side or the other, and that leads to an entirely new set of problems. Because the truth is that to write well, you need both. A pure pantser often writes himself into problems that he can’t easily get out of, or misses key elements that render the rest of the story moot (like “if only these two people would talk with each other, the obstacles to their romance would all go away” or “if only Hermione would use the time-turner to stop Voldemort from becoming the dark lord, no one else would have to die”). In contrast, a pure plotter often writes stories that are too mechanical and predictable, telegraphing every plot turn and reducing every character into an avatar for some theme or idea.

So, while thinking of it in terms of pantsing vs. plotting may be useful for the beginning writer in diagnosing the areas they need to work on, I’ve found that it’s not particularly useful for the professional writer. In fact, it can be damaging.

For the last several years, I’ve considered myself to be a pantser. Discovery writing is my mojo—give me a few good ideas and the barest outline of a plot, and I’m off to the races. Except… I always tend to stumble and fall in the middle. In fact, I often have to throw out entire chapters or set a story aside for months at a time, to “let the ideas percolate.” For the last several years, that’s been my modus operandi.

Until now.

With Son of the Starfarers, I’m working on a set of very tight deadlines to finish the damn series as quickly as I can. It took way too many months to write book 7, and I can’t afford to take that much time for the last two books because that’s time I’m robbing from other projects (like Edenfall or Gunslinger to the Galaxy or The Sword Bearer). As a pantser, I can write any book if given an infinite amount of time, but that’s not practical. I need to find a new way to write, one that maximizes my efficiency.

And I think I’ve found it. I’m still tweaking it, of course, but it involves <gasp!> outlining. But wait—I’m a pantser, not a plotter! Except, it turns out, that I’m not. Because no one is.

Pantsing vs. plotting does not describe the writer so much as the method of writing. It’s not a question of where you fall on the spectrum, it’s a question of whether this particular project requires more discovery writing or more outlining. And it turns out out that there are ways to outline stories that actually make your discovery writing better. Every battle plan falls apart upon contact with the enemy, but you need the plan to know which direction to march your troops.

In the next few weeks, I’ll go over some of the new outlining methods I’ve been trying out. It took me almost five months to write A Queen in Hiding, struggling over multiple drafts, but it’s been only four weeks since I started An Empire in Disarray and I’m more than 2/3rds of the way through it, with a clean first draft, and I’m on track to have something finished and publishable by the end of next week. There are still a few kinks in the process to work out, but I think I have it down well enough to share.

So if you consider yourself a “pantser” or a “plotter,” and you’re still struggling to write as much or as well as you’d like, I’d urge you to revisit your basic assumptions about your writing process. That’s what I did, and it’s made all the difference.

WIP excerpt: A Queen in Hiding

The arrival of the starfarer caused stirred a great deal of excitement at Little Gaia. Eve couldn’t remember the last time a man from the stars had visited their humble space station. As one of the few unmarried and eligible girls, she took extra notice of the rumors.

Old bald Thomas, the station’s geneticist, said that the starfarer’s arrival was a miracle. His wife Ethel was the matchmaker, and together they did more to determine the fate of the colonists’ lives than even the station master himself. They were the ones behind every betrothal and wedding. They were the ones with veto power over any proposed marriage. Before she could even walk, the course of Eva’s life had already been set, with her choice of suitable husband reduced to only three. Two of them were already married men more than twelve years her senior, and the last was a childhood friend that she would almost certainly have to share.

So when the mysterious starfarer declared his intention to settle down permanently, it provoked no small stir of commotion.

Almost at once, Eve’s life began to turn upside down. Ethel and old bald Tom immediately selected three young women for the starfarer, but the first of them refused. Predictably, this outraged old bald Tom, causing a small scandal.

“I hope you won’t be so obstinate,” he told Eve privately. “It’s been almost a generation since we had an opportunity like this. Without new blood, our colony is doomed to perish.”

“Don’t worry,” she reassured him. “I’m happy to wed the starfarer.”

“Good. And I hope your union will be blessed with many children. Stars know that’s what we need.”

The second woman was Astrid. She was only two years older than Eve, though growing up, they had never been more than friendly acquaintances. Eve had never expected to share a husband with Astrid, so she had never made a special effort to be close to her. Now, all that had suddenly changed.

Astrid reached out to her first, shortly after the engagements had been arranged. They met privately in Eve’s family apartments, the stars spinning silently through the windows underfoot.

“I sincerely hope you harbor no hard feelings for me,” said Astrid. “Please know that I have none against you.”

Eve smiled and gave her future sister wife a reassuring hug. “Of course I don’t, Astrid. I always expected to share a husband.”

“I wish I could say the same.”

Astrid’s grandfather had been a star wanderer from beyond the Good Hope Nebula, giving her some of the best genetics in the colony. From the way she had kept herself aloof in her earlier years, Eve had always assumed that she held this above everyone else. The desperation in Astrid’s voice surprised her.

“Can I ask you a question?” she asked.

“Certainly, Eve.”

“Why choose to marry the star wanderer? With your gentics, you could have your pick of almost any boy on the station. Why him?”

Astrid swallowed. “If you’re asking why you have to share him with me, I—”

“No, no, not at all,” said Eve, putting her hand on Astrid’s arm. “Please don’t take it that way.”

The moment passed awkwardly. Astrid smiled, but the tension still hung in the air.

“There’s more to matchmaking than genetics,” Astrid said at length. She didn’t offer any more of an explanation, and Eve didn’t push her for one. They spent the next two hours talking to each other, and by the end, they were much closer than before. But still, the unspoken questions hung over them like something rotting in the bulkheads.

Before the marriages could be solemnized, the laws of Little Gaia stated that the betrothed must be given an hour alone together, in total privacy without any outside interference. Afterwards, if either of them desired to cancel their vows for any reason or none at all, it was their legal and moral right to do so. Of course, Astrid and Eve weren’t to go in to the star wanderer together. Each would have their hour alone with him.

Astrid went first. The station master’s office was the designated room, since it was one of the few living areas on the station with soundproof bulkheads. She wore her finest red silk dress, handed down as an heirloom from her grandmother, with a silver girdle inlaid with opals. Eve didn’t have anything nearly so fine.

The hour passed like a neverending eternity. Eve sat outside the office, her emotions vacillating from fear to impatience and back again. She’d heard stories about what couples did in their alloted time alone together, up to and including sex. Things that wouldn’t otherwise be permitted were fair game, since no one would ever have to know.

The hour finally passed. Eve stood breathlessly at the door, waiting for Astrid to emerge. When another full minute passed without any indication from inside, Eve wondered if perhaps she should knock. But before she could, the door slid open and Astrid stepped out.

“Well?” said Eve, her heart pounding nervously.

Astrid stared off as if distracted by something down the hall. Her hair was a little messier than it had been before she’d entered, and her dress was wrinkled ever so slightly. Eve’s gut began to clench.

“Astrid?”

“Oh,” said Astrid, suddenly noticing her. She gave her a smile, which Eve weakly returned.

“Well?”

“Eve, your face is pale. Are you all right?”

I could ask the same of you, Eve thought silently. She shook her head and looked away.

“I’m fine.”

“That’s good.”

An awkward moment of silence passed. There were a thousand questions Eve wanted to ask, but none of them seemed appropriate, and Astrid wasn’t volunteering any answers. In fact, she went right back to staring off at the distance, as if Eve weren’t even there.

“Well,” Eve said at length, “I guess I’d better go.”

“Wait.”

Astrid lay her hands on Eve’s shoulders and looked her in the eye. Her expression was suddenly serious. A chill ran down Eve’s back.

“What is it?”

“Tomas, our future husband, he’s—how do you say?—a telepath.”

She frowned. “A telepath?”

“Yes. Not just him, either. He’s one of many, and now I—I don’t know how to put it. But if you don’t want to go in to him, that’s okay.”

She gently took Astrid’s hands and eased them off of her shoulders.

“Please don’t scare me like this, Astrid.”

“I’m sorry. I’m not trying to—honest.”

“Is he… dangerous?”

“What?” Astrid laughed. “No, of course not. Well, he did used to be a pirate, but those days are behind him now. He just wants to settle down.”

How do you know so much about him?

“Eve,” said Astrid, putting a hand on her arm. “There’s nothing to be afraid of.”

“Then why did you say it was okay if I didn’t want to go in?”

“Forgive me. What I meant is that you don’t have to let him read your mind. If you do, you won’t ever be the same.”

Her words were not reassuring in the least. By now, Eve’s heart was pounding something awful. But she swallowed and nodded, steeling her nerves.

“Thank you, Astrid. I’ll keep that in mind.”

Spontaneously, Astrid gave her a hug. It was one of the most open and honest hugs that Eve had ever received. They held each other for several moments, Eve’s nervous heart still fluttering.

The station master’s office was one of the most richly furnished rooms on the station. An ornate blue and gold rug graced the floor, the geometric design breathtaking in its detail. The table that sat in the center was made from authentic wood, its legs gilded with gold. Hand-woven and highly stylized tapestries depicted the history of the small colony from its founding nearly ten generations ago. Plush, oversized divans ringed the walls, with dozens of tasseled pillows strewn about for additional comfort.

The star wanderer sat on the far side of the room, his arms resting comfortably along the back of the divan. He was healthy and young, with a head of thick brown hair and a trim, attractive figure. The moment his eyes laid hold of her, they never left. Eve stared at the floor demurely, unsure whether to sit across from him or on the same divan.

He gestured for her to join him, which shattered her indecision. Still, her heart pounded as she sat with her knees close together, only an arm’s breadth away. She looked up at him expectantly, but he did nothing to break the silence.

His gaze, for all its intensity, was surprisingly gentle. As she looked into his eyes, she realized there was no need to feel threatened by him at all. His clothes were foreign but simple, a gray uniform shirt that bore no isnignia with a synthleather jacket that had seen considerable wear. They gave him a roguish appearance that only increased his allure.

Should I say something? Eve wondered as the silence rapidly became unbearable. She remembered what Astrid had said about him being a telepath. Was he reading her thoughts even now? If so, what did he think of her.

He leaned forward and put a hand on her knee. A thrill of excitement shot through her body at his touch.

“Hello, Eve,” he said, his eyes never leaving her. “My name is Tomas. Astrid told you about me, didn’t she?”

Eve’s eyes widened. “You—how can you—I thought you couldn’t speak our language.”

“I can, with Astrid’s help. She’s shown me much about your people. I hope that in time, you can show me much about yourself as well.”

He spoke slowly and carefully formed his words, but there was no doubt that he understood them. Eve cleared her throat and sat up straight, her hands in her lap.

“What would you like to know?”

He withdrew his hand from her. “Do you fear me, Eve?”

“No. I’m… just a little nervous, is all.”

“That’s understandable. Things always move quickly when a star wanderer settles down. I take it you didn’t expect to be marrying one?”

“No,” she admitted. “But I’m looking forward to it.”

“As am I.”

He leaned back and crossed his legs. “Astrid told you that I’m a telepath?”

“She mentioned it, yes.”

“Would you like to be one, too?”

Eve paused. “What do you mean?”

He held out his hand toward her. As she watched, a faint blue light traveled up his arm, growing brighter until it reached his palm. She realized that he was offering it to her.

“There is much that I can show you, Eve. But if we are to join minds, it must be your choice, not mine.”

She swallowed, unsure what to do. Astrid’s words came back to her, about how she would never be the same once she let him into her mind. But if they were to be married, wasn’t she supposed to give herself to him anyway? She’d never heard of anything like this, but it didn’t seem too much to ask.

Tentatively, she reached out her hand. As their fingertips touched, the pulse of light ran across her skin, sending chills in its wake. She withdrew and shut her eyes as it passed all the way to her heart.

A sudden wave of dizziness made her head spin. Though her eyes were closed, she could clearly see the station master’s office with all of its furnishings. Except it wasn’t the starfarer she saw seated on the divan. It was her.

She opened her eyes with a start. Now she was looking at Tomas again, but she could still see herself through his eyes. She could also see the hallway outside, where Astrid was waiting for her. That wasn’t all. Other images swam before her, of places she didn’t recognize—places she had never been. There was a dark, bare room with bars around the door like a prison, and a spaceous mausoleum with large, windowed coffins lining all the walls. She saw them as clearly as if with her own eyes.

“Take a deep breath,” Tomas advised her. “Put everything to the back of your mind except what you can see with your own eyes.”

She did as he told her, and the dizziness soon passed. At the same time, she felt a whole host of thoughts and emotions, none of which were hers. The cacophony in her mind was deafening, and she soon felt overwhelmed.

That was when the voice of the mother-queen spoke.

Be at peace, Eve. You are among friends.

The voice instantly brought calm to the chaos. It was quiet and still, yet it had a commanding presence that dispelled her confusion and fear. She saw, as if in a dream, a young woman whose body was covered in tattoos. The woman looked straight at her, and she realized it was no dream.

I am Reva, the mother-queen. I am in you, and you are in me. My voice brings peace to the chaos, and light to the children of the stars.

What is this?

You are one of us now, Eve. Your mind is melded to ours.

She instinctively reached out to Tomas, who put a hand on her shoulder. His touch was another point of familiarity that provided an anchor to her. She looked at him, and realized that he could read all her thoughts.

“What is this?”

“It’s a long story,” he began.

In the blink of an eye, his life’s history flashed before her mind. A modest childhood, on a colony much like her own. His departure on his father’s starship, full of excitement for the future. His first year as a starfarer, struggling to make it on his own. But then things began to change. A war had broken out in the frontier stars, spreading like fire from world to world. His starship lost, he had fallen in with a band of fearsome pirates, who had taken him beyond the most distant colonies to a hidden world where no soul had ever been. And there, something wonderful and terrifying had happened.

Reva closed her eyes and guided Eve through all of their collective memories since Star’s End. She seamlessly wove the disparate pieces into a narrative that encompassed the full breadth of their experience, from the awakening of the collective to Tomas’s departure and arrival at Little Gaia.

Eve gasped for breath. She felt as if she’d lived a dozen lifetimes in the space of a few minutes.

“Less, actually,” said Tomas.

“Beg pardon?”

He gently caressed her shoulders, bringing her back to herself. “It’s been less than a few minutes.” We can read each others’ mind, you know.

Is this what Astrid meant that my life would never be the same?

Yes.

Eve paused, unsure what to think about that. Until just a few moments ago, it would have terrified her. But now that her mind had been expanded, she felt as if a concourse of bright and fantastic worlds had suddenly opened up to her. All her life, she had only known the hundred and twenty two people on board her little station. But now, she saw worlds full of faces, friends, and family she’d never known. She felt the pain of loss and the joy of reunion, the thrill of victory and the despair of defeat. It was as if her whole life up to this moment had been cast in black and white, and only now had begun to take color.

It’s incredible, isn’t it?

The last thought came from Astrid. Eve reached out to her and saw, in an instant, all of her apprehensions about sharing a husband with a sister wife. Most of it was simply due to the uncertainty, and as Eve opened up in kind, her anxieties rapidly dissipated.

You really don’t hold it against me.

No, of course not. Why should I?

My mother was in a polygamous marriage, and it made her miserable.

Immediately, Eve saw everything: the years of toxic jealousy and rivalry, all kept scrupulously hidden from the public eye. Years of speaking as little to each other as possible, with passive-aggressive turf wars over every inconsequential thing. It was enough to drive anyone crazy.

Then why did you choose Tomas, when you could have had your pick of anyone?

Because all my life, the other girls have seen me as a threat. That’s the dark side of having good genetics. I would love to have a husband all to myself, but things can change quickly, and I’d rather marry an unknown than be trapped with a sister wife who hates me.

It all suddenly made sense to her. As she looked into Astrid’s mind, she couldn’t help but feel an overwhelming sense of compassion and empathy. She wasn’t the stuck-up girl everyone thought her to be. In fact, she was more like Eve than either of them had realized.

There’s no need to worry about sharing a husband, Astrid. I’ll be happy to be your sister wife.

Out in the hallway, Astrid quietly wept. Her relief was so strong that Eve herself was nearly brought to tears. If they had been in the same room, she had no doubt but that they’d embrace each other.

Thank you, Eve. That means a lot to me.

It’s the least I can do. We sister wives have to stick together.

We certainly will.

Tomas smiled. “I think this is the start of something wonderful.”

“Yes,” Eve agreed, cuddling up to him. He put his arm around her and kissed her long and slow. No longer were they strangers. As one kiss gave way to another, Eve’s fears and apprehensions melted away, and she felt as if she’d known her husband-to-be for a lifetime.

Late November Update

Is it time for another update? Why yes, I suppose it is.

Sons of the Starfarers is coming along quite well. Book 6, Patriots in Retreat, is up for preorder right now with a release date of January 19th. My editor just got back with the edits for book 7, A Queen in Hiding. Haven’t had a chance to look through those yet, but I will in the near future. Come January, that book will be up for preorder as well, with a release date of March 16th.

Right now, I’m writing book 8, An Empire in Disarray, with a hard deadline of 22 December (just before Christmas). Normally, I’d be panicking right now, but I’m trying out a new outlining method that seems to be working quite well. If everything works out the way I hope, I’ll finish up book 9 sometime in February and move on to other projects.

Looking back, it was a mistake to set out to write a nine-book series before knowing how the first one would do. If I could go back to 2009 and do it all over again, I’d stick to trilogies, where the first book stands well enough alone that I can abandon the other two books if it doesn’t gain much traction. That’s going to be my modus operandi from here on out.

So here are the trilogies I need to finish:

Genesis Earth Trilogy

This one has been outstanding for a long time. The first book did much better than I was expecting, and while its popularity has fallen off in recent years, it still gets very good reviews. For a first novel, I’m honestly surprised that this book has done as well as it has.

The second book, Edenfall, is still on the back burner for now. Partially written, partially outlined, it shouldn’t take more than a couple of months to get it done when I finally sit down to finish it.

As for book three, The Stars of Redemption, I have no idea because I haven’t even outlined it yet. Perhaps that’s what I need to get the ball rolling: outline the last book, so I know what has to happen in the second book. In any case.

Gunslingers Trilogy

Gunslinger to the Stars hasn’t done as well as I would have liked, but I enjoy this universe so much that I’m going to finish the trilogy if for no other reason than the fun of it. I’ve already written the first four or five chapters of Gunslinger to the Galaxy, and it’s coming along swimmingly. In fact, I’ll probably go right back to it after finishing up Sons of the Starfarers and call it a vacation. Expect to see more Jane Carter soon!

The Twelfth Sword Trilogy

I am super super excited to finish this trilogy—which is good, because the way the first book ends, it’s definitely not a standalone. Definitely not. Haven’t formally outlined it yet, but there’s a ton of stuff I’m going to throw into the second book, The Sword Bearer. Mercenaries, sorcerors, death mages, winged cataphracts, desert ruins, and mountain strongholds—it’s going to be great fun!

The Outworlds Trilogy

For a while now, I’ve been playing around with the idea of condensing all of Star Wanderers into a novel and then turning it into a trilogy. The first book will basically be made up of bits and pieces from all of the Star Wanderers novellas, spliced together to make a coherent novel. In particular, I’d like to expand on Noemi’s viewpoint and trim out some (or a lot) of the extraneous stuff that made the series drag on. Basically, turn it into less of a sci-fi romance and more of a classic space opera.

I’ve already started the sequel, Children of the Starry Sea, though I haven’t gotten past the first chapter. Where Star Wanderers is a series of novellas, though, Children of the Starry Sea is definitely a proper novel, and it would probably work a lot better to frame it as a trilogy than anything else.

I suppose it’s a bit like how Orson Scott Card turned a bunch of his early short stories into The Worthing Saga, which in my opinion is his very best book. I won’t unpublish any of the old Star Wanderers stuff, but I may just let it fade into obscurity as I push the other stuff.


These are the books that are on my mind. I’ve got to be honest: Sons of the Starfarers feels a bit like a ball and chain, but I’ve committed to finishing it and I’ll do my best to finish it well.

On the publishing front, there’s so much stuff I want to do that I’m having trouble keeping up with it all. My main goal is to get to 10k subscribers on my email list. Currently, I’m just shy of 4k. InstaFreebie has been hugely useful for that, but I’ve got to try other strategies as well. One of those strategies involves a new signup incentive, so if you’re already signed up for my email list, I’ve got a surprise for you soon.

So much stuff going on. I swear, this is the best depiction of what it’s like to be an indie author:

Patriots in Retreat now up for preorder!

For those of you who have been waiting for the next Sons of the Starfarers book, I have good news! Book 6, Patriots in Retreat, is now up for preorder and scheduled to release on January 19th, 2018. Check it out!

Patriots in Retreat

Patriots in Retreat

$9.99eBook: $2.99

Gulchina's betrayal has all but sealed the fate of the Outworld Confederacy. As world after world falls before the Gaian Imperial onslaught and the crew of the Merope-7 take losses of their own, a young Imperial agent must decide what she's truly fighting for.

More info →

Book 7, A Queen in Hiding, is with the editor right now and should be up for preorder soon as well, with a release date in March 2018. If all goes well, book 8, An Empire in Disarray, should be out in May, and book 9, Victors in Liberty—the final book in the series—should be out in July.

Thanks for reading!

Sorry for dropping off the face of the Earth

So this blog has been silent for a while—basically, ever since I said that the blog would be the last thing to get up to speed when I’m back to 100%.

Don’t worry about me, I’m doing just fine. Right now, I’m finishing up A Queen in Hiding and getting it ready to send out to my editor. I’ve struggled with this book so much, but it’s finally up to the somewhat ridiculous standards that I set for myself. Should be up for preorder soon.

Which brings me to Sons of the Starfarers. As I’ve said before, my goal is to publish the last four books in the series by the end of July 2018. Here are the publication dates that I’ve set:

  • Patriots in Retreat: 19 January 2018
  • A Queen in Hiding: 16 March 2018
  • An Empire in Disarray: 18 May 2018
  • Victors in Liberty: 20 July 2018

This is a slighly terrifying schedule for me, considering that I haven’t written the last two books yet. But I’ve outlined An Empire in Disarray quite thoroughly and should (fingers crossed) be able to put it out in the next forty days.

Lots of behind the scenes stuff going on to streamline my writing process. If it works the way I’m hoping it will work, I should be able to publish two or even three times as many books each year as I am right now. It would take several blog posts to give you the full run-down, but it basically comes down to writing clean first drafts and structuring the story before I write it. Still a lot of experimentation left to do, though, before I’m confident in this new method.

Starting next week, I hope to get the blog up and running once again with daily posts. There’s an awesome new YouTube series by the guys over at Extra Credits, and I definitely have things I want to say about it. Might make it into a regular thing. Also, a bunch of other stuff that I wanted to blog about but never really did.

Lastly, Patriots in Retreat is up for preorder right now! See, I told you there was stuff happening behind the scenes. Expect a lot more in the days and weeks to come!


Patriots in Retreat

Patriots in Retreat

When all else is lost, the bonds of war become a cause all their own.

Gulchina's betrayal has all but sealed the fate of the Outworld Confederacy. As world after world falls before the Gaian Imperial onslaught and the crew of the Merope-7 take losses of their own, a young Imperial agent must decide what she's truly fighting for.

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About the Book

When all else is lost, the bonds of war become a cause all their own.

It is the Outworlds’ darkest hour. Gulchina’s betrayal has eliminated the Outworld Confederacy’s only strategic advantage in their war for independence. As the full force of the Gaian Imperial Navy bears down on them, defeat is all but inevitable.

Mara Soladze fully expected to lose the war. It is not her own life that she fears for, however, but the lives of her men. As world after world falls before the Imperial onslaught, those fears may soon be realized.

No commander is ever fully prepared to watch their men make the ultimate sacrifice, but that may no longer be avoidable in

SONS OF THE STARFARERS
BOOK VI: PATRIOTS IN RETREAT

Details
Author: Joe Vasicek
Series: Sons of the Starfarers, Book 6
Genres: Military, Science Fiction, Space Opera
Tag: 2018 Release
Publication Year: January 2018
Length: Short novel
List Price: $9.99
eBook Price: $2.99
Joe Vasicek

Joe Vasicek fell in love with science fiction and fantasy when he read The Neverending Story as a child. He is the author of more than twenty books, including Genesis Earth, Gunslinger to the Stars, The Sword Keeper, and the Sons of the Starfarers series. As a young man, he studied Arabic at Brigham Young University and traveled across the Middle East and the Caucasus Mountains. He lives in Utah with his wife and two apple trees.

Some of the links in the page above are "affiliate links." This means if you click on the link and purchase the item, I will receive an affiliate commission. You will not receive any additional charge. As an Amazon Associate I earn from qualifying purchases.

Late October update

I’m running at about 70% to 80% right now, but should be back up to 100% next week. However, since the blog is usually the last thing I get up to speed after a major life event, it will probably be another week or two before the blog is running like I want it.

Right now, I’m finishing up A Queen in Hiding and getting ready to send that to my editor. I’m still shooting for a November 3rd deadline. After that, I’ll take a week to go over the edits for Patriots in Retreat and put that up for pre-order.

I’m also working on a short story for an anthology with a deadline of November 1st, so that might throw a wrench into things. Fortunately, I’ve got a lot more time to write now, so that shouldn’t be as much of a problem.

Lots and lots of stuff going on behind the scenes. Right now, I’m getting my tasks all lined up so that I can hit them all in quick succession. One of the things I want to do is put out a print version of everything I’ve published electronically. KDP Paperback has advanced to the point where I can finally do that, so be sure to look out for that in the near future. Right now, I’m typesetting Gunslinger to the Stars.

I’m really looking forward to getting all the Sons of the Starfarers books written. Should happen within the next three to four months, if all goes well. There are so many other projects that I’m excited about, but I’ve committed to this series and I’m going to finish it. I don’t know if it will be my best work, but without sacrificing any more time I’ll strive to make it as good as I possibly can.

You may have noticed some changes in my prices. I’ll blog about that in the next few days. Also, I need to catch up on book reviews. I’ve found that I can dramatically increase my writing when I make a conscious effort to read more books, even if my writing time goes down. So that’s another goal.

Point is, things are happening even if it doesn’t seem like it. Ideally, I want to be up at the point where I always have something on preorder, and a short story publication coming out every month or so, most of them reprints, some of them new. So far, I’m at two short story publications this year—better get out and submit to more markets!

Now, back to writing!