Minimum viable sleep

I feel sorry for my wife. She needs a lot more sleep than I do. If I can get four uninterrupted hours of zzz, I’m doing great. Of course, how long I can keep that going is an open question—and one we put to the test every time we have a new baby. But he’s getting better, and in another month or two, he’ll probably (hopefully) be sleeping through the night.

Things are going pretty well around here. The house is a wreck, but a manageable one. Still need to finish unpacking from the move, but that’s a long-term project at this point. The kids are doing well. Wife and baby seem to be doing well. She’s got her thesis defense in a couple of weeks, at which point the PhD is fully off her plate. Which will be nice for all of us.

For the last couple of weeks, I’ve mostly been bouncing between different projects, making a little progress on each, but not really finishing or making significant progress on any of them. Hopefully, that will soon begin to change.

For the next couple of weeks, I plan to work on Captive of the Falconstar, moving it along as far as I can. Mostly, though, I just want to keep it fresh in my mind, since if four or five months go by without working on it, it’s going to be that much harder to pick it up again.

I’m really excited to get back to work on this one. My subconscious brain has been mulling over this story for the past few years, and I think the time is ripe to put it on the page. I’m also a lot more skilled at writing with AI, which makes a huge difference. The first time I attempted this WIP, I think I bit off more than I could chew. But with the AI draft of The Soulbond and the Sling under my belt, I’m very confident that I can finish this one.

My goal is to publish it this spring/summer, along with the third book in the trilogy, Lord of the Falconstar. That might be a little too ambitious, but with the baby already 1+ months old and our lives slowly settling into a reasonable routine, I think it’s good to start planning these things again. The rough AI draft is already complete, so it shouldn’t be too difficult to pick up from Captive of the Falconstar when the time comes. Really, it’s more like one really long story split in the middle.

In another couple of weeks, I plan to pick up The Soulbond and the Sling again, mostly just to keep it fresh. I’ll also be working on the rough AI draft for book 2, The Soulbond and the Lady, working out the chapter prompts and everything else. Instead of rushing through that one, I plan to take my time and get it right. Hopefully that will make the rest of the AI drafting process go much more smoothly.

That should keep me busy until Thanksgiving. Again, the goal is not to finish any of these projects, but to work on them enough to keep them fresh in my mind. Of course, there is a mental cost to switching between WIPs too frequently, so I’ll still try to make significant progress on each of them while I can.

After Thanksgiving, I plan to work on The Unknown Sea until it’s done and ready to publish. I’ve already been making really good progress on this one, and the only reason I laid this WIP aside was to keep the others fresh. But once I pick it up again, I think it will go quickly, and I may even be able to finish the final polished draft before Christmas.

Of course, there are only three full weeks between Thanksgiving and Christmas this year, and the holiday season is always busy with family stuff. We’re staying home this year—no traveling across the country to spend the holidays with family (we did that over summer). But I’m sure it’s going to be an eventful season, especially with the new baby. So I might end up picking up The Unknown Sea a little before Thanksgiving, just to get a head start.

And now, I can hear the kids waking up in the room above me, so it’s time to schedule this post and get started with another day. With luck, maybe I can get a little writing in before things get too crazy.

update post

This is my current writing setup. The top of the filing cabinet already needs to be decluttered, but the rest is actually working out pretty well. The nice thing is that the computer can be raised into a standing desk, which works out really great for writing, since I tend to write better when I’m standing or pacing.

I am almost finished with the AI draft of The Soulbond and the Sling. It looks like it’s going to be about 140k words total, which is on the short end for an epic fantasy novel, but longer than anything else I’ve written (except for the first novel I ever finished, which shall never see the light of day).

The human draft will likely be longer than that, though. I’m going to add more details as I humanize it, which is easier to do just by writing it yourself than it is to get an AI to write it. Though parts of it will likely be shorter, since I’m sure there are places where I let the AI overwrite. Most of the skill in AI-assisted writing consists of knowing what to cut out, since generating words is the easy part.

I have also finished the outline for The Soulbond and the Lady, the second book in the Soulbound King series. It should clock in at about 20 chapters, 100 scenes, and 165k words. The next step is to fill out all the prompts and generate a rough AI draft, but because of how Sudowrite works, I don’t want to do that until the AI draft of The Soulbond and the Sling is complete (since it would require tweaking a bunch of the worldbuilding and character prompts). So that will probably wait until the end of the month.

In general, I have found that I tend to work best when I have two current WIPs: one human and one AI. This is because the two different kinds of writing exercise different parts of my brain, and I can rest the one part while I’m using the other. However, it only really works if both WIPs are in the same series. If I have to mentally switch from one universe to another, that adds friction that makes things difficult.

So the key is to pair up different WIPs together, such that I’ve always got both a human WIP and an AI WIP in the same series. With The Soulbound King, that’s not so difficult, because the AI draft of The Soulbond and the Sling is complete enough for me to start the human draft. And once the AI draft is complete, I can move on to the AI draft of book 2 while I finish up the human draft of book 1. It might become a problem if I finish one of the drafts well before the other, but that won’t be a problem for a while.

With the Falconstar Trilogy, that’s also not a huge problem. I will probably human-write a reader magnet while I work on the AI draft of Captive of the Falconstar, then humanize Captive while I work on the AI draft of Lord of the Falconstar.

With Return of the Starborn Son, the last science fiction novel I plan to write for a while, it’s going to be more tricky because that is the last book in the trilogy, and I still haven’t generated the AI draft. What I’ll probably do is start work on the human draft after I’m about 15% done with the AI draft, and see if I can’t work on both simultaneously. That hasn’t worked as well for me in the past, since I actually prefer to write the human draft out of order, but if it starts to break down I’ll just hold off on the human draft until the AI draft is more complete.

With the Sea Mage Cycle, I’ve currently just got one WIP in that series (The Unknown Sea), and it’s in the AI drafting stage. But it’s short enough that I can probably finish it in just a couple of weeks. At that point, I’ll take my wife out to dinner and have her pick out the next one I’ll write, then work on the AI draft for that one while I’m humanizing The Unknown Sea.

Which brings me to my J.M. Wight pen name. After a lot of thought and some careful deliberation, I’ve decided to put The Road to New Jerusalem on the back burner for now. I was going to try to finish that one in time for the Ark Press contest in October, but I don’t think this is the right time to work on that particular WIP. In the first place, it probably won’t win, and even if it did, that might actually be more of a liability, since it’s a near-future post-apocalyptice novel, and I’m currently trying to establish myself as a writer of epic fantasy.

From now until 2030, I plan to write epic fantasy almost exclusively. The only exceptions for that are the two sci-fi series (The Falconstar Trilogy and the Outworld Trilogy) that I haven’t yet finished. Also, I will probably write some zany space adventure-type stuff under my J.M. Wight pen name, more in the vein of my Gunslinger books (which I have republished under J.M. Wight). But aside from that, I plan to focus on writing fantasy—specifically, epic fantasy.

In my blog series Fantasy from A to Z, I wrote about how epic fantasy has fallen into decline in recent years, due to reader fatigue with big name authors like George R.R. Martin and Patrick Rothfuss failing to finish their series, and how this has put newer authors in a conundrum, because epic fantasy novels are way too big to rapid release, but most readers aren’t willing to start a new series until after it’s already been finished. I hope that my new AI-assisted writing method will help me to crack that particular nut, writing and releasing epic fantasy books fast enough to satisfy readers. Because even though there haven’t been a ton of new epic fantasy authors in recent years, I don’t think the reader demand for epic fantasy has gone down at all. There may still be an opportunity there for writers who can deliver.

That’s what I’m hoping, at least. So I’ll keep plugging away at The Soulbound King, and hopefully release the first all three books of the first trilogy around this time next year.

What do you think of these covers?

I’ve been playing around some more with ChatGPT, working on cover art for the Falconstar Trilogy. The best way to do it, I’ve found, is to make the art with AI, but to do the typography myself.

Anyhow, here are the test covers. What do you think?

The one that I feel most ambivalent about is Queen of the Falconstar. I really like how Zlata turned out, and the Falconstar looks pretty cool too, but the background… let’s see if I can fix that:

Anyhow, what do you think?

Going full-tilt on The Soulbound King

I’ve decided to put The Road to New Jerusalem on the back burner and focus instead on my epic fantasy series, The Rise of the Soulbound King Trilogy. If I push, I think I can finish the AI draft of book 1 in the next two weeks. I’ve also nearly finished the outline for book 2, and will probably have a rough AI draft for that one by the end of September.

I would really like to publish this series in 2026, but I don’t want to launch it until I’m ready to rapid release the first three books. And since these books are all epic fantasy, it’s going to take a lot of time and effort to write them. Without AI, it would probably take me something like two or three years for each book. I’m not a very fast writer, and I tend to get stuck in the middle, even when I have a solid outline. With AI, I think I can shorten that to 6-8 months.

These books are probably going to range between 150k and 200k words, so not super long for epic fantasy (for comparison, Mistborn: The Final Empire is about 214k words, and The Way of Kings is about 384k words). That’s much longer than most genre books, though, including most of the books I’ve written until now. And writing difficulty doesn’t scale linearly with book length; it scales logarithmically. So while it may take only 1-2 months to write a Sea Mage Cycle book, those are only about 1/3rd the length of a Soulbound King book.

My long-term goal, though, is to pivot to epic fantasy, to the point where that’s mostly what I write. And if you read my science fiction novels, you’ll find that they’re much more like epic fantasy, with multiple viewpoints, grand galactic empires, wars and political machinations, and a universe that has its own character arc. So while this may superficially seem like a huge pivot, it’s actually not.

There are three science fiction books that I need to write before I can pivot entirely to writing fantasy: Captive of the Falconstar, Lord of the Falconstar, and The Return of the Starborn Son. Those are the only outstanding science fiction series that need finishing (and I will finish them, I promise—I’m not going to pull a GRRM). I also need to finish the Twelfth Sword Trilogy, the epic fantasy series I started in the 2010s while I was still mostly writing science fiction.

Realistically, the only ones of those books that are going to be finished between now and the end of next year are the Falconstar books, since I need to juggle all of these with the Soulbound King epic fantasy books that I’m also writing. But I think I can finish the Falconstar books, and also write and publish a Sea Mage Cycle book or two within the next year. I’ve found that it often helps to take week-long breaks to work on other projects, which allows me to approach a larger and more challenging WIP like The Soulbond and the Sling with new eyes. So I will probably alternate between working on the Soulbound King books and working on Falconstar and Sea Mage Cycle for the forseeable future.

But my goal for the next two weeks is to go full steam ahead on The Soulbond and the Sling, until it is finished. And with luck, I will also have a few excerpts to share with you soon!

Back into writing!

So we are more or less moved into our new (old) house, though there is this overdue kid’s book from the library that somehow got lost during the move, and we haven’t been able to find it… but aside from that, we are more or less settled in. Our five year-old has started kindergarten, my wife is starting her new job, and by the time this post goes live, we will have acquired office chairs from the BYU surplus sale, so I won’t have to be standing all the time like I am as I write this.

I’ve already gotten back into writing my epic fantasy, The Soulbond and the Sling, and am making steady progress on it again. The AI draft is about 66% complete, and it’s good enough that if I were writing it under a secret AI-only pen name, I would feel comfortable publishing it as-is. But my personal standard of quality is higher than that, especially for epic fantasy, so after the AI draft is complete, I will rewrite the whole thing without any AI, to put it in my own voice (and will probably add a whole lot of other stuff to it too—you know, the kind of setting and character details you’d expect in a proper epic fantasy, giving it much more depth).

(Also, as a side note, I do not have a secret AI-only pen name… though I must admit, a part of me kind of wants to start one. With a little bit of market research to figure out the pulpiest genres where I could really excel… but no, with two (soon to be three) small kids and a wife who works full-time, there are only so many projects I can work on at a time.)

I’m also working on The Road to New Jerusalem for my J.M. Wight pen name, though that one has been going much more slow. I really have no idea how much market appeal this one is going to have, and doubt it will do much more than help me to flesh out the world for a potential series in the same universe (a post-apocalyptic Mormon polygamist romance, which also probably has limited market appeal). However, I feel impressed that this is a book I need to see through to the end, so my goal is to finish it before October, at which point I will probably focus on The Soulbound King.

Beyond that, I’m also working on two other novels that I hope to finish before the end of the year (or, more realistically, sometime early next year, since I’m sure the new baby will throw things off for a while. The first is The Unknown Sea, a Sea Mage Cycle book, which is going to be a lot of fun. The rough AI draft is already done, and I had a real blast writing it.

The other one is Captive of the Falconstar, the sequel to Queen of the Falconstar. The rough AI draft is also done for this one, but the revised AI draft is going to take a bit more work. Also, I need to redo the cover and blurb. But I’m really looking forward to getting this one out, and completing the trilogy, which has stood unfinished for nearly a decade now. Yes, I really need to finish these unfinished series, and fully intend to do so—not just with this one, but for all of them.

Over the next year, I hope to transition from being a science fiction writer who occasionally writes fantasy, to a fantasy writer who occasionally writes science fiction. My two big unfinished sci-fi series are the Falconstar Trilogy and the Outworld Trilogy. The plan right now is to finish Falconstar first, knocking out the last two books almost at the same time (the rough AI draft for Lord of the Falconstar is also complete), and then spend a little more time on Return of the Starborn Son to finish that trilogy strong. For a long time, Star Wanderers was my flagship series, so I want to do right by it. But I haven’t even outlined book 3 yet, so it’s going to be a while.

And when Return of the Starborn Son is done, I will probably release another volume of my author’s notes, since hey, why not? But that won’t be for a while—probably not until this time next year, at the absolute soonest. However, Return of the Starborn Son probably will come out before The Soulbond and the Sling, since for marketing reasons I don’t want to release an epic fantasy trilogy until all three books are ready to rapid release. And yes, I fully blame George R.R. Martin for conditioning epic fantasy readers not to try out a new series until it is complete. It is what it is.

So that’s the long-term plan. I will probably start a few new projects as well, including a relaunch of my Christopher Columbus stories, once I figure out what I want to do with that series. But for now, I’m just going to focus on The Road to New Jerusalem and The Soulbond and the Sling, until we are back into a new routine. BYU classes start on September 3rd, so it will probably be a little crazy until then. And the way things are shaping up, I half-expect they will induce my wife at the tail-end of September. So maybe we won’t actually get into a new routine until sometime next year. But either way, I’ll do my best to keep writing.

Back from Arkansas

So we’re finally back from our family vacation to Arkansas! My youngest sister manages cabins over at the Buffalo River National Park, which means she’s busy over there all summer, so we all decided to go over to her.

It was a looong drive. Took us three days to get down there, mostly because we stayed with my brother-in-law in Omaha for a couple of nights (just long enough for our five year-old to fall in the shower and bust open her head. Took her to the emergency room, where she got a couple of staples. She’s fine.) On the way back, we busted our butts and did it in two days. We must have listened to the Tarzan and Mulan soundtracks thirty or forty times each.

Arkansas is almost like another world. Very beautiful, but mostly jungle, and full of all sorts of venemous things that want to suck your blood. The first day, I made the mistake of walking around in shorts without any bug spray, and I got nearly a dozen deer ticks on me, including one that had crawled up into my unmentionables. My wife and both our kids also had ticks on them. Needless to say, we did very thorough tick checks every day after that.

Other than that, it wasn’t too bad. I heard from one of the locals that there are copperheads and water mocassins in the river, but we didn’t see any of those. Also, the black widows like to roof in the awning and lower themselves down in the evening, but we didn’t see any of those either (thank goodness). And apparently, there’s an annual tarantula migration, which sounds absolutely terrifying. In fact, it sounds like someone in the Ozarks started a game of Jumanji some 150 years ago, and it’s never been finished.

But the people are all friendly and generous, and there’s a tiny little country church almost every other mile in the back country. Also, driving through Branson and southern Missouri was like driving through the heart of Trump country. The Twelve Days War was raging the whole time, and there were MAGA billboards and billboards saying “we stand with Israel.” Kind of surreal.

It was good to spend some time with family, but it’s good to be home now. We just got the staples out of our daughter’s head, and it’s healed just fine. She’s really glad to be able to swim now (too bad she couldn’t swim while we were at the park). For the next week, my brother-in-law from Couer D’Alene is down here with his wife and eight kids for a family vacation. Our kids are having a blast, though our littlest just came down with a stomach bug… hopefully it ends with him, but I’m not holding my breath.

The plan for now is to finish writing all the blog posts for Fantasy from A to Z, hopefully before the end of next week. I’ll also do my best to finish up the rough AI draft of Lord of the Falconstar (book 3 of the trilogy) by the end of this week. So far, it’s going really well. After that, it’s back to the revised AI draft of The Soulbond and the Sling, which I hope to finish before we go on our next road trip to Canada for my wife’s family. And after Fantasy from A to Z is finished, I’ll work on the rough human draft of The Road to New Jerusalem, hopefully finishing it in time for the Ark Press contest.

That’s the plan, anyway. I have a lot of thoughts on the Twelve Days War and the situation in the Middle East, but I’ll save all that for now. If the ceasefire holds and it truly is the end of the war, I think President Trump will go down as the greatest American president of the 21st century.

Gearing up for another family road trip

We’ve spent the last couple of days getting ready for another cross-country road trip as a family, this time to Arkansas. My side of the family is going down there, mostly because my youngest sister works at a national park, so it’s more convenient for us to come to her (and it should be fun as well).

The plan is to drive to Omaha, spend a couple of nights with my brother-in-law and his wife, then drive down to Arkansas and spend the week with family. Once we’re done, we’ll just drive straight back to Utah, hopefully in two days, but more likely in three. After all, we’ve got a five year-old and a two year-old with us.

This is the first big road trip we have this summer. The second one is at the end of July, and we’ll be going up to northern Alberta for a reunion with my wife’s side of the family. Her grandmother passed away earlier this year, and this was the soonest everyone could get together (getting passports for the kids was a little tricky).

I’ve already schedule blog posts through the next week and a half, so those should be coming up each day. I’ve also been writing more Fantasy from A to Z posts, and I hope to write the rest of them while I’m out there, though I’m not stressing out too much about that. If they get done, great, if not, I’ll just finish them when I get back.

The big reason why I’m blogging daily now is because of some major problems I’ve been having with my email list. I used to send out a newsletter approximately every week, but over the last couple of years, my open and click-thru rates have been creeping ever lower, until just last month they suddenly dropped by more than 50%. Turns out there’s a whole lot of backend stuff that changed in the last year, most of which I barely understand.

But ChatGPT has been a huge help in figuring out what’s wrong, and how I need to register DMARC and SPF and all the other stuff that I still don’t understand. My wife has also been a huge help in sorting through it all. I think it’s all set up properly, but I haven’t sent out a newsletter yet, and probably won’t until I get back from Arkansas. I also need to update my newsletter template. ChatGPT should be really good for that.

So the email newsletter is turning into a monthly thing, and the blog is turning into a daily thing, at least for the forseeable future. All of that might get thrown out the window when the new baby comes along, at least temporarily.

In the meantime, I’m working on Fantasy from A to Z and the rough AI draft of Lord of the Falconstar, both of which are coming along quite well. I’m going to experiment with having one human WIP and one AI WIP active at the same time, because ChatGPT suggested that this would be the best way to maximize by writing time and productivity.

I fed ChatGPT my accountability spreadsheet and the daily project journals I’ve been keeping for the past year, and it came back with some fascinating insights into my writing process. It’s amazing how you can feed it a bunch of raw, barely-formatted data, and get a genuinely insightful analysis.

Is this taking away jobs from a data analysis / writing coach? Not really, at least in my case, because I doubt I would have hired one. But the results sure are useful. I’m also experimenting with feeding my entire book into ChatGPT and asking it to write a book description or generate a cover. It’s amazing how it can “read” a whole novel in a fraction of a second, and spit back answers that show (or at least simulate) a genuine understanding of the material.

But one thing ChatGPT can’t do is convert a short story into a screenplay—at least, not without significant human input. I tried uploading “What Hard Times Hath Wrought” and told it to turn it into a screenplay, and the results were hilariously bad. Maybe Sudowrite has a plugin, though…

Thoughts on Sudowrite’s new Muse 1.5 model

Sudowrite just released their new, updated version of Muse, their in-house generative AI model that’s optimized for writing fiction. It’s very similar to Muse 1.0, where you select a “creativity” setting from 1 to 11, optionally add some prose for it to work from, and then let it go. To allow their subscribers to experiment with it, they made it free to use today—but honestly, it doesn’t use a ton of credits anyway, so unless you’re on the cheapest plan (or generating a +1M word tome) it’s not going to break the bank.

I happened to be working on the rough AI draft of Captive of the Falconstar, so I decided to try it out. I wasn’t too impressed with the earlier version of muse, since I found that it didn’t have much internal consistency and felt a bit like it had just thrown my whole story bible into a blender. But perhaps the main problem was that I was setting the creativity too high. With Muse 1.5, I still ran into those problems on the higher range, but when I set creativity down to 1 or 2, it actually was fairly coherent (though the dialogue was still a bit like “let’s throw these characters in a blender and see what happens!”)

I think it might be that the way I’m writing my scene beats works better for the more reliable version of Muse. I tend to write very detailed scene beats, running in the 200 to 500 word range. I suspect that Muse would work much better if I were “discovery writing” my AI draft, instead of outlining it rigorously and generating multiple iterations of each chapter to pick out the best parts of each one. When you crank up things on the creative end, it can get pretty wild, especially on the 11 setting.

But while the internal consistency of the writing isn’t nearly as good with Muse as it is with Claude, the prose is definitely better. So what I’m probably going to do in the future is generate the first iteration of each chapter in Claude 4 Sonnet (or Opus, if I have enough credits for it—Opus is a monster of a credit spender, but the results are quite excellent! I really hope Sudowrite builds a “delux” model based on Claude 4 Opus.) After that, I’ll generate a couple of other iterations using Muse, then go through it line by line to copy-paste the best parts of the Muse iterations into the master version.

It’s a lot more work, but I think this way I can get the best aspects of both models, and produce a really clean AI draft. And the cleaner the AI draft is, the faster and easier it is to write the human draft—and likely with better results too.

Late February Update

Wow, it’s been a while since I gave an update on what I’ve been up to. Life has been crazy, but not too crazy. I really ought to get back into the habit of blogging more regularly.

Last week was LTUE here in Utah Valley, and while I didn’t attend the convention, I did stop by the launch party for Ark Press. It looks like it’s going to be an interesting publishing venture, with Tony Daniels, Dave Butler, and David AF heading it out. Their goal is basically to be the MAGA of science fiction and fantasy publishing, though they probably wouldn’t put it quite that way. However, they do want to publish more pro-American, pro-conservative, pro-human fiction, and to fill a gap in the current publishing market that has neglected male readers in recent years.

They’re also running a contest, with the winner receiving a $10,000 publishing contract, to be published on July 4th, 2026. The theme for the contest is America 2076, and it can be any genre (though it sounds like they want it to be a pro-American story). Of all the WIPs I currently have floating around, The Road to New Jerusalem might actually be a good fit for that. I haven’t worked on it for a few months, but I’ll probably dust it off pretty soon here and get it ready to submit.

Speaking of my J.M. Wight pen name, I ran the first three chapters of The Fall of the Poet King through my writing group, and I think the best course of action is to rewrite it as a fantasy novel loosely based on the David and Bathsheba story. If I’m going to write it as a straight historical fiction, I need to do a lot more research to firmly ground it in the era, and the trouble with adapting a Bible story (especially a more difficult story like David and Bathsheba) is that everyone brings their own baggage or personal interpretation to it, and is liable to get miffed if your retelling doesn’t exactly match what they’ve got in their own head. Besides, fantasy sells a lot better than religious fiction, so I think this is a much more prudent course to take.

In fact, I’ve recently made an inventory of most of my WIPs, and decided to trunk all of them that don’t explicitly fall in the fantasy genre. I will still finish the Outworld Trilogy and the Falconstar Trilogy, but after that, I’m going to focus a lot more on writing fantasy than on writing science fiction. Also, I’m not going to work on those until after I’ve filled up my writing queue with more fantasy-oriented works. This is a pivot that I’ve been meaning to make for some time now, and I’ve been slowly making that pivot, but now I think I need to speed it up and make it more definitive.

So that’s what I’ve been up to, mostly. I’m currently finishing up the rough AI draft of The Unknown Sea, and plan to pick up the human draft of Bloodfire Legacy, which should be coming out in the Spring. And hopefully I’ll be working on that David and Bathsheba story again soon.

Queen of the Falconstar currently free

Queen of the Falconstar is one of my lesser-known novels, probably because I haven’t finished the trilogy yet (and when I do, I will definitely get better cover art). But I’m currently writing the second and third books, and hope to publish them both later this year, so I figured it was a good time to run a free sale on the first book.

If you want to pick up this novel, you can get the ebook free through this weekend on my online store, or wherever you get your ebooks. Or you can pick up the AI narrated audiobook for $4.99 on my online store, and get the book free as well (as a side note, the book is always free whenever you get the audiobook from my online store). And if you want a print copy, I will sign and personalize it for free if you purchase it from my online store (ebook free with purchase as well, but shipping only for the US. Check Amazon for the paperback if you are international.)

Queen of the Falconstar

She volunteered to be a captive. Now she must become a queen.

Zlata has always dreamed of escaping the stifling monotony of Graznav Station, but not like this. When space nomads raid her home, she volunteers as their captive to save her friend Sonya from a worse fate. Brought aboard the Falconstar as a slave to the enigmatic Lord Khasan Valdamar, Zlata quickly realizes that her only path to survival lies in the treacherous world of intra-clan power politics. Using her cunning and ruthless pragmatism, she must navigate betrayal, conspiracy, and deadly power games to rise from slave to queen—all while her friend is slated to be sold as a slave.

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About the Book

Zlata never wanted to be a hero. She just wanted off Graznav Station. When nomadic space raiders from beyond the Outworlds attack her home and carry off her friend, Zlata makes a split-second decision and volunteers to be taken captive with her. It’s an impulsive decision that will either save them both—or doom them to lives of slavery among the stars. Aboard the warship Falconstar, Zlata becomes the property of Lord Khasan Valdamar, a fierce warrior-lord whose star clan teeters on the edge of extinction. Hunted by his enemies and betrayed by his allies, Khasan desperately needs to restore his clan’s shattered honor. What he doesn’t need is a scheming slave with dangerous ambitions of her own. But Zlata is no ordinary captive. Cunning. Ruthless. Pragmatic. She sees opportunities where others see only chains. In the treacherous world of Hameji politics—where honor is won through blood, and betrayal lurks in every shadow—Zlata begins an audacious climb from slave to queen.

Details

Author: Joe Vasicek
Series: Falconstar Trilogy, Book 1
Genres: Action & Adventure, FICTION, General, Military, Science Fiction, Space Exploration, Space Opera
Tag: 2021 Release
Publisher: Joe Vasicek
Publication Year: July 2021
Length: Novel
List Price: $15.99
eBook Price: free!
Audiobook Price: $4.99

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Joe Vasicek

Joe Vasicek fell in love with science fiction and fantasy when he read The Neverending Story as a child. He is the author of more than twenty books, including Genesis Earth, Gunslinger to the Stars, The Sword Keeper, and the Sons of the Starfarers series. As a young man, he studied Arabic at Brigham Young University and traveled across the Middle East and the Caucasus Mountains. He lives in Utah with his wife and two apple trees.

Other Books in the "Falconstar Trilogy"

Captive of the Falconstar

Lord of the Falconstar

Preview

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