It’s done!

Last week, I finished writing The Unknown Sea, the sixth book that I’ve written so far in the Sea Mage Cycle. Here are the stats:

  • Total Chapters: 16
  • Total Scenes: 53
  • Total Words: 50,069
  • Total Process Words: 457,791
  • Total Writing Hours: 91.1
  • Total Writing Days: 71

This one went a lot faster than I thought it would, though it took nearly a year before I finally buckled down and did it. I had the initial idea for it way back in December 2024, and finished the outline in January 2025. But I put it aside until July, then worked on it off and on for the next three or four months, not really making much measurable progress. So it wasn’t until I buckled down in May and really sat down to finish it that I finally pounded it all out.

This is the sixth book I’ve written in the Sea Mage Cycle, but it’s the second book chronologically, taking place about ten years after the events of The Widow’s Child. As with all the Sea Mage Cycle books, this is a standalone. I will probably write at least another two books in the series, just so that I can round out another four book omnibus edition. It’s going to be a little while, though, as I really want to pivot towards the Soulbound King, releasing the first three books within a year of each other. Also, I need to finish my two open sci-fi trilogies: The Outworld Trilogy and the Falconstar Trilogy.

So my next big WIP is going to be Lord of the Falconstar, which I plan to release in May 2026. The outline and rough AI draft are already finished, so ten months should be sufficient to get that done, even with my wife going back to full-time work in a couple of weeks. We’ll have to start going to bed early, so that she can get more sleep, and I can wake up at 4AM to write. In the meantime, I plan to send The Unknown Sea off to my editor, and format and publish that as soon as he gets back to me with the edits.

By the way, The Unknown Sea is already up for preorder! You can get it here:

Buy from Amazon Kindle
Buy from Apple Books
Buy from Barnes and Noble Nook
Buy from Smashwords

Finishing

I am doing everything I can to finish this book today. It is so close to being finished that if I buckle down and do it, I think I can have it done. But that means I need to get back to writing. This blog will probably be sparse for a little while.

WIP Excerpt: The Unknown Sea, Chapter 5

I had a lot of fun with this chapter! It introduces the rival love interest for Celeste, the female main viewpoint character, right after the chapter that introduces her male counterpart’s rival love interest.


The midday sun shone honey-thick, making sweat run down the back of Enoch’s neck. He shaded his eyes with his hand, scanning the horizon for the land he’d sensed the night before. It should be within sight soon—after all, they’d been sailing since dawn. Between him and Celeste, the Waverunner had cut a swift and steady pace through the placid waters. And yet, all he could see on the horizon was the haze.

“Land ho!” Felix called from rigging, making his heart leap. “Dead ahead, Captain! Just like our sea mage said it would be!”

The crew quickly gathered on the deck. The haze cleared a little, and sure enough, just over the bow, they could see it—a thin, almost invisible line where the sea met the sky. For the first time since they’d tumbled through the Maelstrom, Enoch saw glimmers of hope in the faces of his crewmates.

“Well done, lad,” Captain Black said quietly. “Your magic proved true. Now, all we need is to find out where in the blazes we are.”

They spent the next hour skirting the coastline, keeping just far enough to avoid the breakers and reefs. The land itself rose from the placid sea in a series of rocky outcroppings and green-cloaked cliffs. It was a wild land, full of thick, untamed jungles and rugged heights. A warm breeze carried the scent of unfamiliar flowers and rich, fertile earth.

“Can you detect any sign of settlement?” Thaddeus asked.

Enoch closed his eyes and drew on his magical sight. In his mind’s eye, the shoreline sharpened, details emerging from the hazy distance.

“Not yet,” he said, though he sensed that the lands weren’t totally uninhabited. “Just cliffs and forest and—”

He stopped abruptly as his magical senses revealed a rock formation jutting into the sea. A sun-bronzed figure struggled there, small and alone against the forces of nature.

“What is it?” Thaddeus asked.

Enoch focused his magic, sharpening his sight. “There’s someone trapped on those rocks up ahead.”

Maren quickly strode over to the railing. “Are you certain?”

“Yes, Captain. I can’t make out much, but…”

“But what, lad?”

Enoch’s heart began to pound. The figure on the rocks was a beautiful young woman, with long, black hair and smooth, brown skin. She was chained in irons that bound her to the face of the jagged rock. Aside from those chains, she was completely unclothed 

“She’s in danger,” he said quickly. “The tide’s coming in—she’ll drown if we don’t help her.”

“Whoa, there,” Thaddeus warned. “Pirates use all sorts of lures. It could be a trap.”

“For who?” Enoch argued. “We’ve been following this coastline for nearly an hour, and in all that time we haven’t seen a single ship, much less a settlement.”

Thaddeus frowned, but the captain silenced him with a gesture. “The lad has a point, though I agree that caution is warranted. Can you detect anything strange or dangerous?”

“Yes,” said Celeste as she joined them on the Waverunner’s upper deck. “I was just about to tell you, Captain. There’s something in the water—something large and hungry. I think it’s coming for that girl.”

“We have to save her,” Enoch urged. “Let me go, Captain. I can do it.”

Captain Black studied him for a long moment, then nodded. “Alright, lad. But I’m sending Marcus with you. Thaddeus, bring us up just shy of those shoals.”

“Captain, you can’t be serious,” Thaddeus protested. “If there really is some sort of beast lurking in—”

“Master Ashenford can handle himself,” Maren replied firmly. “And our cook certainly knows how to wield a blade.” She turned to Enoch, her expression stern. “But promise me this, lad—if saving her proves too difficult, you come straight back to the Waverunner. We cannot spare either of you.”

“Yes, yes, of course,” Enoch said quickly, already moving to where Felix and Gideon were lowering the boat. He checked that the silver-edged dagger was secure at his hip. Its weight felt comforting.

Celeste put a hand on his arm. “Be careful,” she said quietly. “Whatever’s down there, it’s powerful.”

“Right,” said Enoch. The concern in her eyes surprised him.

The small boat hit the water with a splash. Enoch swiftly climbed down the rope ladder and took up position at the bow, while Marcus took the oars.

“Ready, lad?” 

“Ready.”

The sea grew treacherous almost as soon as they pulled away. The choppy waves pushed relentlessly against their small boat, as if trying to turn them back. Salt spray stung Enoch’s eyes as the roar of the surf grew ever louder in his ears. Marcus steadily worked the oars, though, and Enoch did his best to smooth the seas in front of them with his magic. Gradually, they drew up to the cliff.

“There,” said Enoch, pointing to a small ledge a short distance from the rock where the girl was chained. The breakers were not so treacherous there.

As they drew closer, Enoch got his first clear look at her. The wind whipped her long black hair around her face, while the salty spray gave her skin an alluring sheen. She had an athletic form that exuded a primal, feminine strength. But though she was bare, she seemed utterly heedless of her own nakedness. Indeed, she met his gaze and held it without flinching.

“Hello!” he called out to her. “We’re here to help you!”

Her dark eyes watched him warily. She gave no answer, but seemed almost resigned to her fate. Marcus grunted as he strained against the breakers.

“The tide’s rising, lad. Best be quick about—”

A deep, rumbling sound from behind them cut him off. The boat rocked violently, and not just from the waves. 

“What was that?” Enoch asked. Marcus’s face went pale. 

“I think we just found what Celeste was worried about.”

Enoch followed his gaze and felt his blood run cold. A massive dark shape lurked just beneath the water, not a stone’s throw away. He remembered his promise, but how could they turn around now? After all, they were so close.

“Keep going,” Enoch shouted. “Get us over to that ledge!”

With a powerful stroke of his arms, Marcus drove them through the next swell and over the breakers. The boat lurched and dropped, and the salt spray soaked them both. Enoch quickly cast a spell of calming to prevent them from being dashed on the rocks, and leaped out the moment they reached the ledge. He stumbled, nearly falling, before regaining his balance and running straight up to the girl.

“We’re here to save you,” he yelled. “Do you understand me?”

She answered in her own tongue, a musical stream of syllables that were beyond his comprehension. Whatever her native tongue, it wasn’t any language he knew.

Enoch turned his attention to her bonds. The manacles around her wrists and ankles were fashioned out of thick iron, the chains anchored so solidly into the rock that Enoch had no hope of breaking them out—not even with his magic. He examined the manacles more closely, and saw something that made him frown. A narrow gold thread ran through each one.

“Are you a mage?” he asked.

The girl spoke again, gesturing with her eyes to the sea. The urgency in her tone made clear what words did not. Still, Enoch couldn’t help but notice that the chains had been anchored to these rocks for a very long time. This girl was not the first victim to be bound here.

“Marcus,” he called, “I think this girl is supposed to be some sort of sacrifice.”

“Can you break her loose?”

Enoch examined the locking mechanism of the bonds. To his surprise, the keyholes were rusted solid, and the mechanisms had all been gutted. Instead, the manacles were tied crudely shut with some sort of fibrous rope.

Why did they do that? he couldn’t help but wonder. It was almost as if the people who had chained the girl hadn’t been the ones who built them. That would explain why the iron was so cankered with rust. On the positive side, that meant—

A low rumble from the sea behind him interrupted his thoughts. The water all around them began to churn and boil as an inky black shadow sped to the surface.

“Look out!” Marcus shouted.

Half a dozen massive red tentacles burst from the churning sea, moving toward the girl at the rocks. Without thinking, Enoch drew his dagger and lunged. The blade bit into the rubbery flesh, sending a spray of black ichor across the rocks.

“What is that thing?” Enoch gasped.

“A Kraken, lad!” Marcus shouted. A massive head broke the surface, with bulging lidless eyes and an enormous gnashing beak. More tentacles swung up all around them, turning the sea into a writhing mass.

The girl did not shriek in terror. Instead, she kept her eyes on Enoch, gesturing frantically for him to break her free. As Marcus moved to cover them, wielding a massive butcher’s knife to keep the beast at bay, Enoch turned and began to work at the girl’s bonds.

The rope was surprisingly difficult to cut through. He worked on her wrists first. The girl held still, as if knowing that any struggle would only make it take longer. 

At last, he cut through the first one, and the manacles fell away. She quickly grabbed a rock and smashed it against one of the grasping tentacles before it wrapped around Enoch’s neck. Channeling his magic, he pressed the silver blade against the remaining bond, heating it enough to make it burn. The rope was soaked with seawater, but he soon managed to burn through it, releasing the second set of manacles.

“Enoch!”

Enoch turned, brandishing his dagger, and thrust out just as a tentacle began to wrap around his waist. Black ichor washed over his clothes and skin, and he barely managed to slip out of the kraken’s grasp. He glanced over his shoulder at the girl, fearing the worst. 

To his surprise, she was bent over, grasping the manacles around both her ankles. Her eyes rolled back, and her hands glowed as she channeled her own magic to burn through the bonds. The chains fell away, and she leaped sideways just in time to avoid the beast.

“Come on!” Enoch shouted “To the boat!”

The three of them scrambled across the slippery ledge and leaped into the boat. Marcus seized the oars and propelled them through the crashing waves with desperate strength. At the bow, Enoch used his magic to part the breakers long enough to let them through.

But the kraken was still behind them. A shout from the girl made him turn his head, just in time to see it slip back into the water to pursue them. 

“Winds and waves, heed my call,” Enoch murmured. He thrust out with his magic, trying desperately to raise some protective wards.

The monster breached the surface, screeching as it reached for the boat with its enormous tentacles. Enoch felt his magic begin to falter, his strength nearly spent. But then, the woman raised her own hands. With her bindings removed, her power flowed freely. She joined her magic with his, and together they raised enough of a magical barrier to keep the monster at bay.

Marcus had fallen into a rhythm by now. With each stroke, he put more distance between them and the fearsome beast. Well behind them now, it thrashed in frustrated hunger, its wounds leaving a slick of inky blood on the churning waves as it finally sank back into the depths.

Safe now, Enoch slumped to the bottom of the boat in exhaustion. The girl remained on her feet, her back straight, her bearing proud. 

“Who are you?” Enoch asked, blushing as he became acutely aware of her nakedness.

She cocked her head inquisitively at him, but though there was clearly intelligence in her dark, almond eyes, she didn’t understand a word.

“We’ll find out soon enough, lad,” Marcus grunted. “Only let the captain ask the questions. She’ll know what to do.”

“Yeah,” said Enoch, discreetly turning away. He considered offering her his shirt, but it was soaked and bloodied and torn. Instead, he fixed his gaze on the Waverunner, trying not to let his gaze wander to her lithe and supple form.


At long last, they drew close enough for Felix to throw down the lines. Working quickly, they secured them to the little boat, the native girl watching them in curious fascination. A rope ladder came down next.

“Come on,” said Enoch, motioning for her to follow. She hesitated only a moment before bounding up the ladder, as if it were no more difficult than walking along the beach. Enoch came up behind her, his cheeks reddening as he did his best to avoid the view. Soon, eager hands reached down from the deck, helping him aboard. 

Captain Black strode over and offered the girl her cloak. “Here, lass,” she said, draping it over her bare shoulders. 

The girl studied the captain’s face with suspicious eyes. She accepted the cloak, though she seemed at best indifferent about preserving her own modesty.

“Can you tell us who you are?” Captain Black asked, speaking slowly and distinctly. “Why were you chained to that rock?”

The girl tilted her head, showing no sign that she understood. When she spoke, it was in the same musical language that Enoch had heard earlier.

“That’s no tongue I’ve ever heard,” Thaddeus muttered.

“Nor I,” said Gideon, stroking his pointed beard. “And I’ve seen more ports than most.”

The woman spoke more forcefully, her frustration evident in her eyes. She pointed to herself, then to Enoch, speaking rapidly in her own tongue.

“This is going nowhere,” said Thaddeus. “Are you sure it’s a good idea to keep her? After all, this could be a trap.”

“A trap?” said Enoch, frowning. “She was chained to a rock and nearly eaten by a sea monster.”

“I’m not talking about her, boy. I’m talking about the people who chained her there.”

“I doubt this is some sort of trap,” Maren mused. “But Thaddeus is right—there’s no sense keeping her if we can’t find some way to talk. Which is a shame, since we really could use a guide around these parts.”

Enoch’s eyes widened as a thought suddenly struck him. “Captain—I have something that might work.”

“Oh? And what would that be?”

“My mother’s amulet. It’s supposed to be able to translate languages. If we gave it to her, it might just work.”

“It’s worth a try, at least. Go get it, lad.”

Enoch hurried to his small berth, pulling out his sea chest and working the lock to get it open. Inside, he dug through his spare clothes and other personal items until finally, his fingers closed around the smooth bronze spiral of the Whispering Shell. 

Clutching it tightly, he hurried back to the main deck, where the crew were still gathered around the native girl. Her dark eyes darted warily from face to face.

“Here,” said Enoch, handing her the amulet. “This will help.”

She shrank instinctively, hissing a little as she regarded the amulet with distrust.

“It’s alright,” he told her. “I promise it won’t hurt you.”

When she didn’t respond, he mimed putting it around his own neck, then gestured to her. After a long moment, she inclined her head slightly. He took a deep breath and slowly lifted the chain over her head, taking care not to startle her. 

The amulet settled around her neck, gleaming a little against her olive skin. For a moment, nothing happened. Then the runes along the amulet began to glow with a soft blue light. With his magic, Enoch felt the enchantment come to life.

“Can you understand me?” he asked. 

Her eyes widened. “Your words… they make sense to me now.” She cautiously touched the amulet, holding it out to get a better look. “This shell speaks for you?”

“In a way,” Enoch explained. “It translates whatever we say—us to you, and you to us.”

“Remarkable,” Captain Black murmured. “Truly remarkable.” She turned to the native girl and smiled. “Welcome to our ship, lass. I am Captain Maren Black of the Waverunner, a merchant vessel from Caravelia. This is Enoch, our sea mage. And who might you be?”

“I am Kailani,” she answered simply. Her sharp gaze swept across the crew, as if seeing them all for the first time. Captain Black coughed.

“Very well, Kailani. Can you tell us why you were chained to that rock?”

“The western tribe captured me in a raid. Because they deemed me witch-born, they bound me as an offering to the Devourer.”

“The Devourer?” Enoch asked curiously. Her tone was so casual, it was difficult to believe she was talking about life and death.

Kailani’s eyes flicked back to him again. “Yes, the Devourer. Did you not know him? He nearly took us both. He feeds especially on the witch-born.”

“So the ‘Devourer’ is that sea beast?” Black asked.

Kailani nodded. 

“And the tribe that took you—they deliberately fed you to it?” 

“Of course,” Kailani answered. “It is the way of all our people. The sea gives life; the sea demands payment. Of course, we do not sacrifice our own. Those of our enemies who fall into our hands, those are the ones we offer.”

Enoch frowned. “But—”

“I was slated to die. By iron and by gold, I was bound to the very edge of the sea. But you changed my fate. You broke my bonds and drew silver against the Devourer. By your hands, I now live.”

The fervor with which she spoke made Enoch profoundly uncomfortable. He glanced uneasily at the rest of the crew, all of whom were watching the exchange with interest.

“It’s, er… it’s not that big of a deal,” he stammered. “Anyone would have done the same.”

“No,” she said firmly. “Many passed those rocks as the tide rose. No one stopped to save me. And why should they invite the vengeance of the beast?” She stepped uncomfortably close to him, enough that he could see the flecks of gold in her dark eyes. “Only you risked the hungry waters. And now, by the laws of my people, I belong to you.”

The Waverunner went very quiet. Enoch felt his face flush. 

“I… what?” 

“I am yours,” Kailani repeated. “You are my master now, and I am your woman. Do with me as you will.”

She bowed her head and prostrated herself, Maren’s cloak pooling around her. Enoch’s heart suddenly began to race.

“That’s not—I mean, I didn’t mean to—”

“It is our way,” she insisted, her firm tone a sharp contrast to her subservience. “Whosoever saves a life claims it as his own. You broke my chains. You claimed me from the Devourer. This makes me yours.”

From the corner of his eye, Enoch saw the other members of the crew reacting with various degrees of amusement. Gideon smirked openly, while Celeste had gone very still, her expression unreadable.

“Get up,” he said quietly. “Just—please, Kailani, get up.”

She rose to her feet immediately, in obedience to his command. But when her gaze locked onto his, it was so intense that he immediately turned away.

“We don’t… we don’t believe in owning people,” he tried to explain to her. “That just—that’s not how things work for us.”

“But then who will protect me? Who will decide my fate?”

“We decide our own fates.”

Kailani laughed. “Even your women?”

“Especially our women,” Captain Black interjected dryly.

Kailani turned to regard her curiously before settling on Enoch again. “My body is young and strong, and I am skilled with net and spear. I will bear you many strong children. What more could a man want in a woman?”

Enoch blush deepened to a burning crimson. He opened his mouth, but words failed him. All he could do was glance awkwardly from the captain to each of his crewmates. 

What was he supposed to do?

Finishing up The Unknown Sea soon

I’ve been making good progress on The Unknown Sea, and now expect to finish it before the end of June—which surprises me, because before I passed the 2/3rds mark on the rough human draft, the numbers simply didn’t add up. But they do now, so I think there’s a very good chance I’ll have the final draft finished by the end of next week, and ready to send off to my editor. Here is where everything is currently at:

  • Final polished draft: 47%
  • Revised human draft: 54%
  • Rough human draft: 67%
  • Final AI draft: 84%

I’ve written enough books to notice this pattern: that whenever I’m between the 35% and 65% marks, it feels like the book is taking longer than it should to write. The numbers don’t just add up, and every day, it feels like I’m falling further behind. But then, around the 2/3rds mark, things turn around, and suddenly I’m in a sprint to the finish, with everything falling into place quite nicely. Which just goes to show you that the way to climb a mountain is to take one step at a time, and the way to eat an elephant is to do it one bite at a time.

We’ve got a lot going on this next week, with family in town, but I think I can carve out enough time to make good progress on this book. Which means I need to get to work now, but I’l leave you with this flash sale I’m currently running on the Sea Mage Cycle, exclusive to my online store. For the next week, Omnibus I is available for just $4.99. That’s four books for the price of one, in the same series as The Unknown Sea. Check it out!


This omnibus edition contains the first four books of the Sea Mage Cycle:

RESCUER’S REWARD
All Jason ever wanted was to sail the Azure Sea as a merchant ship’s captain. But money problems have him up to his eyeballs in debt, and if he doesn’t return to port with the gold, his dreams will be dashed forever. So when the princess of a far-off kingdom is kidnapped by pirates en route to her wedding, Jason merrily takes up the chase, staking his future on the reward for her safe return.

THE WIDOW’S CHILD
Elara left everything behind to raise her magically gifted daughter in the isolated safety of a lonely homestead. But they can’t stay hidden forever, and it’s only a matter of time before evil men find them and seek to exploit her daughter’s gifts. To find someone to help her, Elara must open her heart, even if it means risking everything she has sacrificed and worked for.

THE WINDS OF DESOLATION
All Alex ever wanted was to be a sea mage like his father. But though he is gifted with magic, the wind and the waves refuse to answer his call. So when a storm shipwrecks his crew on the barren shores of the Lands of Desolation, Alex must unravel the dark mysteries of this forsaken land, discovering its connection with his own latent powers. But will Alex master the magic within him before the curse upon the land consumes them all?

THE CALL OF THE TIDE
After dropping out of the King’s Fleet, Samuel didn’t think he would amount to much. But when an ancient and secretive cult comes after him, he learns that his particular kind of magic set him apart. An ancient artifact known as the Tidecaller’s Amulet is the key to unlocking a great evil, and Samuel is one of only a few people who can use it—or destroy it. With the help of a flamboyant privateer captain, he sets out to find the ancient artifact before it—or he—falls into the wrong hands.

Author’s Note: Captive of the Falconstar

This is the author’s note I wrote for Captive of the Falconstar. To preorder the novel, click here.

As a young reader, I noticed an interesting pattern in the science fiction books I used to read. Whenever there were three books in a trilogy, the first one was usually a standalone of sorts, with a straightforward plot arc and a satisfying conclusion. But the second book in the trilogy either ended in a major cliffhanger, or else followed a tragic arc with a very unsatisfying conclusion that set things up for the third and final book in the trilogy, which wraps things up in a much more satisfying way. Over time, I internalized this basic rhythm, and still keep it in mind whenever I outline a new series arc.

With the Falconstar Trilogy, I had the idea for the first book long before I knew where the series itself was going. But I found it very difficult to write Queen of the Falconstar until I knew how the rest of the trilogy would end. For that reason, Queen of the Falconstar remained an unfinished draft on my hard drive for the better part of a decade, until I dusted it off in 2020 and tried to rewrite it as a novella. After running it through my writing group, I had a long conversation with my wife, in which I shared some of my story ideas for books 2 and 3. Her response was the catalyst that became Captive of the Falconstar: she basically said “Sonya is too much of a passive character. You should make her the villain/anti-hero of book 2, and give her a revenge plot.”

Suddenly, everything came together, and I knew exactly what I needed to do. I scrapped the novella version of Queen of the Falconstar and turned it into a novel, publishing it in 2021. I then set the Falconstar Trilogy aside to finish The Stars of Redemption (the third book in the Genesis Earth Trilogy) and Children of the Starry Sea. Basically, I had a lot of irons in the fire and wanted to finish those other WIPs before finishing what I’d started with Falconstar. Also, I wanted to see how Queen of the Falconstar did as a standalone, to judge whether or not to prioritize the next two books.

Then, in 2022, OpenAI released ChatGPT and everything began to change. Suddenly, generative AI was turning the writing world upside down. Two camps began to emerge: the first and most vocal was vehemently opposed to all things AI, but especially with using AI as a writing tool. From what I can tell, between a third to a half of all writers fall into that camp. The other half, however, quietly began to implement AI in their writing process in varying degrees. Some writers were lazy about it, leading to some hilarious mishaps when they copy-pasted the full AI response in their books without reading it first, including phrases like “here is the passage you requested, in the style of such-and-such author.” But others were more thoughtful about it, striving to find a balance between using AI as a tool and preserving their own authorial voice and vision.

It was a fascinating time to be a writer, especially one with several novels under my belt. Since I’d already written at least a million words without any AI, and had already developed my own personal voice, I didn’t see much harm in experimenting with these new AI writing tools to see what they could do. I very quickly found that the lazy approach was not the best way to “write,” as AI has, at best, a very bland voice and very little logical consistency over the course of a 300 page book. To really make it work, I found that I had to bring my own vision in the form of a solid outline, and to rewrite everything in my own words to make sure that my voice made it to the final version. But for all the work in-between, I found that AI was a very powerful tool.

There are basically three parts to writing a book: coming up with the story, translating that story idea into words on the page, and turning those words into good words. The part that I struggle the most with is putting the actual words on the page, because a story often changes in the course of writing it down, and when my focus is on putting words on the page, it’s very difficult for me to keep a broad view of the story. Suddenly, the words stop coming to me, because my subconscious mind recognizes that something in the story is broken, but because I’ve lost sight of the forest for the trees, I don’t know how to fix it. So I spend the next month (or two, or three) trying to write my way through the block, only to find that the whole book is hopelessly broken, at which point I decide to set the book aside and come back to it later, once I can approach it with fresh eyes. When I come back to it, the problem is often obvious enough that a quick rewrite can fix it, but by that point I’m several months (or even years) into the project, with very little to show for it. And that is when things work out well—I’ve got plenty of other books that I couldn’t fix, and ended up trunking.

But with AI, I can now translate my outline into a passable rough draft without losing sight of the overall story. By doing this, I can immediately identify all of the major issues with the story, and fix them before they turn into months and months of writer’s block. Of course, the AI draft is too terrible to publish on its own, but that’s no different than any other crappy first draft. So after tweaking the prompts, generating a few different versions of the book, and combining the best parts of each version into a version that’s as good as I can make it with the AI tools alone, I find that I’m ready to rewrite the whole thing in my own words. At that point, it doesn’t matter if I lose sight of the overall story, because all of the major story issues are fixed, and I can focus on the page without having to worry about falling into writer’s block.

In general, I think there are two approaches to using AI. The first is to use AI to do all the work, so that you can reap all of the reward. This isn’t always the wrong approach, but it does always produce “slop.” The other approach is to use AI to do the work that you really struggle with, so that you can refocus your energy on the work that you’re actually good at. Usually, this is the 20% of what you do that produces 80% of the results. Using this approach to AI, you can 5x your productivity without sacrificing quality or producing AI slop.

Imagine a world where instead of waiting a year or more to read the next book from your favorite author, you could get a new book every few months. A world in which your favorite author writes more than a hundred really good books over the course of his lifetime, rather than only one or two dozen. With the way AI is changing things, I’m very optimistic that we are entering this kind of a world. Yes, there will be a lot of slop too, but most of that is going to sink while the cream will rise to the top. And as for the fear that AI will completely replace human authors, I’m not too worried about that, because voice and vision are the two distinctly human elements that make the best books stand out from all the rest. We may get to the point where AI can write a good, generic fantasy novel, but it will never be able to write a Joe Vasicek novel. So if I can learn to use these AI writing tools without losing my voice or my vision for my books, the result is a world where I can write not just more books, but better books—enough to build an audience that will sustain a lifelong career.

So from 2023 through 2025, I focused all of my writing efforts on experimenting with these new AI writing tools, figuring out what worked and what didn’t work, and incorporated all of that into my new creative process. I wrote a lot of practice novels in that time, most of them in the Sea Mage Cycle, but I did experiment a lot with Captive of the Falconstar too. In 2024, I wrote out a detailed outline for the book, but my first attempt was not satisfactory, and I ended up trunking that AI draft and reworking the project from scratch. All through this time, the AI models themselves were rapidly changing, (as well as Sudowrite, the platform I use for most of my AI drafts,) so when I did pick up this WIP again, it made more sense to rewrite the prompts and generate a whole new version anyway.

In January 2026, I decided to buckle down and finish Captive of the Falconstar, even if it took the better part of the year. Thankfully, I managed to finish it in only four months, even though I was watching three small kids for most of that time while my wife was working full-time. (That’s another great thing about writing with these new AI tools: they can really help you to write through difficult life circumstances that would otherwise force you to put your writing on the back-burner for months, or even years.) Once it was done, I sent it off to my editor and put it up for preorder.

The content issues of Captive of the Falconstar did give me pause, since this is much more of an R-rated book than I usually write. In particular, I spent a lot of time agonizing over whether to fade to black instead of including the explicit sex scene where [SPOILER REDACTED]. But her realization of [SPOILER REDACTED] was important enough to her character development that I decided to keep it in. And whenever I paused for a gut check, I always got the impression that this was the book I was supposed to write, even with the explicit sexual content.

Zenoba’s bisexuality was also difficult to write, because of the danger that it would upset everybody and satisfy nobody: that LGBTQ readers would be outraged by the lack of positive affirmation, and that conservative readers would be disgusted by the inclusion of any LGBTQ content at all. But [SPOILER REDACTED] is so key to Zenoba’s character, and to [SPOILER REDACTED], that I couldn’t write her character honestly without including it. And again, whenever I paused for a gut check, I always felt impressed to go on. For all that, I can only suppose that there is a reader out there whom this story was meant to touch. Perhaps that reader is you.

When it comes to mature subjects like [SPOILER REDACTED], there’s a fine line between depicting the subject honestly and depicting it gratuitously. If you err too far on one side, you end up with a weak or an incomplete story, but if you err too far on the other, you veer into writing porn. I’ve done my best to thread that line, and to write my characters as true and as honestly as possible. Perhaps I could have done better, but I do believe that I’ve done the best that I can with my current level of skill.

My plan as of now is to finish another Sea Mage Cycle book and write the third and final book in the Falconstar Trilogy in time for a May 2027 release. I’m still not at a point where I can write a new book in less than 3-4 months, but I do think I can write them fast enough to publish 2-3 novels per year. So that’s the goal. Maybe when the kids are a little older, and I’m a little more practiced with these AI writing tools, I’ll be able to to do more than that. But either way, you won’t have to wait another five years before getting the conclusion to the Falconstar Trilogy. That much I can definitely promise you!

If you enjoyed this book, I would greatly appreciate it if you would post a rating or a review. It really does help to train the recommendation algorithms, so that other people with similar tastes can find these books. Or you can tell a friend about them—even in today’s interconnected world, there’s no substitute for an authentic human connection. If you want to follow my books and my writing, the best way to do that is to sign up for my email newsletter, which I send out about 1-2 times per month. Or you can follow my blog at One Thousand and One Parsecs, or email me at jvasicek.author@gmail.com if you want to get in touch.

That’s all for this one. Until next time, thanks for reading!

Joe

June 2026

HTTL

Plugging along

Just plugging along with my current WIP, The Unknown Sea. As of right now, I’m 28% done with the final polished draft, 32% done with the revised human draft, 46% done with the rough human draft, and 73% done with the final AI draft (the rough AI draft is already complete).

I’m cycling through all of these drafts at the same time, which is why each one is at a different stage. It’s an experiment to see if that’s a better way to write, as opposed to working on the one draft until it’s completely done, then reworking the whole book until the next draft is done, etc.

The important number is the 28% of the final polished draft, which marks the end of the writing stage. Once that’s done, I’ll send it off to my editor, accept/reject his edits, and then put it in the publishing queue. The preorder is already up at most ebookstores, but I still have to upload the final version by December, which shouldn’t be a problem as I expect to have a finished book by August or September at the latest.

So that’s what I’ve been up to. My wife’s birthday/anniversary is coming up, too—we were married on her birthday, so I’d better not forget it! But since both days are the same day, I don’t think I ever will. Then again, I’ve become a lot more forgetful the older I become. Half the toys our kids own, I have no idea where they came from or how they got here. Is that normal?

In any case, that’s what I’ve been up to. Back to writing!

Crunching data and rethinking plans

So for the last week, I’ve been having some long reflections with ChatGPT (I say “reflection” instead of “discussion,” because generative AI is more like a sophisticated mirror than a mind) and crunching a bunch of the data that I’ve accumulated over the course of my career. It’s fascinating, because one of the things that generative AI is surprisingly good at is crunching large amounts of data and extracting interesting patterns from it. It’s less good at drawing useful conclusions, but that’s what God gave us humans a mind for.

One of the more interesting data points is that the ideal frequency with which to release new full-length novels is once every 3-6 months, ideally every 3-4 months. After 6 months without a novel release, sales tend to fall off, and after 9 months, they fall completely off of a cliff.

From this, I’ve decided to rework my release schedule, so that every January, May, and September, I have a new novel coming out. The goal is to have the next novel ready and up for preorder before the current one goes live. Between new novel releases, I plan to rerelease short stories, bundle and release box sets, or release new original short stories and novellas, with something coming out each month.

It’s an aggressive release schedule, but with the way I’ve incorporated AI into my writing process, I think I can manage it. It took me about 120 total writing man-hours to write Captive of the Falconstar, and with practice I can probably get that down lower. During the school year, while my wife is teaching or researching and I’m generally the one watching the kids, I can only get about an hour of work in each day, but I can do more like 2-3 hours in the summer, so that’s when I plan to catch up. That comes to about 400 man-hours of writing time in a given year, which is more than enough to write three 120 man-hour novels.

I’m going to try to give myself a bit of a buffer, though. After Captive of the Falconstar comes out in July, I plan to wait 6 months and publish The Unknown Sea in January 2027. The next release will be Lord of the Falconstar in May 2027, concluding the Falconstar Trilogy. After that, I plan to launch the Rise of the Falconstar Trilogy in September 2027 with The Soulbond and the Sling, following up with books 2 and 3 in January and May 2028.

My big summer project this year is The Unknown Sea, which I will probably finish sometime next month. After that, I’ll work on Lord of the Falconstar with a goal of finishing it well before the end of the year. Should be very doable. And since the AI draft of The Soulbond and the Sling is already complete, it shouldn’t take more than a few months to finish it. So by the time January 2027 rolls around, I may be more than halfway done with my September release for that year.

That’s the plan, anyway. I may want to experiment with crowdfunding some of these novels, especially The Soulbond and the Sling—which is another good reason to push it back to September 2027. But we’ll see how it goes.

Full steam ahead!

I’ve been making good progress on The Unknown Sea this week, pushing forward at a very good rate now that my wife is at home watching the kids. She’s got the next couple of months off for the summer, allowing me to write full-time, and I plan to take advantage of that as much as I can. This was the first week of that, and while I still feel like I’m ramping up to full speed, I did get quite a bit of writing done.

Right now, The Unknown Sea is at about 50% for the AI draft, 28% for the rough human draft, 22% for the revised human draft, and 11% for the final polished draft. I’m experimenting with pushing through all of those draft phases at once, obviously with different parts of the novel being at different stages. If everything proceeds according to my outline, the final draft will clock in at around sixteen chapters, 53 scenes, and between 65k to 70k words (or around 180 – 220 pages).

I probably won’t be able to finish it before the end of May, but I do think I can finish it by mid-June. It’s going to take a lot of work, but I’ve got the time now, so it’s mostly just a matter of buckling down and making it happen. It’s about the same length as Captive of the Falconstar, which took about 120 writing hours to finish, and I’ve already put in about 50 writing hours. To finish The Unknown Sea by May 15th, I need to average about 3.5 writing hours per day, which is going to be a bit tricky since 1) I still have a bunch of publishing tasks to work on, and 2) we have a family trip to Coeur D’Alene in the middle of that, but I think I can manage it.

I would really like to have it sufficiently finished so that I can start work on Lord of the Falconstar before Captive of the Falconstar releases in July. That way, I can estimate how much time I need to finish Lord of the Falconstar and have it up for preorder. But I may go ahead and put it up for preorder anyway, just with a long enough lead-time that I know I can have the book done before then.

What I’ll probably do is put The Unknown Sea up for preorder with a release date around October-November 2026, and Lord of the Falconstar up with a release date around January-February 2027. I’ve got a rough AI draft done for Lord of the Falconstar, but not much more than that, and I probably need to update some of the character cards and chapter prompts, which is also going to take time. So Lord of the Falconstar probably won’t come out until sometime in 2027, regardless.

Writing full-time over the summer

My parents were both high school teachers, and they told me that the three best things about being a teacher are: June, July, and August. My wife is a BYU professor, so she’s got a two month break instead of a three month break, but she can take it anytime over the summer, and she’s decided to start it next week. That way, she’ll be watching the kids from the end of BYU kindergarten to the week after Writers Cantina in July, giving me all that time to write full-time.

I am really looking forward to it! With luck, I can finish The Unknown Sea and push far enough into Lord of the Falconstar that I can put it up for preorder before Captive of the Falconstar is released. It’s going to take a lot of work, but I think I can do it. Captive took me a total of 120 hours to write, and I’m already about a third of the way through The Unknown Sea, so I can probably finish that by the first half of June. And then, I’ll go full ahead on Lord of the Falconstar to have that trilogy well and truly done by the end of the summer.

Looking forward, we have a wedding at the end of May, and a family trip up to Idaho in the first week of June. Coeur d’Alene is a solid 10 hour drive from Orem, Utah, which is one heck of a crazy haul, but we’ve done it before, though not with three kids. We’ll only be there for a weekend. Other than that, we’ll be at home for most of that time. So that’s the plan.

As for The Unknown Sea, it’s coming along very well, but I only have another half hour to work on it before it’s time to put the kids to bed, so I’d better get back to that now.

Back to writing fantasy

Now that I’ve finished Captive of the Falconstar, I’m back to writing fantasy again, this time The Unknown Sea from the Sea Mage Cycle. I was going to focus on The Soulbond and the Sling, but this book is much shorter, and I think I can have it up for preorder by the time Captive goes live. It’s also about a quarter of the way finished already, so finishing it will only take a little push.

What I really don’t want to do is spend six months working on a WIP that I won’t be able to release this year, or maybe even next year, only to have my sales fall off a cliff because I haven’t been publishing anything. Which means that there may never be a good time to work on The Soulbond and the Sling (or The People of the Last Harvest, for that matter), but if I can set up a few long-term preorders, that may give me the space I need. I’m also going to try making it a side project and working on it on the side, for those rare times when I get an extra hour or two.

There are two more science fiction books that I plan to write: Lord of the Falconstar and Return of the Starborn Son. Both of those will complete a trilogy (The Falconstar Trilogy and the Outworld Trilogy, respectively). But I plan to intersperse those projects with fantasy WIPs, so that I’ll alternate between fantasy and science fiction until those unfinished trilogies are all complete. And then, I’ll focus exclusively on writing fantasy.

The Unknown Sea shouldn’t take long to finish, though the AI draft is rougher than I remember it being. I suppose that means I’m getting better at this, since my older work now seems so much worse. All that really means is that the human draft will take longer, since I’ll fix it all up and make it good for the final draft. But I don’t think I will be finished with this WIP until at least the end of June, and probably the end of July.

My wife plans to fill out her 10 month contract on schedule, giving her two months off in the summer. That should give me July and most of August to write full-time. Perhaps that will be a good chance to work on The Soulbond and the Sling, or finish up Lord of the Falconstar quickly enough that I can put it on a long-term preorder and spend the next six months working on the Soulbound King books. We’ll see how it goes.