Crunching data and rethinking plans

So for the last week, I’ve been having some long reflections with ChatGPT (I say “reflection” instead of “discussion,” because generative AI is more like a sophisticated mirror than a mind) and crunching a bunch of the data that I’ve accumulated over the course of my career. It’s fascinating, because one of the things that generative AI is surprisingly good at is crunching large amounts of data and extracting interesting patterns from it. It’s less good at drawing useful conclusions, but that’s what God gave us humans a mind for.

One of the more interesting data points is that the ideal frequency with which to release new full-length novels is once every 3-6 months, ideally every 3-4 months. After 6 months without a novel release, sales tend to fall off, and after 9 months, they fall completely off of a cliff.

From this, I’ve decided to rework my release schedule, so that every January, May, and September, I have a new novel coming out. The goal is to have the next novel ready and up for preorder before the current one goes live. Between new novel releases, I plan to rerelease short stories, bundle and release box sets, or release new original short stories and novellas, with something coming out each month.

It’s an aggressive release schedule, but with the way I’ve incorporated AI into my writing process, I think I can manage it. It took me about 120 total writing man-hours to write Captive of the Falconstar, and with practice I can probably get that down lower. During the school year, while my wife is teaching or researching and I’m generally the one watching the kids, I can only get about an hour of work in each day, but I can do more like 2-3 hours in the summer, so that’s when I plan to catch up. That comes to about 400 man-hours of writing time in a given year, which is more than enough to write three 120 man-hour novels.

I’m going to try to give myself a bit of a buffer, though. After Captive of the Falconstar comes out in July, I plan to wait 6 months and publish The Unknown Sea in January 2027. The next release will be Lord of the Falconstar in May 2027, concluding the Falconstar Trilogy. After that, I plan to launch the Rise of the Falconstar Trilogy in September 2027 with The Soulbond and the Sling, following up with books 2 and 3 in January and May 2028.

My big summer project this year is The Unknown Sea, which I will probably finish sometime next month. After that, I’ll work on Lord of the Falconstar with a goal of finishing it well before the end of the year. Should be very doable. And since the AI draft of The Soulbond and the Sling is already complete, it shouldn’t take more than a few months to finish it. So by the time January 2027 rolls around, I may be more than halfway done with my September release for that year.

That’s the plan, anyway. I may want to experiment with crowdfunding some of these novels, especially The Soulbond and the Sling—which is another good reason to push it back to September 2027. But we’ll see how it goes.

Full steam ahead!

I’ve been making good progress on The Unknown Sea this week, pushing forward at a very good rate now that my wife is at home watching the kids. She’s got the next couple of months off for the summer, allowing me to write full-time, and I plan to take advantage of that as much as I can. This was the first week of that, and while I still feel like I’m ramping up to full speed, I did get quite a bit of writing done.

Right now, The Unknown Sea is at about 50% for the AI draft, 28% for the rough human draft, 22% for the revised human draft, and 11% for the final polished draft. I’m experimenting with pushing through all of those draft phases at once, obviously with different parts of the novel being at different stages. If everything proceeds according to my outline, the final draft will clock in at around sixteen chapters, 53 scenes, and between 65k to 70k words (or around 180 – 220 pages).

I probably won’t be able to finish it before the end of May, but I do think I can finish it by mid-June. It’s going to take a lot of work, but I’ve got the time now, so it’s mostly just a matter of buckling down and making it happen. It’s about the same length as Captive of the Falconstar, which took about 120 writing hours to finish, and I’ve already put in about 50 writing hours. To finish The Unknown Sea by May 15th, I need to average about 3.5 writing hours per day, which is going to be a bit tricky since 1) I still have a bunch of publishing tasks to work on, and 2) we have a family trip to Coeur D’Alene in the middle of that, but I think I can manage it.

I would really like to have it sufficiently finished so that I can start work on Lord of the Falconstar before Captive of the Falconstar releases in July. That way, I can estimate how much time I need to finish Lord of the Falconstar and have it up for preorder. But I may go ahead and put it up for preorder anyway, just with a long enough lead-time that I know I can have the book done before then.

What I’ll probably do is put The Unknown Sea up for preorder with a release date around October-November 2026, and Lord of the Falconstar up with a release date around January-February 2027. I’ve got a rough AI draft done for Lord of the Falconstar, but not much more than that, and I probably need to update some of the character cards and chapter prompts, which is also going to take time. So Lord of the Falconstar probably won’t come out until sometime in 2027, regardless.

Writing full-time over the summer

My parents were both high school teachers, and they told me that the three best things about being a teacher are: June, July, and August. My wife is a BYU professor, so she’s got a two month break instead of a three month break, but she can take it anytime over the summer, and she’s decided to start it next week. That way, she’ll be watching the kids from the end of BYU kindergarten to the week after Writers Cantina in July, giving me all that time to write full-time.

I am really looking forward to it! With luck, I can finish The Unknown Sea and push far enough into Lord of the Falconstar that I can put it up for preorder before Captive of the Falconstar is released. It’s going to take a lot of work, but I think I can do it. Captive took me a total of 120 hours to write, and I’m already about a third of the way through The Unknown Sea, so I can probably finish that by the first half of June. And then, I’ll go full ahead on Lord of the Falconstar to have that trilogy well and truly done by the end of the summer.

Looking forward, we have a wedding at the end of May, and a family trip up to Idaho in the first week of June. Coeur d’Alene is a solid 10 hour drive from Orem, Utah, which is one heck of a crazy haul, but we’ve done it before, though not with three kids. We’ll only be there for a weekend. Other than that, we’ll be at home for most of that time. So that’s the plan.

As for The Unknown Sea, it’s coming along very well, but I only have another half hour to work on it before it’s time to put the kids to bed, so I’d better get back to that now.

Back to writing fantasy

Now that I’ve finished Captive of the Falconstar, I’m back to writing fantasy again, this time The Unknown Sea from the Sea Mage Cycle. I was going to focus on The Soulbond and the Sling, but this book is much shorter, and I think I can have it up for preorder by the time Captive goes live. It’s also about a quarter of the way finished already, so finishing it will only take a little push.

What I really don’t want to do is spend six months working on a WIP that I won’t be able to release this year, or maybe even next year, only to have my sales fall off a cliff because I haven’t been publishing anything. Which means that there may never be a good time to work on The Soulbond and the Sling (or The People of the Last Harvest, for that matter), but if I can set up a few long-term preorders, that may give me the space I need. I’m also going to try making it a side project and working on it on the side, for those rare times when I get an extra hour or two.

There are two more science fiction books that I plan to write: Lord of the Falconstar and Return of the Starborn Son. Both of those will complete a trilogy (The Falconstar Trilogy and the Outworld Trilogy, respectively). But I plan to intersperse those projects with fantasy WIPs, so that I’ll alternate between fantasy and science fiction until those unfinished trilogies are all complete. And then, I’ll focus exclusively on writing fantasy.

The Unknown Sea shouldn’t take long to finish, though the AI draft is rougher than I remember it being. I suppose that means I’m getting better at this, since my older work now seems so much worse. All that really means is that the human draft will take longer, since I’ll fix it all up and make it good for the final draft. But I don’t think I will be finished with this WIP until at least the end of June, and probably the end of July.

My wife plans to fill out her 10 month contract on schedule, giving her two months off in the summer. That should give me July and most of August to write full-time. Perhaps that will be a good chance to work on The Soulbond and the Sling, or finish up Lord of the Falconstar quickly enough that I can put it on a long-term preorder and spend the next six months working on the Soulbound King books. We’ll see how it goes.

Making Steady Progress

Now that we’re in a good daily routine again, I’ve been making steady progress in Captive of the Falconstar. I’m a little more than halfway done with the AI draft, and around 15% done with the human draft.

So far, there have been no major creative blocks, which is a good sign. The middle is always super messy, but I think I nailed the outline, because the AI draft has no major issues so far—and with a solid AI draft to guide the human writing, I’m consistently hitting 2500 WPH and higher.

In practice, that means that I should have a final polished draft of this book by the end of March. If I had more time to work on it each day, I’d have it done even sooner—perhaps even as soon as this month. But right now, all I can manage is about half an hour (if that) in the early morning, an hour in the evening, and sometimes as much as three or four hours on Saturday.

Not as much as I would like, but better than nothing. And without the way I use AI to generate a first draft, I probably wouldn’t be finished with this book until September or October, and it would be the only full-length novel I’d manage to publish all year. (Though realistically at that point, I’d probably have to go on indefinite hiatus and stop publishing altogether, until the kids grew up and left the house).

After Captive of the Falconstar is done, I plan to work on the human draft of The Soulbond and the Sling and the AI draft of The Soulbond and the Lady, until the first book is finished and ready to publish. But I won’t actually publish it until I have the first three books ready to go, since that way I’ll be able to rapid release the first trilogy.

Depending on how things go, I will probably put Captive of the Falconstar up for pre-order by the end of the month. I don’t usually do assetless pre-orders, but if I’m reasonably certain I can have the writing finished by the end of March, then I don’t see any reason not to give it a launch date and set things up to go. It will probably be available to read sometime in May or June.

I don’t know when I’ll have the third book of the trilogy finished, but if things go well with The Soulbound King series, there’s a chance it will be finished by the end of the year. I’ll probably finish writing The Unknown Sea before I move on to Lord of the Falconstar, just because I want to write and publish another Sea Mage Cycle book before the end of the year, but depending on how things go with Captive of the Falconstar, I might move the sequel up in the queue. Otherwise, it will probably come out sometime in early 2027.

Planning out the next year of writing

I’ve made some major changes to my writing process recently, mostly having to do with the accountability systems that measure my writing productivity. Instead of tracking daily word count, which I’ve done consistently for the better part of the last decade, I now track my average daily words per hour across all writing sessions.

What I found by tracking word count was that my writing and my family life were consistently coming into conflict, which wasn’t good for either. With three small children and a wife who no longer works from home, I’m currently in a season of life where I simply cannot dedicate as much time to writing.

So instead, I’m striving to do just enough writing each day to keep my writing skills sharp, so that when I do get the opportunity to dedicate a whole day or a whole weekend to writing, I can make the most of it. So instead of measuring the quantity of writing I do each day, I’m measuring how efficiently I can use my writing time, and striving to maximize that.

Over the holiday break, I also did quite a bit of thinking over all my current writing projects and how I should prioritize them in the coming year. Basically, for each WIP, I asked myself two questions: “how would I feel if this was the only book I wrote in 2026?” and “how would I feel if I never made any progress on this book for the rest of the year?” Based on that, I put my current novel WIPs in the following order:

  1. Captive of the Falconstar
  2. The Soulbond and the Sling
  3. The Unknown Sea
  4. Lord of the Falconstar

More than any other book I really want to finish Captive of the Falconstar this year. It’s science fiction, not fantasy, but it’s part of an unfinished trilogy that I’ve been committed to finishing for quite some time now. Even though I want to pivot to writing fantasy, I don’t want to leave a bunch of unfinished series as I do that. Also, it’s a really good book that I think that readers of the first book, Queen of the Falconstar, will find immensely satisfying. So I really want to finish and publish this book this year.

I don’t know exactly how long it will take me to finish it. Hopefully sometime around the spring, at which point I’ll put it up for a 2-3 month preorder. But I’m pretty overwhelmed with my other obligations right now, especially family, and we haven’t yet gotten into a good routine with my wife’s new job. So it might take a lot longer than that. But I am consistently working on it a little each day, and I expect it will be finished and published by the end of the year.

But even though I want to make progress on this series, I actually don’t want to lay everything aside to finish it. Which is why the next two books, in order of priority, are both fantasy. The Soulbond and the Sling is one that I really want to finish writing this year, even if I don’t end up publishing it in 2026. As I’ve said in previous posts, I don’t want to launch this new epic fantasy series until I have the first three books finished and ready to rapid release.

But I already have a complete human-revised AI draft of this book, so all I have to do now is go through and rewrite it in my own words. That’s going to take some time, simply because it’s such a massive book, but I want to get it done and finished and ready to publish, even if I end up holding off on that for the next couple of years.

Of course, while I continue to work on The Soulbond and the Sling, I will also continue to work on book 2, The Soulbond and the Lady. The rough AI draft of that book is already complete, but the final AI draft is going to take a lot of work, so it will probably take me as long to finish that as it takes to write and revise the final human draft of book 1. So I probably won’t finish The Soulbond and the Lady this year.

If I can finish a third book, I would like it to be The Unknown Sea. This would be the fifth installment in the Sea Mage Cycle, and so far, it’s been one of the funnest books to write. If you’ve enjoyed the other books in the series, I think you’re really going to enjoy this one, and I would really love to get it out there for everyone to read. Like all of the Sea Mage books, this one is relatively short, so finishing it shouldn’t be too difficult. It’s just a matter of making the time.

One thing you may notice is that I haven’t included any of the Christopher Columbus books in this lineup. After giving it some serious thought, I’ve decided to put that series on hold for the forseeable future. I just think it’s more important to pivot to pivot to writing fantasy, which means finishing all of the unfinished science fiction trilogies and writing new fantasy books to release in the coming years. 

So that’s my writing plan for 2026. I may also start a new WIP at some point, just because I can’t help myself—in fact, I rather expect it. But if and when I do, I’ll probably take it no farther than the rough AI draft before putting it on the back burner. In fact, it might be a good idea to put several such projects together, outlining and prewriting them just enough that I can pick them up and run with them when I’m ready to commit to such a project. That should scratch my creative itch just enough without taking too much time from the WIPs I’m committed to finishing.

Writing through the holidays

It’s beginning to look a lot like Christmas, the most magical time of the year—and for parents of three small children, it’s the busiest time as well. This week has been packed with all sorts of things, which means the writing has taken a backseat for the moment. Still, I’ve been managing to get a little work done, mostly in the early mornings.

I’m about 40% done with the rough AI draft of The Soulbond and the Lady, book 2 in the Rise of the Soulbond King Trilogy. I’ve also been working on the human draft of The Soulbond and the Sling, though progress has been slow (which is also why I haven’t been able to update the cover, or make a cover mock-up for The Soulbond and the Lady).

It took me only four days to write the prompts and generate the rough AI draft of The Soulbond and the Sling, which came to about 153k words. That was pretty wild. But the draft turned out to be a little too rough, which is part of the reason why it took so long to revise the AI draft and get it to a state where I was ready to move on to the human draft. So for The Soulbond and the Lady, I’m trying to be more careful. If I can fine tune the prompts to generate a much higher quality rough AI draft, it shouldn’t take nearly as much energy to revise it, which means that I can finish the AI draft of book 2 while I write the human draft of book 1.

I was hoping to finish the rough AI draft of The Soulbond and the Lady before Thanksgiving, but that didn’t happen, so now I’m hoping to finish it before Christmas. But I’ve currently put that WIP on hold so that I can finish the novella version of “Christopher Columbus: Treasure Hunter” in time to publish it in February of next year. I’m currently about 15% done with the AI revisions, and if things go well, I’ll have a finished AI draft by the end of the week, or early next week at the latest.

With the Christopher Columbus series, I’m experimenting with different forms of AI-assisted writing, leaning more into the discovery writing aspect of the creative process. So it might take longer as I figure it out. That’s frustrating, because it means slower writing progress, but by the end of it I’ll hopefully have learned a few more things about AI-assisted writing that will help out with future books. And even with how frustratingly slow it is, I am having quite a bit of fun with this WIP.

After Christmas, when I’ve hopefully finished both of these WIPs (at least through the AI draft phase), I plan to pick up The Unknown Sea again and work on that one until it’s DONE. I’m planning on a release date in March of next year, which might be a bit of a challenge given how crazy it is around here, but I’m really looking forward to finishing this one and getting it out into the world!

Minimum viable sleep

I feel sorry for my wife. She needs a lot more sleep than I do. If I can get four uninterrupted hours of zzz, I’m doing great. Of course, how long I can keep that going is an open question—and one we put to the test every time we have a new baby. But he’s getting better, and in another month or two, he’ll probably (hopefully) be sleeping through the night.

Things are going pretty well around here. The house is a wreck, but a manageable one. Still need to finish unpacking from the move, but that’s a long-term project at this point. The kids are doing well. Wife and baby seem to be doing well. She’s got her thesis defense in a couple of weeks, at which point the PhD is fully off her plate. Which will be nice for all of us.

For the last couple of weeks, I’ve mostly been bouncing between different projects, making a little progress on each, but not really finishing or making significant progress on any of them. Hopefully, that will soon begin to change.

For the next couple of weeks, I plan to work on Captive of the Falconstar, moving it along as far as I can. Mostly, though, I just want to keep it fresh in my mind, since if four or five months go by without working on it, it’s going to be that much harder to pick it up again.

I’m really excited to get back to work on this one. My subconscious brain has been mulling over this story for the past few years, and I think the time is ripe to put it on the page. I’m also a lot more skilled at writing with AI, which makes a huge difference. The first time I attempted this WIP, I think I bit off more than I could chew. But with the AI draft of The Soulbond and the Sling under my belt, I’m very confident that I can finish this one.

My goal is to publish it this spring/summer, along with the third book in the trilogy, Lord of the Falconstar. That might be a little too ambitious, but with the baby already 1+ months old and our lives slowly settling into a reasonable routine, I think it’s good to start planning these things again. The rough AI draft is already complete, so it shouldn’t be too difficult to pick up from Captive of the Falconstar when the time comes. Really, it’s more like one really long story split in the middle.

In another couple of weeks, I plan to pick up The Soulbond and the Sling again, mostly just to keep it fresh. I’ll also be working on the rough AI draft for book 2, The Soulbond and the Lady, working out the chapter prompts and everything else. Instead of rushing through that one, I plan to take my time and get it right. Hopefully that will make the rest of the AI drafting process go much more smoothly.

That should keep me busy until Thanksgiving. Again, the goal is not to finish any of these projects, but to work on them enough to keep them fresh in my mind. Of course, there is a mental cost to switching between WIPs too frequently, so I’ll still try to make significant progress on each of them while I can.

After Thanksgiving, I plan to work on The Unknown Sea until it’s done and ready to publish. I’ve already been making really good progress on this one, and the only reason I laid this WIP aside was to keep the others fresh. But once I pick it up again, I think it will go quickly, and I may even be able to finish the final polished draft before Christmas.

Of course, there are only three full weeks between Thanksgiving and Christmas this year, and the holiday season is always busy with family stuff. We’re staying home this year—no traveling across the country to spend the holidays with family (we did that over summer). But I’m sure it’s going to be an eventful season, especially with the new baby. So I might end up picking up The Unknown Sea a little before Thanksgiving, just to get a head start.

And now, I can hear the kids waking up in the room above me, so it’s time to schedule this post and get started with another day. With luck, maybe I can get a little writing in before things get too crazy.

Midweek Excerpt: The Unknown Sea, Chapter 2

Celeste inhaled deeply as she stepped out of the cottage and into the salty breeze from the sea. Without a backwards glance, she bounded down the worn dirt path that wound from her home to the village and the harbor.

“Morning, Celeste!” old Marta called out from her herb garden as she passed her cozy house. “Off to help the fishermen again?”

Celeste grinned. “Someone has to make sure they don’t tangle all their lines.”

“Good luck to you! And come home safe!”

The village was bustling with morning activity. The fishermen’s wives were busy mending nets and hanging laundry, while their children ran down the winding streets and played in the village green. The sight brought a smile to Celeste’s eyes.

“Good morning, Celeste.”

“Good morning to you, ladies!” she exchanged cheerful greetings. But she didn’t stop until she had reached the harbor.

“Ho there, young sea mage!” Graybeard Tom bellowed as she neared the docks. “Come to work your magic on today’s catch?”

“If you’ll have me,” Celeste answered. “Though I daresay my fishing spells might put the rest of you to shame.”

Tom let out a hearty laugh. “Aye, and perhaps old Joanna’s pigs’ll sprout wings and soar over the village green! Best get out there and prove it, lass.”

Celeste laughed with him though she quickened her pace as she noticed most of the fishing boats had already gone out to sea. She all but ran across the dock, the weathered planks creaking beneath her feet as she reached her own small sailing boat. It was tied out at the very end, past the handful of larger and sturdier fishing vessels that hadn’t gone out yet.

She ran her hands along the hull of her little skiff, feeling the familiar thrill as her magic responded to the sea. For a brief moment, Celeste allowed herself to imagine that she was following in the footsteps of her sister—a future where she was a famous sea mage in her own right, not merely the half-sibling of the greatest sorceress in the world. Yes, the village was home, but it was also something of a cage. There was so much more waiting for her out there, beyond the safety of this isolated cove.

“One day,” she murmured softly. “I’ll be right there with you, Seraphine.”

The salt-laden breeze tossed her hair pleasantly as she sailed her little skiff into the bay. She squinted and shielded her eyes as she scanned the nearby waters, watching the scattered fishing boats bobbing in the gentle waves. Extending her awareness, she captured a small portion of the wind and channeled it into her sails with her magic. The breeze filled her canvas sail with a satisfying snap.

“Morning, Celeste!” Henrik called from where he was working his nets. “You come to help out with the catch?”

“You know it,” she called back, already sensing the subtle currents beneath his boat. With her magic, she could feel the fish moving in silver schools just beyond the reach of his nets. 

She flicked her wrist, sending a pulse of magic through the water. The school of fish turned, moving toward Henrik’s waiting lines. From his vantage point in the boat, all it looked like was a slight shimmering in the water below. But when he moved to pull in his nets, his eyes widened.

“Well, I’ll be,” Henrik muttered, grunting as he worked to haul in the heavy catch. “Your magic’s getting stronger, girl. Very strong.”

“Thanks,” she grinned, pleased with her handiwork. She turned her little boat to starboard and sailed off to offer similar assistance to the rest of the boats scattered across the bay.

But this time, as she reached out with her magic again, something felt… off. The wind in her sails felt charged with an unseen energy, the waters somehow darker. A chill ran down her spine as a vague sense of danger tingled at the edges of her consciousness.

“What in the world?” she muttered, scanning the wide horizon. The sea looked calm and peaceful, the sky clear, but deep in her gut, something felt wrong.

“Hey, Celeste!” Henrik called. “You alright there, lass?”

She opened her mouth, but the words caught in her throat as a wave of dread washed over her. She knew with an absolute certainty that something unseen was approaching them—fast. But what could it be?

Pirates.

Her eyes widened as the answer came to her utterly without warning. She stood up quickly, holding onto the rigging of her sailboat for balance.

“Pirates!” she shouted. “Back to the village! Everyone! Now!”

The nearby fishermen stared at her in confusion, as if she’d just told them that their boats were made of cheese.

“Pirates? Where?”

“The sky’s as clear as crystal!”

“What are you on about, girl?”

Celeste’s eyes darted frantically across the empty horizon, straining for any confirmation of what she felt. She couldn’t see the threat, but she could definitely feel a malevolent presence growing ever closer.

“Trust me!” she shouted. “They’re cloaked somehow, but they’re coming. We have to go back!”

The fishermen looked from her to their nets, many of them grumbling under their breath. A few of them shook their heads and started to turn away from her.

“Please!” she shouted, pleading with them with her eyes. “How many times have I called the fish and filled up your nets? How many times have I brought you an empty catch. Please, listen to me! We don’t have time to argue!”

To her relief, some of the fishermen began to reel in their nets, preparing to come back. They started to argue with the others, their voices carrying across the water. 

Celeste didn’t wait to join their discussion. She tacked her little sailboat, racing toward the next group of fishing boats. As she drew on her magic to fill her little sail with wind, her thoughts began to race. How could she convince them all in time? What if the pirates attacked before everyone made it to safety?

Her fingers unconsciously brushed against the amulet beneath her shirt. For a very brief moment, she considered using it to call her sister. Seraphine would know what to do. If anyone could convince the fishermen to come home, it was her.

No, Celeste thought, gritting her teeth. They’re already starting to listen to me. I can do this myself.

“Pirates!” she called, racing her little boat around the opposite end of the bay. “You all need to head back from the shore. Now!”

Here, too, the fishermen looked up at her in confusion and annoyance.

“What’s that, girl?”

“We’ve only started bringing in the catch!”

“I know, but there’s a pirate ship coming,” she shouted urgently. “It’s veiled, so you can’t see it, but I can sense it with my magic. It’s closing in fast!”

Like a sheepdog barking at a herd of unruly sheep, she circled the fishing boats, urging them all to come in. It took a while, but her tone finally struck a chord. One by one, the fishermen pulled up their nets and headed back to shore.

“Thank you!” Celeste called with relief. She might not be as great at magic as her sister Seraphine, but she would do whatever it took—even face the ridicule of the whole village—to keep her home safe.

Circling behind them, she called upon her power and called a mighty wind to speed the fishermen on their way. Seraphine probably could have done better, but every little bit helped to speed their retreat. The sense of impending danger never went away—indeed, it grew stronger by the minute—but she allowed herself a small sigh of relief as the last of the stragglers finally dropped sail and began to head back to the bay.

Off to port, a slight shimmer in the air caught her eye, like heat rising from sun-baked stones. Before Celeste could react, the shimmer warped, and suddenly—impossibly—a massive sailing ship materialized mere yards away from her, its sails blotting out the sun.

“No!” Celeste gasped, yanking the tiller hard. She barely avoided a collision that would have surely capsized her. From behind, she heard the yells and shouts of the pirates as they moved into pursuit.

Calling up every ounce of strength she had left, she summoned the wind—but it was too late. An iron grappling hook caught her ship by the stern, and two burly pirates swung onto her tiny sailing ship, their heavy boots making the whole vessel shudder.

Celeste stumbled backward, her hand flying to her amulet. At that moment, one of the pirates threw a golden chain around her neck, almost like a lariat.

The effect was immediate and devastating. Her connection to the magical world died instantly, her awareness cutting off as if someone had slammed a door. The wind died down, and her sails went limp. More importantly, her efforts to summon her sister were totally cut off. The gold burned against her skin, not with heat, but with a wrongness that made her stomach lurch.

“That’s better,” said the pirate, grabbing her arms before she could slip the golden chain off of her neck. “Can’t have our little prize calling up any squalls to trouble us, can we?”

“No!” she screamed, lashing out with her fists and feet. “Let me go!”

The pirates ignored her struggles and frantic cries as they easily subdued her. When she tried to bite the hand binding her wrists, they simply laughed.

“Feisty one, ain’t she?”

Celeste glared defiantly at them both, even as they bound her feet and hauled her to her feet.

“You’re going to regret this. The people of my village—”

“Are too far away to help you now, little mage,” the other pirate sneered. He gestured to the shoreline, where the last of the fishing boats had just pulled into the harbor. Though men with spears and torches line the shore, none of them attempted to sally out and rescue her.

As they dragged her up onto the pirate ship, Celeste’s bravado began to crumble. Tears stung her eyes, but she blinked them back furiously. Even though she was now their prisoner, she wouldn’t give these scum the satisfaction of seeing her cry.

Still alive

It’s been about a week since my last blog post, so I thought I’d give a quick update just to let you know how things are going around here. We’re doing just fine, aside from a minor cold that has gone through everyone in our house (including our newborn) except for me. Just recovering from that, and trying to get enough sleep while keeping our newborn’s nose from clogging up too bad. Fortunately, everyone seems to be getting better, but it’s been a rough few days.

I’ve been able to get some writing in, though not as much as I’d like. Just working steadily on The Unknown Sea, trying not to fall too far behind on it. Ideally, I’d like to publish this one in January or February, and I think I can still make that happen, but it’s going to require a lot of hard work. In the meantime, we’ve got three kids now, and though my wife is currently on maternity leave, she’s also got a dissertation to finish. And after another month, maternity leave ends.

Between family stuff, watching the kids, taking care of my wife, and somehow fitting in time to work on this novel, I’ve also started working on converting some of my old short stories and novelettes into screenplays. The one I’m currently working on is “What Hard Times Hath Wrought,” and it’s been going pretty well, though screenwriting is something I’m not too familiar with. Basically, I’m relying on some combination of Save the Cat!, The Hollywood Standard, and ChatGPT/Sudowrite to figure it out.

I have absolutely no idea what I’ll do with this screenplay once it’s written. How does one go about selling screenplays in 2025? What I’ll likely do is set it aside while I write another one, and another one, etc, until I have maybe 5-6 screenplays to shop around. Is that the best way to break into film? Is “breaking into film” even still a thing, with how AI is changing everything? I don’t know, but I’m having a lot of fun with it, so hopefully it isn’t a total waste of time.

So that’s what we’ve been up to. Life is good, just a little bit crazy at the moment. I’ll try to blog a little more regularly next week.