One Thousand And One Parsecs

plot vs. PLOT and an interesting serial publishing idea

Back in English 318 at BYU, Brandon Sanderson used to tell us that there was a big difference between “little-p plot” and “big-p Plot.” The first applies mostly to chapters and scenes, which he said he could teach us. The second refers to the overall story structure, which he couldn’t teach in a classroom setting and said we’d have to discover on our own.

I’ve been thinking a lot about this recently, because it seems that my books are starting to fall into a recognizable pattern–and that pattern has some interesting potential for serials and other alternate forms of publication. Each book is divided into 3-4 parts, each part is divided into 3-6 chapters (typically 5), and each chapter is divided into 3-5 scenes. Here’s how it works:

Chapter 1: Setup for the basic story arc. Introduction of the characters and setting, the prominent theme or premise, and a little foreshadowing of the coming conflict.
Chapter 2: The inciting incident, a discovery or event that starts the plot rolling and puts the characters in motion and conflict.
Chapter 3: Complications arise, the problem gets worse, the first attempt at a solution fails, generally leaving the characters at a loss.
Chapter 4: Setup for the resolution. The characters discover or build something that will help them to settle the conflict. They stop reacting and start to be more assertive.
Chapter 5: The resolution. The characters either succeed or fail, but the arc comes to a close either way. The story question is answered, the thematic elements come full circle, and the story either closes or moves on to the next part.

Basically, it’s the 3-act format divided into five chapters. When I wrote Heart of the Nebula, all four parts fell into this pattern, and now that I’m writing Star Wanderers, I’m finding myself falling into the exact same pattern again. Stars of Blood and Glory is a little bit different; there are three parts instead of four, and each part is divided into six chapters instead of five. But still, it’s all very structured.

In short, Brandon was right. It took me a few books to really learn “big-p Plot,” but now that I’ve found a story structure that works for me, it’s starting to come quite naturally.

The cool thing about this particular structure is that it’s very conducive to serialization. Each chapter is between maybe 3,000 to 5,000 words, so each complete sub-arc is between about 15,000 to 25,000. That’s the length of a short novella, and it takes me only a month or two to write (sometimes three, depending on how much revision it needs).

The only reason I haven’t done more with serialization up to this point is because I’ve found that sharing my work while it’s still unfinished tends to throw a wrench in my creative process. The idea of publishing a work in progress on a chapter-by-chapter basis scares me, because if one of the story arcs has a flawed beginning, I wouldn’t be able to fix it.

However, by following a five-chapter arc format (with bits and pieces here and there to hint at a larger overarching structure), I can see myself publishing a novel or epic in a serial format. It would be something like the Perry Rhodan series, which follows an arc structure of 25 to 100 issues (each a small novella) per cycle.

So here’s how I’m thinking of doing it:

Publish the first installment and price it at free while writing the second one.
Publish the second installment and price it at free, raise the price of the first installment to $.99 and write the third one.
Publish the third installment and price it at free, raise the price of the second installment to $.99 and write the fourth one.
Publish the fourth installment for $.99, drop the price of the first installment to free and publish the completed novel for $2.99.

So what do you think? Does it seem like a good way to publish a book? It gives the reader a reason to keep coming back, and rewards those who got in early by charging them less for the completed work. By selling the novel in shorter chunks, I would be able to put more work out and hopefully gain more visibility, especially by making a portion of it free at any given time.

I’m seriously thinking about publishing Star Wanderers this way, once I hear back from Writers of the Future. I’ve already finished the rough draft for the second part; it probably needs a good revision or two before it’s ready, but since it’s shorter, it shouldn’t take more than a few weeks to get feedback from some first readers and finish the next draft. And if the third part is already finished by then…

So many awesome possibilities! 🙂 What do you think?

Journey to Jordan is now published!

My travel journals from the 2008 BYU Jordan Study Abroad are now available as an indie published ebook from Smashwords!

Originally published as a blog, I always wanted to make it available as a book someday. I spent the last couple of months running through it, putting together all the old posts as well as a few private ones.

I’ve edited them to bring the quality of my writing up to date, but did my best to retain the original sense of enthusiasm and discovery. I’ve also added a foreword and afterword to give it a little more context, especially in light of the past few years.

This is the unillustrated version; I’m not exactly sure how to format ebooks with pictures, so the illustrated version with the photographs will have to wait. I can’t promise I’ll get it up before I head out to Georgia (I’m just waiting to get the call–I could be leaving as soon as next week), but I’ll do what I can.

This version will be exactly the same as the other except for the photos, however, so if that’s not important to you, the unillustrated version is cheaper and much less unwieldy (only 895 KB). Also, until Smashwords allows for direct epub uploads in a little less than a year, the only version available from Smashwords will be this version.

It was a lot of fun putting this one together, and I’m excited to see it up! As with all my books, thanks for taking the time to read it, and I hope you enjoy!

Trope Tuesday: Character Alignment

firefly-character-alignment — Alternate versions put 20th Century Fox in the Lawful Evil slot.

I love personality tests. There’s something immensely satisfying about putting yourself on a grid that tells you something new and insightful about yourself and the people around you. My personal favorite is the Meyers-Briggs test (I’m an ENTP), but I like playing around with others as well.

Character alignment is what you get when you combine fictional characters with the role they’re supposed to play in the story. It’s a way to categorize the different ways they react to problems and ethical dilemmas, and to see which are inclined to be enemies and which are inclined to be allies.

These systems initially arose out of RPG systems like Dungeons and Dragons, which use numbers, charts, and statistics to turn a story into a playable game. There are many different kinds of alignments, but the most well-known is probably the one used by D&D, which charts characters along a good-evil axis and a lawful-chaotic axis. In practice, the result looks a little like this:

Of course, that’s a very simplified version. The tvtropes page goes into much greater depth, but I’ve personally found that this page right here does a much better job explaining the concepts behind the chart.

The horizontal axis, law vs. chaos, describes how much the character values order and authority vs. their own independence and freedom. Lawful characters value honor and obedience, while chaotic characters value innovation and rebelliousness. Characters who are neutral with regards to law and chaos generally respect authority, but put their own interests first and go against the established norms when that’s the best way to further their own ends.

The vertical axis, good vs. evil, describes how well (or poorly) characters tend to treat other people. Good characters are altruistic and make sacrifices to protect the defenseless, whereas evil characters will kill, rob, or torture the innocent simply for the evulz. Characters who are neutral with regards to good and evil don’t like to hurt others, but are not above pursuing questionable means to achieve their own goals.

Put together, the alignments create a 9-square chart, like the one at the top of the post. While it’s certainly not obligatory to fill every slot, doing so can add a greater degree of depth to your story, as it certainly did with Firefly.

As with any formula, however, there is danger in holding too closely to the chart and becoming inflexible. In real life, people switch alignments all the time, just as personalities can change and evolve (in high school, for example, I was an INTP). Not only that, but some characters even fulfill all the possible roles, depending on the incarnation and the story.

The point is, character alignment is just a tool, not a hard-and-fast rule that needs to be used with every story. If it’s a helpful way to think about your characters and set them up with interesting conflicts, great. If not, don’t sweat it; Homer and Shakespeare were telling great stories long before this chart.

I’m going to be going overseas soon, so I expect my internet access is going to be spotty for the next couple of months. Because of that, I’m going to write up a bunch of Trope Tuesday posts on each of the nine alignments and schedule them to post automatically. So stay tuned for more!

What French Women Know About Love, Sex, and Other Matters of the Heart and Mind by Debra Olliver

I have a confession to make: when I was at my sister Kate’s for Christmas, I saw this book on her shelf and ~~stole~~ borrowed it without permission. I finished it just yesterday, and at the risk of embarrassing myself, I’m going to review it as my second book of this year.

This book presents a fascinating perspective on French lifestyle, attitudes, and culture. Even though it’s geared more for women than for men, I enjoyed it in the same way I enjoyed Twilight–as an interesting anthropological experience.

It goes beyond that, though. The picture Ollivier paints of French culture is fascinating in and of itself, if nothing else for the contrasts she points out between us (Americans) and them. According to Ollivier, the key difference is that the French have a deep understanding of “the brevity of time and the immediacy of pleasure.” Ollivier follows this philosophy out to its logical conclusions to show that everything in French culture is an outgrowth of this–and it makes sense.

For a non-fiction book, the writing itself is quite entertaining, with constant pop culture references and a playful, humorous style. It was a delight to read, and fairly easy as well.

However, I did get the feeling that it was a little too enthusiastic and non-critical to present a comprehensive or truly accurate picture of French culture. Between the lines, Ollivier seems to be saying that if we Anglos would just be a little bit more like our “French sisters,” most of our problems (like our obsession with marriage, our frustrations with perfection, and our general lack of passion) would be solved.

I take issue with this: as much as we have to learn from the French, their culture has a lot of issues as well. For example, I personally believe that Laïcité is fundamentally incompatible with a multicultural society, and leads to de facto state repression of legitimate religious expression in the public sphere (such as the wearing of the headscarf).

Also, whenever Ollivier described American culture, I always felt as if she was describing something completely alien to my own experience. There might be a good reason for this, considering how for the past six years I’ve lived in Utah Valley, a bastion of Mormon culture so unlike the rest of the American mainstream. However, it might also be that Ollivier exaggerates the worst excesses of this continent in order to more sharply contrast the subject matter of her book.

As a writer, though, I found this book inspiring–particularly as a writer of science fiction. In my novels, I’m constantly inventing new cultures to populate the many worlds in my science fictional multiverse. This book, with its clear and entertaining analysis of some very real-world cultural differences, gave me an excellent world-building prototype and a whole ~~plethora~~ (oh how I hate that word) bunch of new ideas for ways to enrich my stories. In fact, this book gave me just what I needed to get through the block that had kept me from writing Star Wanderers, so if nothing else, there’s that.

So yeah, if you’re interested in world cultures or world-building cultures of your own, it’s worth your time to check out this book. It’s perhaps not the most thorough or comprehensive book, but it is entertaining, and fairly insightful as well. I mean, hey, if a science fiction geek like me enjoyed it, it’s got to be doing something right.

Torn between projects and some new thoughts on the creative process

So I have a confession to make: a couple of days ago, when I was in something of a rough spot with my current novel, Stars of Blood and Glory, I had this overwhelming urge to go back and revisit Star Wanderers. In two days, I went through everything I’d written up to the point where I’d gotten stuck, and something just clicked. All of a sudden, I knew exactly where to take the story.

So today, I sat down and wrote the next scene…and man, it was hot! The words were flying, the characters were leaping off the page (and almost into the sack with each other–almost, but not quite)–it was awesome! The flame for this project has definitely been rekindled, and I’m really enthusiastic to get it rolling again.

Trouble is, I’m already working on Stars of Blood and Glory–and making some good progress on that one as well. In fact, I’m still quite excited about it. I’ve got all the twists planned out, the characters are really coming alive, and while the manuscript is still pretty rough, none of the problems are too serious to stop the creative process.

But sometimes…well, sometimes I feel like I’ve been writing so fast on this one, that the story hasn’t had time to really percolate. I’ll have the next few scenes planned out, but I just won’t want to write them–not because I’m lazy, I don’t think, but because it hasn’t really clicked yet in my mind.

This is something I’m slowly coming to grips with. The creative writing process isn’t something you can completely capture with metrics (like daily/weekly word counts, hours worked, writing rates etc). There’s a whole lot of mental-space work that, on the outside, looks a whole lot like procrastination or laziness–and can easily degenerate into that, if you aren’t careful. However, these mental activities are absolutely crucial, because they serve to refill the creative well. Without them, writing becomes painfully difficult, and the quality of the stuff you do manage to put out tends to suffer.

That’s what I’m starting to notice, in any case. I’ve found it somewhat helpful to go on a long walk each day, like maybe for an hour or more, but I wonder if it might also be helpful to have multiple projects to fall back on, so that even if I’ve got to refill the well for one of my projects, I can still be actively creating.

Because it’s more complicated than just outlining the next chapters. The best scenes to write are the ones that go off in their own direction, without any planning (or perhaps minimal planning) on my part. Discovery writing is definitely a part of my process. To make that happen, however, I have to get a real feel for what’s happened up to that point, and think through all the implications of their possible choices. If I do it right, something I haven’t considered comes to mind, and it helps the scene to come to life enough for me to write through it.

So yeah. For Star Wanderers, the ideas have been percolating since a conversation I had with my brother in law and former roommate over Christmas break. For Stars of Blood and Glory, I feel almost as if I’m going too fast to percolate–or that at least I need to take a little time off here or there. And the real trouble is that I’m probably going to be going overseas in a couple of weeks–which means that all the free time I enjoy right now is probably going to become extremely scarce in the near future.

So I’m going to do my best to finish Stars of Blood and Glory before the end of the month, but if I’m not getting enough prewriting in to do the story justice, I’m not going to push it. And when I’m not working on that one, I’ll work on Star Wanderers, since I’m really in love with this project (seriously, very much in love) and it’s not in my heart to put it off any longer. I just hope that it doesn’t get in the way…

Anyhow, if I’m going to pound out another 4k to 5k tomorrow, I’d better get to bed. I’ll leave you with this:

Man, I need to get this girl to do the soundtrack for my life. Either that, or my next book, which pretty much amounts to the same thing. 😛

G’night!

Trope Tuesday: Big Damn Heroes

You know the drill. The clock is ticking down to zero, the evil hordes are swarming through the gates, the virgins are about to be sacrificed and the damsel in distress is about to be lost forever–and then the heroes show up in all their glory to save the day.

This happens all the freaking time, which means that if you want to make a living telling stories, this is not a trope that you should ignore. And with good reason. Not only does it give the writer ample opportunity to play with suspense and action, but it arguably lies at the very core of what makes a hero a hero:

David Gemmell, according to this interview with Ian Graham, defined a hero simply as “someone who does heroic things.” They might not always take the right side, or they might not even care about doing what is right, but when the universe conspires to bring them to a moment of decision, they make the choice that all of us would like to think that we would take and do something extraordinary.

I like this definition of a hero. It strikes me as a lot more honest than the perpetual do-gooder whose only motivation is Truth, Justice and the American Way (though those characters can–and do–have Big Damn Hero moments of their own). Also, it means that true heroism is not contingent upon actually winning. History may be written by the victors, but that doesn’t cheapen the experience of those who actually lived it.

Of course, if the heroes don’t save the day, it’s pretty hard to pull off a crowning moment of awesome without bringing in the Bolivian Army. Either the heroes find out that they’re too late, or they make things worse, or (as is so common with Othar Tryggvasson of Girl Genius) they just prove that their ego is too big for its own good. When taken to the extreme, the heroes may even be in danger of turning to the dark side.

The biggest danger with this trope is turning it into a Deus Ex Machina. The thing that makes Big Damn Heroes so incredibly satisfying is the sense of climax when they show up to save the day. Thus, proper foreshadowing is key. Yes, the rule of cool still applies, but if that’s all you rely on, you’re not going to be able to pull it off to maximum effect.

One of my favorite examples of this trope is Liam Neeson in Taken. Plenty of action movies are more violent, but few are more satisfying. It’s the perfect pick-me-up after a long crappy day at the office–not that I work in an office anymore. I wonder why…

In any case, this is a great trope to look out for, and definitely one to master, especially if you’re writing any sort of action-adventure story.

Halfway to 10k

I was going to post my ebook numbers for December and a report for the last quarter, but then I got caught away in my latest novel, Stars of Blood and Glory and wrote over 5.6k words for the day.

This is probably the most new material I’ve written in a single day since 2009–perhaps ever. Revising tends to come a lot easier for me, so I’ve spent a lot of time in the past doing that, but this indie publishing gig is making me up my game. I’m working my way up each day; hopefully I’ll be able to write even more tomorrow and keep up the pace until the book is finished.

Of course, it helps that I’m hanging out at my parents’ place without any obligations or time commitments. I finished my application to the TLG program last week, and they just sent it out today; with luck, I’ll hear back that I’ve been accepted within the next five days, and then I’ll have a definite idea of how much time I have left before I’m off on the next adventure. It probably won’t be much longer than two or three weeks at that point.

My (rather lofty) goal is to finish the rough draft of Stars of Blood and Glory while I’m here in Massachusetts, seeing as I have nothing else to compete for my time. Once I’m overseas, it’ll be a flurry of activity and I’ll probably be lucky just to manage one or two thousand words per day, at least until things settle into some kind of routine.

So that’s the plan for the next few days. In order to finish this book by the end of January, I’ll have to average over 3k words per day, but I think I can do it. This story is so much fun–the characters are practically leaping off the page at me, and I’ve got some awesome twists planned. Space battles, mercenaries, a runaway princess, and opposing princes who are determined to prove themselves men–it’s going to be a clash of epic proportions! I can hardly wait to write it!

The Prophet by Gibran Khalil Gibran

AL MUSTAFA the chosen and the beloved, who was a dawn unto his own day, had waited twelve years in the city of Orphalese for his ship that was to return and bear him back to the isle of his birth. And in the twelfth year, on the seventh day of Ielol, the month of reaping, he climbed the hill without the city walls and looked seaward; and he beheld his ship coming with the mist. Then the gates of his heart were flung open, and his joy flew far over the sea. And he closed his eyes and prayed in the silences of his soul.

Thus begins The Prophet, a timeless masterpiece by the Lebanese poet Gibran Khalil Gibran. As the prophet Al Mustafa prepares to leave on his ship, the people of Orphalese come one last time, asking for him to share his wisdom. And so he does, on a variety of subjects from love to houses, clothes to prayer, beauty, pleasure, and finally, death.

I really love this book, and not only because it gives me a chance to practice my Arabic. Just about every line in this epic poem is both moving and profound, and gives you pause not only to think, but to feel, and feel deeply. One cannot help but feel that Khalil Gibran was a man who knew not only great joy, but also great pain in his life–pain which made his soul all the greater.

Like many things Middle East, however, the book is not without controversy. I have no doubt that many of my friends would find some words in this book with which they would strongly disagree. Even some of my Arab friends don’t like it for (I suspect) that reason. However, even though I don’t necessarily agree with everything in here, it’s such a thoughtful book and makes so many good points that I can’t help but love it.

The style is very Arab, which is to say it’s a lot wordier and more colorful than most modern English literature. From what I’ve heard, though, Khalil Gibran wrote this in English first, and then translated it into Arabic. Still, it has a distinctive Middle Eastern feel to it, which I love. One of my favorite passages:

Yet I cannot tarry longer.

The sea that calls all things unto her calls me, and I must embark.

For to stay, though the hours burn in the night, is to freeze and crystallize and be bound in a mould.

Fain would I take with me all that is here. But how shall I?

A voice cannot carry the tongue and the lips that gave it wings. Alone must it seek the ether.

And alone and without his nest shall the eagle fly across the sun.

That’s exactly how I felt before I left Utah, and one of the main driving reasons why I’m leaving to start a career teaching English abroad. In dozens of passages like this, Gibran’s words reflect my own feelings even better than anything I could ever write.

I suppose that’s what poetry is all about; using words in such a way that you can really make people feel. Gibran is a master of that, which is probably why he’s the third bestselling poet in the world (after Shakespeare and Lao-Tzu). Regardless, this is definitely a book that I will read over and over, in English and in Arabic.

Character Interview: Master Sergeant Roman Andrei Krikoryan

So I recently heard about a really interesting blogfest, where the goal is to blog about the characters in your story, as well as have a little fun with flash fiction. The prizes look pretty good, too: a couple of free books and a manuscript critique, from a couple of up-and-coming editors.

Not bad…but the 250 word limit on the character interview seemed a little too restrictive. The idea really caught my imagination, though, so I decided to go ahead and do it for the main character of the book I’m writing now: Stars of Blood and Glory.

It was really fun! Stuff like this can be great for working out different aspects of your character. I already knew most of this stuff about Roman, but the exercise helped to solidify it.

And so, without further ado: enjoy!

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Hello, and welcome! I’m here on the Tajji Flame with Master Sergeant Roman Andrei Krikoryan, one of the Tajji mercenaries in Bringing Stella Home and a major character in the sequel, Stars of Blood and Glory. How are you doing today, Roman?

How do you do, my friend.

Very well, thank you. Let’s get started shall we? First question: What is your biggest vulnerability? Do others know this or is it a secret?

What is my vulnerability? This is strange question to be asking a mercenary. Why do you wish to know? <narrows eye>

Um, it’s not meant to be intrusive, more just as ah, um…well, what would you say is your biggest emotional vulnerability?

“Emotional vulnerability”? Look at me. I am not a man anymore, but a cyborg; what “emotions” I still feel, they are distant and weak. Rare pleasures, like sweet, unbidden memories.

I tell this to the doctor every time at check up, but she does not believe me. She is still young, and wishes to believe that there is some humanity left in me. Who knows? Perhaps she is right. But cyborgs do not die, my friend: their humanity fades until they are a ghost within a machine.

I have wandered the stars for over seventy standard years; I have seen my homeworld conquered not once, but twice. I have killed many men, I have slept with many whores, I have watched my old friends die, and had other friends watch me, thinking I was dead. I am old–too old. And yet cyborgs do not die: they fade.

So if you consider this as “emotional vulnerability,” then this is mine: to be alive, and yet not truly living. And it is no secret. I am a man of very few secrets.

What do people believe about you that is false?

Many things, some more false than others. You cannot be soldier for as long as I without learning how to cultivate a certain, how do I say? Persona. My men, they see the side of me that is strong–and it is a true side, for in battle, it is impossible to live a lie. But the side that they do not see, that is the pain–the memories, the weariness, the silent longing. It is dull now, but it is still there, even if I do not show it.

And so, if there is something that people believe about me that is false, it is that I feel no pain. I have always felt pain, until even before the rebellion was lost. It is way of life for me now. When the pain finally stops, then I will know that I am no longer human.

What would your best friend say is your fatal flaw? Why?

My best friend is the captain, Danica Nova. She knows of my pain; she shares in it. And what would she say is my flaw? That I suffer in silence, perhaps. Every time she has question, she is asking me for help, seeking for my guidance. She believes that everyone must have someone on whom they can lean, that without this, no one can truly stand. And so she sees me suffering, and wishes that I would talk with her, so that these wounds might heal.

But I do not wish for my wounds to heal. They are the last thing I have left–the pain which tells me I have not yet faded, that I am still human. I have lived many years with this pain, and I do not know what would become of me without it. And so, it is not my friends, but the pain, that has been my constant companion these many long years.

I do not know if this is flaw, but I do know that Danica would say that it is.

What would the same friend say is your one redeeming quality? Why?

That question, I know without a doubt what is the answer. It is that I will do anything–anything–for my men. You see my arm, how that it is prosthetic? I lost the original fighting in a battle that all of us thought we would lose. If I am fading, it is because I have given my life for my men–and I will continue to do so until I have nothing left to give.

What do you want most? What will you do to get it?

<laughs> A strange question, with an even stranger answer. As you can see, I am man of war–but if there is one thing that I wish for, it is peace. Peace! And what sort of peace, you may ask? I will tell you. I wish for the peace that one feels by coming home. <throws back head and laughs again>

And so you see, my friend, this is a peace that I can never feel. My homeworld is gone–slagged into oblivion. My country has been destroyed, my people scattered across a hundred stars. I have nothing left but to keep on fighting; and so, even though I long for peace, I continue to make war, because it is all that I am.

But what will I do to get this peace? I will tell you. Since I do not have a homeland, I will find this peace by dying for my men. It is fitting, is it not? That the man of war should only find peace in his own death? This is as it should be. But it must not be a selfish death–it must be a sacrifice, so that others may live.

Thank you very much, Roman. I enjoyed writing Bringing Stella Home, and look forward to chronicling your further exploits in Stars of Blood and Glory.

My pleasure.

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As an interesting side note, if Roman had a theme song, this would be it. Have a great day!

Getting back into things

Sorry I haven’t posted much lately; I just got back to Massachusetts from a cross-country train trip (after spending Christmas between Utah and Texas), and I’m still getting situated here at my parents’ house. If all goes well, I’ll be leaving by the end of the month to teach English in Georgia; worst case scenario, I sign up for a different program and spend a few more months here than I’d bargained for.

Things on the writing front are going well, though; I’ve been pulling between 1.5k and 2.5k words per day pretty consistently, all on Stars of Blood and Glory. It’s very refreshing to be working on a new project again, and while I don’t feel like I’m into it as much as I could, with nothing else to distract me hopefully that will soon change.

One other interesting thing I’m doing right now is keeping track of the stats for my writing sessions: how many words I write, what times I start and finish, how many words per hour I average, etc. The data is turning out to be quite interesting, so once I get to about 50 or 100 data points, I’ll post my findings. It’s definitely giving me some much needed insight into my writing process.

In the next couple of days, I’ll post the ebook numbers for December and my quarterly report (I might actually combine the two into one post, come to think of it). Also, I’ll finally get around to sending out the email newsletter, with some goodies like desktop wallpaper for Desert Stars. If you haven’t yet signed up for the newsletter, you can do that via the form on the sidebar. —>

Finally, to round things out, I’ll link you to this awesome Final Fantasy VI tribute I found on teh internets:

Man, such an awesome, awesome game. I almost did a full length novelization of FF6. Instead, I wrote my first novel. It was definitely the better choice at the time…but a part of me still wants to revisit that world through writing my own fanfic. Someday, maybe…