That’s right–my travel journals from the 2008 study abroad to Jordan are now up on Amazon, Barnes & Noble, and almost everywhere else! Here’s a complete list:
Kobo, Xinxii, and Sony should be coming in the next couple of weeks.
I initially set the price for the illustrated version at $4.95, but the transaction fees are a lot less than I thought they would be, so I’ve decided to drop it down to $2.99 with the unillustrated version. The changes should be reflected on Amazon and Barnes & Noble in a few hours.
I had an amazing, life-changing experience in Jordan, and after coming home, I had big dreams of turning my travel journals into a book. Because of ebooks and indie publishing, that dream is now a reality. From the description:
In 2008, Brigham Young University partnered with the University of Jordan to organize a summer study abroad program for its Arabic students. Scattered across West Amman in home-stays coordinated with Amideast, these students spent the summer living, studying, playing, and adventuring in the Middle East.
This is the travel journal of one of those students, and gives a detailed and intensely personal account of his time there. Besides the cultural experience of living with a Palestinian family in an Arab country, it tells the story of a critical juncture in his life, and how traveling across the Middle East helped to shape his personal growth, his spirituality, and his love for a people far from his American home.
Kind of cheesy, but yeah. 🙂 I hope you like it–please share it if you do!
I’m about to embark on another adventure, so this probably won’t be the last travel journal I do. Who knows–maybe a year or two from now, I’ll be doing a book like this on my experiences in Georgia. Or better yet, I’ll make it back to the Middle East and do a before-and-after. Whatever I do, I’ll be sure to keep you guys updated frequently–so definitely stay in touch!
A chaotic good character acts as his conscience directs him with little regard for what others expect of him. He makes his own way, but he’s kind and benevolent. He believes in goodness and right but has little use for laws and regulations. He hates it when people try to intimidate others and tell them what to do. He follows his own moral compass, which, although good, may not agree with that of society.
Interestingly, once the evil bad guys are gone, the balance between Good and Chaotic is even more difficult to keep than the line between Good and Lawful. For that reason, Chaotic Goods often make extremely poor rulers after the war is over. When they win, they usually do one of the following:
Accept the new responsibilities and give up the life of adventure to finally settle down. They shift away from Chaotic Good and become something else.
Of all the character alignments, this one is my favorite. It fits my own sensibilities almost perfectly. Whenever a character of this type has to give up their old life to accept their new responsibilities, I can’t help but feel a little wistful and sad (maybe that’s why I haven’t settled down and married yet…hmm…).
This trope is extremely prevalent in manga and anime, with Edward Elric from Fullmetal Alchemist my personal favorite. Agatha and Gil from Girl Genius are also really awesome–it’s going to be interesting to see how Gil shifts now that his father is out of the picture. In science fiction, Captain Kirk is probably the most beloved character of this type, though almost all of Heinlein’s protagonists also fit the bill.
In my own work, Tiera Al-Najmi from Desert Stars is probably the best example of this trope. She stands alone against the restrictive norms and hypocrisy of her society, urging Mira to do what’s right instead of what’s expected. In Bringing Stella Home, James McCoy fits this trope too, though you could also make an argument that he’s more of a Neutral Good. In Heart of the Nebula, however, he’s definitely Chaotic Good, which puts him squarely at odds with Lars, a Lawful Good who appears in all of the Gaia Nova novels thus far.
Alright, it’s time to go through another story notebook. This one covers the spring and summer of 2010, right after I graduated. It was a weird transitional period in my life, when I didn’t really know what I was doing or where I was going, but I was determined to keep on writing anyway.
I filled three pocket notebooks with story ideas in 2010, and last time I mistakenly thought I’d covered one that went from graduation through the end of the year. While putting my records in order before going abroad, I found that this one actually came a little earlier.
Lots and lots of story ideas…2010 was definitely a good year for that. So anyhow, here we go:
A planet settled by people with aircars: there will be no asphalt roads, only packed earth.
An interesting consequence of futuristic technology; too often, stories come up with something flashy without really thinking through all of the implications. Can you imagine a world without asphalt? If you can, then please take me there!
A task-oriented woman who thinks men are fickle because they’re always trying to come across as macho, trying to save face, etc.
This makes me think of something I heard somewhere about gender roles and politicians. If I remember it correctly, most men go into politics for the fame, power, and glory, while most women go into politics because something in their community is broken and they feel it’s their duty to fix it. Not sure if that’s true or not, but this story idea made me think of that for some reason.
Humanity has been domesticated by a super-intelligent alien race and bred into several different breeds with wildly varying physical characteristics.
In other words, a post-human universe where humans have been bred as pets, like dogs. Can you imagine a world where the physical differences between humans of different races are as great as this:
Can these two even physically reproduce?
A fantasy where the traveling hero is actually the bad guy.
I think Girl Genius already beat me to that, though Othar is more of an annoyance than a genuine villain.
An interstellar Sir Richard Burton.
Now that would be an interesting series. Sir Richard Burton was a British adventurer who went to the Middle East before doing that was cool. He made the first English translation of the 1001 Arabian Nights (as well as the Kama Sutra, apparently), and was one of the first European explorer to sneak into Mecca–certainly the first non-Muslim explorer. I hear he was quite a character.
A planet on a highly eccentric orbit where habitability is sustained by large glowstones that absorb high amounts of energy and emit heat slowly.
Ooh, I’d forgotten about this one. I’ll have to use it sometime–maybe in a science fiction / fantasy mashup. You know, with dragons and stuff.
A werewolf who is tame around just one person.
I’m pretty sure this one has been done, and I’m also pretty sure I’m not interested in reading it. Sorry, Twilight fans–or maybe you’re welcome?
A landscape more vertical than horizontal, where the architecture reflects this (like the old Knight building).
The Knight building was a multi-split-level administration building at BYU where Leading Edge used to meet. Lots of stairs, entrances on just about every level–it was a weird building (but not quite as weird as the JKB). But yeah, a vertical landscape would be cool–though I guess that’s pretty common in cyberpunk, with all those cities.
An alien species that communicates only by touch.
“What the–augh! Get it off of me!” Thus begins humanity’s first interstellar war.
Purgatory for fictional characters, where all the plot hole stories go.
I’m pretty sure that was a South Park episode.
A religious order that believes that developing math skills is the key to self and enlightenment, becuase math is the only science that is completely a priori.
Heh, I’ll bet my Dad would like that story. It might be the first one of mine that he actually buys.
A man frames himself to go to prison so that he can go to law school / have time to write.
When you’re unemployed and struggling to make ends meet, some otherwise unsavory options begin to look pretty attractive…
What if humanity had a blight like the American Chestnut, where everyone over the age of 20 dies of a horrible disease?
I actually started writing that one. Finished the first chapter, kind of in a pseudo-Victorian first person style, like Robinson Crusoe. I have no idea when I’ll finish it, but the universe is really, really fascinating.
A world where novelists / storytellers convey their tales telepathically without translation into words.
And then SOPA gets passed, and all of us creative types are screwed.
What if the mountains were sentient? What would they think of the human race?
“Dang it! Not another cavity!”
Land of the sleeping rainbows
I think this is actually a real place in southern Utah; I just thought it would make a cool story prompt.
What if the Amish really are 18th century people, guarding a natural time portal in central Pennsylvania?
That would be a fun one to research. “Hello, I’m writing a time travel novel…can I join your village for a year?”
Marital therapy that involves swapping bodies.
I’m pretty sure Disney did something like that in the 60s. With the way the country has changed, I’m sure it would be much different if someone did it again today.
And that just about does it for this notebook. As always, feel free to use any of these ideas in your own work. It isn’t “stealing” if it hasn’t actually been written yet (unless congress passes a revamped version of SOPA that…hmm, that gives me an idea…).
I finished last week’s book a couple of days late, but I’m still going to count it. It’s a book on writing by Hug0-award winning science fiction author Nancy Kress, and for anyone interested in writing stories in any genre, I’d highly recommend it.
Kress wrote this book back in the early 90s, after publishing six novels and a handful of short stories. She also taught creative writing, and from the calibre of her writing advice, that’s abundantly clear throughout the book. She tackles just about every aspect of story creation in a straightforward, methodical way, with a calm, almost motherly tone that is reassuring without being too heavy-handed. She picks apart just about every element that is essential to a good story, and explains how it all works in a way that is clear and makes sense.
Because this was written back in the 90s, there are some artifacts of traditional publishing that make the book feel dated. For example, the first few chapters focus on how to construct a beginning that will sell to an over-stressed, over-worked editor, with less of an emphasis on how to hook general readers. Aside from that, however, much of her advice is still quite applicable to today’s indie writers. The book’s main focus is on story, and good storytelling is important no matter which market you’re writing for.
The section on beginnings was a bit overwhelming, with so much “you must do this, you must not do this” kind of advice that it would probably kill my creativity if I were reading it as I was just starting a new book. However, the sections on middles and ends were quite insightful, and sparked a ton of great new ideas for my current project. Either way, her advice is spot on.
If you’re a new writer, I would recommend picking this book up after you’ve written a practice novel, or after you’ve finished a couple of short stories. If you’re already an experienced writer, I would still recommend it, because even if most of the advice isn’t new, it will help you see much more clearly how a good story comes together. It’s a short, easy read, but it’s so packed with good information that I’ll definitely reread it. Highly recommended.
Originally published as a blog, I always wanted to make it available as a book someday. I spent the last couple of months running through it, putting together all the old posts as well as a few private ones.
I’ve edited them to bring the quality of my writing up to date, but did my best to retain the original sense of enthusiasm and discovery. I’ve also added a foreword and afterword to give it a little more context, especially in light of the past few years.
This is the unillustrated version; I’m not exactly sure how to format ebooks with pictures, so the illustrated version with the photographs will have to wait. I can’t promise I’ll get it up before I head out to Georgia (I’m just waiting to get the call–I could be leaving as soon as next week), but I’ll do what I can.
This version will be exactly the same as the other except for the photos, however, so if that’s not important to you, the unillustrated version is cheaper and much less unwieldy (only 895 KB). Also, until Smashwords allows for direct epub uploads in a little less than a year, the only version available from Smashwords will be this version.
It was a lot of fun putting this one together, and I’m excited to see it up! As with all my books, thanks for taking the time to read it, and I hope you enjoy!
Alternate versions put 20th Century Fox in the Lawful Evil slot.
I love personality tests. There’s something immensely satisfying about putting yourself on a grid that tells you something new and insightful about yourself and the people around you. My personal favorite is the Meyers-Briggs test (I’m an ENTP), but I like playing around with others as well.
Character alignment is what you get when you combine fictional characters with the role they’re supposed to play in the story. It’s a way to categorize the different ways they react to problems and ethical dilemmas, and to see which are inclined to be enemies and which are inclined to be allies.
These systems initially arose out of RPG systems like Dungeons and Dragons, which use numbers, charts, and statistics to turn a story into a playable game. There are many different kinds of alignments, but the most well-known is probably the one used by D&D, which charts characters along a good-evil axis and a lawful-chaotic axis. In practice, the result looks a little like this:
Of course, that’s a very simplified version. The tvtropes page goes into much greater depth, but I’ve personally found that this page right here does a much better job explaining the concepts behind the chart.
The horizontal axis, law vs. chaos, describes how much the character values order and authority vs. their own independence and freedom. Lawful characters value honor and obedience, while chaotic characters value innovation and rebelliousness. Characters who are neutral with regards to law and chaos generally respect authority, but put their own interests first and go against the established norms when that’s the best way to further their own ends.
The vertical axis, good vs. evil, describes how well (or poorly) characters tend to treat other people. Good characters are altruistic and make sacrifices to protect the defenseless, whereas evil characters will kill, rob, or torture the innocent simply for the evulz. Characters who are neutral with regards to good and evil don’t like to hurt others, but are not above pursuing questionable means to achieve their own goals.
Put together, the alignments create a 9-square chart, like the one at the top of the post. While it’s certainly not obligatory to fill every slot, doing so can add a greater degree of depth to your story, as it certainly did with Firefly.
As with any formula, however, there is danger in holding too closely to the chart and becoming inflexible. In real life, people switch alignments all the time, just as personalities can change and evolve (in high school, for example, I was an INTP). Not only that, but some characters even fulfill all the possible roles, depending on the incarnation and the story.
Because I'm BATMAN!
The point is, character alignment is just a tool, not a hard-and-fast rule that needs to be used with every story. If it’s a helpful way to think about your characters and set them up with interesting conflicts, great. If not, don’t sweat it; Homer and Shakespeare were telling great stories long before this chart.
I’m going to be going overseas soon, so I expect my internet access is going to be spotty for the next couple of months. Because of that, I’m going to write up a bunch of Trope Tuesday posts on each of the nine alignments and schedule them to post automatically. So stay tuned for more!
This happens all the freaking time, which means that if you want to make a living telling stories, this is not a trope that you should ignore. And with good reason. Not only does it give the writer ample opportunity to play with suspense and action, but it arguably lies at the very core of what makes a hero a hero:
David Gemmell, according to this interview with Ian Graham, defined a hero simply as “someone who does heroic things.” They might not always take the right side, or they might not even care about doing what is right, but when the universe conspires to bring them to a moment of decision, they make the choice that all of us would like to think that we would take and do something extraordinary.
I like this definition of a hero. It strikes me as a lot more honest than the perpetual do-gooder whose only motivation is Truth, Justice and the American Way (though those characters can–and do–have Big Damn Hero moments of their own). Also, it means that true heroism is not contingent upon actually winning. History may be written by the victors, but that doesn’t cheapen the experience of those who actually lived it.
The biggest danger with this trope is turning it into a Deus Ex Machina. The thing that makes Big Damn Heroes so incredibly satisfying is the sense of climax when they show up to save the day. Thus, proper foreshadowing is key. Yes, the rule of cool still applies, but if that’s all you rely on, you’re not going to be able to pull it off to maximum effect.
One of my favorite examples of this trope is Liam Neeson in Taken. Plenty of action movies are more violent, but few are more satisfying. It’s the perfect pick-me-up after a long crappy day at the office–not that I work in an office anymore. I wonder why…
In any case, this is a great trope to look out for, and definitely one to master, especially if you’re writing any sort of action-adventure story.
AL MUSTAFA the chosen and the beloved, who was a dawn unto his own day, had waited twelve years in the city of Orphalese for his ship that was to return and bear him back to the isle of his birth. And in the twelfth year, on the seventh day of Ielol, the month of reaping, he climbed the hill without the city walls and looked seaward; and he beheld his ship coming with the mist. Then the gates of his heart were flung open, and his joy flew far over the sea. And he closed his eyes and prayed in the silences of his soul.
Thus begins The Prophet, a timeless masterpiece by the Lebanese poet Gibran Khalil Gibran. As the prophet Al Mustafa prepares to leave on his ship, the people of Orphalese come one last time, asking for him to share his wisdom. And so he does, on a variety of subjects from love to houses, clothes to prayer, beauty, pleasure, and finally, death.
I really love this book, and not only because it gives me a chance to practice my Arabic. Just about every line in this epic poem is both moving and profound, and gives you pause not only to think, but to feel, and feel deeply. One cannot help but feel that Khalil Gibran was a man who knew not only great joy, but also great pain in his life–pain which made his soul all the greater.
Like many things Middle East, however, the book is not without controversy. I have no doubt that many of my friends would find some words in this book with which they would strongly disagree. Even some of my Arab friends don’t like it for (I suspect) that reason. However, even though I don’t necessarily agree with everything in here, it’s such a thoughtful book and makes so many good points that I can’t help but love it.
The style is very Arab, which is to say it’s a lot wordier and more colorful than most modern English literature. From what I’ve heard, though, Khalil Gibran wrote this in English first, and then translated it into Arabic. Still, it has a distinctive Middle Eastern feel to it, which I love. One of my favorite passages:
Yet I cannot tarry longer.
The sea that calls all things unto her calls me, and I must embark.
For to stay, though the hours burn in the night, is to freeze and crystallize and be bound in a mould.
Fain would I take with me all that is here. But how shall I?
A voice cannot carry the tongue and the lips that gave it wings. Alone must it seek the ether.
And alone and without his nest shall the eagle fly across the sun.
That’s exactly how I felt before I left Utah, and one of the main driving reasons why I’m leaving to start a career teaching English abroad. In dozens of passages like this, Gibran’s words reflect my own feelings even better than anything I could ever write.
I suppose that’s what poetry is all about; using words in such a way that you can really make people feel. Gibran is a master of that, which is probably why he’s the third bestselling poet in the world (after Shakespeare and Lao-Tzu). Regardless, this is definitely a book that I will read over and over, in English and in Arabic.
So! My Christmas vacation in Texas is over, and I’m on the road again, hanging out here in Utah before catching the train to my parents’ house in Massachusetts and (hopefully) going overseas before the end of the month.
It was a great break! Great to see my niece and three nephews together. I swear, my sisters have the cutest kids; it’s going to be a real challenge to find a woman beautiful enough so that my kids will be able to compete! For Christmas, I gave them all trilobites from my fossil collection.
My favorite moment was probably playing with them at the community park, on the slides and other stuff. Jane, who is two and a half, likes to wear pretty dresses and run around the playground talking to herself, which is really cute. Dan, who just started to walk, would climb up to the slides and then stop at the top because he’s too scared to go down. It was fun watching him discover and explore his world.
On the way back to Utah, we stopped by my old roommate Steve’s place up in Dallas. He lives in an apartment that is just like a freaking motel…how crazy is that? Pretty cool, actually. It was fun to see him again, especially since he’s getting married in April. Good times.
My sister gave me the gift of her stomach flu, though, which really hit the next day. Around Amarillo, it got so bad that we pulled over on the shoulder and I fell out of the car vomiting. It was…like something from one of my novels, actually. We were hoping to make it all the way to Farmington and the Navajo reservation, but ended up in a Hotel 8 outside of Clines Corner for a very miserable night.
The next day was much better, though, and we made good time all the way back to Provo. My brother in law couldn’t stop talking about the book I’d gotten him, Born to Run, and said that it’s changed his life (he’s a runner…go figure). We also talked about story structure, Girl Genius, places we’d like to settle down, life plans, etc. Stopped in Moab for some dinner, and in Bluff to check out this really cool looking historical site. We switched over in Blanding, and before we knew it, I was pulling us into Provo after driving almost five hours straight.
As a side note, I want to say that I love Southern Utah. ZOMG, it has some of the most beautiful desolate country I have ever seen. Inasmuch as I can see myself settling down anywhere, I’d really like to settle down in a place like Monticello or Blanding or Saint George.
Texas is also beautiful, but I’d probably find the rampant consumerism a bit too stifling, and New England winters are far too dark and depressing (unless you have a cozy little cottage with a wood-burning stove). But Utah–this is my people, living in my kind of country: wild, open, and desolate, where the pioneers are remembered by name and ancient Indian ghosts still haunt the land.
So anyway, I’m back in Provo for a day before heading out on a train late tonight to Massachusetts. If you’re in the area and want to hang out, give me a call. This is my last day in Utah for at least the next couple of years or so, and I want to make it count!
My internet access in the next couple of days is going to be spotty, but I want to do a couple more posts to round out the year. A lot of things changed for me in 2011, so I want to recap that, and I’ve been thinking a lot about my New Year’s resolutions, so I’ll definitely do a post on that as well. I’ll probably write those on the train, though, so they might not go up until next week.
That’s the plan, anyway. I hope you all had a wonderful Christmas, and I look forward to hearing from you again soon!
Just like a story, every year has a beginning and an end. For this reason, New Years has become a time to celebrate change, renewal, and the setting of impossible goals which we will all probably break by March. Over time, this tradition has become so ingrained in our culture that it’s only natural for it to pop up in our fiction.
At first glance, this might seem depressing. After all, if most of us will never reach our goals, why do we even bother setting them? Why torture ourselves with guilt when, in all likelihood, we’re just setting ourselves up for failure?
In some ways, I think it comes down to this quote from David Gemmell:
May all your dreams come true save one; for what is life without a dream?
One of the things that makes us human is that we all need to have some impossible dream to strive for, some sense of hope for the future. Through our New Year’s resolutions, we tap into that sense that anything is possible, and that we can change who we are and become better people.
For some of us, those resolutions are an effective tool to turn their lives around. For those of us who lack that kind of will or self-discipline, the act of setting resolutions still helps us reflect on our lives and change in ways that perhaps we don’t immediately perceive. After all, the truest measure of success isn’t whether you’ve accomplished all your goals, but how much you’ve changed through striving to meet them.
That’s my take on it, anyway. In any case, a New Year’s story is a great way to give your characters some time for reflection, since it’s probably the most introspective holiday in our Western culture. It’s a time for beginnings, endings, and chasing impossible dreams.
That’s right–my travel journals from the 2008 study abroad to Jordan are now up on Amazon, Barnes & Noble, and almost everywhere else! Here’s a complete list:
