Soulbond and the Sling AI draft complete!

Last week, I finished the AI draft of The Soulbond and the Sling, the first book in my new epic fantasy series! Here are the stats:

  • 20 chapters (including prologue and epilogue)
  • 80 scenes
  • 136,294 words

So it’s a little short for an epic fantasy novel, but this is only the AI draft. As I rewrite it into the human draft, I will add more details and nuance that will hopefully flesh it out, bringing it closer to the 150k – 180k word range.

I started the AI draft in March, but I wasn’t working on it continuously all that time. I worked on it in about four separate bursts, each one lasting a few weeks. In total, it took 70 working days, or approximately 12 working weeks to write it.

The next stage is the human draft, where I rewrite the whole thing from scratch to make sure it’s entirely in my own words. I’ll keep the AI draft on-screen as a reference, and may use some turns of phrase that I like, but I’m not going to copy-paste from it. This way, the resulting work will be entirely my own.

I don’t know how long it will take to finish the rough human draft, but I expect it will take longer than the AI draft, perhaps even 2x or 3x as long. Then again, if the AI draft is clean enough, it might even take less time than that. I’ve been getting pretty good at these AI drafts, and it’s already at least partially in my own voice, given how my personal taste guided which parts of which AI generated iterations I decided to keep. I also did a revision pass with no AI whatsoever, mostly just to smooth out inconsistencies.

But the AI draft is complete! This is the longest book I have ever written with AI, and one of the longest ones I have written in general. I hope it is the first of many more to come!

(And also, I really need to get a better book cover!)

update post

This is my current writing setup. The top of the filing cabinet already needs to be decluttered, but the rest is actually working out pretty well. The nice thing is that the computer can be raised into a standing desk, which works out really great for writing, since I tend to write better when I’m standing or pacing.

I am almost finished with the AI draft of The Soulbond and the Sling. It looks like it’s going to be about 140k words total, which is on the short end for an epic fantasy novel, but longer than anything else I’ve written (except for the first novel I ever finished, which shall never see the light of day).

The human draft will likely be longer than that, though. I’m going to add more details as I humanize it, which is easier to do just by writing it yourself than it is to get an AI to write it. Though parts of it will likely be shorter, since I’m sure there are places where I let the AI overwrite. Most of the skill in AI-assisted writing consists of knowing what to cut out, since generating words is the easy part.

I have also finished the outline for The Soulbond and the Lady, the second book in the Soulbound King series. It should clock in at about 20 chapters, 100 scenes, and 165k words. The next step is to fill out all the prompts and generate a rough AI draft, but because of how Sudowrite works, I don’t want to do that until the AI draft of The Soulbond and the Sling is complete (since it would require tweaking a bunch of the worldbuilding and character prompts). So that will probably wait until the end of the month.

In general, I have found that I tend to work best when I have two current WIPs: one human and one AI. This is because the two different kinds of writing exercise different parts of my brain, and I can rest the one part while I’m using the other. However, it only really works if both WIPs are in the same series. If I have to mentally switch from one universe to another, that adds friction that makes things difficult.

So the key is to pair up different WIPs together, such that I’ve always got both a human WIP and an AI WIP in the same series. With The Soulbound King, that’s not so difficult, because the AI draft of The Soulbond and the Sling is complete enough for me to start the human draft. And once the AI draft is complete, I can move on to the AI draft of book 2 while I finish up the human draft of book 1. It might become a problem if I finish one of the drafts well before the other, but that won’t be a problem for a while.

With the Falconstar Trilogy, that’s also not a huge problem. I will probably human-write a reader magnet while I work on the AI draft of Captive of the Falconstar, then humanize Captive while I work on the AI draft of Lord of the Falconstar.

With Return of the Starborn Son, the last science fiction novel I plan to write for a while, it’s going to be more tricky because that is the last book in the trilogy, and I still haven’t generated the AI draft. What I’ll probably do is start work on the human draft after I’m about 15% done with the AI draft, and see if I can’t work on both simultaneously. That hasn’t worked as well for me in the past, since I actually prefer to write the human draft out of order, but if it starts to break down I’ll just hold off on the human draft until the AI draft is more complete.

With the Sea Mage Cycle, I’ve currently just got one WIP in that series (The Unknown Sea), and it’s in the AI drafting stage. But it’s short enough that I can probably finish it in just a couple of weeks. At that point, I’ll take my wife out to dinner and have her pick out the next one I’ll write, then work on the AI draft for that one while I’m humanizing The Unknown Sea.

Which brings me to my J.M. Wight pen name. After a lot of thought and some careful deliberation, I’ve decided to put The Road to New Jerusalem on the back burner for now. I was going to try to finish that one in time for the Ark Press contest in October, but I don’t think this is the right time to work on that particular WIP. In the first place, it probably won’t win, and even if it did, that might actually be more of a liability, since it’s a near-future post-apocalyptice novel, and I’m currently trying to establish myself as a writer of epic fantasy.

From now until 2030, I plan to write epic fantasy almost exclusively. The only exceptions for that are the two sci-fi series (The Falconstar Trilogy and the Outworld Trilogy) that I haven’t yet finished. Also, I will probably write some zany space adventure-type stuff under my J.M. Wight pen name, more in the vein of my Gunslinger books (which I have republished under J.M. Wight). But aside from that, I plan to focus on writing fantasy—specifically, epic fantasy.

In my blog series Fantasy from A to Z, I wrote about how epic fantasy has fallen into decline in recent years, due to reader fatigue with big name authors like George R.R. Martin and Patrick Rothfuss failing to finish their series, and how this has put newer authors in a conundrum, because epic fantasy novels are way too big to rapid release, but most readers aren’t willing to start a new series until after it’s already been finished. I hope that my new AI-assisted writing method will help me to crack that particular nut, writing and releasing epic fantasy books fast enough to satisfy readers. Because even though there haven’t been a ton of new epic fantasy authors in recent years, I don’t think the reader demand for epic fantasy has gone down at all. There may still be an opportunity there for writers who can deliver.

That’s what I’m hoping, at least. So I’ll keep plugging away at The Soulbound King, and hopefully release the first all three books of the first trilogy around this time next year.

The Soulbond and the Sling: Prologue

This is the prologue of my epic fantasy novel, The Soulbond and the Sling. It’s a fantasy retelling of the story of David and Goliath, in a world where magical powers can only be unlocked through marriage. I used AI to write the rough draft, but everything here has been rewritten in my own words. I will probably revise it a couple more times before the book is published, but this is close enough that I think it’s worth posting. Enjoy!


Madoc leaned against the rough-hewn timber of the palisade, his breath forming ghost-like wisps in the cold night air. Another uneventful night on the eastern borderlands—though of course, almost anything could be lurking in the darkness below. He took a deep breath, fighting sleep, and began to pace, the wooden floorboards creaking beneath his weight.

For nearly six years, he’d been stationed at this frontier outpost that guarded the high road between the kingdoms of Zyonna and Edumar. In that time, he’d seen a distinct drop in the number of merchants who frequented the roads by day. And by night, the road was so empty, they could have been stationed in the wilderness. Beyond the palisade walls, the chill wind swept down from the rugged heights of Zyonna’s northern plateau, carrying the crisp, earthy scent of highland heather with its promise of the coming spring.

He paused his pacing to peer into the darkness. Tonight, the stars seemed to blaze more brilliantly than usual, though the gently rolling contours of the land were barely visible against the moonless sky. The trees had been cleared for several hundred yards, but the lands beyond were thickly forested. At this time of year, rain and sleet were all too common, so the star-strewn sky was a welcome relief, though it only seemed to multiply the shadows below.

He slowly made his way toward a cluster of soldiers huddled around a small brazier, their cloaks wrapped tightly against the chill late-winter breeze. Their words carried easily to his ears.

“My cousin trades with the rivermen from Edumar,” said Ferris, a stocky young bowman with a thick red beard. “He says half of the villages he used to frequent are empty now. It’s like that throughout the whole kingdom.”

“The Fellspawn, no doubt,” grunted Pete, a wiry veteran with a patch over one eye. “It’s been getting worse on the other side of the border for years. Nothing for us to worry about, though. Our king isn’t a wicked soulbond mage like Gardomir.”

“Nothing to worry about?” Ferris retorted, his eyebrows knitting in disbelief. “The Fellspawn knows no borders. They may spawn out there in Edumar, but they’ll come out here right as—”

“They’ll do no such thing, so long as our mages keep the corruption at bay. It’s all just a part of the natural cycle. We might get an occasional direwolf or two, but you don’t need magic to deal with those.” He spat over the edge of the stockade for emphasis.

Ferris shook his head. “My cousin says there’s nothing natural about the Fellspawn out there in Edumar. The abominations he’s heard about don’t just pop up on their own. They’re being summoned by something—or someone.” He glanced around the circle, looking for support.

“Your cousin says a lot of things,” the one-eyed veteran grunted.

Madoc paused, curious to see how his men would react. Few of them were greenhorns like Ferris, though tensions had been gradually rising in the fort these last few months. But whether that was due to mere cabin fever or the rumors from the other side of the border was difficult to gauge. He turned to the side, facing the wall, and let the men’s voices carry.

“I don’t know, Pete,” said Tom, another old-timer who’d been stationed here longer than Madoc. “They call King Gardomire the Many-Bonded now. They say he’s taken five soulbound concubines. If anything can stir up the Fellspawn, it’s that.”

“Trader’s tales,” Pete scoffed. “Next they’ll be saying King Gardomire breathes fire and has horns.”

“No, it’s true,” Tom insisted. “He really has bonded five slave women to his will, raping them for all the magic that they can give him. It’s made him more powerful than any of our soulbound mages. But that isn’t all. They say he’s taken up with dark unnatural dark magics too—wielding the Fellspawn himself, even.”

“Like hell it has,” spat Pete. “Kings forge alliances with other kings, not with the forces of nature. You can’t trust everything that you hear.”

“But what if there’s some truth to the rumors?” Ferris chimed in, his voice tinged with concern. “They can’t all be wrong.”

“Aye,” said Tom. “The lad has a point. King Gardomir’s always been a power-mad tyrant, but lately, the stories out of Edumar have been getting downright grim.”

Madoc had heard enough. He pushed off from the rough-hewn timbers, stepping with deliberate heaviness as he walked toward his men. The quiet murmur of conversation ceased as the floorboards creaked beneath his thick leather boots.

“Enough with the ghost stories, lads. Speculating without facts is as pointless as trying to shoe a fish. Are we soldiers, or idle gossips at market day?”

Pet grunted in appreciation, though Ferris and Tom straightened uncomfortably. 

“Sorry, sir,” Tom muttered. “Just trying to pass the night.”

Madoc smiled and clapped him on the shoulder. “Just another boring night on the border, eh? That’s how it always is. We tell ourselves stories like wide-eyed children just to pass the time, and the next you know, the stories spread and gain a life of their own.”

“But what if there really is something more out there, sir?” said Ferris, the flickering light of the brazier reflected in his eyes, “More than the usual border reivers, I mean.”

Madoc turned and looked the young man squarely in the eye, though he kept his posture relaxed. “Have any of us seen a creature of the Fellspawn that was more than a match for our spears?”

The men shook their heads. Madoc pointed to the shrouded treeline below.

“Have any of you seen King Gardomir in those shadows, sporting horns and breathing fire?”

Old Pete snorted.

“Whatever’s happening in Edumar,” Madoc continued, “it doesn’t change our duty here. We keep watch, we stay alert, and we don’t let imagined horrors distract us from the real ones. Besides,” he added, gesturing behind them, “we’ve got the orb.”

The men all glanced down to the courtyard of the fort, where a crystalline sphere sat atop a sturdy stone pedestal. Its smooth, dull surface reflected the starry sky, without any hint of the enchantment that lay upon it. If anyone—or any thing, for that matter—approached the outpost with violent intent, the orb would glow a fierce orange, warning the men as surely as a roaring fire. Enchanted orbs like this one had been placed strategically along the length of the eastern frontier, aiding the men of the guard in their watch.

Madoc clapped Ferris’s shoulder. “See, lad? Whatever may lurk in Edumar is no threat to us tonight. Now, keep your eyes open and try not to freeze your arses off.”

The older men chuckled appreciatively, bringing a hint of pink to their cheeks. Even Ferris smiled. At the sight, Madoc felt the knot in his chest ease a little. It wasn’t that he discounted the rumors entirely, but spreading them would serve no one. They all knew their duty. Twenty men on the edge of the kingdom, serving as Zyonna’s first line of defense. The last thing they needed was to start jumping at shadows.

Madoc left them and walked to his preferred spot in the northwest corner of the stockade, where he could watch both the eastern approach from Edumar and the high road back to Caer Zyonna. From here, the distant hills looked a little like sleeping giants, their silhouettes barely visible against the starry sky. He settled in for another quiet night, where the occasional wandering deer would be the only break in the boredom, beside the nightly changing of the watch. His mind began to wander, planning out patrol routes and mess hall duties for the coming week.

In truth, the lack of border activity troubled him more than any rumor about King Gardomir or the Fellspawn. When he had first been posted here, the high road had seen a steady flow of merchant traffic between the two kingdoms, stretching almost from dawn to dusk. Now, even in broad daylight, it was rare to see anyone on the road. The thought made Madoc frown. Smugglers and reivers, he could deal with, but the relative silence was unnatural for these parts. After all, the crown hadn’t posted him on the wilderness. So why did it feel increasingly like they had?

The hour passed slowly. At the end of it, a new group of sentries came up to replace the men who had clustered around the brazier. They made the rounds slowly, checking to make sure all was quiet beyond the rough-hewn palisade. Madoc grunted a little and rose to check in with them, grateful for the distraction from his thoughts.

“How’s it look, Lodan?” he asked as he approached the two men on the southern wall.

“Calm as a spring meadow,” Lodan answered with his northern accent.

“Aye,” said Adam, his companion. “If it weren’t for that persistent northerly wind, it might even be pleasant out here.”

Madoc narrowed his eyes, peering eastward where the shadow outline of Edumar’s rolling hills brooded against the sky. “Aye,” he agreed. “Make sure to stay warm, lads. We need your arms and legs as much as we need your eyes.”

“Wait,” said Lodan, frowning as he lowered his voice. “Listen—what was that?”

The sound was so low that Madoc initially took it for the wind. It was a low, rhythmic thumping, coming from the east. Like footfalls, but spaced too far apart to belong to any man or horse.

“Thunder?” Adam asked.

“Too low for thunder,” Lodan answered, though his voice was tight and uncertain.

Madoc stiffened as he strained to listen. There it was again—a low, reverberating thud that he felt in his chest as much as he heard with his ears. He quickly scanned the horizon, but no rainclouds marred the sky in any direction. The stars shone undisturbed.

He glanced down into the courtyard below and felt his stomach clench. The orb had picked up a faint orange glow, like the last embers of a dying fire. The sight sent a chill snaking down his spine. Sinister shadows danced across the grass, cast by the glowing orb.

“Sound a quiet alert,” Madoc ordered. “All men to their positions. No horns, no shouting.”

Lodan and Adam nodded and moved quickly, hurrying down the ladder with silent feet. They entered the barracks and quickly began to wake the sleeping men, who soon began to emerge. There were only twenty of them, but they woke quickly, scrambling up the wall with their armor half-fastened and their weapons in hand. Within a few minutes, the once-sleepy outpost was transformed, every man in position along the eastern wall.

All the while, Madoc peered into the darkness where the highland meadows gave way to scattered copses of pine and birch. He had an unsettling feeling that something dangerous lurked unseen in those woods, just beyond their sight. Should he send out a scouting party? No—best to keep his men concentrated and wait. The night was too dark to risk sending them out by twos and threes.

Besides, he sensed that whatever was out there was coming straight for them.

“Form up,” he called softly to the archers gathered along the wall. “Nock arrows but hold until my command.”

The men silently obeyed, holding their bows and nocking their arrows in near total silence. There were no torches or light to see by—they had been careful not to show any sign that the fort had been awakened. All of the countless drills had prepared them well for this moment, though Madoc didn’t miss the nervous glances that some of them exchanged. Down in the courtyard behind them, the warning orb began to brighten.

“Do you see anything, sir?” Tom asked, squinting into the night.

Madoc was about to answer when a massive figure suddenly detached itself from the trees. It stood nearly twice the height of a man, with a great, hulking body twisted monstrously by thick, corded muscle. Two curved horns jutted unnaturally from its skull, gleaming like obsidian blades. And its eyes—God, its eyes—glowed with a faint amber light that seemed to pierce Madoc’s very soul.

“Sweet mercy,” whispered one of the archers. “What is that thing?”

The warning orb now blazed like a captured sunset, bathing the entire courtyard in a deep orange light. Madoc’s throat felt suddenly tight.

“Draw!” he heard himself issue the order. “Loose!”

Arrows whistled through the chill night air, shattering the silence. The volley was tight and well-aimed, every arrow flying true. Madoc held his breath.

The volley struck the beast with enough power to drop a line of charging war-horses. But to Madoc’s dismay, most of the shafts bounced harmlessly off of the creature’s hide. Those few that did stick seemed to have no effect, for the beast began to advance toward the fort, its relentless strides devouring the earth beneath it with alarming speed.

“Again!” Madoc yelled. “Draw and loose!”

The archers quickly nocked new arrows and loosed them at the approaching beast. The second volley was a little most scattered than the first, but still flew true—to much the same result. Almost all of their shafts glanced off of the beast’s hide. Those few that stuck seemed merely to anger the colossal intruder.

It surged toward the fort with ferocious speed, lowering its massive horns. “Brace for impact!” Madoc barely managed to yell before the creature slammed into the wooden palisade.

As a young man decades ago, Madoc had fought in the war with Edumar. During one of the sieges in the course of the campaign, he had seen an iron-tipped battering ram reduce the wooden gates of a walled town to kindling. But even that was not enough to prepare him for what he now saw.

The beast’s impact shattered the wall almost totally. Logs as thick as a man’s waist burst inward, splintering into fragments. The adjoining watchtower crumpled in on itself like parchment crushed in a fist. Men screamed, some of them thrown clear by the impact, others caught in the collapsing structure.

Madoc struck the hard-packed earth of the courtyard, driving the air from his lungs. Pain lanced through his shoulder, but his training took over and he quickly rolled, somewhat softening the blow. As soon as he came to a stop, he staggered to his feet.

All around him was chaos. Men ran in every direction, some trying to form a defensive line, others fleeing toward the stables. The monstrous intruder stood amid the wreckage of what had once been the palisade. The bright orange light of the warning orb lit it in terrible detail, like a nightmare given flesh. As it gazed upon the chaos it had spread, its amber eyes held no animal confusion—only calculated, intelligent malice.

“Hold your ground!” Madoc yelled, just as the creature let out a thunderous roar. Men cried out and staggered, and Madoc felt his own ears ring.

The beast stepped fully into the courtyard, its massive head swiveling as it surveyed the panicked humans scattering before its approach. Then its eyes fixed on the glowing orb, which now pulsed with such intensity that it cast the whole outpost in a hellish orange light.

“Rally to me!” Madoc shouted, drawing his sword. The blade felt pitifully inadequate against such a monstrosity, but he raised it nonetheless.

A handful of his most battle-hardened veterans quickly formed a desperate line beside him. Madoc yelled, and they charged at the Fellspawn monster with their swords and spears. Two brave spearmen managed to penetrate the beast’s hide, eliciting a roar of rage. A massive clawed hand swept out, raking the first spearman across the chest and all but disemboweling him. The second man barely had time for a massive step before those gnarled fingers closed around his torso, crushing armor, flesh, and bone with sickening ease.

Madoc swung and slashed at the beast’s leg in an effort to hamstring it. His sword bit into that gray, leathery flesh, to little effect, barely penetrating more than an inch. The creature didn’t even look down.

Instead, it stepped up to the warning orb and wrapped its massive hand around the glowing crystal. The orange light intensified, bleeding through its fingers like rays of dying sunlight. Then it squeezed, and the orb shattered with a sound like glass grinding against stone.

Madoc gasped in shock and horror. The outpost was thrown into sudden darkness, the monster reduced to a looming, shadowy mass. His men fell back in confusion, stumbling over their fallen comrades. From the stables, Madoc heard the panicked whinnying of the horses in their pens.

The beast heard them too. It turned with surprising swiftness, its amber eyes fixating on the door to the stables, where the outpost’s horses stamped and kicked in terror.

“No,” Madoc breathed.

With casual ease, the creature tore off the thatch roof and reached inside. A horrible human scream filled the night as the stable hand met his hand. Then the beast reached a little farther, and pulled out a chestnut gelding in its massive hands. Still alive, the panicked horse thrashed frantically as the creature wrung it like a rag. The animal split in two, splattering the courtyard with blood and steaming entrails.

The last of the men who still held their ground now broke down and ran. Even Madoc fell back, barely keeping a grip on his sword. He felt his gorge rise but quickly forced it down.

“To me!” he bellowed in desperation. “For Zyonna!”

But no one rallied to his call. Their spirits shattered, their courage spent, men scrambled for the rear gate or sought to hide in the barracks and the blacksmith’s shop. And far too many of them now lay motionless on the blood-soaked earth. 

The creature tore methodically through the dead horse, quickly consuming the remains of the once magnificent beast. A few brave souls took potshots at it with their bows, to little effect. It devoured most of the horse’s front half before dropping the remaining carcass and straightening to its full height. Blood dripped from its jaws as it turned to face Madoc with those terrible amber eyes.

Madoc’s gut fell, and for a brief, heart-stopping moment, he thought it would come for him. But then, a sound emerged from deep within its throat—a rhythmic, guttural cry of satisfaction.

“Gol-guh. Gol-guh.”

With casual indifference toward the survivors of the attack, the creature pivoted on its heel and ambled back through the collapsed eastern wall. Its steps were unhurried, making clear that it was leaving on its own terms, and no one else’s. Once outside, it veered away from the dense forest from which it had emerged, heading westward instead. 

Toward the high road. Toward Zyonna.

An awful silence fell over the ruined outpost, broken only by the moans of the wounded and dying, and the crackle of flames where a brazier had spilled and caught on splintered wood. Madoc stood frozen for several heartbeats, struggling to process all that he had just witnessed. The attack had barely lasted longer than a few minutes, but it felt as if half a lifetime had passed.

Then his training quickly asserted itself. He blinked and turned to his men.

“Check for survivors!” he ordered. “Get the wounded out where we can treat them. And someone put out that fire before it spreads!”

Gradually, men staggered back into the courtyard, some emerging from the places they’d hid, others dragging themselves up from where they’d been thrown. Those who were whole moved quickly to carry out their commander’s orders. Soon, they were laying out the wounded on the hard-packed earth.

Madoc made a quick assessment of their losses. Five men dead, including the stable hand. Eight wounded, two critically. Half their horses slain or fled out into the night. The eastern wall was destroyed beyond repair, meaning they’d likely have to abandon the outpost. And the warning orb—their most valuable asset by far—reduced to little more than glittering shards.

He turned and stared in the direction the creature had vanished. Not toward Edumar, he realized with a chill. It was heading west, deeper into Zyonnan lands.

“Ferris!” he called, spotting the stocky highlander. “Can you ride?”

“Yes, sir,” the young man answered. “What would you have me do?”

“Take the fastest horse you can find and ride for Caer Zyonna. That… thing… is headed straight toward our country’s heartland. Every settlement between here and the Western Marches is in danger.”

“Sir,” said Ferris, his face paling in the dim starlight. “What was that thing?”

“I don’t know. But the kingdom must be warned. Tell them…” Madoc struggled to articulate the horror they’d just witnessed. The creature was obviously Fellspawn, though it hadn’t behaved like one. Instead of making a frenzied and indiscriminate attack like any other wild beast, it had shown purpose. Intelligence. As if it had not been merely spawned, but sent.

“Sir?”

He narrowed his eyes, suddenly remembering the beast’s final call. “Tell them the Golga has come.”

Ferris nodded grimly, mounted the nearest horse, and galloped westward down the road toward the kingdom’s distant capital.

Going full-tilt on The Soulbound King

I’ve decided to put The Road to New Jerusalem on the back burner and focus instead on my epic fantasy series, The Rise of the Soulbound King Trilogy. If I push, I think I can finish the AI draft of book 1 in the next two weeks. I’ve also nearly finished the outline for book 2, and will probably have a rough AI draft for that one by the end of September.

I would really like to publish this series in 2026, but I don’t want to launch it until I’m ready to rapid release the first three books. And since these books are all epic fantasy, it’s going to take a lot of time and effort to write them. Without AI, it would probably take me something like two or three years for each book. I’m not a very fast writer, and I tend to get stuck in the middle, even when I have a solid outline. With AI, I think I can shorten that to 6-8 months.

These books are probably going to range between 150k and 200k words, so not super long for epic fantasy (for comparison, Mistborn: The Final Empire is about 214k words, and The Way of Kings is about 384k words). That’s much longer than most genre books, though, including most of the books I’ve written until now. And writing difficulty doesn’t scale linearly with book length; it scales logarithmically. So while it may take only 1-2 months to write a Sea Mage Cycle book, those are only about 1/3rd the length of a Soulbound King book.

My long-term goal, though, is to pivot to epic fantasy, to the point where that’s mostly what I write. And if you read my science fiction novels, you’ll find that they’re much more like epic fantasy, with multiple viewpoints, grand galactic empires, wars and political machinations, and a universe that has its own character arc. So while this may superficially seem like a huge pivot, it’s actually not.

There are three science fiction books that I need to write before I can pivot entirely to writing fantasy: Captive of the Falconstar, Lord of the Falconstar, and The Return of the Starborn Son. Those are the only outstanding science fiction series that need finishing (and I will finish them, I promise—I’m not going to pull a GRRM). I also need to finish the Twelfth Sword Trilogy, the epic fantasy series I started in the 2010s while I was still mostly writing science fiction.

Realistically, the only ones of those books that are going to be finished between now and the end of next year are the Falconstar books, since I need to juggle all of these with the Soulbound King epic fantasy books that I’m also writing. But I think I can finish the Falconstar books, and also write and publish a Sea Mage Cycle book or two within the next year. I’ve found that it often helps to take week-long breaks to work on other projects, which allows me to approach a larger and more challenging WIP like The Soulbond and the Sling with new eyes. So I will probably alternate between working on the Soulbound King books and working on Falconstar and Sea Mage Cycle for the forseeable future.

But my goal for the next two weeks is to go full steam ahead on The Soulbond and the Sling, until it is finished. And with luck, I will also have a few excerpts to share with you soon!

Back into writing!

So we are more or less moved into our new (old) house, though there is this overdue kid’s book from the library that somehow got lost during the move, and we haven’t been able to find it… but aside from that, we are more or less settled in. Our five year-old has started kindergarten, my wife is starting her new job, and by the time this post goes live, we will have acquired office chairs from the BYU surplus sale, so I won’t have to be standing all the time like I am as I write this.

I’ve already gotten back into writing my epic fantasy, The Soulbond and the Sling, and am making steady progress on it again. The AI draft is about 66% complete, and it’s good enough that if I were writing it under a secret AI-only pen name, I would feel comfortable publishing it as-is. But my personal standard of quality is higher than that, especially for epic fantasy, so after the AI draft is complete, I will rewrite the whole thing without any AI, to put it in my own voice (and will probably add a whole lot of other stuff to it too—you know, the kind of setting and character details you’d expect in a proper epic fantasy, giving it much more depth).

(Also, as a side note, I do not have a secret AI-only pen name… though I must admit, a part of me kind of wants to start one. With a little bit of market research to figure out the pulpiest genres where I could really excel… but no, with two (soon to be three) small kids and a wife who works full-time, there are only so many projects I can work on at a time.)

I’m also working on The Road to New Jerusalem for my J.M. Wight pen name, though that one has been going much more slow. I really have no idea how much market appeal this one is going to have, and doubt it will do much more than help me to flesh out the world for a potential series in the same universe (a post-apocalyptic Mormon polygamist romance, which also probably has limited market appeal). However, I feel impressed that this is a book I need to see through to the end, so my goal is to finish it before October, at which point I will probably focus on The Soulbound King.

Beyond that, I’m also working on two other novels that I hope to finish before the end of the year (or, more realistically, sometime early next year, since I’m sure the new baby will throw things off for a while. The first is The Unknown Sea, a Sea Mage Cycle book, which is going to be a lot of fun. The rough AI draft is already done, and I had a real blast writing it.

The other one is Captive of the Falconstar, the sequel to Queen of the Falconstar. The rough AI draft is also done for this one, but the revised AI draft is going to take a bit more work. Also, I need to redo the cover and blurb. But I’m really looking forward to getting this one out, and completing the trilogy, which has stood unfinished for nearly a decade now. Yes, I really need to finish these unfinished series, and fully intend to do so—not just with this one, but for all of them.

Over the next year, I hope to transition from being a science fiction writer who occasionally writes fantasy, to a fantasy writer who occasionally writes science fiction. My two big unfinished sci-fi series are the Falconstar Trilogy and the Outworld Trilogy. The plan right now is to finish Falconstar first, knocking out the last two books almost at the same time (the rough AI draft for Lord of the Falconstar is also complete), and then spend a little more time on Return of the Starborn Son to finish that trilogy strong. For a long time, Star Wanderers was my flagship series, so I want to do right by it. But I haven’t even outlined book 3 yet, so it’s going to be a while.

And when Return of the Starborn Son is done, I will probably release another volume of my author’s notes, since hey, why not? But that won’t be for a while—probably not until this time next year, at the absolute soonest. However, Return of the Starborn Son probably will come out before The Soulbond and the Sling, since for marketing reasons I don’t want to release an epic fantasy trilogy until all three books are ready to rapid release. And yes, I fully blame George R.R. Martin for conditioning epic fantasy readers not to try out a new series until it is complete. It is what it is.

So that’s the long-term plan. I will probably start a few new projects as well, including a relaunch of my Christopher Columbus stories, once I figure out what I want to do with that series. But for now, I’m just going to focus on The Road to New Jerusalem and The Soulbond and the Sling, until we are back into a new routine. BYU classes start on September 3rd, so it will probably be a little crazy until then. And the way things are shaping up, I half-expect they will induce my wife at the tail-end of September. So maybe we won’t actually get into a new routine until sometime next year. But either way, I’ll do my best to keep writing.

Back from the Great White North

We just got back yesterday from our second family road trip this summer, this time to Alberta for a family reunion. My wife’s grandmother passed away in the winter, and it wasn’t a good time for us all to get together (not to mention that we didn’t have passports for the kids yet), so we scheduled a family event for the summer to get together and remember her.

I’ve been to Canada before, but only to Quebec. This was my first time driving through Alberta. It was interesting. About as similar as you can get to the United States while still being a foreign country. Alberta itself feels kind of like a cross between Nebraska and Pennsylvania, with Hutterites instead of Amish, and more rapeseed (for canola oil) and alfalfa than corn and soy. This was especially true up in the northern part of the province where we were going, where there were also lots of little lakes, and all of the trees were high-altitude trees (aspen and pine, mostly). Even though it was summer, the air was pleasantly cool, which makes me wonder what the winters are like. Probably brutal.

At the reunion itself, we had lots of food and outdoor games. Had a big campfire both days and roasted marshmallows for s’mores, which the kids really enjoyed. There was also a LOT of pie, including saskatoon pie, which was a new thing for me. Saskatoon berries are kind of like blueberries, except tart, and they grow in large bushes a little like currants. We picked our own saskatoons for the pies.

Overall, it was a very good trip. About sixteen hours of driving, split across two days, so that wasn’t too bad. There were a couple of times where we had to change poopy diapers on the side of the road. There aren’t really any rest stops in rural Alberta, just roadside pullouts with trash cans for throwing away your garbage. Lots of cows too. We drove up route 36, which feels more like a state highway than a true highway. As far as I can tell, there aren’t any American-style highways in Alberta, except perhaps around the major cities. And the speed limit was 100 km/hr for most of the way (about 65 mph), so it was kind of nice to get back into the States where we could drive faster.

I didn’t get much writing done on the trip, but now that we’re back, that’s hopefully going to change. However, we do have a bunch of stuff going on. My wife is starting her new job at BYU, and also finishing up her dissertation, so that’s the priority right now. I’ll be watching the kids for most of the time, which limits how much I can write (though the family study room on campus is good for working while letting the kids run around). Also, we’re going to move back into our house in Orem over the next couple of weeks, so that’s going to be another big project. But we should hopefully be settled down before the end of the month.

Long story short, things are going to be crazy for a little while, but I should still be able to make at least a little bit of writing progress each day. The two big WIPs I’m working on right now are The Road to New Jerusalem, which I hope to finish before October, and the AI draft of The Soulbond and the Sling, which is more than halfway finished but is still a massive epic fantasy novel. No idea when those WIPs will be done, but for now I’m just going to keep chipping away at them a little at a time, and make more definitive plans later once things are a little more settled.

Fantasy from A to Z: P is for Prayer

What would fantasy be without religion? Probably much the same as us, when we don’t have religion: aimless, drifting, and lost.

Religion is more than just a useful aspect of worldbuilding. It’s something that lies at the very core of what makes us human—and thus, it’s something that any story needs to at least touch on if it is to be meaningful or important. Most likely, it won’t be meaningful at all unless the religious aspect is incorporated deeply within its bones.

But what is religion? For our purposes, religion is how we, as humans, relate to the powers that are higher than ourselves. It’s not about painting a cross on your cover, or a star of David, or a crescent, or an omh, or whatever else. It’s about how we act in regards to the cosmic and the transcendent. It’s about how we understand how to orient ourselves in this vast and terrifying universe, and find our own place within it.

I grew up in a time when religion was one of those taboo subjects that you never brought up in polite society. Politics, religion, and sex were all taboo like that. Granted, those taboos were already beginning to fray by the time I was old enough to hold an uninformed opinion on any of that, but even in the 90s, the post-war liberal consensus still held.

What was the post-war liberal consensus? It was the set of rules and norms that we all (or those of us in polite society, at least) agreed to live by, after the tumultuous catastrophe of the World Wars. From 1914 to 1945, more than a hundred Europeans died from political causes—and that was just in Europe. For thirty long years, the whole world was drowned in blood.

The wars ended with the invention of the world’s most devastating superweapon, which for the first time in the history of this planet gave us the power to literally annihilate our own species. So at the end of all that, our grandparents felt a very strong need to keep those weapons from ever being used again. Hence, they developed the post-war liberal consensus.

The greatest value of the post-war liberal consensus was tolerance—but they didn’t think of that as a value in itself. The idea was that instead of elevating the values of any one group over another, they would create a world where everyone tolerated each other. Everyone could keep their own culture and religion, along with their own unique (and often contradictory) cultural and religious values, so long as they didn’t try to impose those values on anyone else.

The trouble with that, of course, is that tolerance itself is a value. Which means that in order to maintain the post-war consensus, they had to be intolerant toward any culture or religion that threatened it. Which meant that they had to push their globalism and multiculturalism on everyone, superseding all of their own cultural and religious values. This gave rise to the global urban monoculture, which ultimately gave us the clown world we now live in. Which is currently falling apart.

Religion should not be off-limits, especially for good storytelling. At the same time, that doesn’t mean that stories should bash you over the head and try to convert you to whatever church the author happens to belong to. Indeed, some of the most religious stories aren’t about any particular church or creed at all. 

An example of this is Epic: The Musical. Beyond the old Greek mythology that runs through the story, the religious view is that the universe is utterly unpredictable, the gods (or higher powers) are arbitrary and capricious, and that the ends (getting home to Penelope) always justify the means. Indeed, any means that aren’t justified by the ends are immoral and wrong. Ruthlessness is mercy upon ourselves. How do we sleep? Next to our wives.

Those aren’t the religious views that I subscribe to, but those are deeply religious views. How? Because they show us how we stand in relation to powers that are higher than ourselves. In the 19th century, it became fashionable to throw out religion, and reverence man himself as the highest power in the universe. Where did that get us? It gave us the 31 years that killed 100 million Europeans and drowned the whole world in blood.

G.K. Chesterton said: “When men choose not to believe in God, they do not thereafter believe in nothing, they then become capable of believing in anything.” Now, more than ever, the world needs religion. 

Of course, one of the nice things about writing fiction is that you can explore all sorts of religious ideas that may or may not have a direct counterpart in our world. Indeed, that’s part of what makes fantasy so rich. Tolkien created a whole race (the elves) that is bound by magic and immortality to this earth, contrasting with us humans, who are “strangers in a strange land.” In fact, Tolkien’s entire oeuvre is rich with religious elements, not just in the worldbuilding and the mythology, but in the Christian symbology—and he does it so subtly and so deeply that it draws you into his world, rather than kicking you out. It’s all in service to the story.

There’s a reason why the best stories in the world are in the Bible (and most of those are in the Book of Genesis). Which is one of the reasons why I’m drawing on the life of King David for the fantasy epic that I’m currently writing (The Soulbound King). But I’m also drawing on symbology and mythology as well, to make sure the religious elements aren’t just skin-deep. There is so much fascinating tree-related symbolism within the Jewish/Christian tradition. So much rich and wonderful stuff to draw on for creating a fantasy world.

Don’t be afraid to play with religion in your own fantasy stories. After all, on the deepest level, creativity itself is something of a religious act.

Fantasy from A to Z: N is for Noblebright

In the grim darkness of the far future, there is only war.

While the quote comes from Warhammer 40k, a science fiction franchise, it very soon became applied to the “darker and edgier” fantasy that started coming out in the 80s and 90s. Indeed, the quote itself spawned the term “grimdark” for a fantasy subgenre that became very popular in the 00s, with the rise of George R.R. Martin’s Song of Ice and Fire and subsequent Game of Thrones TV series.

Grimdark combines the scope and feel of epic fantasy with the savagery and moral greyness of sword & sorcery, ramping up the violence and savagery to levels that would have made even Robert E. Howard blush. It often features twists that subvert the old fantasy tropes, such as killing off the “chosen one” hero who would typically be the protagonist, or presenting a horrifying dystopia of a world that is the utter antithesis of an escapist fantasy.

In part, I think the grimdark phenomenon was a reaction to the Tolkien formula that dominated fantasy for so long. After J.R.R. Tolkien’s Lord of the Rings became wildly popular, his publishers tried to replicate that success by explicitly creating a formula that they wanted their writers to follow. This resulted in a bunch of Tolkien clones, such as Terry Brooks’s Shannara series and David Edding’s Belgariad series. For a couple of decades, these dominated the fantasy shelves, until writers began to revolt, and their books began to take off. After all, Game of Thrones was originally published in 1996.

But while there’s some truth to that theory, I don’t think it’s sufficient to explain the rise of grimdark. After all, Stephen R. Donaldson was rebelling against the Tolkien formula back in the 70s, and while his Thomas Covenant books were quite successful, they didn’t spawn a new subgenre (though arguably, they paved the way for later writers like Martin and Abercrombie). Instead, I think there’s something generational about the grimdark subgenre—that it’s the sort of thing that only could have arisen in the 90s and 00s, because of how the generational cycle works.

I wrote a lengthy blog post about this, which remains one of my more popular posts. My basic thesis is that the fantasy genre goes through generational cycles just like history goes through generational cycles. In its simplest form, the cycle looks something like this:

  • Hard times create strong men.
  • Strong men create good times.
  • Good times create weak men.
  • Weak men create hard times.

During the hard times, we tend to resonate more with stories that feature grim characters and dark fantasy worlds—hence, the rise of grimdark. But during the good times, we tend to resonate more with noble characters and bright fantasy worlds. 

(It’s a little more complicated than that, of course. The fantasy cycle is offset just a little, since we tend to resonate less with darker stories as we become exhausted from living in a darker world. Indeed, the yearning for the next phase of the cycle drives us to tell more hopeful stories, which in turn drive us to build a more hopeful world. But to read the full analysis, go check out my original post.)

So what is noblebright fantasy, then? It’s basically the antithesis of grimdark—a backlash against the backlash. And while it hasn’t yet manifested as a distinct subgenre, with a George R.R. Martin or a Joe Abercrombie to champion it, I think it’s only a matter of time before we see an author who rides this cultural wave to massive literary success. And as soon as that happens, I think we’ll have a much better idea of what “noblebright” actually is.

In other words, noblebright fantasy is currently in the process of being born—and after it has emerged fully formed into the world, it will probably take a different name. Indeed, “noblebright” as a term is itself merely a knee-jerk reaction to “grimdark.” To subvert the original Warhammer 40k quote: 

In the Noble Brightness of the far future, there is only HIGH ADVENTURE!” 

Currently, there are only a handful of writers who are explicitly labeling their books as “noblebright fantasy.” I am not one of them, though I suspect that my books (and my readers) have a lot of overlap. As it exists right now, noblebright is characterized by heroic quests and the triumph of good over evil, with an emphasis on hope, virtue, and making a positive difference in the world. It’s also very common for these authors to include Christian themes, though from what I can tell, the books aren’t explicitly religious.

While I haven’t yet joined the pioneers of this budding new subgenre, I expect that I will in the not-too-distant future. I’m currently working on an epic fantasy trilogy based loosely on the life of King David, which features many of these noblebright tropes and themes. But it’s going to be a while before I release the first book, since I want to publish the books of the first trilogy all within a month of each other. Since these books are going to fall in the 150k to 200k word range, a lot of things can change between now and then. Perhaps the term “noblebright” will have been abandoned, with people looking down on it as a passing fad of the early 20s.

But I don’t think the broader trend toward brighter, more hopeful fantasy is going to reverse course anytime soon. In fact, I think it’s generational. Whether or not it takes the name “noblebright,” I think that we’re going to see a new subgenre of fantasy emerge very soon. It’s starting right now as a backlash to grimdark, but as the wave crests and it begins to gain some staying power, I expect that it will stop defining itself by the thing it opposes and start to define itself in a more independent way.

I’m really hoping to catch this wave, and I think that my Soulbound King series has some real potential to do so. But whether or not I catch it, I know that this is the kind of stuff I like to write, and I hope to be able to write it for a long time to come.

Fantasy from A to Z: L is for Love

What is love? (Baby don’t hurt me…)

Seriously, though, what counts as “love” in fantasy these days? The romantasy subgenre is taking the field by storm, but much of it seems to be outright pornography, at least to me. Back when Twilight was all the rage, I at least understood the romantic angle, even if I didn’t particularly care for it. But now, there’s all this stuff about mate-bonding, consent/non-consent, something called “the omega-verse,” and a weird hierarchy of various forms of bestiality that I frankly cannot follow at all.

I should take a few steps back, and perhaps abandon romantasy altogether. I’m sure there are plenty of non-pornographic books in that subgenre—in fact, I’m fairly certain that one of my old college friends, Charlie Holmberg, was a pioneer in it. Everything of hers that I’ve read is pretty good, and also quite understandable, even to a dopey guy like me. 

Outside of romantasy (and paranormal romance, which it appears that romantasy has more or less cannibalized), the love stories are pretty straightforward. Epic fantasy in particular tends to have at least a couple of romantic subplots in every book—which makes sense, considering how expansive the subgenre is trying to be. After all, if you’re writing a story where the world itself is a major character, you’ve got to have at least a few good love stories in there too.

But as the internet has continued to spawn narrower and narrower niches and subcultures, all existing in their own little subcultures, things on the extremes have gotten… weird. And as the gender divide appears to be widening with each subsequent generation, especially in areas like politics and culture, it’s beginning to seem like we aren’t even speaking the same language, even when it comes to something as basic and essential as love.

Now, male-coded romances are pretty easy to understand (though I could be biased… I am a man, after all). It starts with a boy who really wants a girl. Like, really, really, really wants a girl. He likes her so much, he spends the whole book trying to get her—and by the end, he either wins her, or he realizes that he doesn’t actually want her, he wants this other girl he met along the way. If things get spicy, it’s all very straightforward and everyone generally has a good time. If there are issues with rape or non-consent, those are generally separate from the romantic subplot

And often, male-coded romances don’t even include much spicy content at all. Even Robert E. Howard’s original Conan the Barbarian stories were pretty mild, in terms of spiciness. Yes, there was usually a scantily-clad female love interest, described in such a way as to increase Howard’s chances of getting his story featured on the magazine cover (and thus earning double the pay). But when it came to the actual, you know, kissing and stuff, Howard never went into graphic detail. The most he would do was hide behind euphemisms like “he crushed her in his arms.” All of the ejaculations in his stories were saidisms—as in, “look out!” he ejaculated, waving his hands wildly (and you would be shocked how often he used “ejaculated” as a saidism—seriously, I think there’s at least one in every classic Conan story).

(Side note: just because Robert E. Howard’s Conan stories were pretty mild on the spiciness scale, that does not mean that subsequent authors kept it mild. Lin Carter and L. Sprague de Camp tended to keep it more in the vein of the original, but Robert Jordan’s Conan was… let’s just say, it was too much for me.)

And it used to be that female-coded romances were pretty simple, too. An ordinary, boring girl somehow finds herself the object of attraction between two incredibly powerful (and incredibly sexy) men from the other side of fairy, who are positively obsessed with her. However will she choose between them both? Oh, look—now they’re fighting each other to determine which one gets her. Stop fighting, you sexy fairy men! But seriously, however will she choose?

Somewhere along the line, that morphed into a thing called “reverse-harem,” which (as I understand it) is where the girl throws up her hands and decides that she can’t possibly choose between them, so she chooses them all. Which meant, of course, that the love triangles quickly turned into love dodecahedrons—since if you’re going to have a harem, you might as well fill it up with as many sexy fair men as you can. 

And then somehow, things got really weird—and also, really toxic. According to Malcolm and Simone Collins (who know more about this subject than I do), some of the more toxic behaviors that romantasy normalizes include:

  • Fated or “mate-bond” relationships that override consent,
  • Extreme male possessiveness portrayed as genuine love,
  • Drugging and public humiliation portrayed as romantic tension,
  • Huge age and maturity gaps between partners,
  • Serial betrayal framed as female empowerment and playing hard-to-get,
  • Intentional miscommunication, with heroines refusing to talk through their problems—again, often framed as female empowerment,
  • Violence rebranded as safety, since the love interest will never really hurt the heroine, 
  • Wish-fulfilment with serial partners, often framed as a justification for serial betrayal mentioned above, and
  • Lazy trope stacking (eg “rich-fey-boyfriend,” scent/marking, etc) without confronting the darker implications of coercive and non-consenting relationships.

Sadly, it seems that all of these toxic aspects of romantasy are reflections of the current state of modern dating and relationships. For example, in a world of online dating where ghosting and fading is all-too common, serial betrayal is a bit of a power fantasy, as is wish-fulfillment with serial partners, since if “true love” doesn’t work out, there’s always another one just a swipe away. Similarly, because women who have taken multiple sexual partners find it difficult to pair-bond with any of the later ones, the concept of “mate-bonding” may have arisen as a way to recapture that lost sense of bonding that comes with the “first time.”

Call me old fashioned or out of touch, but I preferred it when things were simpler, and the traditional boundaries around sex and relationships were still very much in force. There’s something charming about the love stories that were written before birth control and the sexual revolution, where men had to woo their women and get them to say “I do” before any of the bedroom gymnastics became a factor. Of course, I’m totally biased, because my wife and I both have a “body count” of exactly one.

I think romantic love is one of the greatest things in the world. I think that sex is also a wonderful and a beautiful thing, especially when it is used to fulfill its primary purpose: to facilitate lifelong pair-bonding between a man and a woman. In my experience, this is an even more important purpose of sex than procreation, though of course that is a very important (and very fulfilling) secondary purpose.

I don’t read or write romantasy, so you won’t find any of those tropes in my books. You will find a lot of romantic love, though, especially in my sea mage cycle books. Rescuer’s Reward is probably the closest thing I’ve written to a straight up romance, at least in the fantasy genre. The Widow’s Child also has a strong romantic subplot, though it goes a little further than fade-to-black. And of course, the Soulbond King books are going to have a lot of romance, since the magic system requires a man and a woman to become bonded in love in order to unlock their unique magical powers. Those books are going to be a lot of fun to write.

Independence Day update

Happy 4th of July, everyone! It’s Independence Day here in America, when we celebrate our nation’s birthday by doing all of the most American things possible: fly our flags, eat lots of meat, and blow things up. God bless America!

It’s been a busy month so far, with family visiting from out of town all last week, and lots of kids all over the place. Great for our kids, who got to play with their cousins, but not the best for writing. Oh well. It looks like things are going to settle down for the rest of the month, which is really good, especially for my wife, who is racing to finish her PhD before she starts her new teaching job. So I will definitely be helping her with that.

On the writing and publishing side of things, I am actually going to take advantage of this time to catch up on all of the non-writing things, like publishing tasks, that I’ve fallen behind on. When August rolls around, things are going to get really crazy, with our move back to Orem as my wife starts her new job, so I want things to be set up really well for that.

I will continue writing, though: just at a slower pace. If I plan to do about an hour a day, and make that a consistent thing, I think I can keep that up through the crazy times that are coming. Not only are we moving and starting a new job, but we also have a new baby due to be born very shortly after all of that. So I fully anticipate that it’s going to be a crazy year.

(still not the final cover)

My plan right now is to keep plugging away at The Soulbond and the Sling, slowly but surely, until the AI draft is complete. At the rate that I plan to go, however, it probably won’t be finished until August or September.

I’ll also be working on the human draft of The Road to New Jerusalem, but since my plan is to submit that to the Ark Press contest in October, I’m not too worried about rushing that one. Besides, it’s a much shorter novel, so it shouldn’t be that hard. A part of me wonders if I’ll finish that one before The Soulbond and the Sling.

In the meantime, I plan to publish Bloodfire Legacy in paperback, ebook, and audiobook as soon as I go through the edits and get it formatted! In fact, that’s the next big thing I plan to work on in the next two weeks. With luck, it should be out very soon.

So those are the big things that I’m working on right now. I’m also going to try and finish all the blog posts for Fantasy from A to Z before the end of the month, though they will probably run through the first half of August or so. And once Fantasy from A to Z is done, I will turn that into an ebook exclusive for my newsletter list, and make my current newsletter exclusive, Science Fiction from A to Z, available as a regular ebook (and maybe audiobook and paperback as well).

All of this is part of my plan to pivot toward being more of a fantasy author. Right now, I’m a science fiction author who occasionally writes fantasy. In the future, I want to be known as a fantasy author who occasionally writes science fiction. Most of my science fiction leans heavily into fantasy tropes anyway, so it shouldn’t be too difficult to make the change. Hopefully most of my readers follow me over as I make the transition.

Toward that end, I’m happy to report that Rescuer’s Reward, the first novel in the Sea Mage Cycle, is now available as a permafree book! If you like fun quick fantasy adventures with a touch of romance, I think this will be right up your alley. All of the Sea Mage Cycle books are pretty short, and they all stand alone, though they often have recurring characters. Check it out and give it a read!