Sholpan – Page 2 – One Thousand And One Parsecs

Trope Tuesday: Neutral Evil

Have you ever encountered a villain who you just hated? One who only cares about himself (or herself), who has no real loyalties and will sell out his friends, or even his master? One who treats people as means to an end, and will use whatever means necessary to achieve those ends? Chances are, that villain is a Neutral Evil.

From magnificent bastards to dirty cowards, from card carrying villains to seductresses and bounty hunters, this character alignment can take many different shapes and forms. The one thing they have in common, however, is that they’ll do just about anything to further their own evil ends–including pitting the other villains against themselves. Like the Chaotic Neutral, the Neutral Evil always looks out for #1–though entirely out of pure selfishness, as opposed to a love for free will and individuality.

From the easydamus character alignment page:

A neutral evil villain does whatever she can get away with. She is out for herself, pure and simple. She sheds no tears for those she kills, whether for profit, sport, or convenience. She has no love of order and holds no illusion that following laws, traditions, or codes would make her any better or more noble. On the other hand, she doesn’t have the restless nature or love of conflict that a chaotic evil villain has.

Of all the alignments, Neutral Evil can be the most dangerous because characters with this alignment have no qualms about doing whatever needs to be done to achieve their evil goals. However, characters with this alignment also tend not to become evil overlords, because they backstab each other too much and don’t have what it takes to run a large organization. Within their limited spheres of influence, however, they can be deadly.

There are a lot of Neutral Evils who I love to hate, but Lucy van Pelt from Peanuts is definitely near the top of the list. Saruman is another one, though he’s less of a magnificent bastard than Sephiroth (Why did you have to kill Aeris? WHY???). And of all the Neutral Evils, Voldemort is probably the most ambitious.

In my own works, my favorite Neutral Evil would have to be Shira from Desert Stars. Man, I hated her so much…once I got her character down, it was a real joy to write. 🙂 From Bringing Stella Home / Sholpan, Borta is definitely a Neutral Evil. Qasar leans more to the lawful side, while Gazan leans to the chaotic, but Borta is squarely neutral–and she’s vicious. Genesis Earth and Star Wanderers, however, are generally feel-good stories, so they don’t really have anyone with this character alignment.

Trope Tuesday: Chaotic Neutral

hansolo — Look, I ain't in this for your revolution, and I'm not in it for you, Princess. I expect to be well paid--I'm in it for the money.

If you’ve ever read a space adventure with smugglers and pirates, or a sword & sorcery with rogue thieves and master-less swordsmen, or a western with gritty outlaws and mountain men, you know this character alignment. If you’re a fan of any of these genres, chances are you love him, too.

The Chaotic Neutral‘s one consistent rule is to always look out for #1. Beyond that, he’s a free spirit who believes in individuality and resists anyone or anything that tries to control him. Rebellious spirits and lovable rogues tend to fall into this alignment, but so do tricksters and wild cards. Their resistance to any form of personal restriction makes them unreliable allies, despite what Jack Sparrow says.

From the easydamus alignment page:

A chaotic neutral character follows his whims. He is an individualist first and last. He values his own liberty but doesn’t strive to protect others’ freedom. He avoids authority, resents restrictions, and challenges traditions.

A lot of characters start out as this but tend to shift as the story progresses. Han Solo, for example, shifts from Chaotic Neutral to Chaotic Good as he becomes more and more involved with the Rebellion. The Jägers from Girl Genius are Chaotic Neutral until they have a Heterodyne to lead them. But in other stories, such as Pirates of the Caribbean and Schlock Mercenary, the Chaotic Neutral serves as an anchor.

My favorite Chaotic Neutral is probably Waylander from David Gemmell’s Drenai series. The Jerusalem Man is another good one–in fact, just about every one of his books has a Chaotic Neutral that I love. Haruhi Suzumiya is an excellent example of a female Chaotic Neutral–in fact, she’s probably the queen of this particular character alignment.

In my own work, the best example of a Chaotic Neutral would probably be Tamu from Bringing Stella Home / Sholpan. Even though she’s technically a slave, she doesn’t really mind it because she has everything she wants and doesn’t have to be beholden to anybody (not even Qasar, really, since she’s his favorite). Amina from Desert Stars is also Chaotic Neutral, in contrast with Surayya, who is more of a Lawful Neutral, though sometimes it’s hard to tell. And in Genesis Earth, Terra is definitely a Chaotic Neutral at the beginning, though she shifts a little somewhere around the middle.

I’m hesitant to admit this, but when I took the character alignment test for myself, I tested out as a Chaotic Neutral. As to what that means, exactly…I’m not going to say. o.0

Trope Tuesday: Neutral Good

Arguably the best of the good-aligned characters, the Neutral Good can always be counted on to do the right thing, whether that means working within the system or rebelling against it. Whether young or old, soft or shrewd, nice or not so nice, these are the guys (and girls) most likely to save the world and defeat the enemy with love.

From the easydamus character alignment page:

A neutral good character does the best that a good person can do. He is devoted to helping others. He works with kings and magistrates but does not feel beholden to them.

The Neutral Good is not devoid of weaknesses, of course. Although they are devoted to good, their lack of commitment to law means that they are not always willing to enforce it. Also, for those who just want to get things done, this alignment can be somewhat limiting, in the way that a commitment to any higher ideal usually is.

Interestingly, this is a very common alignment for heroes in space opera stories. Case in point, Luke Skywalker: even though he’s young and reckless, he’s not above learning the ways of the force and joining the Jedi order. Miles Vorkosigan from Lois McMaster Bujold’s Vorkosigan series also falls squarely into the Neutral Good camp. Moving on to manga and webcomics, Alphonse and Winry from Fullmetal Alchemist both fall under this alignment, giving balance to Edward’s more chaotic outbursts. Agatha from Girl Genius is also a Neutral Good…at least, when there aren’t any wrenches nearby.

There are quite a few characters with this alignment in my own work. Even though she’s a mercenary captain, Danica from Bringing Stella Home falls squarely into this alignment; she’s got a tough outer shell, but she’ll do anything for her men, even…well, I don’t want to ruin Stars of Blood and Glory. 😉 Also from Bringing Stella Home / Sholpan, Stella is solidly Neutral Good, which is part of why the ending is so deliciously twisted. In Star Wanderers, Jeremiah falls into this alignment mostly through default, which is good for Noemi because the circumstances of the novel put her totally at his mercy. And in Desert Stars, this is probably Mira’s alignment, though she’s easily manipulated by her Neutral Evil mother.

What can I say? I’ve got a soft spot for Neutral Goods. Considering how well this kind of a hero fits in to a classic space adventure, it shouldn’t come as any surprise.

Trope Tuesday: Lawful Evil

If the term “villain” applies to anyone, it applies to the Lawful Evil. Whether the evil overlord, his trusted right-hand man, or one of his devoted minions, these characters are dedicated wholeheartedly to their cause, whether they believe it will lead to a better world or not. Taking over the world is often a major obsession, because hey, someone’s got to do it. A staple of the evil empire, these guys often turn their country into an industrialized wasteland, though they often have propaganda machines to take care of any bad press. Bonus points if they can transform into a freakish monster in battle.

From the easydamus character alignment page:

A lawful evil villain methodically takes what he wants within the limits of his code of conduct without regard for whom it hurts. He cares about tradition, loyalty, and order but not about freedom, dignity, or life. He plays by the rules but without mercy or compassion. He is comfortable in a hierarchy and would like to rule, but is willing to serve. He condemns others not according to their actions but according to race, religion, homeland, or social rank. He is loath to break laws or promises.

While Lawful Evils believe in following rules and keeping their word, they’re not above emotional manipulation, negotiating unfavorable contracts, or following the law in letter only. Even so, they tend to suffer from genre blindness and bureaucratic stupidity (as well as megalomania–but hey, that’s part of the job description).

According to tvtropes, Lawful Evils come in four types:

The supreme ruler, dedicated to establishing and maintaining a civic order that is itself evil. A good example of this would be Sauron from The Lord of the Rings.
A zealot or übermensch whose moral code falls outside of established social norms. Khan from The Wrath of Khan is a pretty good example of this, as is Tyler Durden from Fight Club (though your mileage may vary).
The Dragon or other minion who may have their own goals, but answers to the big bad. Darth Vader is probably the most well-known example.
A complete monster who is dedicated to the destruction of free will and liberty. The Mormon conception of Satan fits this perfectly.

The scary thing about this trope is that it actually exists in real life. In fact, outside of our sheltered middle-class, liberal democratic existence (a relatively recent and unusual development in the eyes of history), this type of overlord tends to be the rule and not the exception. You don’t have to look any further than North Korea, Burma, or Syria for examples of this–which is to say nothing of the Soviet Union, the Third Reich, or the British Empire.

My favorite example of this trope is probably Darth Vader, not just because of how badass he is, but because of his heel face turn at the end of Return of the Jedi. Ignoring how bad episodes I, II, and III were, his character arc really is the thing that makes that story. And while we’re on the subject of history, let’s not forget this epic showdown between Stalin and Hitler. Seriously, click that link.

In my own work, the best example of a Lawful Evil would probably be Qasar from Bringing Stella Home / Sholpan. He’s more of the affable type than a true evil overlord, though; that would be Tagatai, who doesn’t really come to power until Stars of Blood and Glory. A much more sinister example would be Emile from Heart of the Nebula, or the villain I have planned for Edenfall–I’d better finish those! And of course, there’s Sheikh Sathi from Desert Stars, though he’s mostly a type 3 Lawful Evil under the thumb of his Neutral Evil wife.

Perhaps one of the reasons I haven’t done a truly despicable Lawful Evil yet is because I’ve been kind of sheltered here in the states. It will be interesting to see how my writing changes after spending some time in Eastern Europe; Georgia, after all, is the homeland of Stalin.

Darth Vader helmet taken from this site.

Trope Tuesday: Lawful Good

Lawful Good is the character alignment that is the most unambiguously heroic. These are the white hats, the caped crusaders, the knights in shining armor who fight for Truth, Justice, and the American way. They might not always be smart, and they might not always be nice, but you can always count on them to do the right thing…always.

From the easydamus character alignment page:

A lawful good character acts as a good person is expected or required to act. He combines a commitment to oppose evil with the discipline to fight relentlessly. He tells the truth, keeps his word, helps those in need, and speaks out against injustice. A lawful good character hates to see the guilty go unpunished.

Although most Lawful Good characters are unambiguous, their conflicts are often quite complicated. This is because their dedication to the moral code is itself a weakness which an intelligent villain can exploit. Typically, this is done by putting them in a situation where they have to choose between being lawful (catching the bad guys) or being good (saving all the innocent people who will die in the process). A smart Lawful Good character, however, will come up with a third option that turns the ethical dilemma on its head, though it might require a heroic sacrifice.

Very often, these kinds of characters appeal to us because they represent some higher ideal which we wish we could follow. However, that’s not always the case, especially in more cynical works like A Game of Thrones, where the most lawful good characters also tend to be the most stupid. Ultimately, it all comes down to the bias of the writer; even when you’re trying not to be didactic, it’s hard not to use the Lawful Good character as a vehicle for some sort of message.

A shallow Lawful Good will be little more than a paragon for whatever virtue they’re meant to represent. A more nuanced Lawful Good will have some sort of a flaw (besides the backhanded ones), or some sort of internal conflict connected with their moral code to make them more human and relatable.

My favorite Lawful Good would probably be Sir Galahad from Le Morte d’Arthur, but mostly because of the sharp counterpoint he provides next to all the ~~thugs and criminals~~ other Knights of the Round Table. Carter from Halo: Reach is a pretty cool Lawful Good, though he wasn’t my favorite (that would be Jorge). And even though he’s a complete idiot, Ned Stark is still the only adult character from A Game of Thrones that I found remotely likable.

In my own work, Jalil from Desert Stars starts out as Lawful Good, though he shifts to Lawful Neutral in the middle and up to Neutral Good by the end. In Bringing Stella Home / Sholpan, Lars and Narju definitely fall under this alignment, putting a lot of pressure on Stella to live up to their ideals. I explore Lars’s idealistic character a bit further in Heart of the Nebula, a direct sequel to Bringing Stella Home which I hope to release later this year. And in Star Wanderers, Noemi tends to fall under this alignment–though the story is not so much about saving the world as it is about saving each other.

Random updates before leaving

I’m spending Thanksgiving with my parents this year, which means I’m leaving for Massachusetts tomorrow…by train. Well, technically, Sunday morning, since the cross-country trains come through Salt Lake City in the wee hours, but to my way of thinking it’s tomorrow and not Sunday. Either way, I won’t be posting anything until Tuesday night, since that’s when I arrive.

You may have noticed that Amazon recently bumped the price of my two short stories, “Memoirs of a Snowflake“ and “Decision LZ1527,” back up to $.99. I decided to raise the price because giving them away for free wasn’t having any sort of effect on sales of my other novels. Sure, it exposed my work to more readers, but I want to be known for my science fiction series, not because of a couple of cute stories that aren’t a whole lot like anything else I’ve written.

However, after reading Kris Rusch’s recent post on this subject, I decided to drop the price of Sholpan to free for the next couple months. Sholpan is a novella taken from Bringing Stella Home, and is a great place to start for my Gaia Nova series. It’s a complete story on its own, but I’m hoping it will drive interest in the full length novel, and later in Desert Stars.

If the price dropping process is anything like it was for the short stories, though, it will be a while before Sholpan is free across all platforms. Amazon doesn’t allow you to set the price to free yourself; you have to get all the other places to do it first, so that Amazon’s bots will detect it and price match. To do that, you have to drop the price on Smashwords first and wait for it to trickle down.

In short, it will probably take three to five weeks for Amazon to make Sholpan free. Hopefully it’ll happen in time for the holiday season, and probably for a month or two afterward.

In the meantime, I just noticed that “Memoirs of a Snowflake“ is on both the science fiction anthology and fantasy anthology top 100 lists on Amazon. Woot! It’s not going as fast as it was when it was free (I think I’ve had just five sales in the past 48 hours), but it’s still going. It will be interesting to see how long it holds up; it would be awesome to crack the top 10 on either of those categories!

And that’s about it. I’ll leave you with the following quote:

All journeys have secret destinations of which the traveler is unaware.

–Martin Buber

New guest post and blurb for Desert Stars

First of all, my latest guest post for the Bringing Stella Home blog tour is up at The Villain’s Worst Nightmare. In it, I discuss where I got the idea for the Hameji, and how I world-builded (world-built?) their culture from the ground up. Good stuff; you can find it here, along with another giveaway of Sholpan.

I just submitted a proposal to Kickstarter for Desert Stars. I hope to raise at least $500 to help pay for editing and cover art, but the experience running the campaign should be useful too. I’m a little bit nervous, but we’ll see how it goes.

One of the things they asked for was a description of the project, which is funny, because this week’s Writing Excuses was about pitching. There’s a lot of good stuff in that episode, in case you haven’t heard it yet. I don’t have a good blurb worked out for Desert Stars just yet, but this is what I came up with:

The short version

A tale of homecoming, intrigue, and romance on the fringes of an interstellar empire that has forgotten its holiest legend: the story of Earth.

The longer version

Jalil Ibn Sathi Al-Najmi wasn’t born in the desert; he fell from the sky when he was just a little boy. Now that he’s grown, he wants nothing more than to find his true home among the stars. But when the tribe that raised him conspires to shame him into a marriage that would keep him at the camp forever, he has to choose between honor, family, and the girl he loves.

Yeah, they both need work. The short one isn’t short enough, and the long one has absolutely NOTHING about Mira, even though she’s arguably got the stronger character arc. For those of you who’ve read the novel, what do you think it needs? And for those of you who haven’t, does it interest you to read more, or not?

In other news, I revised through almost 15k words yesterday. Man, it’s so nice having time to write again. I’ll have to polish up my resume and start looking for work again sometime next week, but I’m glad I took the time off to work on Desert Stars. I’m on track to finish this draft by the end of next week; after that, it shouldn’t need much more than a quick run-through before sending it off for the copy edits. Needless to say, I’m excited. 🙂

BSH blog tour and other random updates

Just a few things to get out of the way before returning to other things:

I’ve started the blog tour for Bringing Stella Home, and the first post was on my friend Kindal’s blog; you can find it here. He asked me to blog about music and writing, so I shared some of my thoughts on that, as well as some of the songs that helped me to write Bringing Stella Home. Kindal is an aspiring writer like me, and he’s got a lot of good stuff too, so you should definitely check him out!

Also, as part of the blog tour, I’m giving away free copies of my novella Sholpan at every stop along the way. If you would like to pick one of those up, feel free; the coupon code on Kindal’s blog is good until next Thursday. And for other updates and periodic giveaways, be sure to sign up for my newsletter in the sidebar.

I plan to keep more of a schedule for this blog tour, with posts going up every Monday and Thursday. This coming Monday is at Mike’s blog, who is a frequent commenter here, and the blog after that is The Villain’s Worst Nightmare, where I’ll discuss the Hameji. Good stuff–I’m looking forward to it!

I’m booked for the next couple of weeks or so, but I’m still looking to expand the tour, so if you would like to have me on either for an interview or a guest post, please let me know! I’d love to come on as a guest blogger, no matter the size of your blog.

Also, for those of you who agreed to be first readers for Star Wanderers part I, I actually have a few changes I’d like to make before sending it out to you, which I’ll probably get done before the end of the month. I’m almost a third of the way through another major revision for Desert Stars, so that’s taking up most of my energy now, but that shouldn’t take more than a couple weeks, and I want to get Star Wanderers ready to submit before the end of the quarter.

My next release, for those of you who are interested, will be a collection of journal entries and blog posts from the 2008 Jordan study abroad. I’ll probably do it under a pen name, just to distinguish it from my science fiction stuff; how does J. Michael Waszik sound? The original Czech spelling of Vasicek is Wasziczek, which is an insanely cool name but impossible for the average person to pronounce. It’s the Z’s–you can’t get enough Z’s in a name, especially an Eastern European name.

In totally unrelated news, I noticed that this blog just surpassed 1,000 comments…and I was the 1000th commenter. So yeah, I guess I owe myself a new car or something (but I’ll probably have to settle for a flashing GIF).

Anyhow, that’s it for now. Thanks for reading, and I’ll see you around!

“Who would have thought…”

I would like to address this post to my fellow Mormon readers.

A couple of days ago, I got a discouraging message from some old mission friends of mine. It said, more or less: “who would have thought that the missionary that taught us the gospel would write such a lurid book?” They were referring to my latest release, Sholpan.

To be honest, it’s been very difficult for me to publish it, because I knew that this sort of thing would happen. I worry that my friends and family will think that I’ve done something inappropriate, or violated some moral standard, or made myself unworthy in some way. It’s very difficult to put your writing out there under normal circumstances, much less with complications like these.

However, I would like you to know that I have prayed about this, and that the answer I’ve received is that this is a story worth telling.

Sholpan is about a girl who lives essentially LDS moral standards and falls into what may be the worst situation any of us could imagine for such a girl: slavery in the harem of a powerful warlord who has the power not only to rape her, but to kill her. By refusing to compromise her values–and risking death to do so–she makes friends in unexpected places and gains a whole lot more power than she ever would have if she’d taken the easy path and compromised.

In other words, it’s a little bit like the story of Esther. Yes, there are sexual themes, but they aren’t there to be gratuitous or titillating; they’re there to show that even in the face of such horrible immorality, you don’t have to compromise your values.

I know this kind of story isn’t for everyone, which is why I’ve put up warnings in the book descriptions and made it abundantly clear that this book has adult content. And if you decide you don’t want to read it, I won’t be offended at all. But please, don’t assume that I’ve gone off the deep end or betrayed my faith, because that’s not the case at all.

It’s a difficult position to be in; I’m sure that Stephanie Meyer’s and Orson Scott Card’s bishops get a lot of mail from fellow Latter-day Saints who feel that they ought to be excommunicated. But these are the kinds of stories that I feel driven to write: stories that address difficult moral issues and don’t shy away from portraying evil for what it really is.

I appreciate your concern on my behalf, but my faith and spirituality are still quite strong. You may or may not believe that after reading my books, but please don’t feel like you have to save me. The best thing you can do is continue to be a positive influence, and let me be a positive influence for you.

Q3 Report, 2011

Before I move on to other, more interesting subjects, I want to take a little bit of time to review how my writing went in the past three months. For those of you who may be new, this is something I like to do at the start of each new quarter. Keeps me honest, I guess.

Anyhow, here goes:

This is a graph of my word count totals for the past quarter. The red line shows how many words I wrote each day, while the blue line shows a running seven day total. I include substantive revisions in the totals, but if all I’m doing is proofreading or running through copy edits, I don’t count it.

For the first half of July, I was finishing up the third draft of Desert Stars while working 40 hours per week. I wasn’t writing as much as I’d have liked, but still managed to keep some good momentum.

The HUGE peak at the end of the month represents my first draft of Sholpan, which I finished in only a week. I spent the next week in a weird writerly limbo, not sure what else to work on, then picked it up again and made some substantial changes before sending it to my editor in in mid-August. Then Worldcon happened, and I didn’t get any writing done while I was out at that. Should have, but oh well.

After Worldcon, I had maybe three or four different projects I wanted to do, but since I wanted to do the final draft of Desert Stars in October, I wasn’t sure which project to pick up. After several false starts, I ended up writing the first part of Star Wanderers, which is that hump you see at the beginning of September. The second hump is the second draft; my writing took a dip in between because I didn’t know what else to do with only a couple weeks before October.

Overall, though, my personal word counts were a lot lower than I’d like. Part of that was due to the effort I put into publishing Sholpan (it takes a lot of time and energy to publish something, which can eat into your writing if you aren’t careful); part of it was because the project I was most excited about was Desert Stars, and I had to wait until October to hear back from my first readers; but another major part was that I was trying to balance a 40 hour job on top of everything.

This is the dilemma: I want to build up my writing career to the point where I can support myself on it, but to do that I have to work a day job to make ends meet, which makes it very difficult to work on the writing career. When I was in school, I used to think a 9-5 job would make things easy, since I wouldn’t have any homework or papers to bring home. Now, though, I think school was easier, because I was only in the classroom 15 to 20 hours per week, and could allocate the rest of my time as I saw fit. Working full time is a lot harder, because half of your waking time doesn’t belong to you.

What I’d really like to find is a part time job, maybe 30 hours per week, where I earn just enough to get by but don’t feel drained when the workday is over. A lot of TEFL jobs are only about 20 hours or so per week, so I’m thinking very seriously about doing that. Then again, all the attendant difficulties of adjusting to a new culture might be even more draining than grunt labor.

I guess there’s only one way to find out…

In any case, now that October is here, I’m back to work on Desert Stars, hopefully the final draft before publication. I know I said I’d finish Star Wanderers, but since I’m going to come back to it anyway after I get the feedback from my first readers, I figure it will be better to finish Desert Stars and move on. Also, I can revise a lot faster than I can write new material, so it makes a lot more sense to get the revisions out of the way instead of pushing a rough draft harder than it wants to come.

And after that? Who knows! I’ve so many half-finished novels and projects I want to start, all I can really say is I’d better throw this up on the blog and get back to writing. So on that note