Joe Vasicek

Novella woes and farmers markets

Today I wrote about 2.6 words in my current WIP (Sons of the Starfarers), which didn’t really feel like it because I was constantly getting distracted. Still, 2.6 words is pretty solid–it’s about mid-range for me. If I can hit that every day from here on out (which is doubtful, but hey), the rough draft should be finished before the end of the month.

The crazy thing is that I just hit the inciting incident at the end of today’s writing session, after passing the 6k word mark. For a mid-sized novella, that’s pretty late. In the classic three act structure, the inciting incident usually hits between the 12%-15% mark, but this one is well past 20% for a 30k word novella–and just barely at 16% for a 40k.

So in layman’s terms, how long is this book going to be? Probably longer than any of the Star Wanderers stories, but not quite as long as Genesis Earth. It probably won’t turn into a full-fledged novel, since there’s only one viewpoint character, but I can already tell that it’s going to flirt with the line between novella and novel.

We’ll see how it turns out. I’m still really excited about this story, and even though I don’t have a clear idea how to write the ending, I do know exactly how it’s going to end, if that makes any sense. I’ve got a clear idea of the series arc that this book is going to set up, but I don’t yet have a clear idea of the book’s self-contained arc. Once I figure that out, maybe I’ll be able to trim it down to a 30k novella after all.

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I visited the Stadium Farmer’s Market in Provo for the first time today. It was pretty neat–lots of great produce, a nice community atmosphere, and a few quirky things like Jalapeno Jelly and tie died baby jumpers that you can’t really find in a mainstream grocery store. I came away with some excellent peaches and a hankering to come back next week for more.

Anyhow, the trip got me thinking how indie publishing is kind of like a farmer’s market. You’ve got everything from the guys who sell their produce out of unmarked paint buckets (writers who toss their books up to amazon with hardly a thought) to the local farm operations with pretty banners, pretty baskets, and laminated fact sheets drilling down on every possible difference between Elberta and Briscoe peaches (writers who go to great lengths to organize their own small presses and become Facebook/Twitter/Blogging personalities).

Almost everyone gives away free samples, which actually does a lot to drive sales. In a similar way, most indie writers either have a couple of perma-free titles or free-pulse their books. Everyone at the farmer’s market tries to be friendly and reach out to the customers (kind of like authors on Facebook and Twitter), but for me personally this kind of drives me away. A good entertaining sales pitch, though, can be quite interesting. I listened to the guy selling honey for almost twenty minutes, going on and on about his wares. It’s clear he’s in a business that he loves.

Even though the fruit in the farmer’s market tends to have more blemishes than the stuff you find in the mainstream store, it is WAAAY more fresh and delicious. Similarly, the stuff from the mainstream presses might be a lot more edited and polished, but the true innovation and formula-breaking stuff is happening in the world of self-publishing. Publishers want things to be more predictable and formulaic so that they can have a better idea how something is going to sell, but indies are free to try almost anything.

Those aren’t the only parallels, either. The more I think about it, the more it seems that being a self-published indie writer (or “author-publisher,” a newer term that I think I actually prefer) is a lot like being a local small farmer. I’m sure there are differences, but the similarities are quite striking.

And now I’m really wishing I’d bought some of that honey.

Trope Tuesday: Foolish sibling, responsible sibling

Whenever you’ve got two characters who interact with each other a lot, chances are that one is a foil of the other. There are a lot of reasons for this, but the big reason is that it helps to highlight certain character traits by providing contrast. Because the contrast is the important thing, the relationship between the characters can take a variety of possible forms. It may be that one is the hero and the other the sidekick, or (if they’re villains) perhaps one is the Big Bad and the other is the Dragon. If enemy mine or one of the other frenemy tropes is in play, they might be on opposing sides.

Foolish sibling, responsible sibling is what happens when the character foils are siblings. It’s a subtrope of sibling yin-yang that contrasts the character traits of responsibility and recklessness, duty and prodigality, and how the two opposites somehow manage (or not) to live together and stand up for each other in spite of their differences.

It may be used to set up an aesop, usually along the lines of “be like the responsible sibling, not the foolish one,” but that’s not always the case. It might be that the younger sibling is closer to earth and the uptight responsible one needs to learn how to loosen up. Simon from Firefly kind of fits that mold, though he learns to loosen up not from his sister River so much as from the rest of Mal’s crew.

In a lot of stories, it’s not necessarily meant to send a message so much as set up an interesting dynamic between two equally sympathetic characters. In the movie Gettysburg, for example, Lawrence Chamberlain is the commanding officer of the regiment, and thus has to lead the men, follow military protocol, etc, while his annoying younger brother Tom calls him by name and forgets to salute him, runs around chatting it up with union soldiers and rebel prisoners alike, and generally seems a lot more loose and carefree.

Usually, the responsible character is the older sibling, for reasons that should be fairly obvious to anyone who grew up with siblings. As the oldest child in my own family, I can readily sympathize with the dutiful son, since I more or less was one. That’s not always the case, though. In sitcoms where the middle child is the main character, usually it falls on them to thanklessly pick up the slack (yeah, being the middle child pretty much sucks). Bart and Lisa from The Simpsons are a good example of this.

I played with this a little in Desert Stars with some of the minor characters: as the second oldest, Surayya generally tries to do things by the book, whereas Amina tends to be more mischievous and conniving. Michelle and Lars also fall into this trope, with Lars a carefree academy dropout and Michelle a hardworking (though also fun-loving) mechanic on her father’s ship. Between Desert Stars and Bringing Stella Home, though, Lars completely turns around, so that by Heart of the Nebula (not yet published) he’s quite possibly one of the most responsible characters in the book (and I still have yet to give him a viewpoint … hmmm).

In Sons of the Starfarers, I’m playing with this character dynamic a lot. Isaac is the oldest son, who always knew he would leave on his father’s starship to fulfill the Outworld traditions and seek his fortune as a star wanderer. Aaron, on the other hand, kind of got roped into the whole thing unexpectedly (see Star Wanderers: Benefactor) and hasn’t yet matured. The events of the story will no doubt give him a growth arc, but in the meantime, the dynamic between the two of them is a lot of fun to write.

There are a lot of other issues in that relationship to play with too, such as promotion to parent and always someone better, but I’ll save those for another Tuesday.

Addicted to typesetting

So I just realized it’s been a looong time since I posted anything besides Trope Tuesday posts on this blog. A lot of things have happened, and I’ve got a lot of things I want to blog about, but really all my spare time has been spent happily typesetting for Stars of Blood and Glory and Star Wanderers: Outworlder (Part I).

I always tell people that if I wasn’t a writer, I’d be a typesetter because I enjoy it so much. I’m not sure if that’s true, because it can get a little mind-numbing after a while, but as an indie writer who only has to do it every now and again, it’s really fun! The best part, of course, is getting to that finished product, a book full of words and paragraphs and chapters that look so beautiful on the page, which you can flip through and say “wow, I wrote that!”

The whole process is great, though, even with the frustrations like computer crashes and formatting struggles. Fortunately, those don’t happen quite as often since I’ve more or less figured out the tools. I use LibreOffice almost exclusively for the interior (yes, I know In Design is awesome but LibreOffice works well too), and The Gimp for the cover art.

Yesterday, I started on the cover art for Stars of Blood and Glory, thinking it would take me a few days to finish it. Well, one thing led to another, and a few hours later I had this:

Not bad. I think I was able to do it so quickly because I followed the same basic pattern as Bringing Stella Home and Desert Stars. Once you know what you’re doing, it doesn’t take very long to do it. It also helped to have such great art (shout-out to Hideyoshi)!

So yeah, the only thing I have to do now is order the proofs and approve them. After that, the print edition of Stars of Blood and Glory should be up on Amazon in just a couple of days, so keep an eye out for that!

Also, I don’t think Amazon has announced this to the general public yet, but this Christmas they’re starting a program where you can get the ebook edition of a participating book bundled with the print edition of the book for an extra $2.99 or less. It’s called Matchbook, and I’m happy to announce that all of my novels will be in the program! They’ll be priced at either $1.99 or $.99, so if you’re looking for a Christmas gift, you can buy one of my print books and get the ebook for yourself for more than 50% of the price. The Star Wanderers books, when I have the print versions up (and I’m working on that now), will bundle the ebooks for free!

So yeah, that’s what’s been taking away from my blogging time. Salt Lake Comic Con was also pretty cool–it was my first Comic Con experience, so I should probably blog about that too. Also, some book reviews, some stuff that exploded on the internet recently that I want to react to … yeah, I’ve fallen a bit behind.

But above and beyond all this blogging / typesetting / publishing stuff, writing is still my #1 priority. I started the first Sons of the Starfarers novella just last week, and have been working on it a little every day since. I’m way excited about this next project–it’s going to be amazing! Like a spinoff of Star Wanderers, but sooo much more. But I’ll wait until tuesday to talk about that.

In the meantime, keep an eye out for the print edition of Stars of Blood and Glory! It should be out in the next week or so. And as for Star Wanderers, the print editions should be coming out this month or next, depending on how effectively (or not) I can manage this typesetting addiction.

Later!

Trope Tuesday: Forbidden Zone

For the next few Trope Tuesday posts, I’m going to pick apart some of the tropes I’m playing with in my latest WIP, Sons of the Starfarers. One of the things I love to do when brainstorming a new story is to use tvtropes like a menu, finding the tropes that best fit my story ideas and combining them with other tropes to get even more ideas.

It’s not often hard to spot the forbidden zone in a fantastical world. Perhaps it has an ominous name (bonus points if it has the word “doom” in it), or perhaps there’s some sort of sign saying “do not enter.” Either way, this is definitely a place where no one goes, and no one is supposed to go.

Of course, you can pretty much guarantee that the main characters are going to go there. It’s like the forbidden fruit: the very fact that it’s off limits makes it more alluring. If genre blindness is in effect, someone will probably make the mistake of saying “what could possibly go wrong?”

There are many reasons why the zone may be forbidden. Perhaps it’s a death world, where the characters will soon find themselves running for their lives. Perhaps it’s not quite so dangerous, but once you go, you can never come back. Or perhaps all the warnings were lies, and the so-called forbidden zone is actually the place that the characters needed to get to all along. If that’s the case, then the mentor was probably a broken pedestal or the Svengali.

In any case, the forbidden zone definitely lies in the realm of adventure. Depending on how soon or how late in the story the characters go there, it may lie just on the other side of the threshold, at the bottom of the belly of the whale, or at the very heart of the character’s nadir.

The Mines of Moria, the Toxic Jungle, Area 51, the Elephant Graveyard, and the Fire Swamp are all classic examples. In C.S. Lewis’s Space Trilogy, Earth itself is a forbidden zone to all the other inhabitants of the solar system, which is why it’s called the silent planet.

In real life, there are plenty of these as well. Just look at the DMZ on the Korean Peninsula, or the fallout zone around Chernobyl. When I was living in Georgia, Abkhazia was off limits to the TLG volunteers, meaning that if you went there (and the Ministry of Education found out about it) it was grounds for immediate firing. Of course, that only encouraged some of my TLG friends to go there even more–remember the forbidden fruit? Others waited until their contracts were over and practically made a tour of the many forbidden zones of the Caucasus, including Nagorny Karabakh, which one friend described as safer than Philadelphia.

I’ve toyed with this trope in my own work, but never too explicitly. The best example is probably the alien ghost ship from Genesis Earth. It’s not exactly forbidden, since there’s no one around to tell Mike not to go there, but Terra definitely doesn’t want him to go. Earlier in the same book, she forbids him from entering her workspace in the observatory, which leads to some complications and a major reveal when he inevitably does. In the Gaia Nova series, the Outer Reaches qualify as a forbidden zone, since the only people who live out there are murderous barbarians like the Hameji.

In my new series, Sons of the Starfarers, the first book starts out with a forbidden zone–a derelict space colony, where everyone has died of an unknown cause. Since the nearest settlement is light-years away (and because Aaron is perhaps too curious for his own good), that’s where Isaac and Aaron go. What they find there propels the rest of the book–and quite possibly the rest of the series.

Check back next week for more!

Things I’ve learned from STAR WANDERERS

When I published the first couple installments of Star Wanderers, it represented both an experiment with a new publishing format and a departure from the more long-form styles that I was used to. Now, a little over a year later, I can say it’s been a success. The series isn’t finished, and I’m still learning as I go, but here are some of the big lessons that I’ve picked up:

Novellas are surprisingly well-suited to series. They read fairly quickly, contain enough focus to sustain an episode of a larger story, and yet at the same time contain enough space to develop a wider arc. Plus, they are a lot quicker to write than novels and generally don’t require as much editing, since it’s easier to get the story right on the first pass. This means that you can put out novellas faster and more regularly than long-form novels, maintaining good momentum for the series as a whole.

It’s hard to write anything shorter than a novella without leaving readers unsatisfied. By far the biggest criticism I’ve received for Outworlder (which is really more of a novelette than a novella) is that the story feels too short. If the novella (17,500 to 40,000 words, or 80 to 150 pages) has all the benefits of the novel and the short story, then it seems that the novelette (7,500 to 17,500 words, or 30 to 80 pages) has all of the drawbacks. Then again, it could just be that I have yet to master the form.

The satisfying element in a series is at least as important as the returnable element. Every successful episodic story has some sort of returnable element–something about the story that makes the audience ravenous for more. Often, this takes the form of a cliffhanger, leaving something unresolved. However, it’s not enough just to string readers along, holding back whatever your story has promised them. In every installment, you have to deliver.

It’s a delicate balance, to be sure, but the advantage of erring on the side of satisfaction is that the satisfaction can actually become a major hook in itself. If readers know that they’re going to be satisfied whenever they pick up one of your books, you don’t have to ratchet up the tension to eleven in order to keep them coming back. Several Star Wanderers reviews mention that it’s more relaxing and not as fast paced as other space opera, but sales of parts III through VI are almost 1:1.

Readers love to revisit a good story from another character’s point of view. Some of the most glowing reviews I’ve received for this series are for Dreamweaver, which is basically a parallel novella to Outworlder but from Noemi’s point of view. In Outworlder’s Amazon also-boughts, it sometimes even appears ahead of Homeworld, which actually comes before it in the series order. This tells me that readers love to revisit a story, or to hear the same story again but from a different point of view. Head-hopping from episode to episode can be a great way to add variety and depth.

Plenty of readers are willing to pay $2.99 per book for a series they enjoy. When I published the omnibus for Star Wanderers I-IV, I wondered if sales of the individual novellas would taper off since I priced the omnibus much lower than their sum. To my surprise, sales for both the omnibus and the individual installments have actually remained about even. Since the omnibus clearly shows up on Amazon’s recommendations, this tells me that $2.99 is not too high of a price, even for a novella.

Perma-free works; however, free and $.99 attract some bad apples. Do not underestimate the power of free, especially perma-free for the first book in a series. I credit that strategy for at least 90% of the Star Wanderers sales, since the series itself has boosted my total sales numbers by more than an order of magnitude. However, there are people out there who never fail to find something to complain about. These are usually the same people who don’t like to pay for anything, and when they realize that the rest of my series is not free, they tend to leave unhelpful and/or incomprehensible reviews.

I priced Fidelity at $.99 to try to give readers more of a hook from part I to part II, but the sales ratio between part II (Fidelity) and part III is about 2.5:1–in other words, pretty bad. Judging from some of the reviews, it seems that a fair number of the people who are dropping out are the bad apples. I haven’t decided whether to raise the price, but if things keep going the way they have been, I probably will.

Series don’t usually take off until the third or fourth installment. Do you know how many sales Outworlder had in the month when I first published it? About 10–and that was actually a surprise. When I published Fidelity, I had even fewer, and Sacrifice hardly sold anything until Outworlder went perma-free. When it did, sales of the other two novellas picked up, but it wasn’t until after I’d published Dreamweaver that the sales of Fidelity started hitting triple digits. The lesson to me is clear: it takes time for a series to pick up steam, so don’t be like Fox. Give it a chance to grow.

Nothing sells a book like writing and publishing more books. This is probably the main driving factor behind the last point. I’ve done almost no promotion for Star Wanderers, other than putting out new books on a fairly consistent basis. Amazon’s algorithms have probably done their part (sales on other outlets haven’t been growing nearly as much), but at the end of the day, there is no substitute to writing more and better books. Any sort of promotional or marketing activity that takes away from my writing time is just not worth it–not when I’ve got stories to tell.

Right now, I’m getting ready to start a new spin-off series, which hopefully will be even more successful. I’ll to try out a few new things (mostly along the lines of better covers and meatier novellas), but mostly, I’m going to try to replicate the success I’ve achieved with Star Wanderers by keeping these lessons in mind. I have no idea how this new series is going to go, but I figure I know enough about the publishing side now that I can focus my attention on writing an awesome story, which is the most important thing after all.

Back in Provo!

Wow, do pageviews drop off sharply if you don’t blog for a while.

So after spending the last couple of weeks visiting family across the country–literally across the country, from Massachusetts to Iowa–I’m back here in good old Provo, Utah, surrounded by the mountains once again (I can just hear my grandma … “what’s so great about a pile of rocks?”).

Here were some of the highlights:

Seeing my parents (yay!) and spending some quality time with them.
Babysitting my niece and nephews and spending time with that side of the family.
Beach bumming on the Cape Cod National Seashore.
Eating fried clams and lobster in Wellfleet at Moby Dick’s.
Playing Shanghai with my parents every night for a week and a half.
Beating my brother-in-law at Settlers of Catan for the first time (he’s good!).
Watching the entire Ken Burn’s Civil War documentary series.
Touring Nauset Light and the Three Sisters.
Touring the Cape Cod Potato Chip factory.
Hanging out with Mom in Downtown Hyannis.
Acquiring an awesome new Indiana Jones style hat.
Going to church with a bunch of high priests sporting crocs.
Picking Monsanto corn and getting the whole corn experience.
Browsing a bookshelf of Ursula K. Le Guin novels I’ve never read.
Getting a bunch of awesome new story ideas (see previous post).
Taking the California Zephyr across the country–twice!

So yeah, it was a pretty awesome summer vacation. It’s good to be back in Utah, though. As much as I have a love/hate relationship with Provo, Utah really is my favorite place on Earth.

I’ve only been back a couple of hours, but it seems that it’s been an eventful two weeks since I’ve been gone. One of my former roommates ran off without paying his share of the utilities, after jacking up the AC all summer (lovely). After filing a police report, however, we may be able to get some of that back.

My tomatoes have been growing like CRAZY. Only one has been harvested, but there are dozens hanging off of the vines. Anybody want to make salsa?

As far as church goes, the ward boundaries have been completely rearranged. Seriously, the map looks like a shredder went to it. On our block, it’s us and the house two doors down from us (we think), then one of the apartments from Liberty Square, then another random house a block north of us. Crazy.

I don’t know yet if I’ll be sticking around in my current place for the fall or not. It’s a good situation, and the roommates are great, but the neighborhood is full of freshmen and sophomore college students. I need to find some more people my age to hang out with. Next month marks the beginning of the final year of my twenties, and I plan to make it count.

I got a lot of work done on Star Wanderers: Reproach (Part VII) while traveling on the train, but I still need some of my first readers to give it another read-through before I’m confident enough to publish it. Hopefully, that shouldn’t take too long–I’m shooting for publication before the end of September. Also, the print edition of Stars of Blood and Glory will hopefully be finalized before the end of the month as well.

That’s just about it for now. I’ll leave you with some folk music from the Caucasus Mountains, this time on the accordion:

Rousing stuff. I wish I could play the accordion like that.

Take care!

Laying the groundwork for a couple new series

So I just got back from vacation at Cape Cod, which turned out completely different from what I’d expected. When I left, I said that I’d probably just write like I usually do, except in a different place. Instead, I took a break from my WIPs long enough to catch a new vision for my career and come up with a really good idea for a new spin-off series in the same universe as Star Wanderers.

The story idea is really awesome. I don’t want to talk about it too much, since I haven’t even written it yet, but the main characters will be Isaac and Aaron from Benefactor, and the basic premise will start out fairly similar to Outworlder. From there, though, I expect it to take shape in some very different ways, turning into much more of an epic space opera.

I plan to stick with the novella series format, since I’ve had a lot of success with that so far. I know that some readers complain about shorter works, but when doing a series of this type, it’s important to put out new titles regularly, and I can do that much easier with novellas than with novels. Besides, there are a lot of other reasons why I prefer novellas, as I pointed out in this post.

That said, I expect these ones to run a little longer, such as the 30k-40k word (90-140 page) range. But I won’t really know until I’ve written them.

Before that, I’ve got two more Star Wanderers stories to put out: Reproach (Part VII) and Deliverance (Part VIII). Both of those are already written; I just have to run them by my first readers and make some revisions before putting them out. If all goes well, Reproach should be out in September and Deliverance should be out in October.

So that’s the plan. Career-wise, what I really need to do is replicate the success of Star Wanderers by starting some new storylines that follow the same series format. It’s a little unnerving, since I don’t know what will stick, but I don’t want to be dependent on just one series–you’ve got to have multiple entry points. Besides, this new series is a spinoff, so hopefully readers from the first one will carry over.

It’s at this point that I’m hitting myself, because what I really need is to have three books that I can release before Christmas. In general, I’ve found that it’s better to wait until you have three books out before you make the first in a series permanently free. I wish I’d spent a lot more time this summer writing new things, rather than revising old stuff or finishing up old series. But oh well–better to start now than wait until next year. And who knows? Maybe I can still pull it off.

For this new series, I plan to invest a little more in cover art. The NASA images have been good for Star Wanderers, but to really hit the publishing trifecta (title, cover, blurb), I need to commission some original art. I have the money now, and probably the best thing I can do at this point is reinvest it. Expect those covers to be awesome.

Oh, and the other elements of the trifecta? I don’t have a blurb yet, but the working title is Sons of the Starfarers. Pretty cool, eh?

So there’s that. I’m currently revising Reproach, but I think I can finish that on the train and send it out to my beta readers before the end of August. As for The Sword Bearer, I’m going to put that project on hold again, mostly so I can focus on this. I’ve also been running into some problems with that project, mostly having to do with the worldbuilding.

For that reason, I’m thinking of doing a series of prequel novellas in order to flesh out that world and the backstory. If it goes well, that should turn into its own thing, kind of like how Star Wanderers fleshes out the background for my Gaia Nova books. I’m thinking of something along the lines of David Gemmell: heroic fantasy with a real focus on courage, valor, and unlikely heroism. I’ve already got the first scene of the first book in my head, and it’s pretty dang awesome.

So many stories, so little time … I’d better get back to writing!

Trope Tuesday: The Beach Episode

I’m so glad my Mom doesn’t read this blog.

I’m at Cape Cod this week, at a condo that doesn’t have internet, so it’s going to be a quick and dirty Trope Tuesday post this week (no, not like that) because I’d rather be on the beach than at the Dennisport Public Library. Speaking of beaches …

One of the commonest beach tropes, at least for most anime and TV shows, is to take the cast of characters and put them on the beach for an episode. This rarely has anything to do with the actual plot of the show, and is usually just an excuse to parade the characters in swimsuits and/or give the audience a little fanservice.

Actually, that’s not entirely fair. There’s a bunch of ocean related recreational activities that the characters may participate in, such as beach volleyball (or other games), surfing, making sand castles, burying each other in sand, and getting a suntan (or an embarrassingly painful sunburn). There may even be a single-episode romantic subplot that results in a beach kiss.

Basically, the beach episode is a chance for the audience to take a breather from the main story arc and hang out with their favorite characters at the beach. Because really, who doesn’t like to go to the beach every now and then? And if you can tag along with a bunch of fictional characters who have come to feel like friends, so much the better.

I’ve got to admit, most of the books and series that I’m a fan of don’t really have a beach episode. The only one that comes to mind is the Melancholy of Haruhi Suzumiya, and that one’s a bit unusual because the beach episode(s) turn into a murder mystery that actually ties in pretty well with the main plot. Also, the episode is based off of one of the original Japanese novels, so it’s a lot closer to canon than what you’ll see in most anime adaptations from manga (or so I’ve heard).

The beach episode doesn’t pop up in science fiction or fantasy a whole lot, probably because of the secondary world aspect. I’m sure there are beaches on Middle Earth, but if I see a bunch of hobbits playing beach volleyball in bikinis, I’m sorry but I’m going to have to throw up. Most fantastical worlds don’t have room for modern-style vacations, because so much of the setting is so far removed from the world we live in. The last thing you want to do is throw your reader out of the story, so for most sci-fi and fantasy, a trip to the beach is probably a bad idea.

Of course, there are exceptions, depending on the story and the appropriateness for such an excursion in the fictional universe. If you guys have any favorite examples, please let me know.

Needless to say, since most of my stories take place on alien worlds in the far-distant future, you won’t usually find this trope in my own stories. However, there is a beach chapter in Desert Stars, where Mira spends some time out in nature, walking along the ocean and taking in the gulls and the waves. She doesn’t wear a swimsuit, though. In Stars of Blood and Glory, there’s a planet that’s nothing but ocean, with giant floating cities populated by people who are half Japanese, half Polynesian. Not any beaches, though–at least, not natural ones.

Quick update from Massachusetts

Hey guys, this is just going to be a quick update since it’s midnight here on the east coast and I’m pretty tired from the three-day train ride. Sleeping on the train is like skipping stones, where all you’re really doing is seeing how far you can go before you crash (and I’m due for a crash). So anyways, here goes.

First, I didn’t get a whole lot of writing done on the train, partially because of the sleep issue but mostly because I started reading STRAY by Andrea K. Höst and holy crap, I could not put it down. Seriously. It got to the point where the only thing I wanted to do was read this book, which was fortunate because riding the train, there’s not much else to do anyway. So I finished it in a little over 24 hours, which means you can expect to see a review here soon, either before or after I get back from vacation (probably before, because I plan to read the next couple books in the series at the beach and on the ride back).

Second, I’ve decided to spend the next week or so working exclusively on Star Wanderers: Reproach (Part VII), while the feedback is still fresh and my enthusiasm is still strong. Also, after burning through the first chapter in the last couple days, I think I can get this done pretty fast. After that, I’ll send it out to a couple of other first readers, probably make another pass, then figure things out from there. If all goes well, it should be out by mid-September-ish.

Third, I’m thinking about releasing print editions of the Star Wanderers series. At first, I thought I’d limit the print editions to the omnibuses (omnibi?), but now I think it would be cool to do little pocket-sized editions of each novella. What do you guys think? If there’s demand, I’ll try to put them out a little sooner, hopefully before Christmas. And since they’re small, I can probably price them lower, like around $6 to $7 or so (and of course, Amazon will discount them).

Third point one, before I do that I need to release a print version of Stars of Blood and Glory. Which shouldn’t be too difficult, since I’ve already typeset about half of it. Mostly I’ve just been lazy and/or busy with other stuff, but now that I check CreateSpace it seems that people are actually buying my print books, hmm. Better get on top of that.

Fourth … actually, there is no fourth. I guess I should say I’m on vacation, which means doing what I usually do except from Cape Cod, spending my non-writing time doing fun things with family. But since I’m home, I plan to go through my high-school / middle-school papers and hunt down my first novel attempt, if for no other reason than to destroy it. I may keep a page or two as a curiosity/souvenir, but that abomination really needs to die.

And that’s about it. The stone has begun to sink, and I really need to hit the sack.

No Trope Tuesday this week

Hey guys, sorry but no Trope Tuesday post this week. I’m on the train, traveling from Utah to Massachusetts. Right now we’re at Grand Junction Colorado, about to head into Glenwood Canyon in a few hours. Lots of beautiful country out here.

One of the nice things about traveling by train is that it gives you lots of time to relax and do things without any outside pressure. Hopefully I’ll get some good writing done before I arrive at my destination on Thursday. The Sword Bearer is coming along slowly, and I just got the notes back on Star Wanderers: Reproach (Part VII) so that should be enough to keep me busy.

Anyhow, the train is about to leave again, so I’d better cut this short. See you guys around!