Genesis Earth Trilogy – Page 15 – One Thousand And One Parsecs

Killing the sacred cows while doing data entry

Sorry for the lack of blog posts; I’ve been working 40 hours a week at this temp job, which doesn’t leave a lot of time for other things outside of writing. I’m still plugging along at about 1k to 2k words per day, but a lot of other stuff is falling behind. Fortunately, the job only lasts another two weeks, and that should earn me enough to take the next month off and focus on writing. I’m really looking forward to that.

This job isn’t too bad; it’s tedious, but I can read blogs and listen to podcasts and music while I do it, so I’ve been catching up on a lot of business research. Last week, I read all of Kris Rusch’s The Business Rusch Publishing blog series, and right now I’m working my way through Dean Wesley Smith’s Killing the Sacred Cows of Publishing.

Let me just say, this stuff is pure gold. Every post (and a surprising number of the comments, especially those by Laura Resnick) have been extremely eye opening. At the outset, almost everything Dean or Laura say about the industry seems absolutely blasphemous…but it all makes so much sense.

Like the post about how agents shouldn’t be giving authors any career advice… because they’ll usually advise you to write to the market, not to what you’re passionate about (and can therefore write well). Or how if you’re a midlister, it’s usually in the agent’s best interest to side with the editor, since they may have ten or more clients at stake in this house and you only represent a $3k annual revenue stream to them (or less).

The best piece of advice across the whole series so far comes from Dean:

Don’t listen to rules (myths) and do what works for you and if it doesn’t work, try something else, and when that stops working, try something else. Don’t do it my way or Larry Brooks way or Laura’s way or Harlan’s way. Steal parts from all of us and do it your way.

The thing I find most gratifying, however, is the fact that I figured out on my own that submitting to agents first probably isn’t the best way to break in. But man, there is so much awesome, paradigm-shifting stuff in these posts, it is amazing. Pure gold.

In the meantime, Into the Nebulous Deep is going surprisingly well. I should have it finished by mid-May, and though it will probably need some serious revision (unlike Dean, my creative mind gets more fired up in the revision process than the drafting process), the major story arc is coming along very nicely.

I wonder if that has to do with the fact that ITND will be my fifth completed novel. My first one, Ashes of the Starry Sea, was mostly smooth to write, but it was also a practice novel and as such royally sucks. Genesis Earth went through an EXTREMELY convoluted writing process, but it was good enough to get to the quarter-finalist stage of the 2011 ABNA contest (and in two days, I’ll find out if it made the semi finals…<fingers crossed>). Bringing Stella Home was also pretty tough to write, as was Worlds Away from Home, though the revisions have been more straightforward so far.

So does this mean I’m starting to come into my stride as a novelist? I hope so, because I want to start pushing myself. After ITND, I want to revise WAFH in six weeks or less–and I’ll probably throw out 1/3 to 1/2 of the material and completely rewrite it. After that, I want to do Sholpan in two or three weeks–but that shouldn’t be hard, because the material is mostly there already. Whether Genesis Earth wins or loses the ABNA contest, I’ll want to write Edenfall–before August, if I can manage it. And then, there’s always that post-apocalyptic blight project…

Anyhow, sorry for the rambling. The point is, I want to take my writing to a new level this summer, and after this temp job is finished, I’ll be in a great position to do it. In the meantime, I’ll merrily watch Dean kill the sacred cows while I fill out UPS shipping data for the next two weeks.

And now, here’s some candy for your ears:

Good things are coming

…I can feel it.

I got my tax return today, and it was significantly more than I was expecting. Between that and the money I’m getting from my current temp job, I may have enough to last through this month and the next. The last time I took a month off to focus exclusively on the writing, I accomplished quite a lot; I’m hoping I can do that again.

My current job is a 40 hr/week data entry position at a local alarm company. The work is kind of tedious, but I can read blogs and listen to my mp3 player while I do it, so it’s actually kind of nice.

The workplace is pretty laid back, the people are way cool, and the work looks to be steady at least for the next few weeks. A 20 hour or 30 hour job would probably be more conducive to writing, but for a short term gig this is pretty good.

Also, I’m seriously considering releasing Genesis Earth as an indie ebook if it doesn’t make the next cut in the ABNA contest. Recent developments in the publishing industry make me think that this might be a better path to go with my career.

In February of 2011, ebooks surpassed all other trade categories (hardback, mass market, etc), taking ~30% of the market. Just a couple of months before that, ebooks were around 8%. At the same time, Kris Rusch has evidence that traditional publishers may be under-reporting ebook revenues (and underpaying authors) by as much as 90%. I can’t go the traditional route without giving up my ebook rights, and with the current climate and royalty rates (14.9% of cover price for the (indefinite?) life of the ebook), that’s looking like a worse business decision every day.

So here is what I’m thinking of releasing, in the order (more or less) of when I plan to release them:

Journey to Jordan: Basically, a combination of blog posts and private journal entries from my experiences in Jordan. It’s non-fiction, not a novel, but I think it’s the best project to practice on (probably because it will require the most formatting work). Besides, I put a lot of myself into it, and it deserve to find an audience.

Genesis Earth: This is a full length novel, and has received a lot of positive feedback from friends, reviewers, and people who’ve picked up the free excerpt from the ABNA contest. If it doesn’t make the semi finals, or (better) if it makes the semi finals but doesn’t win the grand prize, I’m seriously considering releasing it as an ebook. It would certainly be a leap, but honestly, what have I got to lose?

Sholpan: This is a novella based on Stella’s story from my novel, Bringing Stella Home. I haven’t shopped BSH around the traditional markets much yet, and I think it could find a home there, which would certainly give my career a terrific launch. At this point, I’m looking to build my career more than earn a living, so I probably won’t release BSH until after I’ve shopped it around…but Sholpan, I think, would be a good way to test the waters and build things on the indie front.

Bringing Stella Home: At the same time, if Sholpan does well, and things start to take off in a surprising way, I’d seriously consider releasing Bringing Stella Home as an ebook. I don’t anticipate releasing it any earlier than August or September, but you never know. Also, this one has an advantage in that it’s part of a series; Genesis Earth is just book one of an unfinished trilogy.

So far, my short stories aren’t doing spectacularly well, but that’s okay–my goal with them was mainly to get some practice, not to make a ton of sales. And even so, they are selling at a modest rate, though it’s too early to notice any definite patterns.

I’m curious, though, because it seems that readers are drawn more to novels and full-length books than short stories. Will things be different when I release a few novels? There’s only one way to find out.

Overall, though, this is very exciting. As Kris Rusch says, I’ve got nothing to lose, and everything to gain. I definitely feel that good things are coming my way.

From the Ice Incarnate is now available from Amazon

My third indie published short story, “From the Ice Incarnate,” is now available for $.99 on Amazon. You can read it on the Kindle, of course, but if you don’t have one then Amazon has free plugins for just about every device imaginable.

If you haven’t read any of my other stories yet, I would recommend starting with this one. It won first place in the 2009 Mayhew Short Story contest at BYU, and is probably one of the better pieces of my writing. It’s also taken from a scene in my novel Genesis Earth, which is currently a quarter finalist for the 2011 Amazon Breakthrough Novel Award.

I’ve also reformatted both of my other stories, “Memoirs of a Snowflake” and “Decision LZ1527,” improving the covers and making them look more professional overall. I also redid the cover for “Decision LZ1527,” changing the font and enlarging the image to make it look crisper.

I’ve already blogged pretty extensively about the epublishing process in the last post, but I’ll say something about it here. Putting stuff up on Amazon is not that hard, but making it look professional can be a little tricky. In the future, I think I’m going to use the process outlined below:

Step One: Write the book in Open Office. Save manuscript as an open document text.

Step Two: Using Open Office, set the font to Times New Roman size 12, bold titles and chapter headings, replace underlining with italics, spacing to 1.5 lines, add in special characters for scene breaks (if needed), etc. Save as an html file.

Step Three: Using The Gimp, create a cover image and export as a 600×900 jpeg.

Step Four: Using a WYSIWYG html editor, adjust formatting as needed, add anchor tags for the table of contents (if needed), etc. Save as html.

Step Five: Using an ebook creator program such as Mobipocket, combine finalized html file with cover image and all other interior content. Edit metadata, create table of contents (if needed), etc. Export as .prc or epub.

That’s basically the process I used for “From the Ice Incarnate,” except I uploaded the .doc file straight to Amazon and then downloaded their html conversion of it. Kind of an ad hoc way of doing things, but hey it worked.

This will probably be my last short story for a while. My reason for putting them out was mostly to learn on them, and I have learned a TON.

My next epublishing project will probably be a full length book, either one of my novels, or an ebook combining my blogs and journals from the summer of 2008, when I went on the BYU Jordan study abroad. I want to figure out how to do a table of contents and add interior images, and that seems like the best project to learn it on. Plus, I’ve always wanted to turn that material into a book.

That probably won’t come out for a while, though. In the meantime, feel free to check out my other stories! I hope you enjoy them; I appreciate everyone who reads my work, and do my best to write stories that are worth reading. And if you feel so inclined, post a review or blog about it. Every little bit helps!

A word about ebook formatting

So it turns out that ebook formatting is a lot harder than I’d thought. I was hoping to finish chapter 13 in ITND tonight, but I’ve spent the whole #$@! time just trying to get “From the Ice Incarnate” up on Amazon.

Fortunately, I think I have a much better idea of what I’m doing now.

For “Memoirs of a Snowflake” and “Decision LZ1527,” I just uploaded the .doc file and had Amazon reformat it automatically. The stories were short and simple enough that it worked rather well.

Then I decided I wanted to put the cover in the body of the ebook, and foolishly thought I’d just put it on the first page of the .doc file I was uploading. Long story short, I discovered that that’s not a good idea–the ereader doesn’t read it as a cover, and it looks like crap.

Also, I discovered that the ideal size for an ebook cover is 600×900 pixels (for a standard 2:3 aspect ratio). From now on, all the covers I upload will be 600×900.

So then, when I uploaded “From the Ice Incarnate,” I kept noticing these weird indenting problems in the preview. No matter what I did to change the .doc file, it wouldn’t go away. Out of frustration, I downloaded the html file that Amazon had formatted it into and noticed these weird <div> tags popping up on short, one line paragraphs where they should have been <p> tags. Don’t ask me how they got there, but they were a pain to fix.

So then, I tried uploading the modified html file, and found to my great joy that the problem had been fixed. Unfortunately, I couldn’t see any way to put in the cover–and the cover for “From the Ice Incarnate” is REALLY awesome.

Frustrated but undaunted, I turned to Mobipocket Creator, an open source ebook creating program. I’d tried playing with it before, but found it complicated and confusing. Well, now that I knew what I wanted it to do, it wasn’t hard at all to figure out how to make it work.

First, I created a new project in its own designated folder. Then, I added the corrected html file to the “publication files” page. Where it asked for a cover image, I uploaded the 600×900 jpeg (I do all my editting in The Gimp, in a much larger .xcf file). Then, I filled in the metadata, such as book description, suggested cover price, etc.

When I was finished, I hit “build,” and voila! A slick looking .prc ebook file that looked EXACTLY how I wanted it to.

I uploaded it to Amazon, and it looked great in the preview. I’m not sure what it’ll look like in the finished product yet, since it takes 24 hours to upload, but I fixed “Decision LZ1527” as well. Once I knew what I was doing, it took maybe five minutes to create the ebook on Mobipocket Creator.

So here’s what I’m going to do from now on. I’m going to bypass the whole .doc thing altogether (since I use Open Office, not MS Word) and go straight from .odt to .html using a WYSIWYG html editor. For the cover, I’ll use The Gimp, with the project files as .xcf and the finished images as 600×900 .jpegs. I’ll combine it all in Mobipocket Creator, and upload the .prc ebook file to Amazon / Pubit / Smashwords / wherever.

Sound daunting? (Charlie, I’m talking to you, hehe) It’s actually a TON of fun, once you get the hang of it. And let me tell you, when I saw the finished product, it was awesome. Totally worth it.

Trouble is, I haven’t had any time to work on my novel, which is frustrating, because I’m working an 8 to 5 job now. It’s temporary, which is nice for a full time artist/creator like me, but man, I’m going to miss all the free time I used to have. I want to finish ITND before the end of the month, but I’ve still got a long ways to go.

In the meantime, let me give you a sneak peek on my next ebook. It’s a short story based on an excerpt from Genesis Earth, which won first place in the 2009 Mayhew short story contest at BYU. Of the stuff I’ve posted up to Amazon so far, I think this one is far and away the best.

Here’s the cover:

Pretty cool, eh? I ripped the font from Sid Meier’s Alpha Centauri. The image is from NASA, taken by the Hubble space telescope.

So anyways, that’s what’s going on with my ebook venture. I’m kind of glad I haven’t done much to publicize the other stories, because they need a lot of work. If you bought one already, don’t worry; the stories haven’t changed at all, just the formatting. I’m not sure if you can re-download those once you’ve bought them, but if you want one of the new ones, let me know and I’ll figure it out.

And if I’m missing something in terms of html or ebook formatting, please let me know. I’m not quite hopeless, but I’m still horribly ignorant when it comes to this kind of stuff. Any suggestions (especially for a good WYSIWYG editor) would me much appreciated.

Just another update

A few updates, in case you’re interested in what’s going on with me:

I’m getting ready to post a new story to Amazon. This is going to be the one that won first place in the 2009 Mayhew short story contest at BYU. It’s also an excerpt for Genesis Earth, which is currently in the quarter finals for the 2011 Amazon Breakthrough Novel Award. More news on that as it comes out.

Into the Nebulous Deep is coming along. Surprisingly, the rough draft follows a very tight, coherent plot structure. At this stage, every other novel I’ve written is usually all over the place. This one looks like it’s going to be twenty chapters, with four parts of five chapters each.

Right now, I’m in the middle of chapter 13. I was hoping to finish it this week, but my sister was in town this weekend, so I spent most of my time with her instead. Not that that’s a problem; I can probably catch up tomorrow. I’m hoping to finish part III before the end of next week.

It’s going to be tough, though, because I’m starting a new temp job on Monday. It’s 40 hours per week at $9, which is pretty sweet, especially since my tax return is basically going to cover all my expenses this month. Hooray for cheap Utah summers! The full time work is going to be tough on the writing, though.

Which brings me to my last update: the guys at Pioneer Book called me back today and set up a job interview on Tuesday! Hooray! I’m totally stoked–this bookstore job would be awesome. I might even postpone my TEFL plans for a while if I get the job. It probably won’t be full time or pay much more than minimum wage, but dude, it’s a bookstore. Plus, part time work is perfect for writing. As long as I have enough to get by, I’ll be happy.

And to close, let me leave you with this awesome trailer my brother in law shared with me. I haven’t seen this movie, but it looks absolutely freaking awesome–like the kind of film my old roommate Steve Dethloff would make.

Man, Steve and I would make an awesome duo in a post-apocalyptic world. I should move to Dallas just so we can be ready to team up when it happens. If they made a movie of our exploits together, it would totally be just like this. Lost Vegas…

Steve, if you’re reading this, I want you to know that there’s no one I’d rather be killing zombies with than you.

ABNA reviews of Genesis Earth

Today I checked up on my entry for the 2011 Amazon Breakthrough Novel Award contest, and saw that it garnered a couple of very encouraging reviews!

Here’s the first one:

ABNA Expert Reviewer

What is the strongest aspect of this excerpt?

I enjoyed the background of this excerpt immensely. The futuristic technology like images projected onto walls, transparent floors, milky skies, cryofreeze.

What aspect needs the most work?

I would avoid using the term “ground zero” as it has such a close association with 9/11.

The idea of generating a wormhole was popularized with Star Trek’s Deep Space 9 series, so this is not an entirely original idea. What is going to set this book apart from existing media on this idea?

What is your overall opinion of this excerpt?

This is a strong piece of work. Nicely edited. While the idea of going through a wormhole to explore new worlds is not an original idea, I am curious what this young explorer will find out there? And what will he find within himself and his co-explorer when they wake from cryofreeze? There is potential here.

Not bad! I’m glad to see the reviewer feels that the story is well edited–I certainly spent a lot of time revising it, and it looks like that’s paid off. As for the criticism about the wormhole, I’m not too worried about that, since it’s more background information for the story than a central element in the story itself.

Here’s the second one:

ABNA Expert Reviewer

What is the strongest aspect of this excerpt?

The idea of space travel and finding a ‘new Earth’ isn’t a new one. For years Sci-Fi authors have written about the non-sustainability of our planet, of the melting ice caps, the over population and crowding. This author has taken that concept and twisted it into something more unique and young. Our hero is a 17 year old who went on to school at 14 to become a Planetologist. You see his family and friends live in deep space, they’re trying to create an artificial worm hole and find a new Earth. The younger take on how Michael feels trapped both by his parents and the ghost of Earth is fantastic. I love the author’s voice through Michael on deep space, cryogenics and alien life form.

What aspect needs the most work?

The one thing to me that stood out was that it seemed rushed. I think the author knew this and that was why the author even addressed it in the excerpt through Michael and his mentor as he prepares to leave. They just found the other side of the worm hole, there might be alien life, and they send two people within a couple days into the wormhole, knowing they won’t be back for 80 years. I just wish there was a more valid reason then Earth people (who are light years away) would try to send the military first. There has to be away of not making it seem so pushed and rushed.

What is your overall opinion of this excerpt?

Overall this story got me; I really want to know when the full book comes out (or if it’s already out) and read the rest. What about Terra who has a slight sway to schizophrenia? Or the fact that 80 years is a long time and anything can happen, will there be alien life? Is it just another dimension and time? The hook was there and reeling me in trying to get me to keep turning the pages, long past the last word of the excerpt.

Wow, what a nice review! I was especially surprised to see this person wondering when the full book is coming out. I don’t have a deal for it (yet), but hopefully, it won’t be long. Also, it’s good to see that someone really enjoyed the narrator’s voice. Young Adult can be hard, not just from an artistic perspective but because of so many differing editorial opinions on what a “YA voice” is supposed to feel like. Good to see that someone thought I got it right.

As for the criticism, I can definitely see how it’s valid. Part of the reason for rushing Michael and Terra out so fast is to set things up for the sequel, but I suppose I could have them wait a few months before launching the mission. I thought that’s what I’d done, but I suppose I need to make it more clear.

If you would like to read the 3,000 word excerpt for Genesis Earth, you can download it for free here. You might need to download some software from Amazon if you don’t have an ereader, but it shouldn’t be too hard. Their Kindle for PC program is free, so I just use that.

So yeah, check it out. I hope you enjoy it!

Quarter Finalist? AAAHHHH!!!

Holy crap, Genesis Earth made the quarter finals for the 2011 Amazon Breakthrough Novel Award contest!

That means that it’s one of 250 other entries that will go on to the next round of voting. The grand prize is a publishing contract with Penguin for a $15k advance.

I’m happy to see I’m not the only old time Quarkie to make the cut; Drek also made it, with his novel Fires of Besowin. We’re having something of a friendly competition with this contest, but I think it’s pretty dang awesome that the two of us made it this far. Best of luck on the next round; I have a feeling we’re both going to need it…

The 50 finalists will be announced April 26nd. Until then, wish me luck!

Change of plans

So I was going to start Edenfall this week…but then, I realized I wanted to spend some more time in the universe of Worlds Away from Home, so I decided to work on Into the Nebulous Deep instead.

ITND is a direct sequel to Mercenary Savior. Basically, it grew out of the realization that James’s story wasn’t anywhere near finished. Like WAFH, I’m trying to throw in some romantic elements…how well that works out remains to be seen. I’ll probably get it all wrong on the first draft, but make it shine in subsequent drafts.

Anyhow, here’s the soundtrack I’ve put together. Most of the songs are from ocremix, but there’s also a good bit of U2 and a little Daft Punk, as well as a couple chiptunes that probably no one’s heard of. Man, I love chiptunes.

I’m going to try to write through this rough draft as quickly as possible. Right now, I’ve got a deadline for April 16th, but I wonder if I can finish before that.

Part of that has to do with my new goal of two novels per year; I want to train myself to write quickly, so I can be putting out more work. More than that, though, I want to try and tap into my creativity in a deeper way. If I can train myself to write quickly, I’ll be less prone to self-edit, which hopefully will help the creative part of my mind to flourish more freely. That was certainly the case with WAFH 2.1, and I want to do it again.

I stopped ITND 1.0 back in December in order to work on Bringing Stella Home; not because it wasn’t working, but because BSH needed a little more work. After that, I ended up picking up WAFH. Now, it’s time to go back and finish this project.

More thoughts on indie publishing

Since my last post on indie publishing, I’ve been thinking a lot about this subject. I haven’t decided to take the plunge into self published ebooks yet, but I have decided to make some changes in my writing and my career strategy, in order to position myself more favorably if/when I choose to do so.

Basically, my new strategy is something like Japan or Saudi Arabia’s approach to nuclear weapons: they don’t have an explicit nuclear program (since that would violate the nuclear non-proliferation treaty), but they have gathered the equipment, resources, and expertise together so that if they decided to go nuclear, they could do it in a year or less.

First, though, I attended Brandon Sanderson’s class lecture this Thursday, in which he had some very interesting things to say about ebooks and the publishing industry. This was part I of his “how to get published” lecture, and here are some of the more interesting points he made:

Almost all the indie writers who are making it big have at least one loss leader ($.99 or less) on their list.
No one really knows whether indie publishing will be viable for large numbers of writers, or whether authors like Amanda Hocking and Joe Konrath are outliers.
Successful indie published books are typically:
1) short (70k to 80k words)
2) written in a pulp genre (thriller, romance, paranormal, sword & sorcery, etc)
3) promoted very well through social networking
We have not yet seen any indie successes in epic fantasy, young adult / middle grade, historical fiction, or non-fiction.
The produce model vs. unlimited shelf space argument for going indie doesn’t apply as much to science fiction & fantasy as other genres, because:
1) sf&f stays on the shelves in bookstores longer than other genres
2) sf&f series grow better with a big push on the first book
3) sf&f makes a lot of money on hardcover, unlike other genres

A lot of these points tend to mesh with what I’m hearing from my other sources–and Brandon really represents the last of the successful writers to make it big on the old model, before the ebook revolution began to take off. He doesn’t make as big a deal on the current 25/75 split on net ebook sales as I would make, but then again, he’s making most of his money through print.

So anyways, here is what I plan to change about what I’m doing in order to better position myself to best take the ebook plunge, if/when I decide to do so:

1) Write at least 2 polished novels per year

Kris Rusch and Dean Wesley Smith make very good arguments about how being able to write well quickly is a huge asset for a writer these days.

There are many good reasons for this:

1) Writing faster gives you more practice with craft, which tends to improve quality.
2) The best way to promote your books is to constantly write new books.
3) The limited shelf space argument against writing quickly is now moot with ebooks.

In particular, I want to increase my writing speed in order that I can have a larger list to put out if/when I decide to go with indie publishing. It’s much harder to be successful if you’ve only got one book available for sale; if/when I decide to take the plunge, I want to have at least three.

So far this year, I’ve finished one (Bringing Stella Home), but that’s because it was already sitting in the queue and only needed a quick touch up. I would like to get Worlds Away from Home polished before the end of the year, and possibly one other project, such as Edenfall.

2) Reduce production time to as close to one year as possible

Right now, it takes me on average about two years to write a polished, salable novel. That’s not a problem, because I have a lot of projects in the queue, but it’s not as fast as I would like. I wrote Genesis Earth and Bringing Stella Home while I was still a journeyman writer, figuring out my craft. I should be able to produce a lot faster.

Towards that end, I’m going to try to get Edenfall finished and polished within a year. Since it’s already March, that might mean getting it polished by February of next year, but I still want to try.

My biggest weakness is first drafts; I always tend to get stuck midway and drop the project for a while before I feel ready to finish it. That’s something I would like to change. Then again, that might just be part of my writing process, and shouldn’t be forced. However, I certainly could go through my revisions much faster.

3) Write out the direct sequels while the first book is still unpublished

Previously, I thought it was a bad idea to write out all the books in a series or trilogy before the first one is ever picked up. After all, a rejection from a publisher on the first book is a rejection on all the other books in the series as well. Using this reasoning, it was much better to write the first book of another trilogy, in order to maximize how much I could submit at any given time.

With indie publishing, however, it’s much better to release the whole trilogy all at once, so that readers who finish the first book can immediately pick up the others. Again, the paradigm here is that the best way to sell books is with other books; if they loved the one, they’ll buy the others, especially to find out what happens next.

Of course, the best model is probably to have an open series with several indirect sequels with recurring characters in the same world. With the Gaia Nova books, that’s exactly what I plan to do: Worlds Away from Home is set in the same universe as Bringing Stella Home, but with different characters and different story arcs.

However, Genesis Earth has serious trilogy potential, and with Edenfall I’ve decided to actually write the other books. If/when I decide to take the plunge, I want to be able to release at least the first two books in that trilogy at the same time. In fact, Genesis Earth is perhaps the biggest reason why I’m thinking so seriously about going indie, but that’s a subject for a whole other post.

4) Experiment with pulp genres such as space adventure stories

When Brandon said that the pulp genres tend to do better, I wasn’t sure whether that includes what I write. I write primarily science fiction, but not the kind of stories you’d read only for entertainment and promptly forget once you’re finished. If anything, I want to write more like Ursula K. Le Guin, whose stories are so meaningful they stick with you long after you’ve finished them.

Then again, there tends to be a lot of overlap in science fiction between the thoughtful, meaningful stuff and the pulps. Ender’s Game and Starship Troopers immediately come to mind as awesome, entertaining stories that also have a lot of depth. In his lecture, Brandon made it clear that “pulp” does not necessarily conflict with high art–just that the primary purpose of the story is to entertain.

I can live with that–and I actually have several story ideas that would translate well with the pulp mentality. I’d like to do a novel (or a series of novels) with Danica from BSH and her mercenary team, perhaps as a sort of origin story for Roman, Anya, Artyom, and the others. I’d like to revisit the Hameji as well, with a sort of “Ain Jalut in space” involving Sholpan’s son (BSH was basically the Mongol conquest of Baghdad in space). I’ve already started an “Odyssey in space,” as told from a female Telemachus character–that’s To Search the Starry Sea. All of these are, at their core, space adventure stories, and might translate well as pulps.

5) Commit to releasing one book every 6 months if/when I take the plunge

This is related to the first strategy on the list, but it’s more of a business plan than a personal writing goal. Basically, if/when I take the plunge, I want to:

1) have at least 3 finished, polished books to put out at first,
2) know that I can put out one book every six months at least.

This not only means developing a backlist, it means doing some soul searching as a writer to find out how difficult it is to keep up with this pace–and adjusting my writing habits accordingly. I’m optimistic that I can, but it’s something of a paradigm shift, and I want to make sure I’ve made that shift before I take the leap.

Anyhow, these are my thoughts on how to alter my current writing strategy. I haven’t yet decided to go indie, but when the time comes, I think that these things will help me to maximize my potential if/when I decide to do so.

Of course, what do any of us really know?

Character DTRs and other such stuff

Just a quick post before I go to bed.

The two main characters in WAFH just had a DTR (Define The Relationship discussion) and it was, well, kind of rough. I don’t know what’s harder: having one in real life, or writing a fictional one that actually works.

I also don’t know which one I have more personal experience with, but that’s a subject I’d rather not get into right now.

Anyhow, even though that was an unexpected rough spot that had me down for the past few days, the end for WAFH 2.0 is definitely in sight. I’ve got one more scene in this chapter, the big climactic end battle / rescue / whatever, and then a very short epilogue. In all, that’s about seven scenes, two of which are already written and two others which I can probably glean from recycled material.

In unexpected news, I had a very interesting idea. You know the Writers of the Future contest? I always want to submit to them, but never can, because none of my stuff is short enough. It’s acceptable to submit the first part of a novel–Dave Wolverton did that, with On My Way to Paradise–but only if the first part is a complete story in itself.

Well, as I was walking down the street, I wondered whether I could take one of my novels (like BSH) and eliminate all but one of the viewpoint characters’ scenes. Specifically, I was thinking of doing that with Stella, who goes from prisoner to concubine to queen of a tribe of starfaring warrior nomads. After cutting out all the other storylines and adding in a bit here or there to preserve continuity, it could make for an interesting novella.

Still, it’s going to be tough to get it down to the 17k word contest limit. Stella is one of four major viewpoint characters, so her scenes probably take up at least 25k words in the book. I might be able to cut out a couple of subplots, like the one with Gazan…but I dunno. I’m open to suggestions from those of you who’ve read it.

In other news, I made the first cut for the 2011 Amazon Breakthrough Novel Award contest! I submitted Genesis Earth in the YA category, and mine is one of 1,000 entrants that will go on to the next round of judging. First place wins a $10k publishing contract with Penguin–yay!

I’m trying not to get my hopes up too much, but I’ll know whether I made the second cut by March 22nd. A couple of friends from Quark also made it through the first round, so if any of us makes it to the second, that would be awesome. Go Quarkies!

That’s about it for now; Brandon Sanderson did an interesting lecture in his 318 class on the new world of publishing, which was quite interesting. I’ve got a LOT of new thoughts to share on indie publishing, but that will have to wait for another post.

Until then, keep being awesome…but not like this guy: