I just had an awesome weekend. Saw the most amazing cave complex of my life, toured Kakheti o a TLG excursion, met a bunch of really cool people, and hung out with them in Tbilisi for a while. I’ll have to save all that for another blog post, though, probably in a couple of days.
Rumor has it that the judging was finished for the first quarter Writers of the Future contest over the weekend, and all the finalists were contacted. I didn’t get a call or an email, so I’m probably not a finalist this time around. Oh well.
In any case, I’m very much looking forward to getting the results so that I can finally publish this dang story! It’s been way too long since I published anything, and while there have been reasons for that (moving to another country, starting a second career), I really need to be publishing new stuff more regularly.
Here’s what I want to publish before the end of the year:
First and second parts of Star Wanderers (my Writers of the Future story). This is a novel I plan to publish in four parts, with each part being its own self-contained story. I blogged about it a while ago…more on that later.
A companion novella to Desert Stars. This is still just in the planning stages, but there’s plenty of backstory to draw from, and I really would like to revisit that corner of the Gaia Nova universe.
Either Heart of the Nebula or Stars of Blood and Glory.
That last one is going to be an ambitious undertaking, since both of them are still in the alpha-reading phases right now. Also, I don’t now whether I’ll have regular access to a reliable source of electricity in the fall, which will further complicate things. However, I do believe it’s possible to put out one or the other before the end of the year, though probably not both.
All of this is still up in the air, though, and I can’t promise anything except to get Star Wanderers: Part I up as soon as the results come in for the Writers of the Future contest. It’s already formatted and ready to go, just need to fine tune the blurb and hit “publish.”
And of course, before I move on to any of these other projects, I have to finish the one I’m currently working on. So so long! I’m off to the library to write.
They say that the three main perks to being a teacher are June, July, and August, and that’s as true for TEFL teachers as it is for any other kind. I’m spending June in Georgia, but for July and August, I’ll be back in the States. Instead of vacationing, though, I plan to be working hard at my main career, which is writing.
Here’s what I hope to accomplish:
Set up a separate business checking account.
Release POD editions of Genesis Earth, Bringing Stella Home, and Desert Stars.
Set up an online bookstore to sell direct.
Redo cover art for Bringing Stella Home. Completed 2 June 2012.
Redo blurbs for all titles.
Identify and submit Genesis Earth, Bringing Stella Home, and Desert Stars to prominent sf&f book bloggers.
The list might seem a little daunting, but two months should be enough to do most of it, especially considering that I don’t really have any other obligations. Basically, I want to get everything done that needs to be done in the States, then get back out and spend the rest of the year abroad.
As for writing, don’t worry! I plan to do that too, as always. Here’s what my project list currently looks like:
Finish the unnamed WOTF project and start publishing it serially.
Finish the 3.0 draft of Heart of the Nebula.
Send out Stars of Blood and Glory to first readers.
Get ready to start Edenfall in the fall.
That last one might be of interest to fans of Genesis Earth. The reason I haven’t finished Edenfall yet is because…well, this might sound kind of wishy-washy, but it’s because the story hasn’t really called out to me. For that reason, I decided to put it off and work on other projects that have.
Recently, however, I’ve started to feel the whispering of an intimation that it’s time–that the story is almost ready to come onto the page. Once it does, I have a feeling that it’s going to be quick–much like the first draft of Genesis Earth.
It’s hard to tell, though, and it may still be too early to know for sure. The unnamed WOTF project has something to do with it, as well as living here in Georgia. I have a feeling that rereading Genesis Earth is going to make everything fall into place, but it’s impossible to say. I’ll try doing it at the end of the summer, after I’ve cleaned up my plate a bit, and see what happens from there.
Gah, this sounds so wishy-washy! I’m a professional writer, after all–why can’t I just pound words out on demand? But as a creative-type, I’ve learned that that just isn’t the way I work. There’s such a thing as starting a book too early, and for Edenfall to really shine, I feel like I need to give it a little more time–just a little.
I’m sorry for those of you who have been waiting, but don’t worry! I definitely haven’t forgotten about it. And once Edenfall comes to me, I have a feeling that the final book in the trilogy, The Stars of Redemption, won’t be far behind.
That’s the plan for now, anyway. It’s definitely going to be a busy summer!
Why do so many character combinations come in groups of three? Unlike love triangles, where the combo is primarily a way to build conflict, the characters in power trios all build on each other in some way. They might be foils for each other, but as complementary archetypes, they do far more to drive the story together than they ever would apart.
One of the most interesting all-female power trios is the Three Faces of Eve, which combines the archetypes of child, seductress, and wife:
The “child” (who does not have to be a child literally) will be seen as innocent, perhaps to the point of naïveté. The wife, the wiser, calmer aspect, someone around whom one could build a home life. The third, the seductress, is sexually experienced and independent.
Roughly speaking, the characters in the trio correspond to:
The Ingenue: A naive, innocent, childlike girl who is just setting out into the world. In a Freudian Trio, this would be the Ego.
The Femme Fatale: A seductive, alluring, mysterious woman who is experienced in the ways of the world. Unlike the Vamp, she may or may not use her feminine wiles for evil. In a Freudian Trio, this would be the Id.
The Yamato Nadeshiko: A calm, steady, faithful wife, who provides the kind of marital stability and maternal strength that is ideal for settling down and raising a family. In a Freudian Trio, this would be the Superego.
You’d be surprised to see how often this trope shows up, even in works of science fiction. In Star Wars, Leia was the child in A New Hope, the wife/mother in Empire Strikes Back, and (what else?) the seductress in Return of the Jedi. Just about every Star Trek series featured some alignment of these archetypes.
Squaresoft played with this trope a lot in their Final Fantasy series, which may be illustrative to examine in greater depth. I’ve only played through FF IV, VI, VII, and Chrono Trigger, but each of these titles features some interesting variations (warning: spoilers!).
Final Fantasy IV: Porom (child), Rydia (seductress), Rosa (wife).
Porom is pretty solidly the child, though Rydia starts out as this and later grows up into the seductress role. She doesn’t get the guy in the end, though: that would be Rosa, who pretty much starts out with him as well.
In terms of story, the characters don’t really seem to build much on each other, though in terms of gameplay you definitely want to have Rydia and Rosa/Porom in your party (though not Rosa and Porom together–you only need one white mage, after all).
Final Fantasy VI: Relm (child) , Celes (seductress), Terra (wife).
This is my personal favorite in the series. Unlike IV and VII, which both center around male protagonists, Final Fantasy VI revolves around Terra (world of balance) and Celes (world of ruin) as the central protagonists. Because they also play a role in the power trio, their characters are quite complex, especially in the second half of the game. Relm is arguably more of a Mary Sue, but her relation to the other characters, especially Shadow, also makes her role more complex and interesting.
In the end, the romantic subplot is fulfilled by Celes, not Terra, which was something of a surprise to me in my first playthrough. It works really well, though, because of Celes’s heel face turn and subsequent reformation (in which Locke is arguably a Manic Pixie Dream GirlSpear Counterpart). Does that also translate into a shift from seductress to wife as well? I’m not sure, but I’d probably say no–after all, it’s Terra who takes on the mother role in the world of ruin.
Final Fantasy VII: Yuffie (child), Aeris (seductress), Tifa (wife).
The main twist with this one is that visually, you’d think Tifa is the seductress and Aeris is the wife. In terms of story archetypes, however, it’s just the opposite: Tifa is the one whom Cloud depends on, the one who helps him work through his problems, while Aeris is the shifty, mysterious one.
Unlike IV, where Rosa and Cecil are set up from the very beginning, for a while it actually looks like Aeris and Cloud are going to end up together. But then, in perhaps the most tragically gut-wrenching moment in all of video game history, Aeris dies (and doesn’t come back). Since Yuffie is kind of, well, crazy, Tifa and Cloud are pretty much garanteed to get together after that point (and as for Sephiroth…I don’t even want to go there).
Chrono Trigger is interesting because the girl who ends up with the guy in the end (Chrono) is actually the one who fulfills the child archetype, Marle. It works, though, because of the childlike feel of the story. Unlike FF VI and IV, Chrono Trigger is not a dark or an edgy tale–it’s heartwarming innocence at its best. I always did feel that Lucca got the short end of the stick, though–but she did get a cameo in Xenogears, so perhaps the last laugh was hers after all.
Ah, Xenogears. <sigh>
Anyhow, long story short, the Three Faces of Eve power trio is a fascinating way to play with feminine archetypes. Recently, I’ve become quite interested in it because it showed up quite inadvertently in my current project, Heart of the Nebula. It’s funny how tropes can sneak up on you like that, especially some of the more archetypal ones.
Anyhow, in its current form the novel is a piece of trash, but now that I’ve recognized the potential to set up this particular power trio, I think I can really make it shine. If you have any insights, please share–I’m very interested in this trope right now!
That’s probably the best term for what I’m doing with Heart of the Nebula right now. Basically, I let some of my darlings live, and they grew some extra limbs and started drooling acid without my realizing it. But now, I’ve put enough distance between myself and the first draft that I have no qualms about grabbing the axe and chopping off heads.
Don’t worry; this is all a normal part of my creative process. Maybe someday, stories will burst fully formed from my head like Athena from the brow of Zeus, but for now, my ideas are a lot more like baby turtles–if I’m lucky, one or two out of a dozen will actually reach the water and survive. Protip: don’t follow the lights.
Speaking of ancient mythology, I’m reading the Argonautica right now, and I can’t help but notice that it would make a really, really, REALLY awesome science fiction story. No, seriously–think about it. A group of legendary heroes sets out on an epic voyage in search of some applied phlebotinummacguffin, have all sorts of adventures on strange and distant planets, get the girl to fall in love with the captain, and bring her back with them to their homeworld. It would also work well as a heroic fantasy, but space is so much more awesome.
Incidently, Kutaisi was the capital of ancient Colchis, where Jason and the Argonauts came seeking the golden fleece. People still speak of Medea as if she were a real person–generally, they think she was a dirty traitor who sold out her own people. But people still enjoy the love story, and if you keep your eyes open you can see restaurants and hotels named after her.
So yeah. Ancient Greek mythology + science fiction = win. You can definitely expect to see some more of that in my own writing in the future.
In other news, I recently did an interview on fellow indie author Ty Johnston’s blog. In it, I talk a little about my travel writing, what draws me to speculative fiction, my favorite number (hint: it’s 12), and my insights into the ancient Mayan calendar and the 2012 apocalypse. It was a lot of fun–you should definitely check it out.
If you would like to host me for an interview on your blog, shoot me an email! I’m always up for stuff like that. Otherwise, I’d better roll up my sleeves and get back to hacking up operating on my book.
Some of you asked for a writing update, so I figure I might as well do a quick post on my current projects and where they are. I’ve also been experimenting with my daily schedule a bit, so it would probably be good to blog about that as well.
Right now, the main project taking up all of my attention is the 3.0 draft of Heart of the Nebula. It’s a direct sequel to Bringing Stella Home, and continues the story from James McCoy’s point of view, five years later. I’m making a lot of changes, toning down the romantic subplot and emphasizing the more interesting social and ethical issues. When I’m through, I think it will be completely different from the first couple of drafts, but in a way that’s truer to the spirit of the first book.
I’ve only been managing about 500 to 1,500 words per day, though, which is abysmally low compared to my usual word count. Part of that is because I’m throwing out entire sections and drafting new ones from scratch, but the more significant part is that I don’t have as much mental space for writing as I did back in the States.
Basically, moving to a foreign country and starting a new career has taken a lot more out of me than I thought it would. I teach 18 lessons per week, some with as many as 30 or 35 kids, across grades 1 through 12. Culturally, everything is completely different too. So far, the shock hasn’t been too bad–I really love it out here in Georgia–but it’s made the writing a little bit more difficult than I’d expected.
I have a lot of free time, though, so that’s not a problem: the problem is clearing my mind and keeping the creative juices fresh. Here’s how I’m going to do it:
Limit internet time. As tempting as it is to turn to the familiarity of the internet, it’s a huge time-suck and doesn’t really do anything for the culture shock. A much better thing for that would be to spend more time reading. From now on, I’m going to limit myself to one internet session per day, no longer than 2 hours (more if there’s something I actually need to do).
Get out more. I get cabin fever very easily, and it’s only gotten worse now that I’m in a foreign culture. Fortunately, there are tons of places to explore, and in my local neighborhood I’m kind of a celebrity (hey look, it’s the American! Let’s chase him and shout ‘hello’!). The prime time for this is the late afternoon, when everyone’s out and things are still open. If I check the internet right after school and get out immediately after, I think that will help me better to focus.
Get up early to write in the morning. I tried this last week, and it was a great way to get focused and build more momentum. Even if I only manage a couple hundred word, it gets me thinking about the story for the rest of the day, which makes it easier to pick up in the afternoon and evening.
So that’s the plan for now. My goal is to finish Heart of the Nebula before the end of May, which is going to require a significant change of pace. It should be pretty straightforward, though, and after this draft it shouldn’t need too many more revisions before it’s ready to publish. If all goes well, I foresee a publishing date sometime in the fall or winter.
Do you have any other ideas for ways to manage creativity in a totally foreign culture? If so, I’d love to hear it–that’s my biggest struggle right now.
Actually, this last quarter wasn’t quite so bad as the title might make it seem. For the first part, I was on roll, writing almost 25k new words a week. But then I finished that project, started a new career, moved to the other side of the world…yeah, my writing took a hit. Or at least, that’s how it feels.
In January, I was working on Stars of Blood and Glory, and was really on a roll. The application process for TLG was still pending, but I pretty much knew I was getting in, and since I was staying with my parents until it went through, I didn’t have to worry much about money issues. With lots of writing time, I finished SBG in about 6 weeks and published Journey to Jordan. Life was good.
After Stars of Blood and Glory, I went back to Star Wanderers, finishing up Part II and starting Part III. However, something felt wrong, and I didn’t really know what it was. With my TLG departure date imminent, it was really hard to focus, and I wasn’t in much of a position to move on to anything else. That’s when the angst began.
I flew out to Georgia on February 15th, did a week of training in Tbilisi, and then was whisked about 220 kilometers away to Kutaisi. As a consequence, I didn’t get any real writing done for almost a month. However, I didn’t have any major challenges navigating the new culture, and was soon settled pretty comfortably.
The trouble was, nothing was working. Star Wanderers was broken, and I was too close to the project to fix it. But after putting it on the back burner, I didn’t know what to do. For most of March, I switched from one project to another. Nothing seemed to stick, though, and by the end, I was getting pretty antsy.
What if I’d made a mistake to come to Georgia? What if that was the reason nothing was working? It sounds silly now, but that was what was going through my mind. I still worry about it a little, but I think it has to do more with my creative process than anything here in Georgia.
I have a very non-linear way of writing first drafts. After starting the revision for Heart of the Nebula and making some good progress on that, I got an idea for Star Wanderers and moved back to that. At this point, I think the only way to get productive again is to finish that project, even if it sucks. I’ve got a lot of great ideas for other stories, but until I can close the book on this one, I don’t think I’ll be able to make much progress.
So that’s where things stand right now. All in all, it wasn’t a bad quarter, but I’ll be happy when I’ve actually finished something for a change. Hopefully, that’ll only be a couple of weeks. In the meantime, I’ll keep writing.
A lawful neutral character acts as law, tradition, or a personal code directs her. Order and organization are paramount to her. She may believe in personal order and live by a code or standard, or she may believe in order for all and favor a strong, organized government.
Interestingly, while Lawful Neutrals believe in upholding some form of law, it doesn’t always have to be the law. Characters who follow a strict personal code of honor often fall under this alignment, even if that code of honor runs contrary to the law of the land. The most extreme example of this is the Übermensch, who transcends the laws of society and becomes a law unto himself (though in a lot of cases, the Übermensch ends up being Lawful Evil).
While it may seem like most Lawful Neutrals would be antagonists, that’s not always the case. In Fullmetal Alchemist, General Olivier Armstrong may be stern and austere, but she spends most of the story on the side of the good guys. And in Girl Genius, Klaus might seem like a bad guy at first, but really, he just wants to restore order and defeat the Other. Both Death and Lord Vetinari in the Discworld series are also Lawful Neutrals, but they’re never on the bad guys’ side or the good guys’ side…they’re neutral.
In my own work, the best example of this would probably be the Patrician from Heart of the Nebula. I haven’t published this one yet, but I hope to have it out later this year. Abaqa from Stars of Blood and Glory is another good example, the son of Qasar and Sholpan. But in the works I’ve already published, Ben from Bringing Stella Home is probably the most prominent Lawful Neutral.
A lawful evil villain methodically takes what he wants within the limits of his code of conduct without regard for whom it hurts. He cares about tradition, loyalty, and order but not about freedom, dignity, or life. He plays by the rules but without mercy or compassion. He is comfortable in a hierarchy and would like to rule, but is willing to serve. He condemns others not according to their actions but according to race, religion, homeland, or social rank. He is loath to break laws or promises.
A zealot or übermensch whose moral code falls outside of established social norms. Khan from The Wrath of Khan is a pretty good example of this, as is Tyler Durden from Fight Club (though your mileage may vary).
The Dragon or other minion who may have their own goals, but answers to the big bad. Darth Vader is probably the most well-known example.
The scary thing about this trope is that it actually exists in real life. In fact, outside of our sheltered middle-class, liberal democratic existence (a relatively recent and unusual development in the eyes of history), this type of overlord tends to be the rule and not the exception. You don’t have to look any further than North Korea, Burma, or Syria for examples of this–which is to say nothing of the Soviet Union, the Third Reich, or the British Empire.
My favorite example of this trope is probably Darth Vader, not just because of how badass he is, but because of his heel face turn at the end of Return of the Jedi. Ignoring how bad episodes I, II, and III were, his character arc really is the thing that makes that story. And while we’re on the subject of history, let’s not forget this epic showdown between Stalin and Hitler. Seriously, click that link.
In my own work, the best example of a Lawful Evil would probably be Qasar from Bringing Stella Home / Sholpan. He’s more of the affable type than a true evil overlord, though; that would be Tagatai, who doesn’t really come to power until Stars of Blood and Glory. A much more sinister example would be Emile from Heart of the Nebula, or the villain I have planned for Edenfall–I’d better finish those! And of course, there’s Sheikh Sathi from Desert Stars, though he’s mostly a type 3 Lawful Evil under the thumb of his Neutral Evil wife.
Perhaps one of the reasons I haven’t done a truly despicable Lawful Evil yet is because I’ve been kind of sheltered here in the states. It will be interesting to see how my writing changes after spending some time in Eastern Europe; Georgia, after all, is the homeland of Stalin.
A chaotic good character acts as his conscience directs him with little regard for what others expect of him. He makes his own way, but he’s kind and benevolent. He believes in goodness and right but has little use for laws and regulations. He hates it when people try to intimidate others and tell them what to do. He follows his own moral compass, which, although good, may not agree with that of society.
Interestingly, once the evil bad guys are gone, the balance between Good and Chaotic is even more difficult to keep than the line between Good and Lawful. For that reason, Chaotic Goods often make extremely poor rulers after the war is over. When they win, they usually do one of the following:
Accept the new responsibilities and give up the life of adventure to finally settle down. They shift away from Chaotic Good and become something else.
Of all the character alignments, this one is my favorite. It fits my own sensibilities almost perfectly. Whenever a character of this type has to give up their old life to accept their new responsibilities, I can’t help but feel a little wistful and sad (maybe that’s why I haven’t settled down and married yet…hmm…).
This trope is extremely prevalent in manga and anime, with Edward Elric from Fullmetal Alchemist my personal favorite. Agatha and Gil from Girl Genius are also really awesome–it’s going to be interesting to see how Gil shifts now that his father is out of the picture. In science fiction, Captain Kirk is probably the most beloved character of this type, though almost all of Heinlein’s protagonists also fit the bill.
In my own work, Tiera Al-Najmi from Desert Stars is probably the best example of this trope. She stands alone against the restrictive norms and hypocrisy of her society, urging Mira to do what’s right instead of what’s expected. In Bringing Stella Home, James McCoy fits this trope too, though you could also make an argument that he’s more of a Neutral Good. In Heart of the Nebula, however, he’s definitely Chaotic Good, which puts him squarely at odds with Lars, a Lawful Good who appears in all of the Gaia Nova novels thus far.
First off, I’m happy to say that Stars of Blood and Glory is coming along quite nicely. I’m currently finishing up with the last couple of chapters, and should have the first draft done by the middle of next week. Hopefully by then I’ll know if and when I’m starting my TEFL job overseas, but I’m sure I’ll have it finished before then.
This first draft is pretty rough, so I’m sure it’ll be a while before it’s up and ready for you to read. For some reason, this draft is extremely short–I doubt it’ll be much longer than 80,000 words. I don’t know if that means my writing has gotten tighter since Bringing Stella Home, or if I’ve unintentionally left too much out. I’ll probably let it simmer for a few months, do a quick revision, and send it out to some first readers, just like I’ve done for Heart of the Nebula.
In the meantime, I’m getting really excited to pick up work again on Star Wanderers. I’ve been workshopping part II in Kindal’s writing group, just to get some reactions. I’ll probably revise that part while I’m writing parts III and IV, getting it ready for publication after I hear back from Writers of the Future according to the serial model I outlined previously.
I’m so excited, in fact, that I went ahead and made some mock-ups for the cover art!
Pretty cool, huh? These make me sooo happy. 🙂
I’m not quite sure if this is the right design, though. Star Wanderers is very much a science fiction romance, and while these covers definitely scream “science fiction!” they don’t really seem to say “romance!”
My original idea was to use these as backgrounds and commission an artist to do some character portraits from the waist up, using one portrait each for the foreground. But then again, that might make the covers a bit too complicated. I can always redo the first one to get rid of the planet, keeping the galaxy–the other ones probably wouldn’t be so bad with a character in the middle. But then again…
I don’t know. What do you guys think? If you saw one of these covers while browsing for ebooks, what kind of impression would it give you, and would you be interested in checking it out?
(By the way, I made the covers with Celestia. Coolest. Space simulation. Ever.)
EDIT: I decided to redo the first cover; the planet wasn’t quite doing it for me. I’m not sure if that means I should redo the cover for the third part, since that one is a heck of a lot more colorful than the others…hmm. We’ll have to see.
