Trope Tuesday: Chaotic Neutral

Look, I ain't in this for your revolution, and I'm not in it for you, Princess. I expect to be well paid--I'm in it for the money.

If you’ve ever read a space adventure with smugglers and pirates, or a sword & sorcery with rogue thieves and master-less swordsmen, or a western with gritty outlaws and mountain men, you know this character alignment.  If you’re a fan of any of these genres, chances are you love him, too.

The Chaotic Neutral‘s one consistent rule is to always look out for #1.  Beyond that, he’s a free spirit who believes in individuality and resists anyone or anything that tries to control him.  Rebellious spirits and lovable rogues tend to fall into this alignment, but so do tricksters and wild cards.  Their resistance to any form of personal restriction makes them unreliable allies, despite what Jack Sparrow says.

From the easydamus alignment page:

A chaotic neutral character follows his whims. He is an individualist first and last. He values his own liberty but doesn’t strive to protect others’ freedom. He avoids authority, resents restrictions, and challenges traditions.

A lot of characters start out as this but tend to shift as the story progresses.  Han Solo, for example, shifts from Chaotic Neutral to Chaotic Good as he becomes more and more involved with the Rebellion.  The Jägers from Girl Genius are Chaotic Neutral until they have a Heterodyne to lead them.  But in other stories, such as Pirates of the Caribbean and Schlock Mercenary, the Chaotic Neutral serves as an anchor.

My favorite Chaotic Neutral is probably Waylander from David Gemmell’s Drenai series.  The Jerusalem Man is another good one–in fact, just about every one of his books has a Chaotic Neutral that I love.  Haruhi Suzumiya is an excellent example of a female Chaotic Neutral–in fact, she’s probably the queen of this particular character alignment.

In my own work, the best example of a Chaotic Neutral would probably be Tamu from Bringing Stella Home / Sholpan.  Even though she’s technically a slave, she doesn’t really mind it because she has everything she wants and doesn’t have to be beholden to anybody (not even Qasar, really, since she’s his favorite).  Amina from Desert Stars is also Chaotic Neutral, in contrast with Surayya, who is more of a Lawful Neutral, though sometimes it’s hard to tell.  And in Genesis Earth, Terra is definitely a Chaotic Neutral at the beginning, though she shifts a little somewhere around the middle.

I’m hesitant to admit this, but when I took the character alignment test for myself, I tested out as a Chaotic Neutral.  As to what that means, exactly…I’m not going to say. o.0

Trope Tuesday: Neutral Good

Arguably the best of the good-aligned characters, the Neutral Good can always be counted on to do the right thing, whether that means working within the system or rebelling against it.  Whether young or old, soft or shrewd, nice or not so nice, these are the guys (and girls) most likely to save the world and defeat the enemy with love.

From the easydamus character alignment page:

A neutral good character does the best that a good person can do. He is devoted to helping others. He works with kings and magistrates but does not feel beholden to them.

The Neutral Good is not devoid of weaknesses, of course.  Although they are devoted to good, their lack of commitment to law means that they are not always willing to enforce it.  Also, for those who just want to get things done, this alignment can be somewhat limiting, in the way that a commitment to any higher ideal usually is.

Interestingly, this is a very common alignment for heroes in space opera stories.  Case in point, Luke Skywalker: even though he’s young and reckless, he’s not above learning the ways of the force and joining the Jedi order.  Miles Vorkosigan from Lois McMaster Bujold’s Vorkosigan series also falls squarely into the Neutral Good camp.  Moving on to manga and webcomics, Alphonse and Winry from Fullmetal Alchemist both fall under this alignment, giving balance to Edward’s more chaotic outbursts.  Agatha from Girl Genius is also a Neutral Good…at least, when there aren’t any wrenches nearby.

There are quite a few characters with this alignment in my own work.  Even though she’s a mercenary captain, Danica from Bringing Stella Home falls squarely into this alignment; she’s got a tough outer shell, but she’ll do anything for her men, even…well, I don’t want to ruin Stars of Blood and Glory. 😉 Also from Bringing Stella Home / Sholpan, Stella is solidly Neutral Good, which is part of why the ending is so deliciously twisted.  In Star Wanderers, Jeremiah falls into this alignment mostly through default, which is good for Noemi because the circumstances of the novel put her totally at his mercy.  And in Desert Stars, this is probably Mira’s alignment, though she’s easily manipulated by her Neutral Evil mother.

What can I say?  I’ve got a soft spot for Neutral Goods.  Considering how well this kind of a hero fits in to a classic space adventure, it shouldn’t come as any surprise.

Trope Tuesday: Lawful Evil

If the term “villain” applies to anyone, it applies to the Lawful Evil.  Whether the evil overlord, his trusted right-hand man, or one of his devoted minions, these characters are dedicated wholeheartedly to their cause, whether they believe it will lead to a better world or not.  Taking over the world is often a major obsession, because hey, someone’s got to do it.  A staple of the evil empire, these guys often turn their country into an industrialized wasteland, though they often have propaganda machines to take care of any bad press.  Bonus points if they can transform into a freakish monster in battle.

From the easydamus character alignment page:

A lawful evil villain methodically takes what he wants within the limits of his code of conduct without regard for whom it hurts. He cares about tradition, loyalty, and order but not about freedom, dignity, or life. He plays by the rules but without mercy or compassion. He is comfortable in a hierarchy and would like to rule, but is willing to serve. He condemns others not according to their actions but according to race, religion, homeland, or social rank. He is loath to break laws or promises.

While Lawful Evils believe in following rules and keeping their word, they’re not above emotional manipulation, negotiating unfavorable contracts, or following the law in letter only.  Even so, they tend to suffer from genre blindness and bureaucratic stupidity (as well as megalomania–but hey, that’s part of the job description).

According to tvtropes, Lawful Evils come in four types:

  1. The supreme ruler, dedicated to establishing and maintaining a civic order that is itself evil.  A good example of this would be Sauron from The Lord of the Rings.
  2. A zealot or übermensch whose moral code falls outside of established social norms.  Khan from The Wrath of Khan is a pretty good example of this, as is Tyler Durden from Fight Club (though your mileage may vary).
  3. The Dragon or other minion who may have their own goals, but answers to the big bad.  Darth Vader is probably the most well-known example.
  4. A complete monster who is dedicated to the destruction of free will and liberty.  The Mormon conception of Satan fits this perfectly.

The scary thing about this trope is that it actually exists in real life.  In fact, outside of our sheltered middle-class, liberal democratic existence (a relatively recent and unusual development in the eyes of history), this type of overlord tends to be the rule and not the exception.  You don’t have to look any further than North Korea, Burma, or Syria for examples of this–which is to say nothing of the Soviet Union, the Third Reich, or the British Empire.

My favorite example of this trope is probably Darth Vader, not just because of how badass he is, but because of his heel face turn at the end of Return of the Jedi.  Ignoring how bad episodes I, II, and III were, his character arc really is the thing that makes that story.  And while we’re on the subject of history, let’s not forget this epic showdown between Stalin and Hitler.  Seriously, click that link.

In my own work, the best example of a Lawful Evil would probably be Qasar from Bringing Stella Home / Sholpan.  He’s more of the affable type than a true evil overlord, though; that would be Tagatai, who doesn’t really come to power until Stars of Blood and Glory. A much more sinister example would be Emile from Heart of the Nebula, or the villain I have planned for Edenfall–I’d better finish those!  And of course, there’s Sheikh Sathi from Desert Stars, though he’s mostly a type 3 Lawful Evil under the thumb of his Neutral Evil wife.

Perhaps one of the reasons I haven’t done a truly despicable Lawful Evil yet is because I’ve been kind of sheltered here in the states.  It will be interesting to see how my writing changes after spending some time in Eastern Europe; Georgia, after all, is the homeland of Stalin.

Darth Vader helmet taken from this site.

Trope Tuesday: Chaotic Evil

If a character in a story scares the hell out of you, chances are he’s a Chaotic Evil.  From ax-crazy psychopaths to nightmarish clowns, from cold-hearted monsters to eldritch abominations, these guys are known for their complete lack of empathy, their nihilistic outlook on life, and their sick sense of humor.

From the easydamus character alignment page:

A chaotic evil character does whatever his greed, hatred, and lust for destruction drive him to do. He is hot-tempered, vicious, arbitrarily violent, and unpredictable. If he is simply out for whatever he can get, he is ruthless and brutal. If he is committed to the spread of evil and chaos, he is even worse…it represents the destruction not only of beauty and life but also of the order on which beauty and life depend.

According to tvtropes, characters who fall under this alignment can be categorized by five types, in decreasing order of redeemability:

  • A Chaotic Good who took things a little too far and inadvertently fell into evil.  Can usually be brought back with a heel realization if they haven’t already crossed the moral event horizon.  Scar from Fullmetal Alchemist is a good example of this type (incidentally, he’s also my favorite character from that series).
  • A character with a very feral nature who believes that everyone is out to get him and thus ends up killing everyone in order to protect himself.  Often manipulated by the Big Bad to do his dirty work.  He doesn’t really kill out of malice, though, so there may still be a possibility of redemption.
  • Committed to chaos before evil.  Can be convinced to team up with the heroes, if only because they happen to share the same enemy.  For these characters, their freedom is the most important thing–though don’t trust them too much, or else you’re liable to end up with a knife in your back.
  • Committed to evil before chaos.  These guys will never team up with the heroes, but they may team up with the Big Bad, even becoming one of his mooks if it gives them more opportunities to unleash fiery mayhem of death on the world.
  • True Chaotic Evil.  These are the most dangerous, because they have absolutely no loyalties and absolutely no compunction.  The best you can hope for is to kill them before they wipe out your entire civilization.

Fortunately, the Chaotic Evil’s weakness is his inability to put together a competent organization. If he has any plans, they’ll usually fizzle out because they’re too haphazard.  When the Chaotic Evil overlaps with the Chessmaster, however, things can get really, really dangerous.

My favorite Chaotic Evil is definitely the Joker from the Dark Knight.  He is, without a doubt, the most dangerous incarnation of this trope that I’ve ever seen.  Running a close second is Kefka from Final Fantasy VI.  Best final fantasy villain of all time, hands down–he totally owns Sephiroth.

I have to admit, I haven’t used this trope much in my own work yet.  Gazan from Bringing Stella Home probably falls under this character alignment, but he’s more of the third type than a true Chaotic Evil.  As a race, the Hameji initially fall under this trope, but they have reasons for everything they do, so once they overthrow the established order, they shift more to Chaotic Neutral.

One day, though, I’m going to write a character with this alignment.  One day…

Trope Tuesday: Chaotic Good

A pox on the phony king of England!

Wherever you find the evil empire, dirty cops, or a misguided crusade, chances are there’s a Chaotic Good somewhere in the shadows fighting against it.  From barbarian heroes to freedom fighters, rebellious princesses to ethical sluts, these free-spirited, noble-minded rebels are constantly at war with the man, robbing the rich to give to the poor.

From the easydamus character alignment page:

A chaotic good character acts as his conscience directs him with little regard for what others expect of him. He makes his own way, but he’s kind and benevolent. He believes in goodness and right but has little use for laws and regulations. He hates it when people try to intimidate others and tell them what to do. He follows his own moral compass, which, although good, may not agree with that of society.

Interestingly, once the evil bad guys are gone, the balance between Good and Chaotic is even more difficult to keep than the line between Good and Lawful.  For that reason, Chaotic Goods often make extremely poor rulers after the war is over.  When they win, they usually do one of the following:

Of all the character alignments, this one is my favorite.  It fits my own sensibilities almost perfectly.  Whenever a character of this type has to give up their old life to accept their new responsibilities, I can’t help but feel a little wistful and sad (maybe that’s why I haven’t settled down and married yet…hmm…).

This trope is extremely prevalent in manga and anime, with Edward Elric from Fullmetal Alchemist my personal favorite.  Agatha and Gil from Girl Genius are also really awesome–it’s going to be interesting to see how Gil shifts now that his father is out of the picture.  In science fiction, Captain Kirk is probably the most beloved character of this type, though almost all of Heinlein’s protagonists also fit the bill.

In my own work, Tiera Al-Najmi from Desert Stars is probably the best example of this trope.  She stands alone against the restrictive norms and hypocrisy of her society, urging Mira to do what’s right instead of what’s expected.  In Bringing Stella Home, James McCoy fits this trope too, though you could also make an argument that he’s more of a Neutral Good.  In Heart of the Nebula, however, he’s definitely Chaotic Good, which puts him squarely at odds with Lars, a Lawful Good who appears in all of the Gaia Nova novels thus far.

Quick update and Star Wanderers cover previews

First off, I’m happy to say that Stars of Blood and Glory is coming along quite nicely.  I’m currently finishing up with the last couple of chapters, and should have the first draft done by the middle of next week.  Hopefully by then I’ll know if and when I’m starting my TEFL job overseas, but I’m sure I’ll have it finished before then.

This first draft is pretty rough, so I’m sure it’ll be a while before it’s up and ready for you to read.  For some reason, this draft is extremely short–I doubt it’ll be much longer than 80,000 words.  I don’t know if that means my writing has gotten tighter since Bringing Stella Home, or if I’ve unintentionally left too much out.  I’ll probably let it simmer for a few months, do a quick revision, and send it out to some first readers, just like I’ve done for Heart of the Nebula.

In the meantime, I’m getting really excited to pick up work again on Star Wanderers. I’ve been workshopping part II in Kindal’s writing group, just to get some reactions.  I’ll probably revise that part while I’m writing parts III and IV, getting it ready for publication after I hear back from Writers of the Future according to the serial model I outlined previously.

I’m so excited, in fact, that I went ahead and made some mock-ups for the cover art!

Pretty cool, huh?  These make me sooo happy. 🙂

I’m not quite sure if this is the right design, though.  Star Wanderers is very much a science fiction romance, and while these covers definitely scream “science fiction!” they don’t really seem to say “romance!”

My original idea was to use these as backgrounds and commission an artist to do some character portraits from the waist up, using one portrait each for the foreground.  But then again, that might make the covers a bit too complicated.  I can always redo the first one to get rid of the planet, keeping the galaxy–the other ones probably wouldn’t be so bad with a character in the middle.  But then again…

I don’t know.  What do you guys think?  If you saw one of these covers while browsing for ebooks, what kind of impression would it give you, and would you be interested in checking it out?

(By the way, I made the covers with Celestia.  Coolest.  Space simulation.  Ever.)

EDIT: I decided to redo the first cover; the planet wasn’t quite doing it for me.  I’m not sure if that means I should redo the cover for the third part, since that one is a heck of a lot more colorful than the others…hmm.  We’ll have to see.

What I’ve been up to recently

I thought it would be a good idea to do a quick post explaining what I’ve been up to the past month or so, since a lot of things have changed and I’m sure they will be changing a lot more in the future.  So, here’s what’s up:

As you may or may not know, I decided about four or five months ago to leave the USA to teach English abroad.  For the past few little while, I’ve been applying for a program to teach English to elementary school kids in Georgia.  I had the interview over Skype just yesterday, and I think it went pretty well!  I should hear back in the next couple of days, so fingers crossed on that.

If they decide to hire me, I’ll leave in three weeks and stay until at least mid-June.  At that point, I’ll either sign up for another semester or go somewhere else, either the Middle East or Eastern Europe. The pay isn’t great, but it seems like a good cultural experience, and I’m a lot more interested in the Caucasus than I am in East Asia (no offense to Asians).

Ever since I graduated in 2010, I’ve been looking for a fulfilling career that I can balance with my writing aspirations.  I learned pretty quick that that simply doesn’t exist in Washington DC; either you sacrifice everything for your career, including your family, or you end up trapped in an office pushing papers all day.  In Utah, I bounced around a lot of temporary jobs while struggling to make ends meet, but I never found anything more permanent that seemed to strike a balance.

I hope that teaching English will help me to find that balance, and from what I’ve heard from some of my former expat friends, I’m optimistic that it will.  Perhaps more importantly, it will probably enrich my writing by exposing me to new peoples and cultures.  Desert Stars was certainly enriched by the time I spent in Jordan; without having lived in that culture, I don’t think I would have been able to write it.  Besides, English is something I’m good at, and so is teaching–so why not capitalize on the skills I already have?  It certainly sounds better than wasting my 20s in a warehouse.

So that’s the plan: launch a TEFL career and spend at least the next three to five years abroad.  At least.  I might not get married until my 30s–or who knows, I might find someone out there and go native–but this is something I want to do as a career, not just as temporary filler before I figure out what I want to do with my life.  I’m through with filler.  Whether it takes one year or ten for my writing career to take off, I’m going to get out and do something useful and worthwhile.

That’s the plan, anyway.  And of course, I’ll always keep writing.

Right now, I’m finishing up Stars of Blood and Glory; I’m on chapter 15, with only three more and an epilogue after that, so I should finish that well before I leave.  After that, the next big project is Star Wanderers, which is already about halfway finished.  I’ll probably take some time off and work on polishing part II, then release parts I and II sometime in the spring–unless by some weird fluke it wins Writers of the Future.  I’ll know in February.

And after that?  Well, I’m thinking it’s almost time to pick up Edenfall again, but I can’t say for sure. Probably, though–I definitely want to finish that one before the end of the year, and preferably get it published.  After Stars of Blood and Glory, I’ll probably take a break from the McCoy continuity in the Gaia Nova universe, though I may pick up something from Jeremiah’s timeline in Star Wanderers.  I really want to do a parallel novel from Noemi’s point of view–maybe that’s the one I’ll do in seven days, just to hit that resolution.  Everything has to be ready fist, though, and right now it isn’t.

So much is changing–I have no idea where I’ll be in the next six months, creatively or physically. But right now, I’m just enjoying a relaxing time with my parents and getting ready for the next big transition.  Life is good.

Trope Tuesday: Lawful Good

Lawful Good is the character alignment that is the most unambiguously heroic.  These are the white hats, the caped crusaders, the knights in shining armor who fight for Truth, Justice, and the American way.  They might not always be smart, and they might not always be nice, but you can always count on them to do the right thingalways.

From the easydamus character alignment page:

A lawful good character acts as a good person is expected or required to act. He combines a commitment to oppose evil with the discipline to fight relentlessly. He tells the truth, keeps his word, helps those in need, and speaks out against injustice. A lawful good character hates to see the guilty go unpunished.

Although most Lawful Good characters are unambiguous, their conflicts are often quite complicated.  This is because their dedication to the moral code is itself a weakness which an intelligent villain can exploit.  Typically, this is done by putting them in a situation where they have to choose between being lawful (catching the bad guys) or being good (saving all the innocent people who will die in the process).  A smart Lawful Good character, however, will come up with a third option that turns the ethical dilemma on its head, though it might require a heroic sacrifice.

Very often, these kinds of characters appeal to us because they represent some higher ideal which we wish we could follow.  However, that’s not always the case, especially in more cynical works like A Game of Thrones, where the most lawful good characters also tend to be the most stupid.  Ultimately, it all comes down to the bias of the writer; even when you’re trying not to be didactic, it’s hard not to use the Lawful Good character as a vehicle for some sort of message.

A shallow Lawful Good will be little more than a paragon for whatever virtue they’re meant to represent.  A more nuanced Lawful Good will have some sort of a flaw (besides the backhanded ones), or some sort of internal conflict connected with their moral code to make them more human and relatable.

My favorite Lawful Good would probably be Sir Galahad from Le Morte d’Arthur, but mostly because of the sharp counterpoint he provides next to all the thugs and criminals other Knights of the Round Table.  Carter from Halo: Reach is a pretty cool Lawful Good, though he wasn’t my favorite (that would be Jorge).  And even though he’s a complete idiot, Ned Stark is still the only adult character from A Game of Thrones that I found remotely likable.

In my own work, Jalil from Desert Stars starts out as Lawful Good, though he shifts to Lawful Neutral in the middle and up to Neutral Good by the end.  In Bringing Stella Home / Sholpan, Lars and Narju definitely fall under this alignment, putting a lot of pressure on Stella to live up to their ideals.  I explore Lars’s idealistic character a bit further in Heart of the Nebula, a direct sequel to Bringing Stella Home which I hope to release later this year.  And in Star Wanderers, Noemi tends to fall under this alignment–though the story is not so much about saving the world as it is about saving each other.

Character Interview: Master Sergeant Roman Andrei Krikoryan

So I recently heard about a really interesting blogfest, where the goal is to blog about the characters in your story, as well as have a little fun with flash fiction.  The prizes look pretty good, too: a couple of free books and a manuscript critique, from a couple of up-and-coming editors.

Not bad…but the 250 word limit on the character interview seemed a little too restrictive.  The idea really caught my imagination, though, so I decided to go ahead and do it for the main character of the book I’m writing now: Stars of Blood and Glory.

It was really fun!  Stuff like this can be great for working out different aspects of your character.  I already knew most of this stuff about Roman, but the exercise helped to solidify it.

And so, without further ado: enjoy!

========================================

Hello, and welcome!  I’m here on the Tajji Flame with Master Sergeant Roman Andrei Krikoryan, one of the Tajji mercenaries in Bringing Stella Home and a major character in the sequel, Stars of Blood and Glory.  How are you doing today, Roman?

How do you do, my friend.

Very well, thank you.  Let’s get started shall we?  First question: What is your biggest vulnerability? Do others know this or is it a secret?

What is my vulnerability?  This is strange question to be asking a mercenary.  Why do you wish to know? <narrows eye>

Um, it’s not meant to be intrusive, more just as ah, um…well, what would you say is your biggest emotional vulnerability?

“Emotional vulnerability”?  Look at me.  I am not a man anymore, but a cyborg; what “emotions” I still feel, they are distant and weak.  Rare pleasures, like sweet, unbidden memories.

I tell this to the doctor every time at check up, but she does not believe me.  She is still young, and wishes to believe that there is some humanity left in me.  Who knows?  Perhaps she is right.  But cyborgs do not die, my friend: their humanity fades until they are a ghost within a machine.

I have wandered the stars for over seventy standard years; I have seen my homeworld conquered not once, but twice.  I have killed many men, I have slept with many whores, I have watched my old friends die, and had other friends watch me, thinking I was dead.  I am old–too old.  And yet cyborgs do not die: they fade.

So if you consider this as “emotional vulnerability,” then this is mine: to be alive, and yet not truly living.  And it is no secret.  I am a man of very few secrets.

What do people believe about you that is false?

Many things, some more false than others.  You cannot be soldier for as long as I without learning how to cultivate a certain, how do I say?  Persona.  My men, they see the side of me that is strong–and it is a true side, for in battle, it is impossible to live a lie.  But the side that they do not see, that is the pain–the memories, the weariness, the silent longing.  It is dull now, but it is still there, even if I do not show it.

And so, if there is something that people believe about me that is false, it is that I feel no pain.  I have always felt pain, until even before the rebellion was lost.  It is way of life for me now.  When the pain finally stops, then I will know that I am no longer human.

What would your best friend say is your fatal flaw? Why?

My best friend is the captain, Danica Nova.  She knows of my pain; she shares in it.  And what would she say is my flaw?  That I suffer in silence, perhaps.  Every time she has question, she is asking me for help, seeking for my guidance.  She believes that everyone must have someone on whom they can lean, that without this, no one can truly stand.  And so she sees me suffering, and wishes that I would talk with her, so that these wounds might heal.

But I do not wish for my wounds to heal.  They are the last thing I have left–the pain which tells me I have not yet faded, that I am still human.  I have lived many years with this pain, and I do not know what would become of me without it.  And so, it is not my friends, but the pain, that has been my constant companion these many long years.

I do not know if this is flaw, but I do know that Danica would say that it is.

What would the same friend say is your one redeeming quality? Why?

That question, I know without a doubt what is the answer.  It is that I will do anything–anything–for my men.  You see my arm, how that it is prosthetic?  I lost the original fighting in a battle that all of us thought we would lose.  If I am fading, it is because I have given my life for my men–and I will continue to do so until I have nothing left to give.

What do you want most? What will you do to get it? 

<laughs> A strange question, with an even stranger answer.  As you can see, I am man of war–but if there is one thing that I wish for, it is peace.  Peace!  And what sort of peace, you may ask?  I will tell you.  I wish for the peace that one feels by coming home. <throws back head and laughs again>

And so you see, my friend, this is a peace that I can never feel.  My homeworld is gone–slagged into oblivion.  My country has been destroyed, my people scattered across a hundred stars. I have nothing left but to keep on fighting; and so, even though I long for peace, I continue to make war, because it is all that I am.

But what will I do to get this peace?  I will tell you.  Since I do not have a homeland, I will find this peace by dying for my men.  It is fitting, is it not?  That the man of war should only find peace in his own death?  This is as it should be.  But it must not be a selfish death–it must be a sacrifice, so that others may live.

Thank you very much, Roman.  I enjoyed writing Bringing Stella Home, and look forward to chronicling your further exploits in Stars of Blood and Glory.

My pleasure.

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As an interesting side note, if Roman had a theme song, this would be it.  Have a great day!

Trope Tuesday: Xanatos Speed Chess

Well, I can’t say any of this mess was part of my original plan, but it’s all working out so beautifully that I can’t complain.

Tarvek, Girl Genius.

The Xanatos Gambit is when a character plans out a scheme such that all possible outcomes (including abject failure) ultimately benefit that character.  Named after David Xanatos from Gargoyles, it is most often used by villains who are very good at evading karma.

Xanatos Speed Chess, on the other hand, is when the character relies not on setting up an only-win scenario from the beginning, but on being able to adapt and change their plans quickly enough to pull off a victory even after their first few attempts inevitably fail.  For this character, the important thing is not to keep everything from falling apart, but to outsmart their opponent even after everything already has.

Both heroes and villains can play at this game, but the heroes generally tend to be better at it.  Part of the reason for this is that try-fail cycles are much more conducive to Xanatos speed chess than the Xanatos gambit.  The heroes might lose a pawn or two, or even the queen, but that doesn’t stop them from turning defeat into victory.  In fact, depending on the story, it may provide exactly the sort of dramatic tension that makes the ending so awesome.

A good example of this in recent cinema would probably be the new Mission: Impossible movie.  Over and over, the mission falls apart–and the characters respond either by changing the mission or by crafting a new one.  It’s one of the things that makes it such a great spy thriller: the tension is always high, because you never know how they’re going to pull it off.

The opposite of this trope is the Indy Ploy.  This is because Xanatos speed chess is still chess; even though the plans are dynamic, they are still plans, and involve a large degree of calculation and forethought.  With the Indy ploy, the character is just wingin’ it, jumping into the thick of things and making it up as they go along.

The main reason I’m interested in this trope is because my current project, Stars of Blood and Glory, has a strong military plot, and I want one of the characters to be a magnificent bastard.  Let’s just say that if Bringing Stella Home is the Mongol conquests in space, Stars of Blood and Glory is the Battle of Ayn Jalut.  It’s going to be challenging to pull it off, but that’s part of what makes writing so much fun…