The wildest AI hallucination I have ever seen

So my wife is currently working on her PhD in computer science, and for her thesis she’s trying to develop an AI model that can generate meaningful cross references within a text. For example, she compiled the complete works of Jane Austen into an HTML file, and ran it through one of her AI models, asking it to find a cross reference to the opening line of Pride and Prejudice, which reads:

It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.

The AI returned this line from Mansfield Park:

But there certainly are not so many men of large fortune in the world as there are pretty women to deserve them.

Pretty nifty, huh? Anyway, she’s experimenting with a variety of different AI models, including a fine-tuned version of ChatGPT. She’s also using my Sons of the Starfarers books as a text, since it’s not nearly as well known as Jane Austen or the Bible.

It turns out that LLMs like ChatGPT are actually pretty terrible at finding cross references, even after they’ve been fine-tuned. When she asked it to find cross references for various passages in Sons of the Starfarers, it almost always hallucinated something that isn’t in the actual books.

But then, at the end, she asked it to find a simple cross reference… and it gave her this:


I am reading Victors in Liberty and want to find some good cross-references for ‘Isaac ignored them and brought up the latest data on his display.’ Can you suggest some good quotes as cross-references?

Certainly! Here are some cross-references for “Isaac ignored them and brought up the latest data on his display.”:

Isaac ignored the chatter over his communications and focused on the targeting data in his peripheral vision. An Esperanzan frigate dropping out of FTL was no challenge for a light recon frigate like the Tiberian. It was built for speed and evasion, something the enemy frigate could not muster on such short notice. A light hum in the side of his armrest told Isaac that the first missiles had fired. He gave the order to activate them with a press of a finger, and a second hum confirmed they were on their way. His heart raced and he took a deep breath to calm down.

After the long futile years of dodging through the stars, the tide had begun to turn. The Temujin was lost with all hands, and the very space they’d fought over was now broken by the light of a newborn star. Victory was admittedly shallow when his people were still scattered across the void, but it was a victory nonetheless.

Another hum indicated that his point defense lasers had locked onto the enemy missiles. The targeting relay showed the homing-enabling couplings had been obliterated. For a brief moment, the Esperanzan frigate was silhouetted in the bright light of the young star, betraying all the structural weaknesses that were exploitable. And from there, Isaac showed no remorse. Reason left him, replaced with thorough hate and anger—forced of course. Isaac’s sleek one-man starship had no defense armor. Of the combat vessels of the disparate, disparate Red Faction resistance, his could be taken out by a single missile volley meant for a fleet. If the first missile volley didn’t down the enemy, the counter-volley was friendly fire.

A klaxon blared in the side of Isaac’s ear. The Esperanzan frigate burst into a fireball, artificial gravity arrays spinning off into the lifeless void. Only by the dim starlight and the intense heat of the new sun could Isaac distinguish the shrapnel and debris scattered around what once had been a ship.

“Excellent work, Specialist,” said the jovial head chef, Midshipman Khrelan. With Commander Noah currently held prisoner on the Starflare, there’d been a few promotions, which put him in charge of one of the lower-priority departments. “Excellent, excellent work. I knew I could trust you.”

Isaac smiled and stretched. The frantic chair of his one-man starship seemed to recede ever so slightly, as though it was merely a symbol that he could shed at a moment’s notice. For he was not a pilot in a combat vessel dodging fire. He was the Emperor of the Red Delta Quadrant, a force to be reckoned with indeed. His father had done more than forge a civil empire; he had founded a starfarer dynasty that now posed a threat to everyone outside of Delta Pavonis. Now more than ever, his mother’s intuition and telepathic powers were revered and envied by all. In fact—this thought hadn’t occurred to him until he had conquered everything up the Eden’s local star—she was right, and everyone for dozens of stars was waiting for their moment to slay them.

As Commander Noah’s comments in the debriefing served the position that Captain Valk suggested the Red Faction play the role of unwitting suicide pawn to the budding Templin Empire, they were put under abeyance while negotiations were struck to work out the relationship. If Isaac’s fact-finding missions bore fruit and gave them the strategic assets they needed, the former Red Faction would be made a fully-integrated member of the newfound empire. Then without the pretense of what Noah originally claimed was the original mission—stopping the Fourth Holy Imperial battlecruiser from finding something to turn the tide in the war on the Far Reaches of the Outworlds—there would be nothing left to consider, and the truce would become a permanent merger.

What remained for Isaac was to prove that the Red Faction could contribute to the war, and it was this mission that Midshipman Khrelan promoted to the top of their menu board. As head chef of the Diego-Attica bowl, one of the Eden systems’ largest and most populated space stations, it was his position to woo the New Plebeian faction into accepting the Red Faction into their empire. And it was Isaac’s mission to prove that plebeians did indeed have what it took to undertake the trials of empire. The only obstacle that remained was Captain Valk.

“Fuck Vasili if he doesn’t accept,” Isaac muttered under his breath.

It was a cadence of profanity that his meal commander often used. This time it went unnoticed, either because none of his crew understood English well enough to pick up on it, or because their heads were buried in work like his should have been. After Isaac’s less than stellar performance in the assault on outpost red one-four-one, there wasn’t much work for him to do.

He knew he was irresponsible for letting his mind wonder like this in the middle of a combat simulation. A little under a week ago, a signal had shown up just beyond the Eden’s system’s sensor net. The high command suspected a rogue sleeper ship. Isaac doubted that was the case. Another star had recently formed in the orbit of Edea’s Planet 3. It would be the most valuable real estate outside of Hebron and Edenia’s primary. If the Outworlders accepted the terms the Edenia system was willing to give, then it was all but certain that a local Outworld confederacy could be formed around Edenian pleasure points. One day, The Tamerlan and The Eve would be recognized as sister systems. But when had Edénia looked out for those interests? Let the eve be forgotten. They would soon be Tamerian.

The dishes for the next three days had all been planned for. The senior officers had all been invited to dine with the New Plebeian station commander. Midshipman Khrelan hoped to build a friendly relationship between the Red Faction and the people of the Tiberian Cluster, who he believed were most likely to be integrated into the New Plebeians as fellow second-class citizens. Only after those that left would they all eat, which meant soon he’d have to get started. Even with the protocol droids, that gave him just one more hour.

The simulation sort of went well. Isaac did end up killing every other ship, even after they ganged up on him, but the maneuvering was a little sloppy at times. He knew he wasn’t going to last long under the scrutiny of the higher officers. Admiral Valente and Captain Ibn al-Asad would be visiting the Eden in just the four days. When that day arrived, he very well might find his promotion revoked and his transfer dishonorable, provided of course he demonstrated such flagrant incompetence toward the end.

As the screen brought up the last member of his squad, the pings on his radar came back. It seemed he’d survived the battle with barely any hull breached.

And by the gods, eat a fucking sandwich!

He’d forgotten he was hungry. At first, it was easy to forget about meals. With a meal served supposedly every five hours, there was still work to do in between that kept him looking forward. But since the campaigns and maneuvers had not worked him to exhaustion, it now was a chore to sit through time just eating. The efficiency and industriousness of Isaac’s father did indeed become Gideon’s son. It was a dead giveaway. Unlike his father but very much like his mother, Kahramanna would waste away before he ever passed 12th Plague. If the Outworlders decided they were worthy of escape (and they wouldn’t be, they were definitely going to accept the Edenians’ terms), the future owner of one of the systems at the only intersection of this side of the galaxy would die from starvation with the rest of the infidels.

Isaac frowned. How had “The Resurrection” ever been associated with plagues in the first place? It was the most beautiful and hopeful story of his people, the moment the legendary Prophetús of Delta Pavanus had become a messiah. His writings gathered confidentially on the homeworld quelled the rampant syncretism of mixing their traditions with those of the host worlds. By forming a unified monolithic faith run by a powerful theocracy, it was fully expected that the Delta Pavanians would have overthrown both the Thetans and Outworlders to form their own empire. Deltanotian could have been the same kind of imperial language on the Milky Way side that Soluna had become in the east. The rapid declination of the Prophetús’ Mission was considered to be the most catastrophic failure of tribal project in all of recorded history.

Between 12th Plague and the explicit language that Good Word was untranslatable, all facades were off. This exploration project was nothing but an imperial operation from the Deltanotian Empire’s very core—a counter-strike barely distinguishable from the hyperspace bomb. It was only by the self-sacrifice and zeal of his ancestors that the spirit of the prophets did not fade across their interstellar mission. Something shone brightly in the void. The Star-Travelers had become the Starforce, and it fell upon them to restore the faith. And, by God, they would.

The simulation ended with all three stars highlighted on his map, marking the three miraculous visions of the Holy Star. Isaac didn’t need the Good Word to recognize it had all been written exactly as expected. He smiled and undid his three-point harness. The gruff marine next to him did the same.

He stepped past the airlock he shared with his seat partner and walked to the closet on the forward bulkheads. As he stepped in, an elaborate mechanism analyzed the pattern and weight of his footsteps on the soles of his flat combat boots. The small room behind the door doubled as a personal sanitation closet, more elegantly a boleshower. As his boots finished drying, he stripped off his jump suit and waited for the inevitable light-sonic start. Sure enough, as soon as the door shut and he was naked to the glare, there was unmistakably the sound of a fly buzzing menacingly behind him. He waved his hands and blew on it to no avail. He turned to the light and saw that in fact what had captured his attention was not a fly but rather the prominent bush of black hair with what looked like every stripe and pattern of embroidery that relevant cut of uniform would allow. That made two.

His hands stood frozen in position among the smug parade. Quite a few of the sewn patterns were familiar. An upside down cross inside of a circle? That was Marcanetian, which he read could mean only one thing. Based on his tattoos, he would certainly serve 6th Plague as wendigo meat. That wasn’t skill, that was luck, but the flaw was not his. “Let Canopus keep his dream alive,” his stomach told him, but his balls gave a different message. The two ends would not tolerate the presence of veins among their flesh. The hardon almost immediately appeared.

He reached his hands behind his neck and pretended to scratch but really reanalyzing the air quality. Some of the embassy-topia class nostrils unironically slit. The unshaven wickunoff wasn’t as strategical of a hairdo as he’d like, but at least with his crotch turned to them they couldn’t all control the urge to reach and scratch.

These people kept trying to embarrass him, but who in fact was embarrassed? Everything that had just taken place, he’d been perfectly alright with. Everything they knew about him was exactly what he’d told them. It wasn’t that they didn’t get him. It was that he didn’t get them.

The new high sheriff of Aluchiga Delta took center stage, a massive black man from Beatrix with a sour and stern disposition. The star tattoos on his round pocked face showed him not uncompromisingly rugged but rather vicious and unyielding. He seemed to have no sense of humor.

That alone gave the Ice Giants the advantage. The Beatrixians, stable-facing to the front of the procession and thus technically in command of the ceremony, needed a laugh just as easily as the new Inkana high sheriff from the other side. Both systems were far too stratified with class society, and having been torn from the seats of power they so deeply loathed they were more than somewhat relieved to be joined on the interstellar voyage. To them, that was what Babylana was—their wild and untamed frontier. With all the old rivalries and social prejudices carried over into the classic starwanderer era, it was the nomads and outcasts who found a home among the heavens that were best suited for the voyage.

This was covered across their naked flesh in the kind of complex set of interconnected (though there to be fair not all interconnected) tattoos that commanded universal respect. As the starfarers were free those tattoos were autogenic. They came within the realm of choice to a degree—and in fact way beyond—most other cultures considered unforgivably narcissistic. That was why the Megalotics, with their deeply rooted philosophical system of Order:Chaos, so openly despised them.

Isaac had been staring at their skin with all the minutely detailed modeling when he’d had his accidental hardon. The great black giant had ever since been staring him down.

Midshipman Fatima came over. “Report.”

Isaac quickly reran the thermal analysis and presented it on one of the models hovering behind his head. He thanked the Astarte he had been off-duty. Considering the intensity of the last asshole who’d complained about how little speech Isaac gave in meetings, what fun would it be beamed over from Alchiba on the Eden’s consolidated intelligence to be forced to work with an AI more primitive than what Isaac commanded. Even on the best decks by officers with significant wealth disparity, the old pre-Imperial chips faulted. It would only take a half month for Isaac to take control of deck Theta-ten. Of intelligence from the other decks, one third of them he already commanded. The vast increase of processing was more than satisfactory.

Fatima looked over his report and nodded. “Very good, Commander. Very good indeed. Carry on.”

From her side of the table, she accessed a fairly standard command subroutine and brought up the floor plans for all decks in the file. The model showed the thermal profile now, but soon all the profiles would be profiled on swords. Her movement was somewhat interpretable: “matter of life and death” among the other Arian phrases that had entered Arianian techspeak was “time to make a run for it.” Up to 67.8% of the energy required to transverse a mile was scooped and shot halfway across the local cluster subject minimally to such high gravimetric pulls that a controlled asteroid system could be made to have the same effect here. For that, you actually did need anti-grav technology. “Running for it” or “throw them all in a bag” is you just rip open all the airlocks and hope the showers last long enough and the numbers come out in your favor with cryo. Once all the numbers come out, then you scoop and loop the forgotten. The floor plan relied on the Midoshiun system, where weapons and engineering and medical could all be written in official departments by OS. Because they were working under such a close trust interface, they all knew it would be up to Isaac to tale the head.

Interstellar law and civilization were a complex web. The system of checks and balances only worked for interstellar diplomacy, not intra-, where all that usually mattered was what would stall change longest in the vicious bureaucratic race. Questanantian philosophy postulated that one could be put on the other side of war to learn to rise above, very much a pagan adaption of Noah’s prophecy concerning Shem. There was no call of Abraham, for such language was not tolerated this far south.

March 17th, 3098. That left less than a year until the next aquino. Not doubt word of his father’s betrayal of the Anakim would come up, but never among the select at the top who would decide his fate. Of the new feces frozen just north of sector four, the Edenian hypercolonization expedition was almost done. The last supply run to the outpost monastery frozen just over half a light-year beyond the founding outpost would be ready at the very end of the next Procythian New Year. Hopefully, the Modernus Shift would give him the start he needed.

He then repeated the word he repeated every day and in whose glory he so purely radiated that rumor had been it started out as his name. “Paradosian. Paradosian. Paradosian…”

In any case Isaac hadn’t been the one responsible for bringing all that shit out in the first place, and if they expected some “dog of space” Argonaut that worshipped the Anakim, had they really found the one to stop the coming floods? He just had to have a little patience and get the hell out of here.

On impulse, he queried the mother Astarte on his horizon-side display. Medina reached out to him.

With the most formal and profligate blessings of Bahrain Isaac’s preceding post now reached out far enough—the lake, the font, the water itself—to mark for certain that the royals had incestously “piled every last dog” he called so kindly “die wanda der zwar” by now. The Astarte had found a hint of Persepolis II, mentioning it in the black hole astrology as “dzaraq.”

Goddamnit!

Trope Tuesday: The Bechdel Test

The Bechdel Test is a way to measure how prominently women figure in a story.  It mostly comes up in discussions of TV and film, but can also be applied to works of literature.  To pass the test, the story must have

  1. at least two named female characters
  2. who talk to each other
  3. about something other than men.

The surprising thing, as you can see in this discussion of the trope, is that so few stories actually pass this test. Even in literature, works like The Odyssey, Romeo & Juliet, and even War & Peace fail to pass or only barely pass this test.

Closely related to the Bechdel Test is the Smurfette Principle, where only one of the major characters is female–the token chick.  Stories that fail to pass the first part of the test fall into this category.

So why does this happen?  It may be because most writers are male, but that isn’t necessarily true of books and literature.  Novel writing, after all, was originally considered a womanly pursuit, and the English major was created in the so that women could have something to study while they were in college.  Not surprisingly, 19th century works by female writers like the Bronte sisters tend to pass…

…or do they?  It’s been a while since I read Jane Eyre or Pride and Prejudice, but the impression I got was that the women in those books spend only really talk with each other about men.  And when you look to contemporary writers like Dickens and Tolstoy, the trend holds.  After all, how many female characters are there in A Christmas Carol?  Do any of them ever even talk to each other?

This isn’t necessarily a measure of how good or bad a story is, or even of how feminist it is (Aliens, after all, technically passes), but it is a measure of how independent and well rounded the female characters really are.  If the story doesn’t pass, it’s a sign that the women only play a role in relation to the men, or that the male characters are the ones who advance the plot.

I don’t usually like to bring up my own stories in relation to these tropes, but I thought it would be useful to apply this test to my own books and see how they shape up.  As a writer, I think it’s a good idea to do this periodically, to make sure my work isn’t slipping into a rut.  So here we go:

Genesis Earth

Point 1: Yes, there are two named female characters: Terra and Stella.

Points 2 & 3: No, they never talk.  However, when you apply the reverse Bechdel test (two men who talk to each other about something other than women), Genesis Earth only barely passes.  Michael talks with Tom in the first chapter, mostly about Terra, and for the rest of the book he and Terra are alone.

Bringing Stella Home

Point 1: Yes, it passes.  Named female characters include: Stella McCoy, Danica Nova, Anya Sikorsky, Tamu, Lady Borta, Lady Zeline, Sergeant Maria.

Point 2: Yes; in most of Stella’s scenes, she’s talking with Tamu or Borta or one of the other Hameji women.  Also, since Danica is the captain of the Tajji Flame and Anya is the chief pilot, they interact quite a bit.

Point 3: Yes, but just barely.  In most of their scenes together, Stella and Tamu are talking about Qasar or the harem or sex.  There are a couple where they talk about each other and their past, but it all relates back to their captivity under the Hameji.  At one point later in the book, Anya goes AWOL and Danica has to talk her down, which is probably the scene that makes the book pass, but a hardcore feminist might argue that that conversation is indirectly about a man.  Still, I’m counting it.

Desert Stars

Point 1: Yes, there are plenty of women.  In fact, as you can see from this list of non-minor characters, there are almost as many women as there are men:

Female Male
Mira Jalil
Shira Sathi
Zayne Hamza
Tiera Rumiya
Lena Gregor
Surayya Kariym
Amina Ashraf
Rina Ibrahim
Sarah Lars
Michelle Nash
Mark
Will

Point 2: Yes, plenty of these women talk to each other.  Surayya and Amina are practically joined at the hip, Tiera, Shira, and Lena all have private conversations with Mira, and the only time Rina even talks is when she and Mira are alone.

Point 3: While most of the conversations between the female characters revolve around men and marriage, Tiera talks with Mira about honor, and Rina talks with Mira about leaving home.  Without spoiling too much, there are other conversations that have nothing to do with men, though they happen off-stage and only get reported second-hand.  Either way, I’d say this book passes.

None of this is to say that a good story must pass the Bechdel test.  Lawrence of Arabia, for example, doesn’t have a single female actress–not one single actress!–and it’s an amazing film.  As a counterpoint, I’m sure there are plenty of good stories out there (most of them probably anime or manga) that do not pass the reverse Bechdel test.

However, it is a good measure of female presence and how much the story is driven by men.  And as a lens through which to view the wider culture, it offers a surprising and somewhat disturbing perspective on male-domination in fiction.

The Swords of Night and Day by David Gemmell

A thousand years ago, a young warrior named Skilgannon helped the princess Jianna escape an attempt on her life.  They became lovers, and when she retook her throne, she made Skilgannon her chief general.  When she ordered the abject annihilation of her enemies, he loved her too much to refuse her–and thus became Skilgannon the Damned.

Now, the wizard Landis has recalled Skilgannon back from Hell to defeat the tyrant queen known as the Eternal.  For hundreds of years, the Eternal has ruled the world, using the arcane arts of a fallen civilization to achieve immortality and crush all who oppose her.

When the Eternal learns of Landis’s treachery, the only hope for freedom lies with Skilgannon, the axeman Harad, the huntress Askari, and the Drenai ranger Alahir.  But how can they defeat an enemy who commands nearly all the armies of the world?  Who has lived a dozen lifetimes and simply steals the bodies of her clones whenever she is killed?

But most of all, how can Skilgannon defeat the Eternal when she is none other than Jianna, his beloved?

The Swords of Night and Day is a direct sequel to White Wolf, the first David Gemmell novel that I read.  I have to admit, I wasn’t particularly impressed with White Wolf; it meandered a lot and didn’t seem to have any clear direction.

That is most certainly not the case with The Swords of Night and Day, however.  I was hooked from the very beginning, and could hardly put it down until the shocking, mind-bending twist at the end.  It tied up all the loose ends from White Wolf and completed Skilgannon’s character arc in a surprising yet satisfying way.

One of the reasons I think I love David Gemmell so much is because he captures so perfectly the experience of being a man.  In that, I suspect that Gemmell is to me what Jane Austen is to most women.

But even though Gemmell’s characters might be crass, vulgar, chauvanistic, and downright detestable at times, there is always something heroic deep inside of them–something worth redeeming.  And when he does redeem them, it surprises me how powerful it is–even when he redeems someone I don’t want him to.

With The Swords of Night and Day in particular, one of the things that particularly fascinated me was the fictional cosmology of the Drenai universe.  With magic that can resurrect people’s spirits from hell, the story must inevitably deal with questions of the afterlife.  Yet even so, there’s still enough ambiguity and latent potential that it never felt stilted or labored.  If anything, it felt a bit like Tolkien’s cosmology in The Silmarillion, where all the stuff about gods, angels, and the undying lands only added to the sense of wonder.

I love just about all of David Gemmell’s books, but this one in particular was well worth the time and experience reading it.  I wouldn’t recommend starting with this one, though: better to read Legend, White Wolf, and The King Beyond The Gate first.  But if you’ve read and enjoyed those ones, you will DEFINITELY love this one.  I certainly did.

Pride and Prejudice by Jane Austen

I think the first line of this novel sums it up better than I ever could:

It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.

I’ve been familiar with the story of Pride and Prejudice for a long time, but this was the first time I’d read the original.  Even though I don’t usually go for Regency romances, I have to say that I enjoyed this book very much!

Jane Austen has a genius for character.  She knows exactly what little mannerism to show or what description to give to make her characters come alive.  At several points in the book, I paused and said “holy cow, that’s just like so and so,” or “haha, I know exactly what this person is like.” At no point did I feel hit over the head or dragged through a long info dump explaining this or that character’s background.  Of all the possible details she could share, Austen always chooses the exact ones you need to get a clear, distinct picture–no more, no less.

Austen drives her story with some snappy, entertaining dialogue.  Far from being sappy or sentimental, her main character, Elizabeth, is snarky and spirited, and she clashes with a lot of people in ways that are much more interesting (and mature) than typical girl drama.  Be that as it may, I found it entertaining to compare Elizabeth’s dating/relationship experiences with my own.  As different as things were back then, in some very interesting ways they are still the same.

I did feel that the novel slowed down a bit in the middle, probably because that was when Elizabeth went on the tour of Derbyshire with her relatives and left behind most of the other characters that interested me.  Also (since I am a straight guy), Mr. Darcy didn’t really turn me on much, so Elizabeth’s gradual change of mind as she toured his house wasn’t as engaging to me.

One thing that confuses me, having read this book, is why women all over the place set up Mr. Darcy as the ideal male.  What exactly is his appeal?  He’s a little rough around the edges, has an independent streak, speaks his mind even when doing so would be rude, and is constantly aloof from everyone else.  Is this what women find so appealing about him?  I can see how the “Beauty and the Beast” syndrome can also be a turn-on–Elizabeth essentially wins him over by taming him–but that has less to do with who he is than how Elizabeth changes him.  Do women go for a guy who they have the power to change?  Is that what it is?  I’m still a bit confused.

One thing made me a little mad, and it had nothing to do with the book at all; it had to do with the blurb on the back.  It reads:

One of the most universally loved and admired English novels, Pride and Prejudice, was penned as a popular entertainment.  But the consummate artistry of Jane Austen (1775-1817) transformed this effervescent tale of rural romance into a witty, shrewdly observed satire of English country life that is now regarded as one of the principal treasures of English literature.

Austen’s “consummate artistry” transformed this novel from “popular entertainment” to “one of the principal treasures of English literature”?  Come on.  That statement is as pompous as it is illogical.  Once her book came out in print, Austen “transformed” nothing–the only thing that changed was the way people looked at it.  It started out as a popular genre novel, like anything by Rowling or Steele or Grisham or King, and when the literati decided to claim it, they rebranded it as something else.

What irks me is this idea that “popular entertainment” is somehow inherently devoid of literary worth.  Come on, people–virtually all the “great authors” before 1920 were well-read and well-loved in their day, among the masses as much as the literary elite.  It’s not a sin to make money writing books.

Overall, I enjoyed this book very much.  Just as Lord of the Rings is the quintessential fantasy novel, Pride and Prejudice is probably the lodestar of the romance genre.  I was pleased to find that it’s not a book that only women can enjoy!

Was Jane Austen a man?

Okay, okay, don’t worry, I know the answer to this question.  But in five hundred or a thousand years, will people be so certain?  

We question the true authorship of Shakespeare’s works.  Some of us even question whether Jesus Christ was a real human being, or just a fiction that some religious group invented.  Five hundred years from now, what’s not to say that people will be questioning whether Jane Austen really wrote her own books–or whether she even existed at all?

I had this idea while I was doing a copy edit with The Leading Edge (apparently, if you help them with their slushpile consistently enough, you get roped into the higher level stuff like copy edits, substantive edits, and even get a position with some authority–eventually).  We were taking a quick break and I was chatting with some of the other editors about story ideas, and somehow out of the conversation this idea spawned.  Good heavens.

I think it’s an awesome idea, but I know for sure that I don’t have the chops to pull it off.  I haven’t read enough Austen to really develop a taste or a love for her work,  or even really an understanding of it.  If someone else with much more knowledge and love of Austen could pull it off, I’d definitely like to see it.  If you think that’s you, feel free to “steal” my idea and run with it.

If I personally were going to write it, I’d extrapolate a crazy middle-far future world that basically resembles our own, with a few key cultural and economic shifts, and focus on the question of her gender.  I’d think of some awesome reason why these futuristic people specifically question whether it was a man who wrote her books and pattern the debate off of the kinds of debates we have about the authorship of Shakespeare’s works.  The characters in the story would probably be literary elites who are WAY WAY worked up over this question–the kind of people who go to war over this stuff.  From there, I would make it a comedy of the sexes, and use the story as a way to examine, in a humorous, upbeat way, some of the timeless differences between men and women.

But that’s just how I’d do it.  Maybe you have a better idea.  If you do write something like this (or know of something similar), please let me know, because I want to read it!

…and they all lived evily ever after.

Today we had a quark writing group party, and it was lots of fun! We all went up to drek‘s new house, up in Draper, and read some of our really old, really bad first attempts at writing stories. Good times!

Drek, Nick, lexish, slipperyjim, jakeson, gamila, aneeka, and one of my friends from the FLSR writing group all came up. Jakeson and his crew got lost on the way, but we had a good time hanging out, chatting, eating the pita bread and hummous that I’d cooked (I figured everyone else would bring sugar-heavy treats, so I cooked something a little more on the healthy side–still delicious, as evidenced by how much everyone ate!), and talking about how we’d gotten started writing.

I think a lot of us had similar stories–while we all wrote for different reasons, we all tried to do something big in high school, something that marked a turning point of some sort. The other common thread that ran through our stories was…how laughably bad they were! There were gradations, of course (Nick’s story that started with the word “Gandalf” and only got worse was pretty ridiculously crazy), but all of our stuff was pretty bad.

It can be both fun and painful to look back on past stuff, especially the stuff you wrote back in high school. It’s like, all the painful awkwardness of high school is not limited to your social life, it seeps into your writing as well, especially if that’s when you first try out your hand at the craft. So many cliches, so much bad grammar, so many viewpoint errors and info dumps…ARGH!!!

Of course, that is precisely what made it so entertaining. The awkward, emo, immature teenage grasp of the universe, combined with dozens of stale cliches and atrocious grammar–brilliant! I’m glad we were all at a point where we could look back on this stuff and laugh. It can do you good to air out your closet and let go of some of the old stuff you are sure would destroy you if you ever let it saw the light of day.

My first writing attempt was a novel that has since been entirely lost. I printed up a hard copy, once a long time ago, but I’ve lost that one and really have no desire to try and dreg it up. Of course, all the digital copies haven’t survived. My second novel attempt, however, I have in both digital and hard copy. That’s the one that I dipped back into for this writing party.

I actually sent out a copy of this to my aunt in Washington DC, who is/was an editor for a magazine. She read about the first twenty or thirty pages and sent me this letter, which I will use to finish off this post. The only places I’ve used ellipses are when my aunt described problems specific to certain passages and quoted them.

October 14, 1999

Dear onelowerlight [name, obviously, has been changed 😛 ]

The manuscript your mom sent home with Evan has proven to be an interesting read in many ways. It is wonderful to see people take an interest in writing. This pastime has given me many hours of satisfaction. I find that the joy is in the journey and that the process is as important to me as the finished job. However, it is always satisfying to have a finished product that I feel good about.

What it looks like you have is a wonderful outline for a novel. Your language is colorful and descriptive. The battle scene held my interest and made me want to know what was going to happen next. My intent was to read the manuscript from beginning to end purely for the joy of reading it. The urge to edit, an urge that often gets in my way as I write a first draft, got in my way as I read. Hence I was not able to follow through. I have written on some of the pages. What follows are a few other observations.

A really good writer named John Gardner said that a piece of fiction opens up a dream to the reader. Anything that causes the reader to become aware of the author or that jolts him out of the fictive dream does not belong. It is always helpful to let a manuscript cool for several days and then begin to read it. This will help you be more objective. Sometimes the things that seem marvelous turn out to be less enchanting than one thought during the rapture of creation.

Titles are difficult. Would anyone have read Catch 22 by another name? Some people don’t think so. It has been postulated that the reason the story about The Man Who Went Up A Hill And Came Down A Mountain didn’t do better as a movie–and presumable a book–was because of the length of the title. For many authors the title is the last thing to be written.

Your first two or three pages contain a good deal of “throat clearing.” An opening needs to grab the reader so he will continue. There needs to be a problem, action and change. It should be action that is vital to the story. Someone is going on a trip. Someone is going into battle. someone is getting married. Someone is being born. Unless you want to write erotic literature it would be better not to start with conception. Work the background in later. In The Gospel of John the first few verses talk about the Word. Immediately the Word is identified with the Son of God and the story of his baptism. The problem of establishing himself as a teacher is presented. In episode IV of Star Wars the force is not explained to us at the beginning, rather we see what it can do. It isn’t until Solo talks about fools who believe in an ancient religion that we begin to have some idea th at the force is more than magic. The characters give all this information to us.

Point of view is the perspective that the story is told from. T he most difficult and therefore least used these days is the omniscient narrator. A good rule of thumb is to see the story through the eyes of the person with the problem. Many authors write in first person. One can also use second or third person. Third person is similar to first person except the pronoun I isn’t used as much. (Actually it is more complicated than that, but that will suffice for now.) Sometimes a narrator who doesn’t see into anyone’s mind tells a story. Most fiction that looks like omniscient narrator is actually being told from the point of view of one of the characters. The narrator can then see into the mind of one person and all the other action is viewed through his eyes. Sometimes a novel will contain oone person’s point of view in one chapter and that of another character in another. This seems to work. It is confusing when shifts occur without warning.

Psychic distance has to do with how close you want your reader to be to the story. Stephen King wants to inspire terror. He gets his readers as close as he can. You hear breathing, feel sweat, hearts race. Jane Austin keeps her readers at a great distance. You see the lights, you hear the conversation, it is all very proper–no sweat, no breathing, no racing hearts. Just as with the point of view, the important thing is that the narrative remains consistent. It must not switch in the middle of a sentence, paragraph, or chapter.

Write in active voice as much as possible. Your English teacher will tell you all about this. Be aware that verbs ending in “ing” do not help your story. (Running up the hill after Jill and tripping over a rock Jack stumbled.) This slows the action of the story down but when used sparingly can add emphasis. The following construction works better (Jack ran up the hill after Jill. He tripped over a rock and stumbled. “D___!” he grumbled. Jill took water from her bucket and soap from her pocket and washed his mouth out.)…

…You have many long sentences. Your writing will be tighter and stronger with shorter sentences and fewer prepositional phrases…

…There are lots of ways to deal with dialogue. You can put the dialogue first and description second…you can put the dialogue at the end…you can break it up the way you have in your manuscript or you can put description on either sie of it…Like every other element of your story, you don’t want it to call attention to itself.

I believe you changed fonts to show a change in viewpoint or in who is speaking. For me this is very distracting. There are other good ways that work. Also it is easier for me to read when it is double-spaced.

Two books that I have found most helpful are John Gardner’s The Art of Fiction. It is out in paperback. John Gardner also wrote a wonderful fantasy called Grendal. It is not very long. It is told from the point of view of the monster. The other book is The Elements of Style by Strunk and White.

Thank you for sharing your manuscript with me. It takes great courage to share one’s work. I admire you for starting out early. Remember free advice is worth what you pay for and don’t let anybody discourage you. You learn to write by writinig. You have a good start.

Your’s truly,

Aunt Yvonne