Am I missing anything?
Just another quick update, before I crash.
Went to the Book Academy Conference at UVU today. It was fun, with several excellent panels by some local authors. More about that in a later post.
My new mp3 player arrived today: a refurbished iRiver T10. An ancient, nearly obsolete machine, but it’s got a good quality microphone, which all the other brands lack. Besides, if it’s anything like my old iRiver ifp-890, it’s built to last. With 1 GB of storage instead of 128 MB, it’s a step up in the world.
The revision of Mercenary Savior goes well, though it also goes slowly. Only 1.2k words today, when I was hoping to finish this last chapter. I’m right between part II and part III, with the twist ending that…well, I won’t give it away. So far, I’ve managed to add a scene and rearrange several chapters without adding more words than I’ve cut. That’s good–I need this draft to be tight.
I also dropped the money for plane tickets to World Fantasy 2010. They came to about $300, which was cheaper than I was expecting. I’ll be sharing a room in the next hotel over with Eric James Stone for about $50 per night, but there’s room for others if you’re willing to sleep on the floor. Just let me know.
I think I’m going to experiment with my schedule next week and try waking up early to write instead of staying up late. Maybe if I get the writing in first thing, it will help things flow later, and I won’t always feel like I’m playing catch up. We’ll see.
One final thing: I’ll post more about this later, but I have a great idea for a direct sequel to Mercenary Savior kicking around in my head. It would involve James leading the people of the Colony on an exodus into the heart of the Good Hope Nebula, where they would be completely cut off from the outside world–kind of like the pioneers. It would also involve letting James grow up and giving him a romantic interest or two, something that I didn’t really do in the first book.
And before you say it, yes, I know the advice is to not waste time writing a sequel to a book you haven’t sold yet. I think I could make this work, though. Mercenary Savior, while far from perfect, has a lot of potential–perhaps the most potential of anything I’ve written. I’d be surprised if I didn’t eventually find a home for it, and when I do, having a sequel already written can only be a good thing.
More on that later, though. For now, sleeeep.
So a couple weeks ago, I heard of this for-charity writer’s conference going on in Sandy this weekend. Unfortunately, I wasn’t able to attend the full event, but I did go to the evening extravaganza with fellow writer and quarkie Jimmy.
The evening session was great! There were some excellent performances by Divine Comedy and singer/songwriter Nancy Hanson, and a giant question/answer panel with such local writers as Shannon Hale, James Dashner, Sara Zarr, Brandon Mull, and Brandon Sanderson, among others.
My question for the panel was “with the way the market is changing, what advice do you have for new writers trying to break in right now?” Most of the answers were pretty standard fare, such as “don’t write for the market, write what you love,” “don’t let all the crazy speculation keep you from writing,” and, perhaps implied more than spoken, “no one really knows how things are changing; just keep writing.”
At the signing afterwards, though, I was hanging out with Brandon Sanderson, and he had some interesting things to say on the subject. When asked about getting an agent, he said that new writers should follow the blogs of the agents to whom they want to submit and join the conversations going on there.
Let me just say that Brandon is better to his fans than practically any other authors I know–and that’s saying something, because I have yet to meet an author in-person who wasn’t friendly and gracious. Maybe it’s something about sf&f; the community tends to be really good to its own.
Anyway, even with all the fame he’s gained from the Wheel of Time (he’s basically Tor’s biggest superstar fantasy writer right now), Brandon is still very accessible and down-to-earth. He makes a special effort to remember his fans, and greets them by name (or by some other tag if he can’t remember names) when he sees them. One of the guys asked if he could take a picture of Brandon with a message to his son, and Brandon not only took the picture but posted it to his twitter pics.
Overall, the event was a good opportunity to rub shoulders with other authors and aspiring writers from the area–and in Utah, there is certainly no shortage of either one. Chatted with Dan Wells and Rob, an old friend from the first 318 class I took at BYU, as well as others. Besides that, the money went to buy books for low-income kids across Utah–how can you not feel good about that? Great event–I’m glad I could go.
Just a quick update on things, since it’s been forever since I’ve blogged.
The Utah Valley Democrats offered me a position, but it wasn’t the internship they’d advertised, so I turned it down. They wanted me to do all their phone surveys, for 20 hours per week at $8.50 an hour, working evenings and Saturdays from now until November. Basically, they wanted me to do the same crappy job that I’m already doing, but for less pay, more hours, and with significantly less flexibility. Needless to say, I wasn’t too thrilled.
I sent out Mercenary Savior 3.0 to my beta readers. If you weren’t included in that list, don’t be offended–I’m trying to get feedback from some new people who haven’t read the previous drafts, to see what they think. I’m hoping to start the next revision of that novel sometime in August; my goal is to have it polished in time for World Fantasy 2010, which I will be attending.
Worlds Away from Home is coming along, but much too slowly. I want to finish it by August 15th, which means that I should be writing between 2.5k and 3k words per day. Right now, I’m averaging about 1.5k–not bad, but not enough either. I need to take some time and immerse myself in this project.
At the same time, I really need to find a decent day job. The one I’ve got right now is good for summer stuff, but I don’t want to be doing it long term. Ideas for a more semi-permanent job include:
I’m a little wary of the last one, given the current political situation, but if things improve, I could see myself moving out there in the fall. It depends on what I can find, of course–and for that reason, I’m considering signing up for the TESOL certificate program here at BYU.
I don’t know, though. There’s a lot to do, a lot to figure out. It’s hard to balance it all, but I’m doing what I can. Whatever happens, though, I’m sure it will all work out.
So this weekend
I went to CONduit up in Salt Lake city. It was a great experience! Lots of fun, lots of friends, and lots of excellent panels on writing.
The usual crowd was there: Dan Wells, Brandon Sanderson, L. E. Modessitt, Bob Defendi, Dan Willis, Paul Genesse, Julie Wright, John Brown, Larry Corriea, James Dashner, Eric James Stone, and tons of others. Besides the bigger names, I saw a lot of other aspiring writers like myself who have yet to make it big–friends from World Fantasy and LTUE. It was good to catch up and reconnect.
Friday had a number of excellent panels. My personal favorite was A Writer’s Life, in which a number of relatively newer writers gave advice on breaking in and talked about what their lives are like now that they’re published.
At one point on the panel, a fearful aspiring writer asked the question: “when do you know when it’s time to quit and give up?” The responses from the panelists were quite insightful. Basically, the only way to know that you need to quit writing is if you can imagine your life without it. If you can’t, you may feel that you’re writing currently sucks, but you’ve still got stories in you, and those stories need to find a voice.
There were a number of other gold nuggets on that panel. Larry Corriea surprised me by saying that there is no such thing as an “outline writer” or a “discovery writer”–that these concepts simply describe writing tools, and that different projects require different tools. Julie Wright said that if you are not enough without a publishing deal, you will never be enough with it. John Brown (I think) said that writer’s block doesn’t exist: if you’re blocked, it means either something’s wrong with you or something’s wrong with the story.
Saturday had a number of excellent panels as well. The guest of honor was Barbara Hambly, and she was a delight: witty, saucy, and full of interesting stories and great advice. For her main address, she simply talked about how her life has changed in the past thirty years, but it was fascinating.
One of the more interesting things she said was that God places an angel with a flaming sword in front of every door in our lives that we shouldn’t take. Sometimes, it seems that you’re simply staring down a corridor full of guarded doors–and sometimes, especially towards the end of life, it seems that you’re staring down a corridor and the angels are saluting you. That made her tear up–she’s had a long, rough, yet interesting and vibrant life.
When asked to elaborate on the decline of the fantasy market in the past twenty years, she gave a very interesting response. Today, instead of buying fantasy novels by the pound, fans are immersing themselves in MMORPGs like World of Warcraft. Because it requires much less effort to play a game than to read a book, people are turning to games as a substitute.
Another fascinating panel was Riding the Rocket, in which a number of established authors discussed the career blast off and what to expect. Lee Modessitt made the point that there are two basic approaches to writing: storytelling or writing excellent prose. In order to be successful, a writer has to master both, but they generally start out better at one than the other. The key is to know which one you’re weaker at and consciously work on it.
When asked about their greatest fear, the unanimous answer was that they’re terrified their next book will tank and that they’ll fade into obscurity–that they’ll be forced to go back to that dreaded day job. The only way to deal with that, though, is to keep writing, keep working on your craft, and control the things you can while not fretting too much about the things you can’t. If you do what you can, things will generally work out for the best.
There were a ton of other excellent panels, other nuggets of wisdom. I recorded a number of panels, but I’ve decided not to post the mp3s publicly here: if you want them, just email me and I’ll send you a copy.
All in all, I’m very glad I came! Besides all the panels and networking opportunities, it was just a lot of fun to hang out and talk science fiction and fantasy with a bunch of like minded people. CONduit is an awesome convention–if you’re a local Utah writer and you have the chance to come, I definitely recommend it!
Just a micro-quick update, since it’s 2:00 am and I need to meet up with friends tomorrow morning to carpool to Salt Lake.
The first day of CONduit was awesome–there were several excellent panels on writing, as well as many familiar faces from the local writing scene. I’ll blog all about it this weekend, after the big day tomorrow.
Wrote 3k words today and killed off a couple major characters. Invigorating, as always. Only 7k words to go to the end.
Goodnight.
Man, I’m going through a really weird slump these days. Yesterday, I wrote 2.5k words, and today, I only wrote 1.5k words–this, in spite of the fact that I’m only working about three hours a day. It’s kind of frustrating.
Maybe it’s the fact that I’m right at the end of this novel. I’ve got 10k words to go, only 12 scenes, but I’m kind of burned out on it. I already know it’s going to need another revision after this one, and while I’m trying hard to fix things, it’s more on the overall story level, not on the detailed polish level, where I usually thrive.
The real truth, though, is probably that my days are split up so weird. I work from three to six, and most days I have obligations in the evening (Leading Edge, Institute, FHE, etc). To add to that, Tuesdays and Thursdays I donate plasma in the mornings, which usually takes up a couple hours. When you’re already in the mood to procrastinate, it doesn’t help it when your free time comes in 2 to 3 hour chunks.
Oh well. At least I’m still producing.
CONduit starts tomorrow, and I am totally stoked. Last year was excellent, and I’m looking forward very much to this year as well. I don’t think there’ll be too many agents and editors there, but there will be a ton of other writers, most of whom I expect I’ll see at other major conventions across the country.
Speaking of conventions, I’m thinking very seriously about attending Dragoncon this year. When I spoke with Dan Wells at the Provo Library event a couple weeks ago, he told me that DragonCon is going to be big for writers this year, on account of Worldcon being in Australia and World Fantasy being in Ohio.
I’ve got a friend in Atlanta who can put me up and/or has friends who can as well, so housing shouldn’t be too difficult. My Dad’s giving me the old Buick, and it’s got lots of space, so I could probably fit four or five people in it. If we took turns driving, we could probably make it out there nonstop, and membership only costs like $80. At ten tanks of gas split by five people, plus maybe $100 for food and other expenses, it seems like a pretty good deal. Anyone interested?
If I’m going to Dragoncon this year, I suppose I should make it my goal to get Mercenary Savior polished and ready for it. That should be enough time–a month or two to let it sit, then a couple months to polish it. Definitely doable.
In the meantime, I’ll be finishing this draft this weekend, inshallah. I’d like to finish it on the bus to Salt Lake, but I doubt that’ll be the case. 10k words is a lot of writing, and I’ll be busy all day at the con. I’ll let you know how it goes, though–stay tuned!
So last Friday, there was a book fair at the Provo Library. I only heard about it the night before from Facebook, but there were almost twenty authors on the guest list, so I figured it would be a good place to go to meet other writers. I wasn’t mistaken!
I biked up to the library just as Brandon Sanderson was walking in. We chatted for a while, caught up on stuff since the last time I took his class. I almost got to walk into the author’s only lounge with him, but one of the staff stopped me. One of these days, though…one of these days!
I also ran into Dan Wells, who remembered me from World Fantasy and gave me a very nice compliment: he said I was very good at approaching people, especially at conventions. Talked about the different cons this year; according to Dan, Dragoncon is going to be huge this year, since Worldcon is in Australia and World Fantasy is in Ohio. I have a friend in Atlanta–I’ll have to look into attending that.
Brandon Sanderson, Clint Johnson, Mette Ivie Harrison, and J. Scott Savage did a panel on writing fantasy. Fortunately, I had my mp3 player on me and was able to record it. If you would like to listen to it, you can find it here:
Fantasy Panel, Provo Children’s Book Festival (15 May 2010)
Clint had some interesting advice for me after the panel; he asked about the books I’ve written and said I should submit them to YA agents/editors as well as mainstream adult agents/editors. Apparently, Genesis Earth and Mercenary Savior could work as YA, since 1) they’re about (relatively) young protagonists having coming-of-age experiences and learning how they want to live their lives, and 2) they don’t have the sense of nostalgia that adults often have when they think about their childhood.
So that was the Provo Children’s Book Festival. Let me just say, this is one of the reasons why I love Utah: the writing scene for fantasy/sf/YA is HUGE. Tons of writers, tons of readers, local writing events all the time–it’s great.
In other updates, I got a personalized rejection from Orson Scott Card’s Intergalactic Medicine Show! It was a pretty long one, too. The assistant editor said the writing was pretty good, but it felt too much like a novel. Hehe…confession, it was part of a novel. But that’s awesome that he thought the writing was good!
Besides that, he gave a lot of suggestions as to formatting, referring me to this site for detailed ms instructions. I didn’t think most editors would mind Times New Roman, but if it’s an issue even for a few of them, I should probably just switch to Courier–no editor is going to fault me for using Courier.
Besides all that, I’m well on my way to finishing Mercenary Savior 3.0 before CONduit. My goal right now is to finish it next Tuesday and spend Wednesday and Thursday sending it out. After CONduit, I plan on starting Hero in Exile (except the name will change), and I have a TON of great ideas for it. Funny how sometimes in order to finish a book, you need to write another one first.
This is going to be quick, because it’s late at night and I want to get some sleep.
I made it to Provo. I’m currently staying with an old roommate, sleeping on his couch. To do: find a job and a place to live. Fortunately, I’ve just about got the second one secured.
I talked with the editors at Leading Edge today, and they told me they’ve been having problems with the buy function on their website. If you tried to buy a copy of issue 58 (the one with my story) before this month, they probably lost your address. Don’t worry, they voided the purchase, but if you want a copy you’ll have to go through the process again. Sorry for the hassle.
Wrote the last academic paper of my undergraduate college career today. The last freaking paper. Hooray!
I dropped in to English 318 tonight, and a couple of Sanderson fans got engaged in front of the whole class. It was pretty cool, not the least because they were cosplaying at the same time. Good luck, Mi’chelle! May you and your future husband have a wonderful life together!
Thanks for all the feedback on the new title. I think I’m going to stick with it. It’s weird to call the book by a different name after working on it for so long under the other title, but I think Mercenary Savior works much better.
Looked up Westercon today and found out it’s only $60. Thinking seriously about going. Should I? Is anyone else planning on going?
To do tomorrow: get cap and gown, complete and file taxes, sign a spring/summer contract, meet up with old supervisors/professors in pursuit of a job, go to a bonfire and have a good time.
My mom always got depressed with to do lists; she always felt daunted when she saw all the tasks she needed to accomplish. To counteract this, she made a “tasks accomplished” list at the end of the day to make her feel better. So, on that note:
Accomplished: finished all Washington Seminar coursework, attended English 318 and obtained leads for Mormon Artist article, attended Leading Edge and caught up with the slushies, got a date for next Friday (totally unrelated), submitted Genesis Earth to an agent, wrote +2.2k in Mercenary Savior.
Not bad. Now, if you’ll excuse me, I’m going to crash for the night.
So I figure that since I want to write professionally, it would be a good idea to keep track of my writing and do quarterly updates on my blog. Here’s the first one for this year:
The red line shows my daily writing word count, the blue line a running seven day total. The graph starts January 1st and goes to March 31st.
For the first part of January, the seven day total was high for a week because I’d just finished Bringing Stella Home 2.0. It dropped down way low for a while because I was busy moving into the Barlow center, starting my internship, and starting a new novel at the same time. Combining all three of those things at the same time made for very little progress, until about the middle part of the month.
Things progressed at a moderate rate (about 1k words per day) from the middle of January until snowmageddon, which hit us in the second week of February. I got a lot of writing done while snowed in, and my work in progress at the time, To Search the Starry Sea 1.0, got a lot of momentum behind it.
That momentum started to taper off, as I realized that the story I was writing was different than the story I had in my head. I swear, this happens EVERY time I try to write a novel. I tried to stick with the story in my head, but the gap got wider and wider until I realized the story just wasn’t working.
At the end of February, I decided to put it on the back burner and let my ideas simmer for a while. I’ll probably pick it up again at some point in the future, but not in the short term–I need to put it away for a while. I’m sure I’ll finish it someday, though.
So then, in the beginning of March, I went through all the comments I’d received on Bringing Stella Home. The HUGE spike you see right around the middle of the month represents all the revision notes I put together for the 3.0 draft. I read through the entire manuscript in about a week and a half, made a detailed scene by scene outline, and figured out my strategy for the revision.
Things dropped off again pretty sharply the last couple weeks of March because that was right around when I was fired from my internship. That was one hell of a stressful week. They picked up pretty quick after that, though, because 1) I had a lot more free time, and 2) I’m REALLY excited about this project.
Looking ahead, I think if I push myself, I can finish Bringing Stella Home 3.0 by the end of April. It will be difficult because I’ll be looking for an apartment and a job at the same time, but after next week I won’t have to worry about schoolwork anymore (potentially for the rest of my life…whoa). Definitely, I’ll have it done in time for CONduit 2010.
One thing I need to work on a lot more is submitting. I’ve got a list of agents to submit Genesis Earth to, I just haven’t got around to sending it to them all. The responses I’ve received have been generally encouraging: all rejections, but about half form rejections, half personalized in some way. I do think this book will find it’s way in print, though it may not be my first to be published.
Even though Bringing Stella Home will probably need at least one more major revision before the full manuscript is ready to be sent out to editors/agents, I can probably polish the first three chapters enough to shop it around sometime in May. I’m not sure if that’s what I’ll do, but it’s an option. It depends on whether I jump right in to the 4.0 revision after finishing the current draft, which I probably won’t do; better to let it sit for a while.
Instead, I think I’ll jump right in to finishing that novel I started in late 2008, Hero in Exile. The title will have to change (as always), but I’ve got a lot of fresh ideas for it, plus the enthusiasm to pull it off. In many ways, Hero in Exile is a non-linear sequel to Bringing Stella Home, so if I get a deal with the one, I can always pitch the other as the next in the series. That’s a huge plus–and a major reason why I’ll be enthusiastic about the project, since the two novels build off of each other.
Anyway, that’s what things are looking like from here. Somewhere in the middle of all that, I’ll read a couple of friends’ novels (I haven’t forgotten about you, Jakeson and Drek!), graduate, get an apartment, get a job (inshallah), write an article for Mormon Artist, go to a con or two, and maybe even get a girlfriend and/or figure out what to do with my life.