conventions – Page 2 – One Thousand And One Parsecs

Worldcon 2011: Thursday

Wow, the last couple days have been packed with awesome con-stuff, but I’ve got a short break so I thought I’d blog about it.

Thursday was great, attended a few panels but mostly just wandered around meeting people. I’m a little surprised with how many people read this blog. Got Brandon to sign my Kindle, and he was really supportive about my decision to epublish. I seem to be one of the only Utah writers going full-steam with indie publishing, but a handful of others are considering it, though for now they’re in the minority (which surprises me).

Anyhow, Thursday had a couple of really notable panels. The first was on faith and science fiction, and had both Eric James Stone and Moshe Feder on it, among others. Excellent discussion, though a couple of the commenters tried to derail it.

I found it surprising that the panelists didn’t have a good answer to my question: how do you reconcile far future sf with millenialist religions? That’s exactly what I’m trying to do with my Gaia Nova universe–create a far future epic that isn’t incompatible with the major western religions (Islam, Christianity, Judaism, etc). From the after-panel discussion, I got a strong recommendation to read C.S. Lewis’s space trilogy, so I’ll definitely be checking that out soon.

The other notable Thursday panel I attended was on ebook art, and featured John Picacio and Lou Anders, among others. John feels pretty strongly that indie writers are seriously devaluing cover illustration, and within the first ten minutes someone in the audience literally told him to f___ off! Wow, talk about tension–but even though it almost fell apart, the panel turned out to be very enlightening.

Let me just take a moment to say that I’m very impressed with what Lou Anders is doing over at Pyr. While the rest of the publishing world seems to have their heads in the sand when it comes to the ebook revolution, Lou is one of the few who sees it more as an opportunity than a threat. I’m not currently looking for a publisher, mostly because I’m waiting to see how things shake out, but I would be very surprised if Pyr is one of the publishers that goes under.

The parties in the evening were pretty good–as always, the Tor party was literally packed. Brandon saw a group of us clustering together, so he broke us up and sent us off to talk with editors and agents. He tried to point me out to an agent, but…you know, I’m not really looking for one right now. Brandon keeps telling me not to believe DWS when it comes to agents, and while I’m certainly not fundamentally opposed to them, I feel that I can better build my career by going in other directions. At some point in the future, maybe, but for now…not so much.

Speaking of Dean, I spent the whole evening hunting for him, then gave up around midnight only to find out the next day that he showed up at the SFWA suite fifteen minutes after I left (nooo!). And now that it’s 9pm in Reno and the parties are just getting started, I think I’ll cut this blog post here and recap Friday sometime later.

See you around!

Worldcon 2011: Wednesday

Just a quick update from Renovation before I crash for the night.

We left Provo pretty early–about 6:30, actually–and met up with Eric in Eagle Mountain. The drive to Reno was pretty long, but we had some awesome geeky conversations along the way. My favorite: how to successfully conduct an alien invasion.

So we rolled into town around 4:30, dropped our stuff off at the hotel, and hiked down to the convention center to register and wander around aimlessly until finding people we knew. At least, that’s what I did, and even though it’s a big con (about 4k to 5k people) it didn’t take long to run into a bunch of writing friends from Utah. The cool part: they had cornered Moshe Feder and were having a delightful conversation with him. Awesome guy, Moshe Feder. Very gracious and fun to talk with.

After that, I went with the gang to Tachyon Press’s panel. It was pretty good; a little dry, but still interesting. Kristy is really hoping to land an editing job with one of these companies, so she was more into it than I was, though I did ask a few questions about epublishing. I asked Moshe too, and my general vibe is that people in the traditional system are still in a “wait and see” mode.

So then we all went to IHOP, which was fun; it was good to catch up a bit, as well as relax and enjoy some good food. I went back to the con alone and browsed the freebie tables a bit, but there didn’t seem to be too much happening other than parties for the various committees trying to get their city voted for next year’s Worldcon. However, there seem to be a lot of movies showing in the late evening hours here (something I haven’t seen at a con before), so in the future I’ll have to try that out too. In any case, it was a pretty relaxing and uneventful evening.

Tomorrow is PACKED, though, and by packed I mean there’s waaay too much stuff going on for me to hit it all. But out of all those, the one panel that I absolutely WILL attend is “Making It As a Writer” with Dean Wesley Smith, among others. That one looks fascinating.

Other than that, I don’t have much to say. The convention is just getting started, so there’s not a whole lot to report…yet. I’ll keep you posted as the good stuff happens. In the meantime, sleeeeeep.

Worldcon in T-minus 10, 9, 8…

So I just finished packing for Worldcon, including 4 apples, 1 lb ginger snaps, and enough PBJ material to last the weekend (because fast food is disgusting and expensive). I’ll be leaving tomorrow at 6:30 am with Cavan to pick up Logan in Orem, then meet up with Eric in Eagle Mountain and head out for Reno, hopefully before 7:30.

This will be my first time at Worldcon, and I’m pretty stoked! It looks pretty freaking huge–Charlie sent me the PDF of the pocket program, and it had maybe twenty times the number of rooms for panels, workshops…man, it’s going to be hard not to get lost. Also, I don’t think they’ll be giving away free books like at World Fantasy, though I’ll keep an eye out for whatever I can find!

I don’t have any specific goals, but here is what I would like to do:

Meet up with the other Utah writers (there are a lot of us!).
Network with other indie writers and book bloggers.
Gather as much info on ebooks and the publishing industry as possible.
Discover up-and-coming short fiction markets and what they’re looking for.
Gauge the general zeitgeist of the science fiction & fantasy community.
Throw something at Brandon.
Have fun!

That’s just about it. See you in Reno!

First Radio interview and other such stuff

Dude, check it out–my first radio interview just went live on the Dungeon Crawler’s Radio website!

I met these guys at CONduit last month, where they had a booth and were recording all sorts of authors and artist. They were way cool when I talked with them, and when they found out I was a writer invited me on!

Hehe, considering how many big name authors they have on their show, I think I totally bombed–but it was still awesome. The guys who run the show were really great, too; it was a ton of fun hanging out with them. So thanks, guys, for having me on!

In other news, I just uploaded Genesis Earth to Smashwords, and I think it’s already live. So for all those of you who want to get it from somewhere other than Amazon, it’s now available! I’m still working through all the formatting kinks, so if you buy it and find some errors, let me know and I’ll send you a fixed copy.

Also, the cool thing about Smashwords is that you can generate coupon codes and even give the book away for free. What I’m hoping to do is print up a few business cards with the code for a free book, then distribute them at conventions like Worldcon. Hehe, imagine walking up to an editor and being like “hey, want my book? Here you go!” Or even just dropping off a stack at the freebies table; I think it could be an awesome way to get exposure.

Man, there’s so much exciting stuff going on! This is a great time to be a writer.

On the writing front, I’m making excellent progress on my current WIP (work in progress), Desert Stars. I’ve read through all the feedback from my first readers, and have a ton of fantastic ideas for how to make this story really shine. I revised through about 2.1k words this morning before work, and I’m hoping to do at least two and a half chapters before this weekend.

Also, a couple days ago at work, I was trawling through tvtropes (one of the advantages of doing data entry is that you can afford to feed the addiction, hehe), and I had a SUPER awesome idea for the next book in the Gaia Nova series.

Since Bringing Stella Home is basically the Mongol conquests set in space, the big story to conclude that arc would be the battle of Ayn Jalut, where the Mongols suffered their first decisive defeat. I did a little bit of setup for that in Into the Nebulous Deep, with the remnants of the Gaian Empire gathering at New Rigel.

Well, here’s what I’m thinking: I’ll bring back Danica’s team of mercenaries from Bringing Stella Home, make Roman a viewpoint character, and have Rina from Desert Stars join up with them as a quiet little girl in black who seems painfully shy, but is actually a deadly effective assassin whose weapon of choice is a bowcaster.

Oh yeah, I think this has some crazy awesome potential.

In any case, I should probably get to bed so I can get up early and write tomorrow. I hope to finish Desert Stars 3.0 by July 10th, and even though it’s going to take a lot of work, I think I can make it happen.

And after that…well, things just keep getting more and more awesome. I love writing!

“…and I am doing my best to leave traditional publishing behind.” –Tracy Hickman

Those were Tracy Hickman’s exact words today at CONduit.

He said it as part of his introductory remarks at his first panel, “To Cliche Or Not To Cliche,” and reiterated it on all of the panels he was on for the rest of the day.

For those of you who don’t know, Tracy Hickman has built a career spanning over thirty years, and has 56 novels still in print. He is an incredibly successful and prolific author. What’s more, he is quite possibly the most humble and sincere person at the convention: extremely approachable, and very accommodating towards his fans. He is an amazing man, and I hope to have a career like his someday.

He’s not the only big name author talking about epublishing either. I heard this secondhand so it’s not admissible in court, but L.E. Modesitt apparently had a lot to say about Kristine Katherin Rusch‘s recent blog posts concerning the disturbing changes in traditional publishing. Rusch is one of the voices at the epicenter of the indie publishing movement, along with her husband Dean Wesley Smith.

The initial shock wave of the ebook revolution has hit Utah, and people all over CONduit are talking about it. In fact, I think I spent more time today in the hall talking about ebooks than I did attending panels.

You have no idea how invigorated this makes me feel. I’ve been going around signing up bloggers for my Genesis Earth blog tour, and the sense of ownership I feel for my career is thrilling. On my way back to Provo, I made a connection between two ideas for my current work-in-progress, and I literally screamed for two minutes straight. I don’t know if I’ve ever been more excited to be a writer.

In his last panel of the day, Tracy Hickman closed with the following bold statement: if you master the art of story structure, have the dedication to work hard, and are willing to do what it takes to learn your craft, you will not only write a successful book, you will build a successful career in this world of new media.

That, my friends, is exactly where I want to be.

Stoked for CONduit and a sneak peek

CONduit starts tomorrow in Salt Lake City, and I am so stoked!

This will be my third year in a row, and it looks like all the usuals are going to be there: Dan Wells, Howard Tayler, Dave Farland, L.E. Modesitt, Tracy and Laura Hickman–in other words, a whole bunch of awesome people. It’s gonna be fun!

As usual, I’ll be recording all the panels I attend. Shoot me an email if you want the mp3s. I’ll also try to give a report on this blog, though it might be a bit sparse.

This year, I’m hoping mainly to get the ball rolling for the ebook release of my novel Genesis Earth. Local cons are great for networking with other writers, and hopefully I can get a few more people to sign up on the blog tour I’m trying to get started.

If you’re a blogger / blogging writer and you’d like to participate, here’s how it works: you give me either a topic for a blog post or a list of interview-type questions. I’ll write it up post and send it to you, along with the cover image for Genesis Earth. In the post, you include the image and a link to amazon where people can find the novel. When the post goes live, I’ll mention it here and put up a link so my readers can find it.

You get a free guest post, I get publicity for my book, and we both cross pollinate readers and build our blog audience. Win-win-win all around.

So yeah, shoot me an email if you want to participate. Genre-wise, Genesis Earth is a YA science fiction romance; basically, it’s a coming-of-age love story with starships, wormholes, and first contact. If you think your blog readers would be into that kind of thing, I’d be more than happy to put you on the tour list!

Finally, I have some eye candy for you: my cover artist, Hideyoshi, just sent me the final proof and it looks pretty friggin sweet. Check it out:

Aaahh! I’m so stoked to get this book out!

LTUE 2011

So LTUE (BYU’s science fiction and fantasy symposium) was last weekend, and it was awesome.

The venue was the BYU Conference Center just north of where DT used to be, and in my opinion this was a much better place to hold it than the student center, where it’s always been. It felt a lot more professional, and allowed for better interaction.

It felt like there were a lot more people there this year, including two editors: Lisa Mangum from Shadow Mountain, and Stacy Whitman from Tu. I didn’t try to pitch to either of them, since I don’t think they really publish what I write, but they were on a few interesting panels. Tracy Hickman, Howard & Sandra Tayler, and Jessica Day George were also very awesome on all the panels they attended.

One of my favorite panels was the presentation by Tracy Hickman on Lord of the Rings. He basically took it apart using Dramatica theory, showing how the series is composed of several distinct subplot, where each character (even the minor ones, like Eowyn) is literally the hero of their own story.

The presentation inspired me to go through some of my own novels and use the basic character archetypes from Dramatica to outline my own novels. I wrote out the names of all the characters in WAFH and GE on notecards, then on the back wrote down which archetype they fulfilled based on who was the protagonist.

There were several other excellent panels as well. I got a ton out of the “Can your dreams pay the bills?” one, with Sandra Tayler moderating. She sure knows her stuff when it comes to the practical business aspects of a creative career.

I dunno; a lot of my writing friends claim to be at a point where panels at cons are less useful for them. While I can see why they say that, I still find them helpful. While a lot of the advice is stuff I’ve heard before, every once and a while someone will have a fascinating insight on things. It’s like stories, I guess; even though there’s nothing new under the sun, everyone has a different way of making it their own, which is ultimately what makes the whole enterprise valuable.

Also, I had an awesome first this year: I signed my first autographed story! Leading Edge had a booth in the hall, and while I was hanging out there, I mentioned to Eric James Stone how I had a short story published and joked around about signed copies. To my surprise, he bought the issue and asked for me to sign it!

So yeah, my first signed copy of anything ever goes to Eric–thanks for the support! Now I’ll see what I can do to make that signature actually worth something someday…

Oh yeah, one more thing: Dan Wells is going to name a character in one of his books after me! According to Dan, the character (Gabe Vasicek) is “a big guy who wields a minigun.” Hehehe…can’t wait to read it!

Anyhow, LTUE was awesome this year, just as I’d expected. The panels were enlightening and entertaining, the guests were gracious and easy to talk with, and the overall experience was just a lot of fun.

World Fantasy Day 3

Saturday at the World Fantasy convention was awesome. Tons of amazing panels, with excellent advice and some very interesting insights.

First, I attended “The Story Cycle vs. The Novel,” which was moderated by L.E. Modesitt. The panelists talked about the evolution of a series and the difference between a cycle of novels vs. a continuation. In a story cycle, there may be many books, but one ending, whereas in a more loose series, every novel is a standalone with an ending. In another panels someone used the analogy of an avalanche vs. skipping stones, which I found quite useful.

Next, I attended “The Continued Viability of Epic Fantasy.” The panel started out by defining epic fantasy (as opposed to heroic / sword & sorcery), which they more or less agreed has the following characteristics:

Takes place in an alternate world
Is large in scope, rather than personal
Involves characters who are trying to save the world
Has a multi-strand plot with many viewpoints
Has an extended story arc

David Drake then blew the premise of the panel out of the water by arguing that epic fantasy is still selling well–in fact, that the market has been expanding over the past ten years.

Drake also pointed out, however, that when you’re successful, the normal commercial rules don’t apply; first, you have to prove your chops, realizing that the publishers will lose money on your first couple of books. That’s just a fact, and anyone who denies it is arrogant and stupid.

The next panel was “Slaughtering the Evil Hordes,” about the barbaric hordes trope in fantasy and whether it’s disturbing or a good thing. I asked the question: “how can you have the hordes win and still make it work?” and Tom Doherty pointed to Modesitt’s Magic of Recluse as a good example of this. Basically, you have to show the good in each side, sometimes by a shift that makes the reader suddenly and unexpectedly see the hordes in a new light.

Next, I attended “The Moral Distance Between the Author and the Work.” This panel was quite fascinating. One of the interesting questions that was raised was whether you can deduce an author’s morals from reading their work. At first, the panelists said that in good art, you can’t, but then Scott Edelman and Eric Flint pointed out that if you read an artist’s whole corpus, usually you can. Nancy Kress compared artists to dandelions; over time, you grow and mature, but when you send out work, where it goes and what happens to it has nothing to do with you as the artist.

One of the best panels, however was “Authors and Ideas,” which happened the next hour. The panelists started by agreeing that as an author, your most deeply held personal beliefs will always show up in your work, whether or not you know you believe it. The stuff we believe most firmly, we never even think to question because it is invisible to us. Most aliens in sci fi are less alien than the Japanese, and our own great great grandparents are more alien to us than anything else.

The panel then got on to how writing is a collaboration between the author and the reader, where the writer has no control over what the reader will take from it. Even though your art will contain your beliefs, in order to be great it must also convey what you don’t believe–the “opposition in all things” element. Done well, the author “shakes hands with the reader over the character’s head.”

After the panels, I had dinner at the con suite–and let me just say, the convention organizers went WAAAAY out of their way to make the con suite awesome. They literally provided every meal, and enough of it to feed everyone who came in, which really surprised me. A huge thanks to everyone who volunteered with organizing and running the con.

Anyway, I got into a HUGE discussion at dinner with an amazing couple who runs a used book business out of Massachusetts. We talked about artificial intelligence, the physical limits of computer circuits, and whether it’s possible for us to one day emulate the human brain on a computer system. Gained some very interesting insights for my novel Genesis Earth, as well as just a general fun time. Conversations like this are one of the things I treasure about these events.

And then I bounced around the parties for the rest of the night. Had fun, talked with Tom Doherty and a handful of authors (though not as many as last year), but probably most importantly made a bunch of awesome writer friends, with whom I will be keeping in touch after the convention.

I might not have met a bazillion agents and editors this year, but I did make a ton of friends among the aspiring writers and editors, and that definitely counts for something. I look forward to staying in touch and supporting everyone as we break in and make our mark; we’re the next generation of an awesome literary tradition, and we’re definitely going to keep it going!

World Fantasy 2010: Day 2

Wow, what a tiring day. I feel drained, mentally and physically, and I didn’t even spend all that much time at the parties tonight.

I got started a bit early, prowling around the book-swap table, where I was rewarded with some books that look really good. If you know what you’re doing, you can totally get the price of your admission ticket in free books (and then some). I packed super light for that exact reason.

The convention started out with an awesome panel titled “Fantasy Gun Control,” where the panelists discussed why fantasy tends to favor swords over guns, even though guns have existed since the 1300s. Funniest quote from the panel: Walter Jon Williams asked what if Samuel L. Jackson was one of the Defense Against the Dark Arts teachers from Harry Potter, and Charles Gannon quipped “do I have to get magical on your ass?”

The other panel I attended was “The Tension Between Art & Commerce,” an excellent panel which very quickly evolved into a cage fight between Nancy Kress and her publisher, Tom Doherty. It basically went something like this:

Tom: I don’t think there is any tension; the best art always sells the best.

Nancy: No way! Just look at Danielle Steele: her writing is CRAP, yet she sells like crazy–and that’s the norm!

Tom: But true art endures beyond its time and sells much better over the long run. After all, just look at Homer and the Iliad.

Nancy: Homer? Are you serious? He’s been dead, what–2,000 years?

Tom: Yeah…but my point is, if you’re a writer, you need to write what’s in your heart and not chase the market. If you do try to chase the market, your writing will be crap, AND it won’t sell.

Nancy: True, but what about my apocalyptic novel about a plague that turns domestic dogs feral? I got four rejections that all said: “this book is great, but it would offend dog lovers so much that we can’t publish it.”

Tom: Well, those were just stupid editors.

Nancy: Uh, Tom…one of those was from your publishing house!

Of course, those aren’t exact quotes, and Nancy was very quick to make it known that she loves Tom and appreciates him for publishing so much of her work, but that was more or less how it went. It was hilarious.

At the same time, the panel was quite useful as well. Everyone mentioned how a writer’s willingness and ability to learn the craft and accept criticism is key–especially after getting an editor. Without this capacity to learn, aspiring writers will almost never succeed, whereas those who have it have a chance.

The rest of the time I spent hanging out and shmoozing with various people. I interviewed both Dan Wells and Peter Ahlstrom for the Mormon Artist article on BYU’s “class that wouldn’t die,” and those interviews went very well. Those two guys are seriously awesome–way down to earth and easy to talk with.

I also pitched to a couple agents, and I think it went very well. For one of them, I thought I saw her eyes light up as I described the characters in my novel from last year, Genesis Earth. It might just be wishful thinking, but her response was enough to convince me that I need to give that story a thorough revision and send it out to her before the end of next month.

I worry, though, that there’s not as much demand for the kind of fiction I write. My writing falls very solidly into science fiction (space opera, to be more specific), but everything I see here at the con is fantasy–epic fantasy, urban fantasy, paranormal, steampunk. No science fiction, except from a couple small presses. Just fantasy.

In the art vs. commerce panel, Ginger Buchanan claimed that science fiction was never a popular genre–that the popularity was all due to a handful of specific writers and a handful of specific works. I’m not sure I agree with that, but it is a bit discouraging. Speculative fiction is a fairly niche corner of the publishing world to begin it, and to see and hear people within that niche treating science fiction as ANOTHER niche…it doesn’t bode well for someone who wants to make a full time living writing it.

But then again, maybe my stuff is good enough that it’ll find a home anyways–and not just a home in a small press, but with a big enough publisher that I can actually be a full time writer. I don’t hold any illusions about my books making me fabulously rich and famous or somehow spawning a new sub-genre unto itself, but I do think my writing is good enough that I can shoot big and hope to get somewhere–perhaps even expect it. I don’t know, but I feel that the hope is justified, at least.

Anyhow, that’s probably more angst than you cared to read. World Fantasy is going great, and I’m exhausted, so I’m going to hit the sack. Good night.

World Fantasy 2010: Day 1

So today was the first day of World Fantasy, the major professional convention for science fiction and fantasy literature. I’ve only been here for a few hours, but I can already tell it’s going to be awesome.

While making a stop in Chicago, I ran into two other writers on the same flight (one by the name of Theodora Goss who was on a panel later that evening) and ended up sharing a taxi with them. We had some great conversations on the way down, about non-conciliatory fantasy, Dave Wolverton’s workshops, writing short stories vs novels, etc. It was great.

So I arrived at the hotel, checked in, got situated, and immediately started running into other Utah/Mormon writers. I was a bit surprised, because I was expecting us to have a much smaller contingent this year, but I started running into familiar faces right off the bat.

And then, as a tribute to how universal science fiction and fantasy fandom really is, a group of us cleanshaven Mormons ran into an atheist and agnostic from Seattle in the hallway and spent a delightful evening together talking about religion, why there are so many Mormon sf&f writers, more religion, dating/relationships in Utah, still more religion…and it was awesome. They said we were some of the coolest Mormons they’ve come across, and I have to say, I very much enjoyed meeting them as well.

So anyways, I just went to one panel this evening: “Fantasy as a Rejection of the Present.” Basically, it was all about how fantasy tends to hearken back to the forgotten values of the past, and how steampunk and contemporary urban fantasy is largely a reaction against our modern consumer culture. There was a lot more to it as well, including a discussion of Tolkien, Lewis, and William Morris, but that was the most interesting tidbit I took from it.

It got me thinking that perhaps I should try my hand at urban fantasy. I haven’t yet tried it because I get bored just thinking about stories set in the “real world”–but lately I’ve been thinking a lot about how screwed up this “real world” really is…perhaps some of those thoughts would translate surprisingly well into urban fantasy.

I don’t know. Anyhow, that’s my <500 word report on tonight’s activities. I’ll try to make another one sometime tomorrow, but I make no promises–hanging out with these people is just too much fun. Good night.