Reading Resolution Update: Before 2022

My 2022 Reading Resolution: Read or DNF every novel that has won a Hugo or a Nebula award, and acquire all the good ones.

I was going to keep track of my reading resolution this year by mentioning each book and what I liked or didn’t like about it, why I DNFed it if I did, etc… and then I thought about it a little more and realized that that’s a terrible idea. Perhaps if I weren’t an author myself, I could risk bringing down the wrath of the internet by broadcasting everything that I really think about these books, but that’s still a really stupid thing to do—not to mention, a great way to burn a bunch of bridges that, as a writer, I really shouldn’t burn.

Instead, I’m going to post a monthly update where I list all of the books that I read and want to acquire, all the books that I read and probably won’t acquire, and all of the books that I DNFed, without any book-specific commentary. I do think that having some public accountability will help me to keep this resolution, and I do intend to keep it. But because I anticipate DNFing a lot of books that have very, um, merciless fans, this seems like a better way to do it.

So here is how things stood on the morning of January 1st, 2022:

Books that I read and want to / have already acquired:

  • Double Star by Robert A. Heinlein (1956 Hugo)
  • Starship Troopers by Robert A. Heinlein (1960 Hugo)
  • A Canticle for Leibowitz by Walter M. Miller Jr. (1961 Hugo)
  • The Man in the High Castle by Phillip K. Dick (1963 Hugo)
  • Dune by Frank Herbert (1966 Hugo and Nebula)
  • The Left Hand of Darkness by Ursula K. Le Guin (1970 Hugo and Nebula)
  • The Dispossessed by Ursula K. Le Guin (1975 Hugo and Nebula)
  • Downbelow Station by C.J. Cherryh (1982 Hugo)
  • Neuromancer by William Gibson (1985 Hugo and Nebula)
  • Ender’s Game by Orson Scott Card (1986 Hugo and Nebula)
  • Speaker for the Dead by Orson Scott Card (1987 Hugo and Nebula)
  • Barrayar by Lois McMaster Bujold (1992 Hugo)
  • Mirror Dance by Lois McMaster Bujold (1995 Hugo)
  • The Mule (included in Foundation and Empire) by Isaac Asimov (1946 Retro Hugo, awarded in 1996)
  • Harry Potter and the Goblet of Fire by J.K. Rowling (2001 Hugo)
  • Farmer in the Sky by Robert A. Heinlein (1951 Retro Hugo, awarded in 2001)
  • Fahrenheit 451 by Ray Bradbury (1954 Retro Hugo, awarded in 2004)
  • Spin by Robert Charles Wilson (2006 Hugo)
  • The Sword in the Stone by T.H. White (1939 Retro Hugo, awarded in 2014)
  • Network Effect by Martha Wells (2021 Hugo and Nebula)

Books that I read and don’t plan to acquire:

  • The Demolished Man by Alfred Bester (1952 Hugo)
  • The Forever War by Joe Haldeman (1975 Hugo and Nebula)
  • Gateway by Frederik Pohl (1977 Hugo and Nebula)
  • Red Mars by Kim Stanley Robinson (1993 Nebula)
  • American Gods by Neil Gaiman (2001 Hugo)

Books that I did not finish:

  • The Moon is a Harsh Mistress by Robert A. Heinlein (1966 Hugo)
  • Flowers for Algernon by Daniel Keyes (1966 Nebula)
  • Lord of Light by Roger Zelazny (1967 Hugo)
  • Ringworld by Larry Niven (1970 Hugo and Nebula)
  • Rendezvous with Rama by Arthur C. Clarke (1973 Hugo and Nebula)
  • Green Mars by Kim Stanley Robinson (1993 Hugo)
  • Blue Mars by Kim Stanley Robinson (1996 Hugo)
  • Forever Peace by Joe Haldeman (1997 Hugo, 1998 Nebula)
  • The Fifth Season by N.K. Jemisin (2015 Hugo)
  • The Obelisk Gate by N.K. Jemisin (2016 Hugo)
  • The Stone Sky by N.K. Jemisin (2017 Hugo and Nebula)

By Joe Vasicek

Joe Vasicek is the author of more than twenty science fiction books, including the Star Wanderers and Sons of the Starfarers series. As a young man, he studied Arabic and traveled across the Middle East and the Caucasus. He claims Utah as his home.

2 comments

  1. What was it about “The Moon Is A Harsh Mistress” that caused you to not finish it? I really enjoyed that book.

    1. I know it’s the quintessential libertarian science fiction novel, and that it’s the kind of book that ought to be right up my wheelhouse—and maybe one of these days, I’ll try it again and actually enjoy it. But both of the times I tried to read it, I just couldn’t get through it. The first time, it was all of the moon slang. The second time, it was a bit more complicated. I’m not generally one to put much stock in accusations of misogyny or sexism, especially in today’s toxic political environment, but the sexuality of the book really puts me off: specifically, the idea that in what is essentially a free love future (and while I know that it’s technically polygamous, the way the main character behaves, it’s essentially no different than free love), relations between the sexes haven’t really changed from what they were in the 60s. That just struck me as being too naive and/or titillating to be believable, which was why I couldn’t get through it the second time.

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