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Extra Sci-Fi S3E8: Dune – Maud’dib
I thought this was a really good episode, though I’m not convinced that it’s better (or even possible) to lead through ideas rather than charisma. You need both, and I would argue that principles are more fundamental to human society than ideas. But still.
The part about the Harkonnens ruling through decadence and indulgence was particularly interesting. I see a fair bit of that in society today. Ten-plus years of suppressed or negative interest rates, with trillion-dollar deficits during a supposed economic boom? If that isn’t decadent, I don’t know what is. But I digress.
Everything rises and falls on leadership. A shitty job with an awesome supervisor can be amazing, but even a dream job can be ruined by a really shitty supervisor. I learned that the hard way.
My favorite example of charismatic leadership is probably Genghis Khan. I totally mean that, too. Genghis Khan’s story is amazing. He went from abject poverty and slavery to founding the largest land empire in history, all through the strength of his leadership. Extra History did a series on him, but the best version of his story that I’ve found thus far is from the History of China podcast:
- Mongol 1: The Blood Clot
- Mongol 2: The Black Sable
- Mongol 3: The Anda, the Arrow, and the Airag
- Mongol 4: The Great Khan
The series is still ongoing, which is why the last two episodes don’t have links. You can find them in the podcast feed, though.
Now, I don’t necessarily advocate making Genghis Khan a role model. The man was responsible for a lot of death and destruction, and his empire did not endure. That said, it’s impossible to question that he was one of the most charismatic and effective leaders in the history of the world. As to whether he was a positive leader, well…
My favorite example of a positive leader is probably Shackleton. Endurance was a fantastic book. The biggest thing that blew my mind was the fact that he hired his crew entirely on the basis of five minute (or less) interviews, where they basically shot the breeze. He was so good at reading people that he could hand-pick a crew that would survive and pull together under the harshest conditions of the planet, and he did it entirely by hanging out with them for a couple of minutes. That’s incredible.
And it gets back to the tension between ideas, principles, and charisma. You need all three. Charisma is basically people skills, and all of the best ideas in the world won’t avail you much as a leader if you suck with people.
Everything rises or falls on leadership.
A Path to Self-Sufficiency
It’s been a while since I’ve done a Self-Sufficient Writer post, but I think I’d like to bring that series back, with the goal of turning it into a book eventually. There’s a lot of interesting stuff I’ve learned that would make good content for that blog series, and I still have a lot to learn.
In an effort to map out my own path to self-sufficiency, I drew up a list of all the major things I think I need to learn and/or do to achieve the level of self-sufficiency that I desire. Some of it is mostly aspirational, especially toward the end, but I do think I can achieve most of this stuff, if not all of it.
The list is roughly ordered from easiest to hardest, or else in such a way that one thing builds off of another. It’s still a work in progress, though, so if you have any suggestions or anything to add, I would appreciate it.
- Learn how to store and use oats, beans, and wheat.
- Learn how to make bread and maintain a sourdough culture.
- Start an herb garden and learn the basics of gardening.
- Develop a storage system for canned and dry goods.
- Learn how to make kraut and fermented vegetables.
- Learn how to make yogurt and cheese (this is where I am currently).
- Keep a garden for greens, tomatoes, peas, and peppers.
- Learn how to can and pickle.
- Finalize the garden plan (including compost).
- Build a rainwater reclamation system.
- Develop a source of off-grid power.
- Build a wood-fired oven and learn how to make bread with it.
- Learn how to hunt and process game meat.
- Develop a plan for livestock.
- Secure a source for eggs and milk.
- Learn how to make clothing and work with textiles.
- Build a shop and learn how to work with wood and metals.
- Build a foundry and learn how to cast metals.
- Build a greywater reclamation system.
- Secure a source for homespun textiles.
- Acquire productive land and improve it.
- Build an off-grid cabin.
And of course:
0. Plant a tree.
Extra Sci-Fi S3E7: Dune – Wandering in the Desert
So the problem I have with most “ecological science fiction” is that it draws almost exclusively on the ideas of Malthusian economics—essentially, the argument that Thanos was right. The problem with this is that Malthusian theory has been disproven by every generation of humans to live on this planet for the last 150 years. It’s even more discredited than Marxism, which is another unscientific philosophy that “ecological science fiction” draws heavily from.
I remember an old 70s novel I picked up from the local used bookstore, where by the year 2000, Earth had warmed so much that Antarctica was the only habitable continent, and resources were so scarce that the main character—a buxom blonde—had to go topless. Yeah, very 70s. The premise of the novel was so absurd on its face that I couldn’t finish it.
I also remember an Octavia Butler book that I read. It was the sort of book that makes you chuck it at the wall once you’re finished. The plot went something like this: the main character has been abducted by aliens and drafted into their breeding program, and she spends the whole book trying to escape, only to learn that she’s already pregnant and never will. The end. The writing was pretty good, but the story was so horribly unsatisfying that I haven’t read anything by her since.
From what I can tell, most “ecological science fiction” is like that. Very pretty sentences, but horribly unsatisfying stories, with way too much preaching about how capitalism is evil and humans are destroying the planet. That’s probably why these books tend to win so many Hugo Awards.
Red Mars was okay, but it was less about Earth and more about Mars itself. I was personally more interested in the political intrigue among the colonists than the terraforming project, but both were pretty good. The characters all seemed a little bland to me, though, and I never really latched on to any of them, which is probably why I didn’t read the other books. From what I can tell, they got more preachy toward the end.
Everyone praises Dune for being an “ecological” novel, but to be frankly honest I never really got into that. The political intrigue and the struggle of Paul Atreides with his prescience was a lot more interesting to me, and while the ecological bits certainly played into the plot, I didn’t really care enough to pay much attention to that.
Also, the parts that I did pick up seemed pretty unbelievable to me. From what I remember, there was a second, much smaller type of worm that produced a certain kind of excretion which, if mixed with the spice, would cause a chain reaction that would completely destroy the Arrakis ecosystem. Something like Kurt Vonnegut’s ice 9, which instantaneously freezes any water it comes into contact with, which makes it the most dangerous substance on Earth because a single drop could freeze all the water on the planet. In my (albeit limited) experience, ecosystems always find their own equilibrium, which makes them resiliant against that sort of thing. But of course, that would probably interfere with the preaching that “ecological science fiction” tends to indulge in.
From what I can tell, Dune is one of the few pieces of “ecological science fiction” that hasn’t aged poorly, and that’s not because of the “ecological” bits, but in spite of them. Because the truth is that we live in a fantastically rich and abundant post-scarcity world, where “global warming” had to rebrand as “climate change” because none of the predictions came true, and the science has been so ridiculously politicized that the Green New Deal makes the Communist Manifesto look sane and reasonable.
Thanos was wrong. So too, apparently, is the entire field of “ecological science fiction.”
Dragon Aurora
This is now the background image for my phone:
I’ve been following Astronomy Picture of the Day since 2006, which makes it one of the blogs I’ve followed the longest. It’s also one of the first blogs on the internet. Most days, the picture is somewhere between good to okay, but this one was truly exceptional. Excellent work, Jingyi Zhang and Wang Zheng.
You can find it here.
Dear Ms. Reader (Blast from the Past: June 2016)
So 2016 isn’t that long in the past, but while reviewing my blog archive, I came across this gem and knew I just had to share it this week, especially with all the flak that capitalism has been getting from a certain former bartender recently. Enjoy!
Dear Ms. Author.
I really like your books. I think they are well-written and I enjoyed reading them. (So far, so good, right? Hang on.) However, I have returned them all because you priced them at $0.99 to $2.99, and that is too much to pay for them. I can’t afford to pay that much for a book, even though I liked it. In the future, can you make sure you make all your books free so I don’t have to return them?
Dear Ms. Reader,
Thank you for reading my books. I appreciate your patronage. However, this is why my books are not free:
What have you done to serve your fellow man?
Sincerely yours,
Joe
The Short, Victorious War by David Weber
This is it—the big showdown! The war between the Kingdom of Manticore and the People’s Republic of Haven has come!
I’ve really been enjoying this series. Like I said in my review of On Basilisk Station, the Honorverse is what Star Trek wants to be when it grows up. Where Star Trek is campy, the Honorverse is polished. Where Star Trek is preachy, the Honorverse is nuanced. Where Star Trek relies on hand waving and technobabble, the Honorverse shines with complex, believable world-building and incredible attention to detail. And perhaps most importantly, where Star Trek characters do things that are head-shakingly stupid, the characters in the Honorverse all, for the most part, smart, capable people with very good reasons for everything they do.
In any case, while the third book wasn’t quite as good as the previous two, it did not disappoint. In terms of character development, this may have been the best book in the series so far. Honor Harrington confronts a bunch of her private demons in this book, including her near-rape at the hands of Pavel Yong, and Weber did a really good job of that. There was also no shortage of action, seeing as Honor commands one of the biggest and most ferocious RMN warships in the fleet, and goes head to head with the greatest existential threat to the kingdom itself.
That said, in some ways the ending felt… a little too perfect. There was very little of the underdog stuff that really drove the first book, and while the stakes were definitely high, and lots of people died, the way they pulled it off felt a little too flawless. Without getting into spoilers, this was especially true of the intrigue going on within the People’s Republic of Haven itself. There was definitely intrigue and subterfuge, but it didn’t feel complex enough, or messy enough, to really satisfy me. Everything lined up just a little too perfect.
That’s really my only complaint, though. There was no shortage of crowning moments, and some great come-uppances for the bad guys, especially Pavel Young. Quite a few tear-jerking moments as well, especially in the side stories and peripheral conflicts that didn’t involve Honor directly. More than just big guns and explosions, Weber really knows how to personalize a conflict and get you to feel deeply intimate with the characters. In that aspect, this was probably the best book in the series so far.
Great book, and immensely enjoyable, just like the previous two. I heartily recommend it.
I think I’m going to take a break from the Honorverse for a while. I do intend to come back to it eventually, but there’s a bunch of other similar stuff that I want to get to first, like House of Assassins, the Vorkosigan Saga, and David Gemmell’s Troy series. Baen stories are like a rich chocolate cake, and I can only take so many at a time—and yes, I know Gemmell was never a Baen author, but his books scratch the same itch for me. In fact, they may be the richest chocolate cake of them all.
Extra Sci-Fi S3E6: Dune – Plots and Plans
In Future Mrs. Vasicek’s writing group, we were talking about plotting and I remarked that plotting didn’t seem to be one of Frank Herbert’s strengths in Dune. Looking back on it, though, I think that the plot was pretty solid, but he chose to focus on other things instead—such as all of the machinations and ultimate downfalls of all of the characters, which Extra Credits discusses in this video.
When they brough up the “competent man” trope in the last season, and argued against it, I wasn’t quite sure how to take it. I know people in real life who fit the competent man trope very well, and who actually live up to Heinlein’s ideal:
A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects.
In this episode, the folks at Extra Credits argue that Herbert subverts the competent man trope in Dune by showing a bunch of characters who fit that trope failing because they fit it too perfectly. But as you can see from the quote above, that’s actually not the case.
The empaths and mentats in Dune are specialists. In fact, the world of Dune is full of specialists, from the pilots of the spacing guild to the Imperial Sardaukar to the Bene Gesserit—even the Fremen, to a certain extent, are specialists rather than Heinleinian competent men.
The video isn’t wrong to point out that specialization and hubris is the ultimate cause of all of these characters’ downfall. But they miss the trope when they argue that this is a critique of Heinlein and golden age science fiction. If anything, it’s a vindication. Heinlein’s competent man is all about being a jack of all trades, master of one (or two, or half a dozen, as the case may be). In Dune, the characters who do best are the ones who figure this out.
I do have to say, though, it’s kind of fun to revisit Dune, seeing as it’s been so long since the last time I read it. Future Mrs. Vasicek didn’t like the book at all, but I enjoyed it, especially on the second read. Very few things made sense on the first read. My favorite character is probably Jessica, though the folks at Extra Credits are absolutely right about the way that Yueh played her.
The Paradox of Choice: A chilling glimpse of an all-too possible future.

In cases where there may be severe deformities… I can tell you exactly what would happen. The infant would be delivered. The infant would be kept comfortable. The infant would be resuscitated if that’s what the mother and the family desired, and then a discussion would ensue between the physicians and the mother.
The Paradox of Choice
Enough small talk, Ruth. You didn’t come here to chat.
Is it really that obvious?
I’m afraid so. Who’s the father?
I don’t know, Jezebel. I can picture his face, but I can’t remember his name. I don’t even have his number. It was just one night—this was never supposed to happen.
Mmm hmm.
I’ve made a horrible mistake.
Don’t say that about yourself, dear. You’re a very strong woman. I’m sure we can find a way to fix this.
You are?
Absolutely. This is the current year, after all. Women have rights.
I know, but I think it may be too late. This is something I have to live with now.
Don’t be ridiculous, Ruth. It’s your choice.
Yes, but my baby is already three weeks old. I mean, look at him. He has my eyes.
You can’t seriously think of that as your baby.
Why not? He’s mine, isn’t he? I’ve already given birth to him.
Yes, you have. But the Supreme Court ruled that personhood does not extend to infants until they possess the ability to comprehend language. Until then, that thing is no different from a dog, or a cat.
But Jezebel, this is my child!
Not until its brain develops well enough that it can speak. Until then, there’s no legal difference between terminating him or putting down a dog.
How can you say that? Look at him, Jezebel! Look at how expressive his face is—how his eyes follow you—how he smiles.
Ruth, please. Don’t let your emotions cloud your judgment. Do you know how much other women have sacrificed to give you this choice?
No, but—
You are an empowered, modern woman. This is your choice. Don’t be ashamed of that. Be proud. Celebrate it.
But what if I don’t want to go through with it?
Come on, Ruth. Be reasonable. Are you really in a position to raise a child?
No, but I—
Then the most merciful thing you can do is terminate it, while you still can.
What?!
It’s true, and you know it. If you decided to keep it, you’d most likely find yourself trapped in the cycle of poverty, a single mother for the rest of your life. And is that any way to raise a family? Trust me, Ruth. Better to let it go.
But how is that worse than killing him?
The statistics don’t lie. A life trapped in poverty is not worth living.
How do you know that?
Are you seriously going to fight with me on this? You’ve led a privileged life, Ruth. We both have. It’s cruel and barbaric to bring a human life into the world under lesser circumstances than you’ve enjoyed.
But I already have.
No, you haven’t. Not according to the law.
But—but what if the law is wrong?
Ruth, dear. Please. You’re changing the subject. We aren’t talking about the law, we’re talking about you. About your life. About your freedom. About your choice.
I don’t know, Jezebel. It’s just… it doesn’t feel right to kill my child.
There you go again, calling it a “child.” Do we need to go over this again? It’s not a real child until it can speak.
But some babies can learn to make signs when they’re only a few months old. They can make gestures for food, for play, or for when they’re tired or hurt. Doesn’t that count?
Don’t get caught up in the minutiae of it, Ruth. The truth is, this is your choice, and anyone who tells you otherwise is just trying to shame you into silence. Don’t be ashamed. Don’t let them silence you.
I don’t know.
What do you mean, “I don’t know”? Do you doubt the science of brain development? Do you think you know better than the Supreme Court of the United States?
Okay, okay. I’m sorry.
Then what is holding you back?
Look at him, Jezebel. Isn’t he the cutest thing you’ve ever seen?
I know you feel attached to it, Ruth. And I know how hard this must be for you to hear. But I promise you, there is nothing wrong with letting it go.
Are you sure?
Yes. In fact, it would be a mercy.
But Jezebel—I can’t.
What do you mean?
I can’t put down my baby. It doesn’t seem right. Even if it is a mistake, it’s my mistake.
Then why should you have to carry it with you for the rest of your life? Why do you refuse to let it go? There’s still time for you to make this right. Be brave, Ruth.
How is it “brave” to kill my child?
We’ve been over this, Ruth. It’s not a “child.” Not yet.
Child or not, it’s still my own flesh and blood. I carried it to term and gave birth to it. I gave it life.
Yes, but it’s not a real person.
How can you say that? It laughs, it cries. It has feelings. If I don’t put it down, it will one day grow up to be a man. To be my son. His children will be my grandchildren. And who knows but what he’ll accomplish more in his life than I will in mine?
There you go, letting your emotions get the best of you again.
But where’s the line, Jezebel? When does he become a real human person? I’ve already brought him into this world.
Yes, you have. But until the law says he’s a person, he’s not one.
Is that what it all comes down to, then? The law?
I didn’t come here to argue with you about the law, but if that’s what it takes to convince you, then so be it. Yes, it all comes down to the law. If the law says you’re a person, you’re a person. If it doesn’t, then you’re not. Why make this more complicated than it needs to be?
Because… what if the law is wrong?
It isn’t wrong. This is your right. Your choice.
But isn’t murder a choice, too?
No, Ruth. Murder is a crime. It breaks the law.
But is that the only thing that makes it wrong?
Why should it matter?
Because putting down this child—I mean, terminating this life—it feels a lot like murder.
It’s not, Ruth. The law says so.
But what if the law said that I’m not a person? What if it said that you were within your rights to kill me? That would be murder now—would it still be murder then?
Ruth, I—
And who makes the law, anyway? How do we know that they’re right? I mean, yes, I know that without law, we can’t have a functioning society, but what if our laws are bad? What if following the law is wrong?
Don’t be ridiculous. Following the law isn’t wrong, because it’s the law. And the law says that you have a choice.
But—
Enough arguing, Ruth. Are you going to make your choice, or not?
What if I choose not to?
Ruth, Ruth, Ruth. How many times must we go over this?
But you said it was a choice. That means that I have options. I don’t have to kill—I mean, terminate it. If I did, it wouldn’t be a choice, would it?
That’s not the point.
Yes, it is. And it feels like you’re trying to make the choice for me.
Only because it’s the right one.
Why?
Because it’s empowering.
Then why does it feel like you’re trying to force it on me?
Don’t argue with me, Ruth. This is for your own good. One day, when you’re a happy, successful woman, you’ll look back on this conversation we had and thank me. Oh look, it’s beginning to snow.
It’s too warm outside to be snow.
My mistake. At least it’s good for the plants. Now, do you need me to come with you to the crematorium? I’m here to help you, Ruth. Every step of the way.
I don’t know. I just—
You just what?
Never mind.
Author’s Note
On January 22, 2019, New York enacted the Reproductive Health Act, which legalized abortion up to the moment of birth and repealed criminal charges for harming unborn children. A few weeks later, the Repeal Act was proposed in Virginia, which would have similarly repealed abortion restrictions in the state. In discussing this bill, Governor Ralph Northam said the following:
“In cases where there may be severe deformities… I can tell you exactly what would happen. The infant would be delivered. The infant would be kept comfortable. The infant would be resuscitated if that’s what the mother and the family desired, and then a discussion would ensue between the physicians and the mother.” (Julie, Cary, Ralph Northam, Ask the Governor with Va. Gov. Ralph Northam, WTOP-FM, 30 January 2019)
Governor Northam’s hypothetical case bears a striking resemblance to the 1939 case of baby Knauer, one of the first victims of child euthanasia in Nazi Germany. Baby Knauer was born with many severe deformities, including blindness, imbecility, and missing limbs. Hitler himself authorized the killing of the child. (Staatsarchiv Nürnberg, United States of America v. Karl Brandt et al., zitiert nach Ulf Schmidt: “Outbreak of War and Euthanasia. Results of Recent Research into the ‘Knauer Child’ in 1939.”) After baby Knauer, the Nazi eugenics program rapidly expanded to include forced euthanasia of the mentally ill and handicapped, and ultimately evolved into what we now know as the Holocaust.
In today’s political discourse, we have a tendency to use the Nazis as a proxy for the ultimate evil. Nazis don’t just exist on the spectrum of good and evil; Nazis are the scale. However, a compelling argument can be made that abortion in the United States exceeds the evil of the Nazis.
First, consider the numbers. Six million Jews were exterminated in the Nazi Holocaust, plus several hundred thousand Romani, Homosexuals, Jehovah’s Witnesses, and disabled. However, since Roe v. Wade, more than sixty million babies have been aborted in the United States alone. (Number of Abortions – Abortion Counters. http://numberofabortions.com/ accessed 9 March 2019) The number of babies aborted in the United States is an order of magnitude larger than the Holocaust.
Second, consider the historical context. In the 1920s and 30s, Germany was a shattered nation laboring under the burden of war reparations, hyperinflation, and starvation. In contrast, we are living in an unparalleled era of prosperity. The Germans turned to the Nazis out of fear and a sense of national crisis; we “shout” our abortions out of the apathy and selfishness of our own decadence.
Third, consider the victims. The German Jews were a distinct people with their own unique culture and religion. It wasn’t very difficult for the Nazis to “otherize” them, because they were already a peculiar people. In contrast, we are slaughtering our own flesh and blood, the fruit of our loins—our children.
The United States was founded on the principle of three unalienable rights: life, liberty, and the pursuit of happiness. And yet, when we look back at our own history, we find it difficult to comprehend how our fore-bearers could believe these things and still own slaves. I believe that future generations will look back on us in much the same way, and question how a people who claim to believe in the unalienable right of life could assent to the wholesale slaughter of the unborn.
Any woman who has carried a child to term will tell you that the baby inside of her has their own tastes and personality; that they sleep at certain times and wake at certain times, and get angry, happy, upset, or calm while still inside the womb. The science of biology tells us that from the moment of conception, a fetus possesses its own unique DNA, which determines hair color, eye color, sex, genetics, personality—everything that makes us human, short of actual lived experience. The point of viability is constantly being pushed back by developments in lifesaving technology, making it a poor moral standard. Is a child aborted at twelve weeks today any less of a human being than a child born in future decades, when we will have the technology to save that baby outside of the womb?
I don’t want to judge anyone who has had an abortion. I don’t know the details of every case or what lies in every human heart, and I cannot say with certainty that every abortion is wrong. However, I can say with certainty that every abortion ends a human life. When I look at what my nation has done, and the blood on our hands of the most innocent and powerless among us, I feel to echo Thomas Jefferson’s words: “I tremble for my country when I reflect that God is just, that his justice cannot sleep forever.”
This story was very difficult for me, and I wasn’t originally going to write it. The idea for it came to me several years ago, but it wasn’t until April 2017 that I felt impressed that this was something I needed to write. Even then, I only wrote it halfway. But the events of 2019 convinced me that I needed to dust off this old manuscript and bring it to completion.
Because I want this story to have the furthest reach, I am publishing it under a Creative Commons Attribition 4.0 International license (CC BY 4.0). Feel free to download it, upload it, meme it, rewrite it, and even resell it for your own profit. All I ask is that you copy this license and provide a link to the original.
I’ll end with this quote from Defying Hitler by Sebastian Haffner:
“We watched the earlier events unfold. They occupied and excited us… but they did not confront us with ultimate decisions of conscience. Our innermost beings remained untouched. We gained experience, acquired convictions, but remained basically the same people. However, no one who has, willingly or reluctantly, been caught up in the machine of the Third Reich can honestly say that of himself.”
I believe that we are living in a similar time. The assault on the sanctity of life deeply affects us all, both individually and as a society. In writing and publishing this story, I hope to have done some small part.
Thank you for reading.
The Paradox of Choice by Joe Vasicek is licensed under a Creative Commons Attribution 4.0 International License.
Extra Sci-Fi S3E5: Dune – Origins
It’s always fascinating to learn how the big name authors got their start. As a fan, it pulls back the mystique a bit and makes those authors more relatable, and as a writer, it’s enormously encouraging to learn that even the big names had to pay their dues too.
I wonder what Dune would have become if it were published today? It seems that most of the earlier hurdles had to do with publishers rejecting the manuscript, which wouldn’t be the case in today’s indie publishing world. Of course, it would also take a lot of promotion to give it traction, but Herbert and Lanier did that as well… but would Herbert and Lanier have even met if the book had been self-published first? And would their own promotion efforts have been enough without the boost the book got by being serialized in Analog?
Impossible questions, I know. A middling level of indie success might have prevented Herbert from developing his contacts in journalism and publishing which led to his later success. Or it might have given him more time to write, allowing him to expand Dune into something even greater than what it eventually became. Without having to work with an editor like John Campbell, Herbert might have killed off Alia, or published the story before it was truly ready. Or he might have written a better story.
There are two big takeaways that I took from this video:
First, that the slow-burn path to success is still a legitimate path. We have this idea that books are like produce: after a certain space of time, they spoil. Such is not the case. This was one of the big things that Kris Rusch always harped on, about how indie publishing is different from traditional. In recent years, it seems that indie has taken on a bit of the produce model itself, with authors turning to rapid release strategies to stay relevant. But even in the old world of traditional publishing, books still made it from time to time on the slow-burn model—even classics like Dune.
Second, that publishing well isn’t something you do alone. It takes other people, not just readers, but editors, publishers, and other people with connections, sometimes unlikely connections. This isn’t just on the marketing end of things, or even the publishing end, but on the writing end as well. No man is an island, and no successful indie is ever totally alone.
What are your thoughts?


