The Healing Power of Love in Star Wanderers

What heals a person when the universe won’t stop moving—when home is gone, language is чужой, and every port feels temporary? Star Wanderers is a character-driven science fiction novel built around a simple, stubborn hope: that the healing power of love isn’t just something you feel, but something you build—and that it can stitch a fractured life back together into belonging.

Where the Idea Came From

The seed of this theme came from two places. First, I wanted to take the love-story core of an old western (Jeremiah Johnson) and translate it into frontier science fiction—into a world where survival is hard, communities are fragile, and intimacy carries real risk.

Second, the story grew alongside my own life. I began writing the original novellas as a single young man during the Great Recession, pouring real loneliness into Jeremiah’s wandering. Years later, I finished the novel married and on the verge of fatherhood. That personal journey reshaped the book’s central idea: that love has the power to heal isolation—not by removing hardship, but by giving hardship meaning.

How the Healing Power of Love Shapes the Story

In Star Wanderers, the central conflict isn’t just pirates, frontier scarcity, or outworld politics—it’s the ache beneath all of that: the fear that drifting will hollow you out. Jeremiah begins the story as a lone starship pilot shaped by motion and isolation, surviving by staying unattached. But when Noemi enters his life, love becomes the force that redefines what “survival” even means. Commitment pulls him out of mere wandering and into responsibility: protecting someone else, learning someone else’s world, and choosing a future that requires roots instead of constant escape.

That healing love ripples outward through the story. Other characters see the difference it makes—because love creates an anchor in chaos. It becomes the standard by which temptation, loyalty, and trust are measured. Again and again, the story asks: what happens when you risk the one thing that’s keeping you whole? That’s why moments of fear, sacrifice, and moral choice matter so much here—not as plot mechanics, but as stress tests that reveal whether love is strong enough to carry a life.

What the Healing Power of Love Says About Us

This theme is hopeful, but it’s not naïve. It suggests that loneliness isn’t only a circumstance—it’s a wound—and that healing usually comes through commitment rather than convenience. Real love costs something: pride, independence, comfort, the illusion that you can keep yourself safe by staying separate. But it also gives back something many of us are quietly starving for: a place to belong, even when the world remains uncertain and unfinished.

Why This Theme Matters to Me

I keep returning to this theme because I’ve seen how easy it is to drift—emotionally, spiritually, socially—especially when life feels hostile or unstable. Star Wanderers is the most personal thing I’ve written in that sense: it begins in loneliness and ends in family. I wanted to capture that truth as honestly as I could—that love doesn’t magically remove hardship, but it can transform hardship into a life worth living, and an adventure you’re grateful to stay for.

Where to Get the Book

Related Posts and Pages

Explore the series index for The Outworld Trilogy.

Return to the book page for Star Wanderers.

Is Star Wanderers for You?

Star Wanderers is a character-driven frontier space opera and science fiction adventure about loneliness, love, and the search for home on the far edges of human civilization. It delivers a quiet, emotional adventure centered on wandering starship pilots and fragile outworld communities—less about conquering the stars and more about what it costs to keep moving when you don’t know where you belong.

What Kind of Reader Will Love Star Wanderers?

If you love…

  • frontier space opera with a lone-trader or wandering starship feel
  • character-driven science fiction focused on relationships, marriage, and family under pressure
  • stories where faith, conscience, and moral choice shape the action
  • found family science fiction set against danger, exile, and cultural collision
  • quieter, thoughtful adventures that balance tension with hope

…then Star Wanderers is probably your kind of story.

What You’ll Find Inside

Star Wanderers follows Jeremiah, an independent starship pilot drifting from port to port, whose life changes when he rescues a young woman from a dying frontier station and becomes entangled with her people, her faith, and her future. As pirates, famine, and outworld politics close in, the story explores loneliness, commitment, belief, and the cost of choosing to belong. The pacing blends reflective, intimate moments with sharp spikes of danger, resulting in a hopeful but hard-earned journey.

What Makes Star Wanderers Different

Rather than focusing on galaxy-spanning wars or elite soldiers, Star Wanderers centers on ordinary people trying to do the right thing in an unforgiving frontier. Romance, marriage, and faith aren’t side plots—they’re core engines of the story, shaping every major decision. The book treats technology and heroism pragmatically, favoring ingenuity, sacrifice, and cooperation over brute force or spectacle.

What You Won’t Find

This is not grimdark science fiction, nor is it nonstop military action. You won’t find cynical nihilism, endless explosions, or characters who survive purely on luck. Instead, the tension grows from moral choices, relationships under strain, and the consequences of standing your ground when running would be easier.

Why I Think You Might Love Star Wanderers

I put more of myself into Star Wanderers than almost anything else I’ve written. I began the story as a single young writer wrestling with loneliness and finished it while married and preparing for parenthood, and that journey shaped its heart. If you’re drawn to science fiction that treats love, faith, and responsibility as real forces—capable of both wounding and saving—I think this story will resonate with you.

Where to Get the Book

Related Posts and Pages

Explore the series index for the Outworld Trilogy.

Return to the book page for Star Wanderers.

Back into writing!

So we are more or less moved into our new (old) house, though there is this overdue kid’s book from the library that somehow got lost during the move, and we haven’t been able to find it… but aside from that, we are more or less settled in. Our five year-old has started kindergarten, my wife is starting her new job, and by the time this post goes live, we will have acquired office chairs from the BYU surplus sale, so I won’t have to be standing all the time like I am as I write this.

I’ve already gotten back into writing my epic fantasy, The Soulbond and the Sling, and am making steady progress on it again. The AI draft is about 66% complete, and it’s good enough that if I were writing it under a secret AI-only pen name, I would feel comfortable publishing it as-is. But my personal standard of quality is higher than that, especially for epic fantasy, so after the AI draft is complete, I will rewrite the whole thing without any AI, to put it in my own voice (and will probably add a whole lot of other stuff to it too—you know, the kind of setting and character details you’d expect in a proper epic fantasy, giving it much more depth).

(Also, as a side note, I do not have a secret AI-only pen name… though I must admit, a part of me kind of wants to start one. With a little bit of market research to figure out the pulpiest genres where I could really excel… but no, with two (soon to be three) small kids and a wife who works full-time, there are only so many projects I can work on at a time.)

I’m also working on The Road to New Jerusalem for my J.M. Wight pen name, though that one has been going much more slow. I really have no idea how much market appeal this one is going to have, and doubt it will do much more than help me to flesh out the world for a potential series in the same universe (a post-apocalyptic Mormon polygamist romance, which also probably has limited market appeal). However, I feel impressed that this is a book I need to see through to the end, so my goal is to finish it before October, at which point I will probably focus on The Soulbound King.

Beyond that, I’m also working on two other novels that I hope to finish before the end of the year (or, more realistically, sometime early next year, since I’m sure the new baby will throw things off for a while. The first is The Unknown Sea, a Sea Mage Cycle book, which is going to be a lot of fun. The rough AI draft is already done, and I had a real blast writing it.

The other one is Captive of the Falconstar, the sequel to Queen of the Falconstar. The rough AI draft is also done for this one, but the revised AI draft is going to take a bit more work. Also, I need to redo the cover and blurb. But I’m really looking forward to getting this one out, and completing the trilogy, which has stood unfinished for nearly a decade now. Yes, I really need to finish these unfinished series, and fully intend to do so—not just with this one, but for all of them.

Over the next year, I hope to transition from being a science fiction writer who occasionally writes fantasy, to a fantasy writer who occasionally writes science fiction. My two big unfinished sci-fi series are the Falconstar Trilogy and the Outworld Trilogy. The plan right now is to finish Falconstar first, knocking out the last two books almost at the same time (the rough AI draft for Lord of the Falconstar is also complete), and then spend a little more time on Return of the Starborn Son to finish that trilogy strong. For a long time, Star Wanderers was my flagship series, so I want to do right by it. But I haven’t even outlined book 3 yet, so it’s going to be a while.

And when Return of the Starborn Son is done, I will probably release another volume of my author’s notes, since hey, why not? But that won’t be for a while—probably not until this time next year, at the absolute soonest. However, Return of the Starborn Son probably will come out before The Soulbond and the Sling, since for marketing reasons I don’t want to release an epic fantasy trilogy until all three books are ready to rapid release. And yes, I fully blame George R.R. Martin for conditioning epic fantasy readers not to try out a new series until it is complete. It is what it is.

So that’s the long-term plan. I will probably start a few new projects as well, including a relaunch of my Christopher Columbus stories, once I figure out what I want to do with that series. But for now, I’m just going to focus on The Road to New Jerusalem and The Soulbond and the Sling, until we are back into a new routine. BYU classes start on September 3rd, so it will probably be a little crazy until then. And the way things are shaping up, I half-expect they will induce my wife at the tail-end of September. So maybe we won’t actually get into a new routine until sometime next year. But either way, I’ll do my best to keep writing.

Five things I did at work last week

Last week, I:

  • Passed 28% of the rough human draft of Bloodfire Legacy,
  • Generated new cover art for Star Wanderers and Children of the Starry Sea,
  • Reworked the book description for Stars of Blood and Glory,
  • Wrote and scheduled an email newsletter, and
  • Published my first collection of author’s notes: Thanks for Reading!

What do you think of this cover redesign?

I’ve been playing around with ChatGPT’s new image generator, and I decided to toss in the cover for Star Wanderers and see what it could do. This is what I managed to come up with.

What do you think? I’ll play around with some more to see if I can get something better, but I do kind of like this one.

ETA: I think I like this one even better!

New Star Wanderers cover reveal!

Behold!

This is officially the new ebook cover for Star Wanderers. I’ve uploaded it to all platforms, though I haven’t updated the epub files yet. I’ll also update the paperbacks as soon as I have a chance, though that may take a while, especially with the new baby.

This image was AI generated using Stable Diffusion. It went through a lot of iterations, and can probably use some improvement, but this is the best I can do with the skills I currently have. Maybe a couple of years from now, after I’ve mastered the technology, I’ll make a new cover for this title. But I think this one is good enough to keep for a while.

Just for fun, here are some of the old covers:

The original novel cover, which this latest one has replaced.

The second omnibus cover, from the novella series. The cover itself is by Libbie Grant, though the planet itself is a screenshot I took from Celestia.

The art from the complete series omnibus, which replaced the first two omnibuses and was the immediate precursor to the novelization itself.

The original cover for the first omnibus. The art is by Ina Wong, who also did the current cover art for The Sword Keeper.

This is the original art for the second omnibus, by Derek Murphy.

This is my personal favorite from the art by Libbie Grant. She did all eight novellas and both ominbus editions in this style.

This is the second cover for the original novelette. Derek saw my crappy self-made cover and offered to make me this one for free, so that he could showcase both of them in a before-and-after post on his blog. It worked out really well!

And this is the original ebook cover art for the first novelette that started it all. I had just launched Desert Stars, after draining my bank account to publish it since the kickstarter had failed (This was back in 2011, and I had no idea how to run a kickstarter—or how to profitably publish a book, for that matter). Since I didn’t want to spend another $900 to publish a full-length novel to the sound of crickets, I decided to turn my current WIP into a novella series, put them all out on a shoestring budget, and reinvest whatever money they earned into better editing and cover art.

The image is taken from NASA and is totally in the public domain, and I think the font is too, or at least it’s freeware of some kind. I put it together over the summer, when I was home from teaching English overseas in the Republic of Georgia. For this one, I think I used my desktop, but most of the other ones in this style were done on my tiny ASUS netbook with a screen the size of a postcard, in an old farmhouse in a tiny Georgian village at the foot of the Caucasus Mountains, which had no heating aside from the woodburning stove downstairs. The power would also frequently go out for hours at a time.

I wrote a bunch of the original novellas out there, in that tiny little Georgian village. And now, they’re all combined into one novel, which I’m turning into a trilogy right now! Just need to finish revising the second book, hopefully before that new baby comes. I should probably stop procrastinating.

New Star Wanderers cover mockup

So I’ve been playing around with Stable Diffusion, working on a new cover for Star Wanderers. This is what I came up with:

What do you guys think? And how does it compare with the cover mockup I did yesterday for Children of the Starry Sea?

…and now I should probably take a break from Stable Diffusion for a while. Need to get back to writing.

Bowing Out

Back at the end of August, I blogged about how I was going to do a writing challenge in September to produce more short stories to fill out my publishing queue. At the time, I had a couple of stories that looked like they were going to be picked up by one of the major magazines: the editor had expressed interest in buying them, and we were going back and forth with an editorial discussion about the series.

Well, to make a long story short, all of that fell through, and it looks like I’ll be self-publishing those stories after all. I’m not really sure what changed, but to give you an idea of what kind of a short story market this is, it’s been around for decades and regularly gets written up in Locus Magazine’s year-in-review. The editor said that things had gotten crazy on his end, then didn’t respond for about a month, and when I sent a polite followup email asking for an update on the status, he gave me the standard “I’m going to pass on this one, but send me your next story.” Which strikes me as kind of weird, given how our previous correspondence led me to believe that the contract was just a formality and he’d be sending one over soon, but whatever.

So now that these stories are back in the publishing queue, I no longer need to write a bunch more to fill it out. In fact, I’ve actually got enough stories to publish one a month through next April, and after I finish the third Christopher Columbus story, I’ll have enough to get through June (one of my older stories comes out of exclusivity in May 2023). Here is the schedule as of right now:

  • OCT 2022: “Blight of Empire”
  • NOV 2022: “Christopher Columbus, Wildcatter”
  • DEC 2022: “The Freedom of Second Chances”
  • JAN 2023: “The Body Tax” (needs to be revised, but it’s already been workshopped)
  • FEB 2023: “Christopher Columbus, Treasure Hunter”
  • MAR 2023: “The Library of Fate”
  • APR 2023: “Hunter, Lover, Cyborg, Slave” (needs to be workshopped and revised)
  • MAY 2023: “Christopher Columbus, Wormhole Mechanic” (partially written, needs to be finished)
  • JUN 2023: “In the Beginning” (still under exclusivity, though I got a special exception to publish it in my third short story collection, The Stars Our Destination.)

Given that I have enough stories to fill out the next nine months, I’m going to bow out of the September Shorts challenge. This is really good for two reasons: first, it allows me to focus more attention on my current novel WIP, the sequel to Star Wanderers; and second, because I’ve fallen really behind on the Zedekiah Wight stories for my J.M. Wight pen name, and this should give me some space to work on the next few of those.

So that’s the plan: refocus on Children of the Starry Sea and work on Zedekiah Wight stuff on the side.