serials – One Thousand And One Parsecs

Check me out on Wattpad!

So I signed up recently for a site called Wattpad, which is basically like Deviantart for writers. Once you have a profile, you can post stories or chapters or excerpts, and other members can read your stuff, comment on it, or vote it up. It’s designed especially for smartphones, so if you have one, that’s probably the best way to access it.

You can find my Wattpad profile here. I’m still kind of a beginner at this, so it’s going to take me a while to figure out how it works. It seems like the kind of thing I would have become obsessive about back in high school, kind of like how my sister was obsessive about AOL Instant Messaging. I’m not a teenager anymore, but hopefully I’m not too old to still have fun with it!

The most interesting thing about the site is how it allows you to release a book serially, by chapter or scene. Right now, I’m posting Star Wanderers: Outworlder (Part I), with updates on Mondays, Wednesdays, and Fridays. If there’s interest, I may post a few more Star Wanderers stories as well.

My curiosity about Wattpad got started when I read this guest post on Lindsay Buroker’s blog. The concept of serializing a book like a webcomic seemed kind of cool to me, and the idea of a reading community seemed pretty neat as well. At first, I was a little leery because it would basically mean giving away my books for free, but then I thought about it and figured why not? It’s worth giving it a try. I’m pretty sure it won’t cost me sales, and if it gives me a chance to interact with people who love my books, awesome!

So yeah, if you’re on Wattpad, check me out! And if you’re not, check the site out! Like Deviantart, there’s a lot of fanfic and teen angst, but that’s to be expected–and actually, I think it’s kind of cool. Anyone can post a story, and anything can take off. It’s all a big community where there is no line between writers and readers, which seems like a really exciting concept. So yeah, check it out!

Trope Tuesday: Schrödinger’s Gun

The world of a fictional universe isn’t fixed beyond what the author has revealed to the reader.

This is what happens when Schrödinger’s cat gets hold of Chekhov’s gun. There are a whole lot of interesting and potentially useful plot points lying around, but the writers are pantsing it as they go, playing a game of Xanatos speed chess with the readers (or the gamers, as the case may be). Consequently, the story doesn’t actually take shape until it’s been told.

As you can imagine, this trope only really works in a story medium where there’s some degree of interaction between the writer and the audience, such as video games and RPGs. However, there are some classic examples in more fixed media, such as film and books. The movie Clue is a good example, where the filmmakers made three separate endings, and secretly showed different ones in different theaters (the DVD has all three). The Choose Your Own Adventure series is also a classic example.

With the changes brought about by digital media, there are all sorts of possibilities opening up right now for this kind of storytelling. Besides the Choose Your Own Adventure type stories, there’s also the serial format, where a writer releases a chapter at a time. This is what a lot of web comics eventually become, especially the ones like Girl Genius, Schlock Mercenary, and Freefall with a HUGE extended story arc. The same kind of thing is happening in ebooks too, on a spectrum between straight-up serials and series of longer works.

As you can imagine, it can be quite a challenge to keep all the storylines straight. That’s because the one rule with this trope is that you CANNOT retcon. Until the story is told, anything can happen–but once it does, the Schrödinger wave equation breaks down, and all the possibilities drop to 0 or 1. The story becomes fixed, and in all future installments, you have to work with it.

Another interesting thing about this type of storytelling is the possibility for ascended fanon, where fan-created stuff like fanfic or fanart actually gets co-opted into the canon of the story. The flip side is that it encourages the fans to get together and analyze things so thoroughly that any surprising plot twists get predicted long before they actually happen. Still, I suppose there’s a special kind of squee in finding out that your predictions were right.

The reason I’m interested in this trope is because I’m more or less doing it with my Star Wanderers series. It’s not strictly a serial, since each novella is a complete self-contained story, but taken together they sketch out a much larger arc that I’m only starting to discover. Parts I-IV made a complete story arc in itself, all told from Jeremiah’s point of view, but right now I’m revisiting those stories from the viewpoints of some of the other characters. That, in turn, is seeding all sorts of other stories, with new characters and wider conflicts.

There are challenges, though. Today I started Part VIII: Deliverance, (from Lucca and Mariya’s viewpoints) and I got stuck on the second paragraph. The second freaking paragraph. It starts in the Zarmina system, but what class of star is it? Have I mentioned it in any of the previous stories? Thank goodness for word search functionalities, otherwise I’d be ripping my hair out!

So yeah, I’m going to have to be a lot more diligent about making and keeping a world bible. I’m usually a pantser, so outlines are kind of anathema to my creative process, but having a solid reference for the stuff that I’ve already written is quite helpful. Currently, I’m using Wikidpad, which seems to be the perfect tool for this sort of thing.

Fortunately, the challenges are a lot more fun than discouraging. I had a great time writing Dreamweaver, getting into Noemi’s head and revisiting that story from her point of view. It sounds so cliché, but that story really did write itself. I kept a window with Outworlder in the background, and whenever I needed to see what would happen next, I’d just go to it and read the next couple of paragraphs. Benefactor and Reproach have been much the same way.

Eventually, I plan to branch out a lot further, with other interesting characters and situations. I have no idea what those will be exactly, but that’s kind of the point. Until you actually pull the trigger, Schrödinger’s gun can exist in any state, from a musket to an AK-47 to a rocket-propelled grenade. Whatever form it ends up taking, the important thing is to make sure it goes off with a bang.

Thoughts on serials and ebook pricing

I’m going to do something potentially dangerous and discuss pricing strategies in a rather candid way. I may risk turning off some of my potential readers, especially the ones who don’t like shorter works, but I want to be as open and transparent as I can, since I figure it’s only fair, especially to someone who’s just getting started with my books.

First of all, let me just say that if I could, I would make all my books free and write for love instead of money. The trouble, though, is that I have to eat, and at some point in the (hopefully) not too distant future I’m going to have to feed a wife and children as well. If I made all my books free right now, I would have to spend all my time and energy doing something other than writing, and as a result there would be far fewer books for you to read.

In the last year, I’ve discovered that the best way to make money self-publishing is to write in series, preferably at a short enough length that you can release a new installment every other month. A lot of other writers are discovering this, which is why there is such an explosion of series and serials.

I know a lot of readers don’t like this. And when a writer takes a perfectly good novel and splits it arbitrarily into parts, each one without a solid arc or story structure to hold it together, I get a little bit ticked as well. But the reality is that if you can tell a story in a series of short, self-contained novellas rather than a single novel, it will probably meet with better commercial success.

The price points for novellas are kind of tricky, though. For anything priced below $2.99, Amazon takes 65%, whereas from $2.99 to $9.99, the self-publisher takes 70%. To give that some perspective, you would have to sell 10x the number of copies at $.99 to earn as much on one sale of a book at $4.99, and 6x for a book at $2.99.

The trouble, of course, is that for a series where each installment is priced at $2.99, the readers may end up paying a lot more, depending on the lengths of the story arcs and the size of each installment. Novellas are kind of in a gray area, where $.99 seems kind of cheap for that much story, but three or four installments at $2.99 really add up–especially with so many other ebooks priced at $5 or below.

Now, I’d like to believe that most readers judge the value of a story by its quality and not by its word count, or by how much they have to pay per word. There are books like City of the Saints that I don’t mind buying in $2.99 increments at all. At the same time, though, I think there’s something to be said about keeping prices fair.

This is all on my mind right now because I’m getting ready to release the first Star Wanderers omnibus and expand that series considerably over the next year. It’s the series that sells best out of any of my books, and the one with the most potential to make it so that I can go full time. Plus, I really love writing in this universe, and have a lot more stories in it to tell.

Right now, this is the pricing structure I’m following:

Outworlder — free (15,000 words)
Fidelity — $.99 (17,000 words)
Sacrifice — $2.99 (19,000 words)
Homeworld — $2.99 (20,000 words)
Dreamweaver — $2.99 (19,000 words)

Parts I through IV make a complete story arc, though of course each individual novella is a self-contained story on its own. With Part I at free and Part II at $.99, I figure readers have a good way to figure out if these are the kinds of stories that they’ll want to read. But if I keep pricing the stories at $2.99, at some point this series is going to get really expensive.

So here’s what I plan to do to alleviate that:

1) Make new releases free to newsletter subscribers.

For every Star Wanderers story up to this point, I’ve made it free for the first two weeks on Smashwords and given that code out through my email newsletter. I did that originally as an incentive to get people to sign up for my newsletter, but I think it’s a good series strategy as well. This way, if someone discovers Star Wanderers now, they can buy all the previous installments at the higher $2.99 price point and look forward to receiving any future installments for free.

Some may question the business sense of giving away free books to readers who are willing to buy them, but the way I see it, the fans are the ones who are selling these books, not me. I’m willing to put a free book in the hands of someone who already loves the series, and is more likely to write a glowing review or to share it with a friend. And since sales of this series continue to grow, that strategy would seem to be paying off (or at the very least, it’s not biting me in the ass).

2) Try to put more story into each individual installment.

If $2.99 seems a lot for a short novella, then maybe I need to expand on them, with things like extra subplots and viewpoint characters. Of course I don’t want the stories to feel like they’re padded, but if I can enrich the story in a way that really adds to it, then that’s certainly something that I should do.

For all of the Star Wanderers series so far, each novella is told from the point of view of just one character. This sort of focus can be good, because it really gets me into the head of that character. However, sometimes it’s also good to play things off of another character’s story, both to act as a foil and to provide contrast.

That’s what I’m doing with Reproach (Part VII) right now. It’s not just from Mariya’s point of view, but Noemi’s as well, and that adds a lot to the tension as you see their competing motives and the way their views of the world really clash. It’s delicious. Benefactor (Part VI) is just from Jakob’s viewpoint, just because I wanted the story to really focus on his character, but most of the other stories kicking around in my head have room for at least another viewpoint character without taking away from the spirit of the series itself.

3) Price the omnibus editions less than the sum of their parts.

For someone who is just getting started with Star Wanderers, $2.99 might seem like a lot to pay to get caught up. That’s only going to get more daunting as the series gets longer. For that reason, I’m inclined to price the omnibus editions much lower–at least $4.95, which is the price of one of my novels. At 70,000 words or so for Parts I-IV, that seems only fair.

I am a bit worried that sales of the individual novellas will drop off once I release the omnibus, but I figure if I’m constantly releasing new ones, those should cover the slack. Since Dreamweaver (Part V) is already out, and Benefactor (Part VI) will be out in another month or so, new readers who come in through the omnibus will have more than enough to keep them coming back.

The other benefit of doing it this way is that it reduces the chance that readers will drop out midway through the story arc. It seems that a few of them are doing that, or at least taking a while to get from Part II to Part III to Part IV, etc. By having them all in one omnibus and encouraging readers to buy that instead of the individual parts, hopefully they’ll have more of a chance to get hooked, making it all the more likely that they’ll keep coming back.

So that’s my plan, at least for now. When The Jeremiah Chronicles comes out next week, I’ll price it on parity with my other novels, even though that’s somewhat less than all the individual parts. I’ll make all new Star Wanderers novellas free for my newsletter subscribers, and do what I can to enrich them with extra viewpoints and subplots (without just padding them, of course). This way, I hope my readers won’t feel like I’m ripping them off, and I’ll still have a good shot of making a decent living at this.

With the way things have been going, I’m actually really excited. The slow build approach is working, and if it keeps up then I think I may be making enough to go full-time by this time next year. I’ll be sure to keep you posted as things come along.

In the meantime, if you have any thoughts or comments, please don’t hesitate to share. I’m still thinking this issue through, and there’s a lot I have left to learn. In fact, I feel like I’m only just starting to figure it out, so any other perspectives on this topic would be much appreciated!

Trope Tuesday: Planetville (aka Adventure Planets)

Adventure towns…IN SPAAACE!!!

Seriously, that’s the best way to describe it. In Westerns and TV serials, the heroes travel from town to town, with a new adventure in each place. Well, in science fiction, we don’t hop towns, we hop planets. Why? Because we can.

Unfortunately, since planets and towns are actually pretty different kinds of places, there’s a lot of room to do things poorly and turn this trope into a cliche. Any story that doesn’t consider (or at least lampshade) the implications of space travel and planetary colonization is in danger of becoming over-the-top campy–although, to be fair, there is an audience for that.

That doesn’t mean there isn’t room for this trope in fiction that takes itself a little more seriously. In fact, I take issue with some of the descriptions on the Planetville page. From tvtropes:

Unfortunately, because Sci-Fi Writers Have No Sense of Scale, stories about Planetville make no sense. Nobody seems to realize how BIG a planet is — everything in Planetville takes the same amount of time as stories set in towns or countries. In the updated Wild West story, the outlaws are “exiled from the planet” just like they’d be exiled from Dodge City, and have to quietly leave… instead of flat out challenging the authorities to find them when they have an entire planet in which to hide. When the space Nazis invade, they seem to need the same number of soldiers and time as the Earth Nazis needed to invade Europe. And when the crew of the Cool Starship finds the cure for the alien plague, the logistical issues of distributing it to an entire planet rarely get mentioned at all. These considerations are minimized or left out entirely in many stories.

To address these criticisms point by point:

1) Scale is relative to technology and the predominant modes of transportation. When my ancestors crossed the plains to settle in modern-day Utah, they had to walk. It took them months to get here and many of their family members died along the way. Today, I can make the same trip by car in a day or two. As technology changes, so does the sense of scale.

2) Unlike what some tropes would have you believe, not all planets are Earth-like. In fact, it appears that most planets outside our solar system are wildly different. In practical story terms, this means that any part of the world that’s remotely habitable is probably going to be immediately around the colony. Consequently, the local authorities probably will have the power to exile trouble makers from an entire planet, since exile from the colony would mean de facto exile from the planet as well.

3) Anyone venturing outside of the dome would have to carry just about everything necessary for life, including air, water, food, etc. You might as well try to hide in Antarctica as hide on an alien planet. It can be done, of course, but to do all that and stay hidden, that’s going to be tough. You might as well set up a rival colony for all the effort–but at that point, the story is about a lot more than just hiding from the authorities.

4) If your planetary colonies are only as populous as an average WWII era city/town, then yeah, you’ll only need as many soldiers as it took to conquer them. The biggest difference is that they’ll fly a really cool starship.

5) Again, if the planet isn’t habitable and the population is contained within a handful of relatively small colonies, then distribution shouldn’t be too much of a problem.

However, the tvtropes page does make this valid point:

A side effect of this is that the characters never realize that things can happen in parts of planets. You will never see aliens trying to capture a planet’s equator, or its polar caps — it’s the whole planet or bust.

In the end, I think the key to doing this trope well is to know your setting well enough to fit the story to it. Tropes are tools, and when done well, this trope can accomplish everything it sets out to do while making perfect sense within the context of the story.

In my own work, this trope is most prevalent in the Star Wanderers series. Every novella takes place at a different planet or space station, sometimes multiple planets per station. Because most of the stars in this universe have only recently been settled, the colonies are small and terraforming is quite limited. In Desert Stars, I used a similar concept, except with large domed areas of a single planet, instead of multiple planets (Adventure towns…UNDER THE DOME!!!). In cases where the planets are Earth-like, however, or where travel between planets is costly and difficult, this trope doesn’t really ever come into play.

Star Wanderers: four novelettes or a novel in four parts?

So my plans to publish Star Wanderers have run into a little snag…Part II was rejected for distribution to iTunes, Sony, and other retailers, with an order to unpublish both parts and republish them as one work. The order probably came because of this clause in the Smashwords Terms of Service:

9d. You further warrant the book represents a complete work:
• this is not a work-in-progress;
• the uploaded file is not a partial sample or sample chapter, or is not a collection of sample chapters, or not simply a catalog advertising other books
• the uploaded book represents a complete story with a beginning, middle and end; not a short serial

Now, I do not believe that I have knowingly violated any part of the agreement. Each installment of Star Wanderers is a complete 15,000 to 17,000 word novelette with its own arc, including a beginning, middle, and end. I have finished all four installments and only need to revise them before publishing, hopefully in a couple of months. None of them contain sample chapters from any other work.

However, up until now I have seen this story mainly as a novel published in four parts, kind of like how Tolkien originally intended Lord of the Rings to be one giant book, published in three parts. In my mind, “a novel in four parts” and “a series of four novelettes” are not mutual exclusive. Apparently, Smashwords doesn’t think so.

All this makes me wonder, though: should I just drop my plans to publish this as a whole novel and instead keep it as four separate novelettes? I intend to write a parallel series of the same events from Noemi’s point of view, and may expand that to include other viewpoint characters. Maybe I should wait to novelize this series until I can include other scenes and chapters, turning it into a substantially different work.

This kind of puts me in an awkward position, though. I’d originally planned to drop the price of Part II to $.99 after Part III comes out, and Part III to $.99 after releasing Part IV. The idea was to keep the total price of all four parts below $4.95, the price point I’ve chosen for all my other novels. But if Star Wanderers in its current form remains a series of four novelettes, it doesn’t make a lot of sense to drop the price of any one of them below $2.99 (except for the first one, which I still intend to make permanently free).

If I have to make a choice between unpublishing parts I and II of Star Wanderers and publishing it as one novel, or simply repackaging the parts that are out as separate and distinct works, I’d much rather do that. It seems a truer reflection of the overall story structure, and gives me a lot more flexibility to add more in the future.

This is a pretty big shift, though, and I worry it may offend readers who expected me to drop the price according to the previous plan. I really don’t have any excuse for that: it’s entirely my fault for misreading the Smashwords TOS, and I apologize.

For newsletter subscribers, though, I still plan to make each subsequent release available for free for the first two weeks following publication. That’s a promise I made to my readers, and I’m not going to go back on it, no matter what I end up doing. And if I do repackage Star Wanderers as a series of novelettes instead of a novel in four parts, I’m not going to make any substantial changes to the actual story of Part I or Part II–just the titles, and possibly the author’s note at the end.

All of this is still in the air, though, so if you have any ideas or suggestions to offer, I would very much like to hear them. I still have a lot to learn as a writer, and the publishing landscape is changing so quickly that I really have no idea what I’ll be doing even a year from now.

The only thing I know for sure is that I’ll still be writing.

Star Wanderers: Part I is now available!

That’s right–the first part of my novel Star Wanderers is now available on Kindle and Smashwords for $2.99! Barnes & Noble, iTunes, and Kobo editions should be coming out shortly (though I’m waiting for Kobo to launch their direct publishing platform, which may take a while).

This is the first part of a four part novel, but really it’s more of a series of short novellas since each part has its own distinct story arc with a beginning, middle, and end. This one is about 15,000 words (or 40-60 pages), and takes place in the Gaia Nova universe about a thousand years before the events of Bringing Stella Home. It’s about a boy and a girl who don’t speak the same language but find themselves alone on a starship together. Here’s the description:

HE WANDERS THE STARS IN SEARCH OF A HOME. INSTEAD, HE GOT A GIRL WITHOUT ONE.

When Jeremiah arrived at Megiddo Station, all he wanted was to make some trades and resupply his starship. He never thought he’d come away with a wife.

Before he knows it, he’s back on his ship, alone with his accidental bride. Since neither of them speak the same language, he has no way to tell her that there’s been a terrible mistake. And because of the deadly famine ravaging her home, there’s no going back. She’s entirely at his mercy, and that terrifies him more than anything.

Jeremiah isn’t ready to take responsibility for anyone. He’s a star wanderer, roaming the Outworld frontier in search of his fortune. Someday he’ll settle down, but for now, he just wants to drop the girl off at the next port and move on.

As he soon finds out, though, she has other plans.

Also, I’m happy to report that I finished the full-length version of Star Wanderers over the weekend, making it my seventh written novel! Here are the stats:

words: 68,367
chapters: 20
ms pages: 317
start date: 1 September 2011
end date: 1 July 2012

And some other stats, just for fun:

kilometers traveled: ~32,000
languages encountered: English, Georgian, Russian, Mingrelian, Hebrew, Arabic, Turkish, Farsi, Polish, Slovakian, German, Armenian, Spanish, French, and Australian
other books started before finishing: 4
other books finished before finishing: 2
other books published before finishing: 2

Part II is pretty close to publication, but Parts III and IV still need a bit of work. Since the rough draft is finished, though, it shouldn’t take too long to get everything else ready. If all goes well, I’ll publish Part II in August or September, and the other parts in two month intervals.

This novel was a lot of fun to write, in spite of how difficult it sometimes was. I always knew it was a story worth telling, and that gave me both the motivation to finish it and the courage to send it out into the world. I think you guys are really going to like it, especially if you’ve enjoyed my other sci fi romance stuff. As I said on Twitter back in 2011, girl + starship = WIN!

So yeah, check it out! And be sure to keep an eye out for Part II, which should be coming out in just a month or two!

Yesterday’s Gone: Episode One by Sean Platt & David Wright

Imagine you wake up tomorrow, and find out that everyone around you has vanished. Well…not everyone. But the ones who are still around claim to see strange things that you can’t see. And then, you get an eerie feeling of a presence…something dangerous, something coming at you right now. And then, things get really weird…

Yesterday’s Gone is a post-apocalyptic serial thriller: basically, a novel divided into six parts or “episodes,” the first of which is free. Since I’m interested in doing something similar with my next project, I decided to check it out.

From the very start, I was hooked. The conflict was intriguing, the pace was fast and gripping, and the characters were interesting, with reactions that were spot on. I wasn’t intending to finish the whole thing in one sitting, but once I’d started, there was no way I could put it down.

A couple of things jolted me out of the story, though. The first was the sheer immensity of the cast of characters. Literally, the first half of the episode was just introducing new ones, and none of them got more than two viewpoint scenes in the whole ebook. I was on board for the first three or four of them, but around number six or seven, I just wanted to skip them and get back to the first guy.

Two of the later characters were just painful to read–not only did I not care about them, I vehemently hated who they were and wanted them to die or get out of the way so I didn’t have to read their viewpoints anymore. The first was an eight year-old boy who had some mystical connection with animals…I just couldn’t sympathize with him at all. The other one was a serial rapist and/or murderer who saw the apocalypse as just an opportunity to run around raping and killing the other survivors. I skipped his scenes, but then had to go back because there were some clues hidden there and I didn’t want to miss them…ugh.

The other thing that really bothered me was the very last scene in the episode, where the authors made the mistake of showing the monster. I won’t spoil it for you, but the image on the page clashed so strongly with the image in my mind, it deflated almost all the tension for me. What was supposed to be a cliffhanger instead turned out to be a big “huh?”

Your mileage may vary, however, so if you’re into post-apocalyptic fiction, I think it’s definitely worth checking out. Just like the happy pills in the empty lot behind the school, the first one is free: you can pick it up on Amazon or Smashwords. And in spite of its problems, there was a lot in this story that I really liked. Maybe you’ll enjoy it more than I did.

In terms of the serial format, I think it worked very well, except for those two problems: too many characters to keep track of, and an ending that booted me out of the story. Otherwise, I think it’s a great way to publish, and I’ll probably experiment with something similar in the future.

Trope Tuesday postponed again

Sorry, but no Trope Tuesday post this week. Long story short, more internet problems–I’m blogging right now from the McDonald’s on Tch’avtch’avadze Street. Since my battery’s running out, this is going to have to be a quick post.

I suppose I should ask, though: what tropes do you want me to cover in the future? I’m open to pretty much anything, as long as it’s got a tvtropes page. Together, we can ~~enable our addictions~~ have some productive story research.

In other news, I finished part III of Star Wanderers, and I’m putting that project on hold for a while. Writing a novel in serial parts is proving to be a lot more difficult than writing it straight. Not only do I hit a wall at the 2/3rds mark, but I have difficulty moving on to the next part until the part before it is free of major problems. Because I have to take a break and distance myself before I can really address those problems, I think it will be better to move on to something else.

On the upside, it only takes two or three weeks to knock out each draft, so I’m not too concerned about finishing this project before the end of the year. Part I is already set to go, and Part II just needs some vetting before I feel it’s ready. If you’re one of my first readers and you’re up for a quick novella-sized work, let me know.

That’s about all for now. I also signed up to do a couple of blog interviews, so those should be up in a couple of weeks. And I’ve also got some more posts coming about Georgia and Turkey, so that should be interesting. Stay tuned!