Tag: novellas

The Lifecycle of Software Objects by Ted Chiang

Ana was a washed-up zoologist turned programmer looking for work; Derek was an avatar designer for the Data Earth virtual reality platform.  The thing that brought them together: Blue Gamma Inc., manufacturer of autonomous self-aware AI pets known as digients.

Like any pet, each digient requires constant attention as they learn and grow.  Soon, Ana and Derek become as attached to their own digients as parents to their children.  But when Blue Gamma goes out of business and the Data Earth platform becomes obsolete, the future for the digients looks grim–until they enter the next phase of their natural evolution.

I really, really liked this story.  It’s got just about everything that makes science fiction so great: futuristic setting, well-rounded characters with believable motivations, one Big Lie with everything else held more or less at the level of our current understanding, and tons of parallels between the fantastic world and our own that makes you step back and really think about things.

The interesting thing about this story was how it played with all the old robot/AI tropes.  Usually, stories of this kind will have the robots rise to transcendence, either becoming the benevolent (or largely absent) rulers of the world, or taking over and enslaving humanity in some fashion. Not so with this story; the scope was much more intimate and personal, driven by characters rather than the Fate of Mankind, and that ultimately made the story much more believable.

If I had any problem with this story at all, it was the ending.  After so much build-up and development, I felt as if it cut off rather abruptly, just as things were getting more and more interesting.  I suppose the author was going for something of a “Flowers for Algernon” feel, but that wasn’t what I took from it.  Or perhaps he ran up against the novella word limit and decided to cut it off; I don’t know.

Regardless, I thoroughly enjoyed this story.  It’s certainly worthy of the Hugo for which it’s been nominated.  Highly recommended.

Going camping and novella update

Just a quick update on things:

I’m going camping this weekend up Huntington Reservoir with some friends, so I won’t be around for a couple of days.  It should be fun; last trip was a good chance to step back and recharge, and I definitely could use that right now.

At the same time, I’m working on Sholpan, and it’s turning out to be a lot harder than I’d initially thought.  I’m writing it as a companion novella to Bringing Stella Home, where the story covers Stella’s point of view through about the first half of the novel, with a few extras for the people who read the novel first, and enough loose ends to entice people who read the novella first to pick up the full-length novel.

It’s turning out to be a difficult balancing act, however.  The first draft was basically just all of Stella’s scenes up to the last three/four chapters of the novel, and that ended up being too much.  For those who read the novel first, it didn’t have anything new, and for those who hadn’t read it, it revealed far too much.

So for the next draft, I decided to trim it right up to the point where Stella’s story has its first major twist.  Even though that includes a minor spoiler for the novel, it gives the novella a great story arc with a good reversal.

But that leaves the question: what does the story need in order to be satisfying to those who read the novel first?

I’m not a huge fan of flashbacks, but after wrestling over the last few days with the beginning, I think it’s better to start in media res, which makes flashbacks unavoidable.  I’ll try not to botch them.  Also, I think I’ll give some more background information about her and Lars, as well as develop her relationship with Narju.  But the last thing I want to do is pad the novella with useless filler.

I dunno; what do you think?  If you read and enjoyed a novel, what sort of shorter work based on that story would you want to see?  And if you started with the novella first, how much would be too much, and how much would be too little?

Oh, and in case you’re interested, I took your feedback and redesigned the cover:

Thanks!  I’ll see you when I get back in a couple of days.

Wow, this is fun

I spent almost the whole day Saturday with family, but when I finally got around to working on Sholpan, I breezed through almost 10k words in only a couple hours.  Granted, it was mostly light revision and the material was fairly well polished to begin with, but still…it was just fun.

The best part of writing this novella has been rediscovering Stella’s story from Bringing Stella Home.  At first, I was a little worried that it might be a bit too shocking (and for some of my friends, it probably is), but there’s a lot of depth to the story, and the content, while definitely mature, is never gratuitous.

The story is basically about an innocent, sexually inexperienced young woman who struggles to keep her virtue and self-respect intact within the harem of the brutal space barbarians who have enslaved her.  While she starts from a position of almost total powerlessness, she finds ways to leverage herself without completely compromising her values.

I haven’t figure out the blurb yet, but that’s a pretty accurate description of the story.  It’s basically all of the scenes in Bringing Stella Home from Stella’s viewpoint, up through the first and second acts of the book.  In the third act, everything comes to a head, and…well, I won’t ruin it for you. 😉

I’ll probably finish Sholpan sometime later today.  My copy editor for Bringing Stella Home should be sending back the manuscript with his edits tonight, and I’ll spend the rest of the week going through and getting it ready for publication.  By Monday, it should be up!

In the meantime, check this out: I was playing with the cover art yesterday afternoon, and came up with a cover for Sholpan.  What do you think?

The thumbnail:

…and the full sized image:

Man, this is so much fun!

Sholpan, or The Great Novella Experiment

So now that I’m finished with Desert Stars, the next project I’m working on is a companion novella to Bringing Stella Home titled Sholpan.  While Bringing Stella Home is about James and his quest to rescue his brother and sister, Sholpan is entirely from Stella’s point of view and traces her rise in Hameji society, from prisoner and slave to…well, I won’t ruin it for you.

I started writing it on Monday, and so far it’s been a lot of fun.  In some ways, it’s kind of a break for me, since I already know the story (most of the material is lifted straight from Bringing Stella Home, with a few extra changes to make the viewpoint tighter and build more character development).

At the same time, though, it’s a challenge because I’ve never written in the novella format before.  The definition as given by SFWA, has mostly to do with length:

For the purposes of the Nebula Awards, the categories are defined as follows:

  • Novel — 40,000 words or more
  • Novella — 17,500–39,999 words
  • Novelette — 7,500–17,499 words
  • Short Story — 7,499 words or fewer

However, I can’t help but feel that there are many other artistic elements to consider.  For example, the Oxford Dictionary of Literary Terms gives this definition:

novella [nŏ‐vel‐ă], a fictional tale in prose, intermediate in length and complexity between a short story and a novel, and usually concentrating on a single event or chain of events, with a surprising turning point.

Other sites I’ve browsed (including this post from The Galaxy Express, this review from 2009 of several small press novellas, and another interesting post on short stories vs. novellas vs. novels) leave me with the impression that novellas typically

  • can be read in one long sitting, such as a train ride,
  • center around one major conflict, idea, or issue,
  • have more room for rich settings and lavish descriptions,
  • tend to focus more intimately on character,
  • are compact enough to take risks with voice and theme, and
  • can end without a definitive conclusion to the central idea or conflict.

I must confess, I’m not an avid reader of novellas.  I’ve read some of the classics, of course: Dr. Jekyll & Mr. Hyde, The Time Machine, Animal Farm, etc, but in terms of modern sf novellas, all I’ve really read is I Am Legend (and a few golden/silver age “novels,” if you count them).  Point is, I’m not an expert on novellas by any means.

However, the novella seems like a very promising format for epublishing, especially in conjunction with a novel.  Readers can pick up the novella for $.99 and get both a sample of the writer’s longer novel-length stuff, as well as a complete story in itself.

That’s what I want to do with Sholpan.  I want to write a less-expensive derivative work that’s artistically sound in its own right, while also driving interest in the full length novel.  Besides, it’s just fun to experiment with new styles and formats.

If this is successful, I can see myself writing a companion novella to most, if not all of my novels.  And who knows?  Maybe I’ll be able to sell some of those to more traditional print and electronic markets.  It’s worth a shot, and no matter what happens, I’m bound to learn something new.

So yeah, that’s my current writing project.  If all goes well, expect to see it out sometime this fall.  And if you have any comments or suggestions regarding novellas, please share!  I’m very interested to learn anything I can.

Q1 report, 2011

So in terms of writing, this was a pretty decent quarter.  Nothing too prolific, but definitely making progress on my writing goals for 2011, which include:

1) finish at least two polished novels,
2) finish at least three new rough drafts,
3) start at least four major new projects.

The spike in the graph from the beginning of the month is from the final revision of Bringing Stella Home, which was pretty much just a final polish.  After that was finished, I had a little difficulty picking up the next project, but once I did, I was able to be pretty consistent.

In mid-January, I picked up Worlds Away from Home and worked on that until the beginning of March.  This was a pretty huge overhaul, especially for the end, but it still needs a lot of work.  Basically, this draft was just to get it to the point where I could send it out to my first readers without being eternally ashamed.

After finishing WAFH 2.1 in the beginning of March, I launched right back into the sequel for BSH, Into the Nebulous Deep.  I figured it would be good to have the sequel in hand, in case I decided to go indie with BSH, as well as to practice writing sequels.

All throughout March, the writing was surprisingly steady, but recently things have kind of gone off kilter.  Maybe it’s all the increased distractions (job interviews, EPIK application, the TEFL course, other random crap), or maybe it’s just that I’ve become less disciplined, but I don’t feel like I’ve been writing very consistently in the last little while.  And the graph doesn’t really show that, because I recently started a few other projects which have sort of taken the place of ITND.

The first of these is currently untitled, but it takes place in a post-apocalyptic version of our world which I’ve code named “The Blight.” I don’t want to say much about it, but it’s REALLY REALLY REALLY cool…trust me.  Think lone man, wandering the ruins of civilization two hundred years after its fall, trying to make a life for himself when everyone else around him dies at a ridiculously early age because of this blight that has swept across all of humanity.

I’m having a TON of fun building this world, and the story is practically writing itself.  In the interest of finishing what I start, though, I’m going to sideline it until ITND is completely finished (which should be by the end of April, inshallah…).

The other project is a novella version of BSH, basically taking just Stella’s viewpoints and telling the story of her capture and eventual ascension to the Hameji throne.  This project shouldn’t be too hard–basically, I’m just frankensteining it from BSH, with a few tweaks.  My main reason for writing it is to have a novella-length work that I can release as an ebook, possibly to generate interest in Bringing Stella Home.

Speaking of which, in March I released a couple of short stories as ebooks on Amazon.  It’s a little early to gauge how well they’re doing, but I’m learning a lot from the experience, and the sales are gradually trickling in.  Once I release a few more works and start promoting them, I expect the sales will grow.

So in the last three months, I’ve finished one polished novel (Bringing Stella Home), started two new projects (Sholpan and untitled (the blight)), and made progress on polishing Worlds Away from Home. I wrote / revised through 170k words, about 30k to 50k of which were all new material.  I also ventured into indie publishing and released two short stories on Amazon, which are earning me a buck or two each week.

Overall, it hasn’t been as prolific as other quarters, but it’s not been too bad either.  Now to finish ITND and make some progress on that freaking nashostomo…

Character DTRs and other such stuff

Just a quick post before I go to bed.

The two main characters in WAFH just had a DTR (Define The Relationship discussion) and it was, well, kind of rough.  I don’t know what’s harder: having one in real life, or writing a fictional one that actually works.

I also don’t know which one I have more personal experience with, but that’s a subject I’d rather not get into right now.

Anyhow, even though that was an unexpected rough spot that had me down for the past few days, the end for WAFH 2.0 is definitely in sight.  I’ve got one more scene in this chapter, the big climactic end battle / rescue / whatever, and then a very short epilogue.  In all, that’s about seven scenes, two of which are already written and two others which I can probably glean from recycled material.

In unexpected news, I had a very interesting idea.  You know the Writers of the Future contest?  I always want to submit to them, but never can, because none of my stuff is short enough.  It’s acceptable to submit the first part of a novel–Dave Wolverton did that, with On My Way to Paradise–but only if the first part is a complete story in itself.

Well, as I was walking down the street, I wondered whether I could take one of my novels (like BSH) and eliminate all but one of the viewpoint characters’ scenes.  Specifically, I was thinking of doing that with Stella, who goes from prisoner to concubine to queen of a tribe of starfaring warrior nomads.  After cutting out all the other storylines and adding in a bit here or there to preserve continuity, it could make for an interesting novella.

Still, it’s going to be tough to get it down to the 17k word contest limit.  Stella is one of four major viewpoint characters, so her scenes probably take up at least 25k words in the book.  I might be able to cut out a couple of subplots, like the one with Gazan…but I dunno.  I’m open to suggestions from those of you who’ve read it.

In other news, I made the first cut for the 2011 Amazon Breakthrough Novel Award contest!  I submitted Genesis Earth in the YA category, and mine is one of 1,000 entrants that will go on to the next round of judging.  First place wins a $10k publishing contract with Penguin–yay!

I’m trying not to get my hopes up too much, but I’ll know whether I made the second cut by March 22nd.  A couple of friends from Quark also made it through the first round, so if any of us makes it to the second, that would be awesome.  Go Quarkies!

That’s about it for now; Brandon Sanderson did an interesting lecture in his 318 class on the new world of publishing, which was quite interesting.  I’ve got a LOT of new thoughts to share on indie publishing, but that will have to wait for another post.

Until then, keep being awesome…but not like this guy: