Short Stories – Page 13 – One Thousand And One Parsecs

Revisions, X-COM, and working on my short game

So I finished putting together the revision notes for Heart of the Nebula on Monday, and started working on those today. It was interesting to compare the original rough draft (which was completely broken) with the incomplete revised version that I’d worked on about a year ago (which was also completely broken, but in different ways). Fortunately, even though both drafts are train wrecks, they’re not unsalvageable. In fact, I think there’s a pretty good story underneath it all.

Usually when I write a big novel like this, the first draft works pretty well up until about the middle, then either it falls apart or the scenes start getting out of order, or both. In the first revision pass, I take out all the stuff that isn’t working, but struggle to come up with new stuff to replace it. Usually, I’m just recycling the old stuff, and the result ends up a bit out of place and watered down. On the third pass, I say “screw it” and come up with a bunch of new stuff, which helps me to see where the story is actually going and arrange the scenes in the correct order. It’s not always as straightforward as that, but that’s the pattern.

In fact, I’ve learned a lot of interesting things from this revision, which I’ll probably save for another blog post when my thoughts on this are a lot clearer. The big takeaway is that I need to clearly separate the tasks that should be done in my creative mind (like writing new words and coming up with story) and the ones that should be done in my critical mind (like mapping out what to cut and what to keep or recycle). But more on that later.

About a week ago, I got X-COM: Enemy Unknown on a Steam sale and I’ve been playing it like crazy. It’s a really awesome game! I love the complex tactical thinking and how it really puts you there on the ground with your troops. And then, an enemy pops out of nowhere, flanks you, gets a critical hit, and the next thing you know your favorite soldier who you’ve been meticulously leveling up over the last thirty missions is DEAD! NOOOOO!!!

So yeah, that’s been eating up a lot of time–probably too much of it, to be honest. But I’m still working on various writing projects, including a plan to improve my short game. I put together a spreadsheet of all the major short story markets in the speculative fiction field, and ranked them in order of preference. My plan is to write a short story every week (or at least twice a month) and put it on submission, going right down the line until I’ve exhausted all the appropriate markets. No revisions, no holding stuff back because I think it’s not good enough–just writing and submitting until I’ve mastered that side of the art.

This is something I’ve been wanting to do for a long time, but I’ve been holding back because … well, I don’t know why I’ve been holding back. Maybe I’ve just had it in my head that I’m not any good at short stories? Well, maybe right now I’m not, but I’m sure that it’s something I can learn. It’s a side of creative writing that I haven’t really explored yet, which means that there’s a lot of opportunity to learn and grow. And if/when I do start getting picked up by the major magazines, that’s going to do a lot to advance my career.

Don’t worry, I still plan to keep working on novels and novellas. This short story thing is something I’ll probably do when I need a quick break, to start something that I can finish in a day when I’m stuck in the middle of a gargantuan project. I’ll probably limit my short story writing to Saturdays, so it doesn’t interrupt things too much, and try to write them in one or two sittings if I can.

So that’s what I’ve been up to in the past week. In other news, it has gotten RIDICULOUSLY COLD out here in Utah, and I love it. Cold weather means hot chocolate, borscht, and oatmeal! It also means I need to get myself a bomber jacket–the kind with the awesome pockets on the arm. It’s been years since I had one of those, and they are good quality jackets.

In any case, that’s enough for now. I’ll do what I can to keep this blog updated as I move on with revisions and other stuff. In the meantime, stay warm!

Why I love writing novellas

For the first half of this year, almost every project I’ve worked on (with the exception of an unfinished short novel) has been a novella. It’s not a form I was familiar with when I first started writing, but I’ve come to enjoy it immensely, and look forward to writing much more in the future.

The technical definition of a novella is pretty simple, at least according to SFWA. It mainly has to do with word length:

Novel — 40,000 words or more
Novella — 17,500–39,999 words
Novelette — 7,500–17,499 words
Short Story — 7,499 words or fewer

That one simple distinction leads to a host of other differences, though, since words and story length are so crucial to the different types of stories you can tell.

Short stories tend to be more situational. A good short story writer (which I am not) can use the form to explore all sorts of other story elements, but there’s always something of a tradeoff. A good short story will have strong characterization but a simplistic or nonexistent plot, or center around a compelling concept but not provide an immersive setting. It’s a very minimalistic form–there’s always something of a sacrifice.

A good short story can pack a real punch, but it doesn’t really immerse you in another world. It might resonate for a long time after you read it, but you finish it almost as soon as you start it. It’s a form that I enjoy in audio form, but don’t actually read very much. It’s great for the commute or a road trip, but not so great when I’m curled up in the lovesack looking to get lost in a book.

That’s just me, at least. And as for writing them, I need a lot more practice before I have anything useful to say on that.

With novels, it’s exactly the opposite. They are so expansive that they tend to have multiple viewpoints, subplots, character arcs, and setting elements all woven together in one sprawling whole. There are differences, of course, between a 200k word fantasy epic and a short 60k word thriller, but complexity is an important part of the form. It’s not enough to have an interesting situation, or a single mind-blowing idea–you have to have several, and they have to work together.

When done well, the effect can be tremendous. A good novel is much more than just the sum of its parts, and the climactic moments when everything comes together can be truly spectacular. They’re incredibly immersive, too–I’m pretty sure that some of my childhood memories are things that never happened except in the pages of a book.

But sometimes, it can be hard to get into a novel, either because it starts off slow or because from the very beginning it’s so complex. Also, it requires much more of an investment, especially in time. I can’t tell you how many novels I’ve checked out from the library, only to return a few weeks later with a hefty overdue fine on my account–not because I didn’t like them, but because I just couldn’t find the time to finish.

In terms of writing, all of that storytelling complexity can make the task positively gargantuan. It depends on the length of the novel, of course, but the longer it gets, the harder it is to keep everything straight. And when something is off and the story just doesn’t seem to be coming together, it can be incredibly difficult to figure out exactly what is broken. Even if it’s small, or something that’s easy to fix, you can easily find yourself revising in circles.

The novella falls more or less in the “Goldilocks” zone of these other forms. It’s long enough to give you the space you need to play with things on a novelistic scale, but short enough that you don’t have to worry about bringing all that complexity to the page.

Generally, I’ve found that there isn’t much of a difference between novellas and novelettes. I’ve dabbled with both, and found that the difference has more to do with brevity and less to do with actual structure or form. A well-written novelette can do all (or at least most) of the things a novella can do, just in a slightly more economical fashion. And of course, the differences in all of these forms is subjective and fuzzy. Your experience could very well be different.

But personally, I find novellas (and novelettes) much more fun to write because it allows me, sometimes even forces me, to get a lot more intimate with my characters and their individual points of view. A situation or idea alone is not enough to carry the story for the required length, but exploring multiple viewpoints (or at least more than two) tends to push the story too far. Consequently, I find myself really diving into my characters and trying to see things from their perspective.

It’s similar with novels, but without all the other subplots or character arcs, there are fewer distractions–and fewer ways to screw up. I can stay in the character’s head without having to break out to fix something else. Also, my first drafts tend to be a lot cleaner, with less need for massive substantial revisions. And even if the draft is irredeemable, I can toss it out and rewrite from scratch with a lot less pain, since it’s only 30k or 40k words.

So yeah, I really love writing novellas, which is something that would have surprised me only three or four years ago. There aren’t a whole lot of traditional markets to sell them to, but that doesn’t matter because they’re perfect for ebooks and self-publishing. It’s also a lot easier to take a loss on a perma-free novella than it is on a full-length novel.

I’ve found that I can write a good first draft of a novella in anywhere between two and six weeks. I wish I could do it quicker, but I’m not a very fast writer, so thirty days is a pretty good cap for a deadline. And because they’re shorter, they tend to be quicker to revise, and easier to hand off to alpha readers who will give you a good turn-around time for feedback.

For those of you who prefer more long-form stories, don’t worry–I haven’t given up on writing novels. In fact, I’ve got a half-finished epic fantasy novel that I’ll probably work on next, once Star Wanderers: Benefactor (Part VI) has gone through a major revision pass. But if you enjoy reading novellas as much as I enjoy writing them, then you’ve got a treat, because I’ve got a bunch of Star Wanderers novellas that will be coming out in the next few months!

And after that? Who knows …

C is for Cryo

I think every science fiction writer has a cryo (aka “human popsicle“) story sitting around somewhere, even if it’s just in the back of their head. It’s one of those tropes that keeps coming back, just like the alien invasion, the robot apocalypse, and the Adam and Eve plot.

The basic concept is pretty simple, even if the technology is a bit more complex: a human or animal undergoes rapid freezing in order to put themselves into stasis for an extended period of time. Months, years, or even centuries later, someone thaws and resuscitates them so that they wake up in a completely different time and place.

There are a lot of good reasons why going into cryo makes sense in a science fiction universe. One of the more common ones is that the characters are colonists on a mission to an alien star, and their spaceship doesn’t have a faster-than-light drive. Rather than go through all the trouble of building a generation ship, the designers instead built a series of cryo chambers to put the colonists into stasis for an extended period of time. It might take centuries or millennia for the ship to reach its destination, but when it does, the colonists wake up as if it’s just been a long, dreamless night.

In The Worthing Saga, Orson Scott Card has a somewhat unusual rationale behind the prevalence of cryo in his universe (though they call it “hot sleep,” and it’s induced by a drug called soma). Only the rich can afford the technology, and the imperial overlords very carefully regulate the use of it so that there’s a clear hierarchy based on who goes under for the longest amount at a time. It’s a way for the citizens to achieve a simulated form of immortality, by skipping five or ten years every year or two of their lives.

In the Halo video game series, the UNSC uses cryo as a way to preserve their greatest military assets, the Spartans, for the times when they’re needed. The first game in the series starts when John-117, aka the Master Chief, is awakened just as the starship Pillar of Autumn crash lands on a mysterious alien structure. Like something from an old Norse legend, the third game ends when the Master Chief seals himself into the cryo chamber of a derelict starship, telling the AI Cortana “wake me when you need me.” (highlight to view spoilers).

So why are cryo stories so prevalent in science fiction? For one thing, they’ve been floating around in our cultural subconscious a lot longer than the genre has been in existence–just think of Sleeping Beauty or Rip Van Winkle. For another thing, the science is not that far-fetched. Certain animals can be revived after extended periods of frozen stasis, and according to the New York Times, it’s happened at least once with a human being. Science fiction has a long history of turning fiction into fact (for example, Arthur C. Clarke and communication satellites), so perhaps it’s only a matter of time before human cryotech becomes a reality.

I’m definitely a fan of this trope in my own writing. Genesis Earth has a chapter with a rather horrific cryothaw scene, which I later spun off into a short piece titled “From the Ice Incarnate.” I haven’t played with it much in my latest books, but in Heart of the Nebula which I hope to publish later this year, the cryotech plays a very important role in the plot. And if I ever write a prequel to my Gaia Nova series showing how that universe got started, it will feature a cryo colonization story. The main premise of that series is that a group of human colonists fled 21st century Earth and went into cryo to colonize a distant corner of the galaxy, but when they woke up, they couldn’t find Earth anymore, so it became something of an ancient holy legend (which is a major driver for Desert Stars).

Random updates before leaving

I’m spending Thanksgiving with my parents this year, which means I’m leaving for Massachusetts tomorrow…by train. Well, technically, Sunday morning, since the cross-country trains come through Salt Lake City in the wee hours, but to my way of thinking it’s tomorrow and not Sunday. Either way, I won’t be posting anything until Tuesday night, since that’s when I arrive.

You may have noticed that Amazon recently bumped the price of my two short stories, “Memoirs of a Snowflake“ and “Decision LZ1527,” back up to $.99. I decided to raise the price because giving them away for free wasn’t having any sort of effect on sales of my other novels. Sure, it exposed my work to more readers, but I want to be known for my science fiction series, not because of a couple of cute stories that aren’t a whole lot like anything else I’ve written.

However, after reading Kris Rusch’s recent post on this subject, I decided to drop the price of Sholpan to free for the next couple months. Sholpan is a novella taken from Bringing Stella Home, and is a great place to start for my Gaia Nova series. It’s a complete story on its own, but I’m hoping it will drive interest in the full length novel, and later in Desert Stars.

If the price dropping process is anything like it was for the short stories, though, it will be a while before Sholpan is free across all platforms. Amazon doesn’t allow you to set the price to free yourself; you have to get all the other places to do it first, so that Amazon’s bots will detect it and price match. To do that, you have to drop the price on Smashwords first and wait for it to trickle down.

In short, it will probably take three to five weeks for Amazon to make Sholpan free. Hopefully it’ll happen in time for the holiday season, and probably for a month or two afterward.

In the meantime, I just noticed that “Memoirs of a Snowflake“ is on both the science fiction anthology and fantasy anthology top 100 lists on Amazon. Woot! It’s not going as fast as it was when it was free (I think I’ve had just five sales in the past 48 hours), but it’s still going. It will be interesting to see how long it holds up; it would be awesome to crack the top 10 on either of those categories!

And that’s about it. I’ll leave you with the following quote:

All journeys have secret destinations of which the traveler is unaware.

–Martin Buber

Story Notebook #7

All right, it’s been forever since my last story notebook post, so I figure it’s time to do another one.

Last time, I shared the story ideas I from my fifth story notebook, during my time in Washington DC. This next notebook is pretty tattered, and it covers my time from graduation to winter of last year. One of the reasons it’s falling apart is probably because I didn’t have a car and had to bike everywhere. That’s probably why I weighed fifteen pounds less, too.

EDIT: This notebook actually covers the end of summer to the the winter, after I’d gotten a car. Minor point, but it’s worth noting to clarify.

Anyhow, here we go:

Machu Pichu…IN SPAAACE!!! Seriously, an exploration mission that finds abandoned ruins on another planet.

Happens fairly often in science fiction, though it isn’t something I’ve tried my hand at yet. Although I guess there was some of that in Genesis Earth, and I’ve got a couple of ideas for something similar in the Gaia Nova Universe…moving on!

A knight sets out to rescue the damsel from the dragon, but the damsel slays the dragon and becomes the monster that the knight must slay.

Hmm, this one sounds promising. Of course, “knight,” “dragon,” and “damsel” are all archetypes, not literal characters. For example, if Raoul is the knight, the Phantom is the dragon, and Christine is the damsel in distress…wow, that would be disturbing.

What if Earth is a wildlife preserve for an interstellar species that is far more advanced than us?

Kind of like “They’re Made of Meat”? I think Predator might have done something like this, except that Earth was a hunting preserve.

A society where people achieve immortality by uploading their consciousnesses to a normal human fetus through a process called “reconception.” They do this because computer hardware is incompatible with human wetware.

I’m pretty sure I retrofitted this story idea from a play on the word “inception.” Man, that was a good movie.

Planetary colonization scheme: send down a group of genetically modified humans, who are hardy, extremely fertile, have shorter gestation periods, etc, and have them do the dirty work of building the first settlements. Then send the regular humans after a couple of generations, when they’ll be revered as gods for their superior technology, and have the two cultures intermarry.

I had a long involved dream about this story idea shortly after I had it. Sounds like a good idea for a series; one of these days, I’ll have to write it.

A character who sees right through all the pretenses and lies of society to know people for what they are–a magnificent judge of character who isn’t swayed by power, position, or pretend honors (eg high paying jobs)

In other words, Captain Moroni–IN SPAAACE!!!

An offworld version of Australia or Siberia, where convicts create their own country.

This idea could single handedly save the US space program.

A society in which everyone must remarry every X number of years.

Wow–I want to use this right now in my current WIP! Okay, maybe that would be a bad idea.

What if dreams are not only the subconscious working through the events of the past day, but of events that our consciousness perceives as lying in the future? That the subconscious transfers information non-linearly through time and space?

So shiny…must..resist…

A character who can read minds, knows every dirty thought inside your head, and isn’t disgusted by it.

If I ever met a girl like that, my first question for her would be “will you marry me?”

What if the evolution of our society in the information age is like simple celled organisms evolving into complex ones? Where the AI overmind will organize into a giant organism as complex as a human being?

Reminds me of an excellent story on Escape Pod titled “Endosymbiont.” You should drop whatever it is that you’re doing and listen to that story right now!

An evil overlord who wants to unite mankind under the overmind instead of under his own rule

Kind of like a mashup between Sauron and Javier.

Perhaps every generation has an impossible battle, and whether they rise to meet it or fail to overcome it defines that generation’s place in history.

If that’s true, I’m pretty sure my generation is failing.

A fantasy that romanticizes the minion.

An AI that falls in love with its creator.

A person who appears schizo but actually jumps between close possible universes.

Better yet, a story that mashes all of those ideas together!

A character who loses the mental ability to translate sounds into words and language–who sees everyone else as animals.

I’m pretty sure this happened in The Silmarillion at some point.

A character who believes that existence itself is an epiphanic prison.

…and appears schizo but actually jumps between close possible universes…

What if war and terror is normal everywhere else in the world, and all of us Americans living our quaint middle class lives are ridiculously sheltered?

Uh, I’m pretty sure that’s not fiction…

A fast food place that uses time travel to delver full course meals.

<facepalm> Oh man, there are so many ways that could go wrong.

And finally:

A future world in which smiles have been turned into a commodity.

WE…ARE..THE NINETY NINE PERCENT!

And that concludes my sixth story notebook. I sense an encouraging trend; some of these ideas were pretty good! Or maybe I’m still too close to them…in any case, there’s no telling until someone actually sits down and writes the story.

So if you feel like taking one of these ideas and running with it, feel free!

Should I keep it free?

My first three ebooks have been available for free for several months, and I’m happy for all the attention they’ve received, but I’ve got mixed feelings now about keeping them free indefinitely. Downloads have more or less bottomed out, and they aren’t really driving any interest in my other work, so part of me wonders if I shouldn’t just raise the price to $.99.

If I could, I would love to give away all my work for free. However, I also want to make a living as a writer, so that isn’t really practical. Granted, I don’t expect to make much selling these stories at $.99, but from a business side of things, I need to get at least some kind of recompense for my work.

What I really want to do is have the readers set the price for these stories, so that you can pay what you feel is fair. If finances are tight or you just want to try me out, you can download them for free and that’s great. If you’ve enjoyed my other work and want to support me, that’s great too.

Right now, Smashwords is the only place I know of that has that option. If there aren’t any strident objections, I’m going to do that and make these stories $.99 at every other outlet. I’ll keep them available for free at least until November, though, so if you haven’t already picked them up, feel free to do so now.

I also want to do this for the experiment: how does raising the price from free to $.99 affect sales? I think the “free train” has more or less run its course, so it will be interesting and useful to see where the new equilibrium ends up.

Part I of Star Wanderers is finished!

That’s right–I was up until about 2 am last night finishing it. Man, time goes by fast sometimes. This is probably just the first part of a much longer novel, but I hit a good stopping point so I’ll probably put it on the back burner for now while I finish Edenfall and do a final polish for Desert Stars.

What I really want to do is submit this first part to Writers of the Future, since it falls just under 15k words. I might be a little biased, but I think it’s got potential. 🙂 It’s going to need some work, though; the story literally sprung out of my head one day, and while that doesn’t necessarily mean that it’s bad, it’s probably missing a couple of scenes and needs some work with the transitions. Also, the tone completely shifts midway, from a happy go lucky space adventure to something much more serious. Not sure what to do about that.

So yeah, I’ll probably set this story aside for a little while so I can come back at it with fresh eyes. It’s not too long, so the revisions should be pretty quick; hopefully, I’ll have it ready to submit to Writers of the Future before January. If it doesn’t make the contest, I’ll shop it around the short markets for a year while I finish the novel-length version. At some point I’ll probably epublish it, but I’m not sure when.

In other news, my short story “Decision LZ1527” just went free on Amazon, so if you want to pick up a copy or tell your friends, go right ahead! It’s right around #200 in the Kindle free category now, but for some reason hasn’t hit any of the lists. Hopefully that’ll change before the ranking drops back down.

“Decision LZ1527” first appeared in the December 2009 issue of Leading Edge, and was my first traditionally published short story. Basically, it’s about a college freshman working up the courage to ask out a girl he likes, as told from the perspective of the little men inside his head. Like Star Wanderers, the story just sprung out of my head one day. It was a ton of fun to write, and I’m glad that so many others seem to enjoy it too.

In other news, I just got back the edits for Sholpan, so I’ll hopefully have that up on Amazon and other eretailers over the weekend. More on that as it happens, but it’s happening soon. I’d also like to put together a blog tour for Bringing Stella Home and Sholpan both, so if you’d like to have me on as a guest blogger, shoot me an email at joseph dot vasicek at gmail dot com. More on that later as well.

And that’s just about it for now. Take care, and I’ll see you around!

My first 1 star review

Well, I went through a significant rite of passage over the weekend: I got my first one star review on Amazon.

The review was for “From the Ice Incarnate,” which doesn’t really surprise me because it’s currently my lowest rated story. The biggest complaint seems to be that it feels more like a vignette than a complete story, which is a fair criticism. I’ve tried to make it clear in the description that this is an excerpt from a larger work, so hopefully it doesn’t feel like a bait and switch.

I wish everyone loved all of my stories, but of course that’s not possible. And although it’s easy to dismiss readers who complain about free ebooks, any book takes an investment of time and emotional energy; no matter what the price, the writer has a responsibility to deliver the best story they can write.

This is the reality of the new system: readers are the new gatekeepers, and rankings are one of the major ways that they give feedback. It’s a lot more public than a rejection letter, but ultimately I think this is a much better way for stories to grow into their natural audience.

Every writer gets one star reviews from time to time; writing is so subjective that it’s inevitable. My object isn’t to please everybody, but to do my best and to be constantly learning.

In the meantime, I’ll keep writing.

News, a correction, and an awesome AvB remix

Today I was supposed to finish the second draft of Sholpan, but I moved apartments this weekend, so everything got thrown completely out of whack. I’m all moved into my new place now (with some awesome Quarkie roommates), but Sholpan is going to have to wait until Monday.

Fortunately, I’ve only got a couple of new scenes to write, then touch up the rest to make sure it fits the novella storyline. I got in touch with my copy editor, and he should be able to have them for me by mid-September. If all goes well, I’ll send it out to a couple of my first readers to give it a pass, make the fixes, and then send it out to Josh and have it up about a month from now.

I’ve gotten some amazing responses for “Memoirs of a Snowflake” in the past week, and it’s gotten almost 2,000 downloads on Amazon so far. Not bad! However, while rereading it, I noticed an error: in the author’s note, I said that I wrote the story in December of 2008, when really it was 2007. I must have been thinking “winter of 2008” when I wrote it the first time. In any case, I’ve made the corrections, so it should be up on Amazon in 24 hours, and all the other sites before the end of the month (since I distribute to them through Smashwords).

Also, another piece of encouraging news: the boss at the temp job I’ve been working the past few months wants to hire me! If that works out, I should have steady work at least through into 2012. I’m hoping they’ll let me work part time, since that would help me juggle the writing career a lot better, but this is their busy season so I might have to work 40+ hour weeks for a while. Still, it’s better than starving.

Which reminds me: my first royalty check from Amazon comes in next month, and to celebrate, I’m going to crack open that bottle of Martinelli’s from Charlie and throw a small party. More on that later.

Finally, I found this the other day while trawling youtube for good trance tunes. It’s a remix of “Are We Human?” by the Killers, done by Armin Van Buuren. Everything Armin touches seems to turn to gold, and this is no exception. Check it out!

Breaking the Top 10, and a big thank you

As I’m writing this, “Memoirs of a Snowflake” holds the #8 spot in the Kindle Store for the general short story category — #150 overall. Almost 1,000 people have downloaded it since it went free over the weekend, and it’s already garnered some fantastic reviews!

All this positive attention makes me want to thank all those who have taken the time to post reviews of my work, so I thought I’d do that here.

Specifically, I’d like to thank L. Christensen for the early 5-star review of Genesis Earth, and her very favorable reviews of my other work. Full disclosure: L. Christensen is one of my first readers; however, I did not solicit any of her reviews–she posted them on her own. Also, I’d like to thank Katie Armstrong for the other 5-star review of Genesis Earth–I have no idea who you are (well, a vague idea maybe), but thank you!

Another reviewer who’s been very kind is EA Younker over at goodreads. She’s posted some glowing 5-star reviews for “Memoirs of a Snowflake” and “Decision LZ1527” on that site, as well as a more critical but still encouraging 3-star review for “From the Ice Incarnate.” Thanks for taking the time to read my work! I’m glad you enjoyed it.

Over on Smashwords, Ernest Winchester posted a nice 5-star review of “Decision LZ1527,” only a couple hours after I uploaded it. More recently, Michelle Glorioso and Annie B posted some extremely gratifying reviews of “Memoirs of a Snowflake.” Thanks so much!

Of course, not all the reviews have been glowingly positive. “From the Ice Incarnate” has garnered some criticism from readers who feel that it was missing something, either sufficient character depth or a satisfying ending. I appreciate the feedback; short stories aren’t my forte, so I’ll be sure to keep that in mind as I work on my short form. Also, Genesis Earth has garnered a couple of critical yet well-reasoned reviews, most notably from the review site Science Fiction Addiction. Once again, thanks for taking the time to respond so thoughtfully. And thanks to all the other generally positive reviews which I haven’t mentioned specifically here.

So far, Bringing Stella Home hasn’t gotten any reviews, so if you’ve read it and enjoyed it, I would appreciate it very much if you would take the time to do that. In the meantime, thanks for all your support!