I’m just about ready to release Star Wanderers: Part II–the story’s been revised and proofread, the cover art is finished, the formatting is ready to go–all that’s left is figuring out the book blurb. Which is where I could use your help!
Here’s what I’ve got so far. What do you think?
IS FIDELITY WORTH THE PRICE OF FREEDOM? CAN LOVE TAKE ROOT BEYOND THE STARS?
Oriana Station: a bustling frontier settlement between the Outworlds and the Coreward Stars. A popular port-of-call for free traders and independent starfarers alike—and the latest target in the aggressively expansionist plans of the Gaian Empire.
Life was simple for Jeremiah and Noemi before they arrived. Though neither of them speak the same language, they’ve reached an understanding of each other that goes beyond words. But when the colonial authorities make them into second-class citizens of a fractured empire, even that might not be enough.
Their newfound friends in the immigrant community can only do so much. With Noemi and her people depending on him, Jeremiah must find a way back to the Outworlds—before they lose everything that they came for.
I’m going with the family on vacation at the end of the week, but if all goes well, I should have it released before then. Newsletter subscribers will be able to download it for free on Smashwords for the first two weeks, and I’ll make Part I available for free while pricing Part II at $2.99. When Part III comes out, I’ll drop the price to $.99.
In other news, I typeset and formatted Bringing Stella Home for CreateSpace this morning, and ordered the proof just a few hours ago. With luck, it should come in the mail by the end of the week. This is the third book I’m releasing in print, and the last one for the rest of this year. I’ll be sure to post pics and links for where to get it once it’s ready.
In still other news, the Mars landing was totally worth staying up for last night. A truly awesome moment for the whole human race. And yes, I’ve been using this excuse all day.
I recently read an amazing blog post by Shannon Hale titled “Why boys don’t read girls (sometimes).” In it, she makes a number of excellent points about how our society stigmatizes boys who read “girlie books,” and why that’s harmful.
Perhaps the most moving part of the post was at the end, where she described an experience at one of her book signings where she saw a boy hanging back and asked him if he would like her to sign one of his books. The boy’s mother jumped in and said “yeah, Isaac, would you like her to put your name in a girl book?” The boy’s sisters all laughed at him, shaming him for reading anything that ran against their strictly defined gender roles.
Whatever problem [the character has]—whether terminal disease or sociopathic neighbor or anything else—the problem must be faced with courage. This means that your character can’t cry about it, no matter what the source of pain…Any time that a character breaks down, we as an audience may cast judgment upon that character.
Now, I have nothing but respect for Dave Farland. I’ve been following his “daily kick” emails for years, attended dozens of his convention panels, and even interviewed him once for an online magazine. He’s been a very influential writer to me personally, and his advice has had a huge impact on my writing.
But on this issue, I think he’s dead wrong.
Even if you don’t have any problem with the idea that men should never cry–a disturbing belief that harms men by forcing them to hide their true feelings, and harms women by teaching men that compassion and empathy are signs of weakness–even if you’re comfortable living in a culture that accepts this belief, there are still instances where having a man cry in your story can be both moving and poignant.
Cross his woman, and he’ll blow your brains out–quoting scripture while he does it.
The best example of this that I can think of comes from David Gemmell’s The Jerusalem Man. No one–and I mean no one–writes manlier heroes than David Gemmell. And among his characters, Jon Shannow ranks as one of the manliest.
In The Jerusalem Man, Jon Shannow is a lone gunman roving the post-apocalyptic wastelands of Earth on a spiritual quest for the city of Jerusalem. Near the beginning of the book, he comes across a frontier woman under attack from bandits. He stops to defend her homestead, and she shows her gratitude by inviting him into her bed.
Jon Shannow is a middle aged man, but because of the post-apocalyptic setting, this is his first sexual experience, and it moves him to tears. For me, that was one of the most poignant moments of the book. It didn’t take away anything from his masculinity throughout the rest of the story–indeed, it added significantly to it when the woman got kidnapped and he determined to rescue her.
I’m sure there are other examples that you can think of. Certainly in real life, this notion that men should never show their feelings is both harmful and outdated. To say that in fiction, no characters should ever cry–female characters as well as male characters–that’s just so wrong it’s infuriating. If crying is so taboo that it’s even forbidden in the pages of a book, then something is wrong with the culture, not the story.
In 2008, I attended a fascinating panel at LTUE in which Tracy Hickman and a number of romance and fantasy writers discussed how to write romance in science fiction and fantasy. Tracy explained that in all the novels he writes with Margaret Weis, she does the fight scenes and he does the romantic ones.
He then went on to talk about how there’s a whole side of life that our culture has shut men off from–a feminine side which is present in all of us, men as well as women. The way he explained it, romance is not just the “kissy bits,” but a vital and enriching way to see the world–a paradigm that infuses everything with feeling and passion.
It makes me think of The Princess Bride, where even the action scenes with Inigo Montoya have a certain romantic flair to them. In the old days, the term “romance” described not only love stories, but action & adventure stories as well. In modern times, we seem to have forgotten all the old qualities like honor, love, sacrifice, loyalty, heroism, and compassion–even though they still make for the best stories.
Of course, our characters need to have courage. But courage is not the absence of fear–it’s pressing on in spite of it. And crying is not always a sign of weakness–it can actually be a sign of great emotional strength. And if it’s true that the best literature helps us to see our world in a new light, giving us a greater understanding and appreciation for the human condition, how is it “courage” for anyone to hide their true feelings?
So do the characters in my stories cry? Hell, yeah! I don’t have them hide their feelings just because some readers might look askance. Some of them cry more than others, and many of them don’t hardly cry at all, but those who do cry do so because the story demands it.
Even though I write science fiction, I do my best to infuse my stories with romance–not just the “kissy bits,” but that depth of feeling and passion for life that made me fall in love with books and reading in the first place. Star Wanderers is a great example of that, and so is Desert Stars.
And yes, in case you’re wondering, I’ve read a lot of “girlie books.” They’re some of my all-time favorites.
So the proof for Desert Stars came in the mail today, and it looks great!
The front cover.The back cover.Title page.First page.No matter how much I do this, it never gets old. 🙂
It’s available now from CreateSpace, if you want to pick up a copy. If you’d rather buy it on Amazon, it should go live there in a few days. And if you want to buy an autographed copy of this one or Genesis Earth, let me know ASAP: I can order author copies and ship them wherever you want me to, but I’m leaving again for Georgia at the end of August, so I can only do that for the next two or three weeks.
As for Star Wanderers: Part II, I finished the major revisions just yesterday, and plan to go through it again this next week before publishing, mostly to fix typos and get it ready for publication. There weren’t too many story issues, but my first readers helped me to see a couple of areas where things were unclear (especially Laura–thanks for the awesome feedback!).
After going through this latest draft, I’ve got to say I am way excited to finish Part III and Part IV. It’s going to take a little more work, and it’ll definitely need some feedback before publishing, but I think I can have the first round of revisions done before the end of August. A couple of scenes are missing, and there are some key elments I need to change, but I definitely know where this story is going and I’m excited to tell it!
That’s about it for now. I’ve gotten some initial feedback from my first readers on Stars of Blood and Glory, and so far it’s been surprisingly positive. I may post the prologue here for you guys, or release it as an extra through the newsletter. The unpublished prologue for Bringing Stella Home would also make good newsletter content too, come to think of it…
Electronic publishing is like playing a really awesome video game. Once things get going and you really start getting into it, you just don’t want to stop!
On Tuesday, I finished the second draft of my latest writing project, Stars of Blood and Glory! Here are the basic stats:
words: 78,746 pages: 372 chapters: 20, epilogue, and prologue start date: 3 July 2012 end date: 24 July 2012
Also, this is probably really dorky, but I made a logo for the title:
They say to use only Courier or Times New Roman in your manuscript, but whatever. I think it looks pretty cool.
This was a lightning-fast revision, compared with the ones I did for Bringing Stella Home and Desert Stars. Part of that is because I want to try and follow Heinlein’s rules more closely. I recently looked back at how I’ve spent my writing time over the past three years, and found out that as much as 3/4ths of it was tied up in revisions, not in producing new material. Yeah…that’s something that needs to change.
For this draft, I resisted the urge to do a line-by-line edit, and instead focused on rearranging the scenes in their proper order and inserting new ones that were essential to the story but missing from the first draft. That’s probably why it only took three weeks to finish.
I don’t think there are any glaring holes in the story, but if my first readers find any, I’ll probably do another scene rearranging draft much like this one. If they give me the green light, though, I’ll do a quick pass to fix any errors and send it off to my editor to start the publication process.
Two things about Stars of Blood and Glory have really surprised me: first, how little time it’s taken to write it (two months for the first draft, a little less than one for this one), and second, how short it is. Even with five viewpoint characters, it’s less than 80k (Bringing Stella Home was 110k). The pacing feels right, though, so that’s probably its natural length–it’s just that I seem to be writing shorter and shorter novels lately instead of longer ones. Maybe it has something to do with all those David Gemmell novels I love to read.
There’s more I could say, but I don’t want to bore you guys too much. Besides, you probably want me to move on to the next one.
My next writing project is Star Wanderers: Part II, which should take me about a week to revise and another week or two to finalize and publish. If any of you want to help me proofread the final draft, let me know–I’m willing to exchange services and/or give you a free copy.
First of all, I recently did an interview with Elizabeth Baxter on her blog, Small Blonde Hippy. In it, I discuss Star Wanderers, Stars of Blood and Glory, and a bit about my path to becoming an indie author. You can find it here–go check it out!
Second, in preparation for the new ebook versions of my novels which I plan to release soon, I’ve been going over some of the old blurbs and updating them. It’s harder than you might expect! I think the new ones are getting better, but I’d appreciate some feedback before I post them. What do you think?
For Genesis Earth:
A BOY AND A GIRL ON A VOYAGE TO AN ALIEN STAR.
Michael Anderson never thought he would set foot on a world like Earth. He only studied planetology to satisfy his parents, two of humanity’s most brilliant scientists. But when they open a wormhole to an alien planet—one emitting a signal that can only be a sign of intelligent life—he soon becomes caught up in the mission to explore it.
His sole mission partner, Terra, doesn’t care nearly as much about the science as he does, though. The child of a bitter divorce, she sees the mission as a chance to escape from the expectations of others.
Before they can work out their differences, a mysterious alien ship begins to hunt them down. Alone, twenty light-years from the nearest human being, they must learn to open up and trust each other—but how can they do that when they can’t even agree why they’re there?
As Michael struggles to keep the mission from falling apart, he is forced to reexamine his deepest, most unquestioned beliefs about the universe—and about what it means to be human.
For Bringing Stella Home:
HE’LL GO TO THE ENDS OF THE GALAXY TO SAVE HIS BROTHER AND SISTER.
The New Gaian Empire is crumbling. An undefeatable enemy from the outer reaches of space is sweeping across the frontier stars, slagging worlds and sowing chaos. No one dares to stand up to them—no one, that is, except James McCoy.
As the youngest son of a merchanter family, James never thought he would get caught up in the Imperial wars. But when his home world falls to the barbarian Hameji, his brother and sister, Ben and Stella, are taken away as prisoners and slaves. With the rest of the galaxy thrown into chaos, only James has the determination to rescue them—even if it means losing everything in the process.
For Sholpan:
SHE’D RATHER DIE THAN BE A SLAVE TO THE CONQUERORS OF HER HOME WORLD.
Stella McCoy never thought she’d fall prisoner to the barbarian Hameji. The oldest daughter of a working class family, all she wanted was to finish her apprenticeship and start a career an astrogator. But when the Hameji conquer her home world with their starfaring battle fleets, she is forced against her will to become a concubine to one of their highest ranking warlords.
Stella would rather die than spend the rest of her life as a concubine. Fortunately, as she looks for a chance to escape, she starts to make friends in high places. But in the dangerous world of harem politics, with new friends come new enemies—ones that have the power to destroy her.
One of the changes I plan to make is to insert the blurb immediately before the first chapter. I’ve heard that a lot of ebook readers are downloading so many free books and samples that it often takes months before they get around to reading them. This parallels my own experience, so I figure it’s a good idea to have something in the beginning to remind readers what the book is and why they picked it up.
Other than that, no big changes except fixing typos and formatting errors. I’m not the kind of writer who makes sweeping changes to a published story based on reviews, one-star or otherwise.
In other news, I’m almost finished with the second draft of Stars of Blood and Glory. This has been a surprisingly fast revision, but then again, that might be because I haven’t sent it out yet to my first readers. Based on their feedback, I’ll probably do another draft before putting it in the publishing queue.
Star Wanderers is going to be my main focus until the end of the year, though. I’ve gotten a lot of excellent feedback on Part II, and should start the revisions in the next couple of days. With luck, I’ll have it published by mid-July. Part III is going to take a little more time, but I’m pretty confident I’ll have it up by October at the latest.
For that to happen, though, I need to get back to writing. So long!
So after a month of waiting, Kobo’s publishing platform, Writing Life, is finally up! I just finished uploading all of my titles (except my short stories–I’ll just continue to distribute through Smashwords for now). Genesis Earth is already available, and the others should be up soon.
For those of you who are readers, this means that you’ll be able to find my books on Kobo almost as soon as they go up on Amazon. The formatting will (hopefully) be cleaner, since I’ll have direct control. Prices will generally be the same as on other platforms, but when I change the price on Amazon, I’ll change it simultaneously on Kobo, too–no waiting for weeks on end for the price to drop.
For those of you who are writers, I’ll be sure to keep you updated with thoughts on my experience. So far, it looks pretty good: the royalty rates are better than Amazon (70% for titles priced $1.99 – $12.99, 45% for all other titles), the publishing process is faster, and the upload formats (.epub, .doc, .docx, .mobi, and .odt) are generally more flexible. Downsides include a higher minimum threshold for direct deposit ($100 or every 6 months), fewer category choices, and what appears to be a forced 2:3 aspect ratio for cover art.
Besides that–oh, look, Bringing Stella Home and Journey to Jordan just went up too! Man, that’s fast! And it looks like the aspect ratios went back to 3:4, so I won’t have to redo the covers. That’s a relief! So yeah, I’ll be sure to keep you updated.
Also, in preparing my books for upload to Kobo, I discovered some pretty egregious formatting errors for the Barnes & Noble copies of Bringing Stella Home and Sholpan. I’m not sure what happened–probably it had something to do with an older version of Calibre or Open Office, since I was overseas at the time and only had access to my netbook. So yeah, if you downloaded one of the broken copies, just shoot me an email and I’ll send you the updated epub version, no questions asked.
In general, I need to revamp my publishing process. Currently, it resembles jumping through a ring of fire while juggling half a dozen angry poodles. Open Office, Mobipocket, Notepad, Calibre, KindleGen, DOS prompts, and Kindle for PC–yeah, I’d better get on that. If you have any suggestions for free/open source software that does .mobi and .epub, please let me know.
In other news, I finished my first pass through Stars of Blood and Glory, and should be finished with draft 2.0 by the end of the week. After that, it’s back to Star Home and Star Wanderers.
When it comes to weddings, most of us like to plan things out in advance. It’s not uncommon for couples to spend years figuring each other out before they finally tie the knot. So what happens when you wake up one morning and find yourself married by accident to a complete and total stranger?
This trope generally comes in two forms:
Situational: Two people from the same culture end up in a comedic situation where, quite unintentionally, they end up marrying each other. Often takes place in Las Vegas and/or involves some form of intoxication. Usually, neither of them has a clue what they’re getting into until it’s too late.
Cross-Cultural: While traveling in a foreign land, the hero unwittingly marries the chieftain’s daughter through a hilarious cultural misunderstanding. Typically, the guy is the oblivious one, while the girl knows exactly what’s she’s doing, though the gender roles do occasionally get reversed.
The characters are never the kind of people who would just up and leave their spouse, though–that would ruin the story. For that reason, they’re usually both decent, likable people, at least at first. But even if they decide to stick together, they usually have to work through a ton of (often hilarious) challenges first.
When part of the main storyline, this trope is often used as the setup for a romantic comedy (since the alternative is, well, kind of a downer). When done well, it combines the awkwardness of a blind date with all of the angst and anticipation that comes along with wedding and marriage. There’s a variety of ways that the situation can be resolved, and the longer things drag out, the more reasons the couple finds for sticking things out.
That’s not always the case, of course. In the “Our Mrs. Reynolds” episode of Firefly, what starts out as an accidental marriage between Mal and Saffron turns into…well, something else.
Within science fiction & fantasy, this is probably the most prominent example of this trope. The first half of the episode plays it straight, with Mal participating in a ceremony that seems innocent enough, but later turns out to be a marriage. At first, he tries to get out of it, but one thing leads to another, and…well, go rewatch the episode!
Another good example of this is found in the movie Jeremiah Johnson. The titular character, a former confederate soldier turned mountain man, finds himself a guest of the Flathead Indians. The chief asks about a number of horses and scalps he acquired, and Jeremiah, who never wanted them in the first place, gives them to the chief as a gift. Moments later, he realizes his mistake: the Flatheads have a custom of exchanging gifts of equal or greater value, and if they cannot reciprocate, they consider it an insult worthy of death. Fortunately for Jeremiah, the chief finds a solution: he gives him his daughter.
Both of these examples involve variations of the cross-cultural type. A good example of a purely situational version of this trope is the webcome Marry Me. It starts with a philanthropist pop-star who’s suffering from burnout and on the verge of having a mental breakdown. While putting on a concert, she sees a guy in the front with a sign that says “marry me” and decides, on a whim, to bring him onstage and do just that.
The thing is, he was only holding the sign for a friend, who was taking a bathroom break at the time. He’s not even a fan of her music. As you might expect, hilarity ensues.
Finally, this trope plays a major role in my latest title, Star Wanderers. It starts off with a young single starfarer, who makes his living running the trade routes between stars. Without realizing it, he visits a station where the food production systems have just recently broken down, condemning everyone to die.
The station master pulls Jeremiah into his private quarters and makes him choose one of his daughters, presumably to save her. Jeremiah can’t really say no, so he chooses one, only to find himself holding hands with her while her father says a quick prayer. Moments later, they’re whisked away to his starship, where they have a long voyage alone together to look forward to.
As you might have guessed, I’m a big fan of this trope. When things work out, it can really make for a heartwarming story. But whether or not it does, the romantic tension is just delicious.
PS: Be sure to check out the “playing with” page for this trope–there’s a lot of interesting variations on the main theme! My favorite is the logical extreme, with the fertility dolls and the pie. Interesting stuff…maybe I’ll use that in a story of my own someday. 😉
That’s right–the first part of my novel Star Wanderers is now available on Kindle and Smashwords for $2.99! Barnes & Noble, iTunes, and Kobo editions should be coming out shortly (though I’m waiting for Kobo to launch their direct publishing platform, which may take a while).
This is the first part of a four part novel, but really it’s more of a series of short novellas since each part has its own distinct story arc with a beginning, middle, and end. This one is about 15,000 words (or 40-60 pages), and takes place in the Gaia Nova universe about a thousand years before the events of Bringing Stella Home. It’s about a boy and a girl who don’t speak the same language but find themselves alone on a starship together. Here’s the description:
HE WANDERS THE STARS IN SEARCH OF A HOME. INSTEAD, HE GOT A GIRL WITHOUT ONE.
When Jeremiah arrived at Megiddo Station, all he wanted was to make some trades and resupply his starship. He never thought he’d come away with a wife.
Before he knows it, he’s back on his ship, alone with his accidental bride. Since neither of them speak the same language, he has no way to tell her that there’s been a terrible mistake. And because of the deadly famine ravaging her home, there’s no going back. She’s entirely at his mercy, and that terrifies him more than anything.
Jeremiah isn’t ready to take responsibility for anyone. He’s a star wanderer, roaming the Outworld frontier in search of his fortune. Someday he’ll settle down, but for now, he just wants to drop the girl off at the next port and move on.
As he soon finds out, though, she has other plans.
Also, I’m happy to report that I finished the full-length version of Star Wanderers over the weekend, making it my seventh written novel! Here are the stats:
words: 68,367 chapters: 20 ms pages: 317 start date: 1 September 2011 end date: 1 July 2012
And some other stats, just for fun:
kilometers traveled: ~32,000 languages encountered: English, Georgian, Russian, Mingrelian, Hebrew, Arabic, Turkish, Farsi, Polish, Slovakian, German, Armenian, Spanish, French, and Australian other books started before finishing: 4 other books finished before finishing: 2 other books published before finishing: 2
Part II is pretty close to publication, but Parts III and IV still need a bit of work. Since the rough draft is finished, though, it shouldn’t take too long to get everything else ready. If all goes well, I’ll publish Part II in August or September, and the other parts in two month intervals.
This novel was a lot of fun to write, in spite of how difficult it sometimes was. I always knew it was a story worth telling, and that gave me both the motivation to finish it and the courage to send it out into the world. I think you guys are really going to like it, especially if you’ve enjoyed my other sci fi romance stuff. As I said on Twitter back in 2011, girl + starship = WIN!
So yeah, check it out! And be sure to keep an eye out for Part II, which should be coming out in just a month or two!
So I got back to the States last night, after about forty six hours of travel (and only four or five hours of sleep). It’s good to be back, but I’m already missing Georgia and thinking about all the things I’ll do once I get back.
The weirdest thing about being back home so far is how non-stressful traveling is. I got to JFK, turned on my American cell phone and found out that the sim card is no longer recognized. My train ticket needed to be rescheduled, I didn’t know who was picking me up back home or when, didn’t know the New York subway system all that well…and yet instead of freaking out, I just shrugged and figured I’d solve all that later. Sure enough, Penn Station had wifi, so I instant messaged my brother in law and had him call my mom and work it out.
The lack of beggars in New York City was kind of strange. There was one kid on the Subway who announced (after apologizing for taking people’s time) that he was trying to make money by selling M&Ms, so I helped him out and bought one. In Tbilisi, some ten year old gypsy kid would fall on her knees and give a huge sob story, then walk through the car with her tin can (and would get more money from it than this kid did in New York).
So that was the first thing I ate when I got here. The second thing was a Jamba Juice. Next was a slice of American pizza–so much better than the stuff in Georgia–and then a bottle of root beer. Man, the soda over here is so disgustingly sweet! I was wide awake until the sugar hit my system, and then it was like taking a sledgehammer to the face.
I’m doing pretty well now, even though I woke up at about 3:30 and didn’t really go back to sleep. There’s not much happening this week, so I should be able to get over the jetlag fairly easily.
As far as Star Wanderers goes, I finished everything but the last scene and the epilogue, so I’ll wrap those up today and get ready to publish Part I. The last few chapters aren’t as awesome as I’d like them to be, but I should be able to work those out in subsequent drafts.
In other news, I recently did an interview on Scifinerdsare.us. It’s more geared towards writers than readers, but worth checking out. There seems to be a lot of polarization these days between writers who self publish and writers who follow the more traditional path, which is unfortunate. That said, indie publishing is definitely the best thing career-wise that’s happened to me.
Finally, I just watched a fascinating lecture by Douglas Rushkoff on the Occupy movement and a new cultural phase that he terms “presentism.” The most interesting thing for me is what he has to say about the way our democracy is evolving–basically, it’s becoming a little more like The Colony from Bringing Stella Home. So many story ideas to play with…
So I finally got an email from the Writers of the Future contest. It reads:
Dear Entrant,
Your story has now been judged and did not win or place in the 1st quarter. Even though you have never had to wait for results in order to submit for the next quarter, this hopefully gives you incentive to submit again. The more often you enter, the better chance you have of winning, and improving your skills.
I do urge you to join our forum if you have not already, or subscribe to our judge, David Farland’s newsletter. Lots of great tips at both locations to help you.
I do hope you are already working on that next story and do let me know that you did get this e-mail.
Best regards,
Joni Labaqui
I’m not going to lie: it’s a pretty disappointing way to end an 8+ month wait. But when you’re a writer, rejection is just a normal part of the business. I was hoping to get at least an honorable mention, but oh well.
Stories are fundamentally subjective: what might work really well for one reader might not for another. The important thing is to write the best stories that you can, and to send them out into the world until they grow into their audience. I still feel confident that Star Wanderers represents some of my best work to date, so I plan to make it available as soon as I can.
I’m flying back to the States on Friday, but Part I is already edited and formatted, so I’ll probably publish it over the weekend. In the meantime, I’ll finish the first draft of the complete novel somewhere between Tbilisi and New York. That’s one good thing about the long wait–it helped me to finish the story and work out some of the kinks before publishing it.
So yeah, the WOTF rejection is a bit of a setback, but at the same time, it’s also quite liberating. All I really wanted was to get this story out to the readers, and now I can finally do that! If you like my other stories, I think this is one you’re really going to enjoy.
