Teaching English and other future plans

I got my flight plans today from the TLG people in Georgia!  I’ll be flying out next week from JFK, connecting in Kiev and arriving at Tbilisi Wednesday afternoon.  On Monday, I’ll take the train down to my aunt and uncle’s place in New York city and spend a couple of days with them before flying out.

As you can imagine, I’m really excited about all of this!  It’s an adventure, a chance to experience a new culture, and an opportunity to start a new career and get some good experience, both for my resume and for my writing.  Since this is such a huge change in direction, I want to do some thinking aloud about where I see myself going in the next couple of years.  If you have any ideas or suggestions, please chime in!

Stay in Georgia for 2+ years: Right now, this honestly doesn’t seem too likely, but I’m not ruling it out.  After getting some English teaching experience, I’ll probably want to take a higher paying job somewhere else.  The biggest reason to stay would be if I find a local girl I’m interested in pursuing, but that’s not why I’m going out there so I’m not planning on it.  But then again, you never know.

Spend 1+ year(s) in Georgia and take a job in the Persian Gulf region: This is probably the most likely scenario. After teaching in Georgia, I’ll hopefully be in a good position to apply for for more lucrative jobs in Saudi Arabia or the other Gulf states.  I also really want to go down there because of the chance it would give me to work on my Arabic.  From what I’ve heard, there’s not a whole lot of interaction with the local culture, but I’m sure there’s plenty to see and do–and if there isn’t, then all the more time to spend writing.

After a couple of years in the Gulf, I’ll probably have enough money saved up to come back to the US and focus for a while on my writing career. That would be pretty awesome.  Or maybe I’ll decide to take that money and travel for a bit.  The potential downside, though, is that it’ll probably be harder to find a girl in Saudi Arabia–but then again, you never know.

Spend 1+ year(s) in Georgia and take a job elsewhere in the Middle East: Not as lucrative as the gulf, but the cultural experience might be more fulfilling.  I’ve already been to Jordan once, but only long enough to barely whet my appetite. 🙂 I’ve got friends there, too, which is also huge.  And even if I go somewhere besides Jordan, it will give me a great chance to work on my Arabic, maybe even more so than the Gulf.

The biggest downside, of course, is the security situation.  With the revolution in Syria quickly turning to a bloody civil war, and the brinksmanship between Israel and Iran getting worse by the day, it doesn’t look like things are going to be any better a year from now.  I’ll have to keep an eye on developments as they happen, and stay away from the region if thing heat up too significantly.

Spend 1+ year(s) in Georgia and take a job in Eastern Europe: This would be my second preference, after taking a job in the Middle East.  I’ve got a friend in the Ukraine who says it’s really good there, and I’ve got a lot of Czech heritage so it might be good to shoot for a job in the Czech Republic as well.  I won’t be able to work my Arabic as much, but my sister is making a lot of family history breakthroughs so it would be kind of cool to get in touch with those people.  Also, the security situation is considerably less volatile.  Not sure about pay, but I’m sure it will be enough to get by.

Spend 1+ year(s) in Georgia and take a job in East Asia: I don’t have a whole lot of interest in East Asia right now, but I hear there are some fairly lucrative teaching jobs out there, and I have a lot of friends with connections to Japan and China.  It would definitely be another adventure, that’s for sure.

Spend 1+ year(s) in Georgia and come back to the United States: This is probably the least likely scenario.  My main goal in going to Georgia is to use the experience with TLG to launch into a career teaching English as a second language.  Coming back to the states after a successful run would be kind of pointless…but hey, sometimes life gets in the way, so I can’t rule it out.

Come back to the United States in June: Right now, I’m only signed up with the TLG program through June, but if I find the program agreeable I’ll probably stay on for another semester.  Probably.  It really depends, and I can’t say for sure.

If I did come back to the states after fulfilling my term, it would probably be because I change my mind about pursuing a TEFL career altogether.  The only real way I can see that happening is if teaching English seriously hinders my writing, and that seems highly unlikely (it’s only thirty hours per week, including prep time).  From everything I’ve seen, this seems like a career I’m well suited for, and one that will be much easier to balance with my writing than anything else short of working graveyard shift at a hotel.

And if, by some random fluke of luck, my books start to sell like crazy while I’m overseas, I’ll probably still pursue this career choice, at least for the next few years.  When you don’t have anything else to get you out of the house, writing can be extremely boring.  Besides, I want to have something to write about, and what better way to do that than to spend a few years living and working abroad?

So that’s what I see happening in the mid- to near-future.  I’ll definitely post regular updates on my adventures, though the main focus of this blog will still be my writing.

And as for the next week, I plan to revise through Star Wanderers: Part II before leaving, then work on the next two parts of that novel before potentially moving on to Edenfall.  Really, I have no idea what I’ll do, but before Tuesday, I want to at least get Star Wanderers: Part II ready for my first readers.

Whatever happens, it’s going to be an adventure!

What I’ve been up to recently

I thought it would be a good idea to do a quick post explaining what I’ve been up to the past month or so, since a lot of things have changed and I’m sure they will be changing a lot more in the future.  So, here’s what’s up:

As you may or may not know, I decided about four or five months ago to leave the USA to teach English abroad.  For the past few little while, I’ve been applying for a program to teach English to elementary school kids in Georgia.  I had the interview over Skype just yesterday, and I think it went pretty well!  I should hear back in the next couple of days, so fingers crossed on that.

If they decide to hire me, I’ll leave in three weeks and stay until at least mid-June.  At that point, I’ll either sign up for another semester or go somewhere else, either the Middle East or Eastern Europe. The pay isn’t great, but it seems like a good cultural experience, and I’m a lot more interested in the Caucasus than I am in East Asia (no offense to Asians).

Ever since I graduated in 2010, I’ve been looking for a fulfilling career that I can balance with my writing aspirations.  I learned pretty quick that that simply doesn’t exist in Washington DC; either you sacrifice everything for your career, including your family, or you end up trapped in an office pushing papers all day.  In Utah, I bounced around a lot of temporary jobs while struggling to make ends meet, but I never found anything more permanent that seemed to strike a balance.

I hope that teaching English will help me to find that balance, and from what I’ve heard from some of my former expat friends, I’m optimistic that it will.  Perhaps more importantly, it will probably enrich my writing by exposing me to new peoples and cultures.  Desert Stars was certainly enriched by the time I spent in Jordan; without having lived in that culture, I don’t think I would have been able to write it.  Besides, English is something I’m good at, and so is teaching–so why not capitalize on the skills I already have?  It certainly sounds better than wasting my 20s in a warehouse.

So that’s the plan: launch a TEFL career and spend at least the next three to five years abroad.  At least.  I might not get married until my 30s–or who knows, I might find someone out there and go native–but this is something I want to do as a career, not just as temporary filler before I figure out what I want to do with my life.  I’m through with filler.  Whether it takes one year or ten for my writing career to take off, I’m going to get out and do something useful and worthwhile.

That’s the plan, anyway.  And of course, I’ll always keep writing.

Right now, I’m finishing up Stars of Blood and Glory; I’m on chapter 15, with only three more and an epilogue after that, so I should finish that well before I leave.  After that, the next big project is Star Wanderers, which is already about halfway finished.  I’ll probably take some time off and work on polishing part II, then release parts I and II sometime in the spring–unless by some weird fluke it wins Writers of the Future.  I’ll know in February.

And after that?  Well, I’m thinking it’s almost time to pick up Edenfall again, but I can’t say for sure. Probably, though–I definitely want to finish that one before the end of the year, and preferably get it published.  After Stars of Blood and Glory, I’ll probably take a break from the McCoy continuity in the Gaia Nova universe, though I may pick up something from Jeremiah’s timeline in Star Wanderers.  I really want to do a parallel novel from Noemi’s point of view–maybe that’s the one I’ll do in seven days, just to hit that resolution.  Everything has to be ready fist, though, and right now it isn’t.

So much is changing–I have no idea where I’ll be in the next six months, creatively or physically. But right now, I’m just enjoying a relaxing time with my parents and getting ready for the next big transition.  Life is good.

Climbing the 10k mountain

Many Bothans died to bring you this.

I recently read an amazing blog post by Rachel Aaron, in which she explains how she went from writing about 2k words per day (about what I’m doing) to routinely breaking 10k.

This is something I really want to do with my own writing.  As I noted a couple of weeks ago, I need to pick up the pace if I’m going to keep up with my professional goals.  If I could go from 2k to 10k, and make 10k the standard…holy cow, that’s a 500% jump in productivity.  Who wouldn’t want that?

From Rachel’s blog:

Drastically increasing your words per day is actually pretty easy, all it takes is a shift in perspective and the ability to be honest with yourself (which is the hardest part). Because I’m a giant nerd, I ended up creating a metric, a triangle with three core requirements: Knowledge, Time, and Enthusiasm. Any one of these can noticeably boost your daily output, but all three together can turn you into a word machine. I never start writing these days unless I can hit all three.

The point that I probably need to work on the most is time: I tend to start off the day slow, checking Facebook and blogs and other stuff before getting into the writing, then write for a little while before running off and doing some chore or allowing myself to get distracted again.  Sometimes, I don’t really buckle down until a couple of hours before I should go to bed, and that’s bad.

But really, I think the main obstacle is just thinking that writing is difficult.  If everything comes together in the right way, there really isn’t any reason why 5k or 6k or even 10k should be too difficult–and yet we naturally think that if 2k is hard, anything more should be that much harder.

I’m in a weird state of limbo right now between moving and preparing to go overseas, but I’m going to start a daily writing log so that I can figure out what time of day is most productive.  You can’t wait for life to settle down before you get to work; you have to roll with what you’re given.  Also, I’m going to put a lot more effort into outlining and planning, so that I don’t get hung up by research when I should be writing.  Even discovery writers need a little bit of time to ponder things before putting words to the page.

Also, after considerable thought and effort, I’ve decided to put Star Wanderers on the back burner again.  I finished the novelette last week and submitted it to Writers of the Future; I think it’s quite good, and stands a good chance of finding a home in one of the short markets.  But the full length novel, for various reasons, just isn’t coming to me.  I don’t know if it’s because I lack the life experience to write it, or because I’m too close to it to see what’s broken, but regardless of the reason, I need the break.

I’m not sure whether to do Edenfall or Stars of Blood and Glory next, but I’m leaning towards Stars of Blood and Glory.  This is a novel set in the Gaia Nova universe, with characters from Desert Stars, Bringing Stella Home, and Heart of the Nebula.  I’ve been itching to write it since this summer, but never got around to it because other projects got in the way.  Well, hopefully now that will change.

I know from emails and other correspondence that some of you are really looking forward to Edenfall, but don’t worry, I’ll get around to it soon.  In order to do it justice, I feel I need to reread Genesis Earth and immerse myself in some Carl Sagan, but right now I’m still running on a sci fi adventure trip.  If I can implement some of these metrics and push my daily word count upwards of 10k, it shouldn’t be long before Edenfall gets my attention again.  My goal is to finish it before the end of the year, so there’s a very good chance it’ll be published sometime in late 2012.

As for Star Wanderers, I’ll shop the novelette around after I hear back from Writers of the Future.  I think it has a good chance at winning the quarter, but of course I can’t count on it.  At this point in my career, I should probably be playing both the traditional markets as well as the indie field.

That’s just about it.  Now, if you’ll excuse me, I need to write…

Picking up the pace

I’m writing this post from somewhere in Iowa, riding the California Zephyr from Chicago to Salt Lake City. Since I hate sleeping on the train, I figured now is as good a time as any to write a blog post.

One of the good things about traveling by train is that you have lots of time to just sit and think. Yesterday I took a long, hard look at my writing over the course of the last year, and was surprised at what I found. Long story short, I think it’s time for a major recalibration.

As you know, my main writing goal is to produce a minimum of two novels per year, fully polished and of publishable quality. Desert Stars will be my third this year, if I can get it up before January. But after that, I don’t have a whole lot lined up in the queue. Heart of the Nebula is a finished rough draft, but it’s the only one; everything else is either incomplete or just an idea floating around in my head.

Perhaps the best way to see it is to look at this chart. It lists all of the novels that I started, finished, and published by year. The titles highlighted in blue are novels that I’ve epublished. Ashes of the Starry Sea was a practice novel, so I’ve grayed it out, but everything else is a project I intend to carry to completion.

While 2011 was a great year for me in terms of starting new works, it was a downright horrible year in terms of actually finishing anything new. I’m worried that unless I can force myself to buckle down and produce new material at a much faster rate, this handicap is going to bite me in the butt next year.

Here’s another way to think about it: if I want to write two novels per year, and I can only focus on one novel at a time, I should be able to complete any project in no more than 26 weeks. And yet, when I look at my word count spreadsheet (which only goes back to May 2009), here’s what I see:

  • Genesis Earth: 22 to 26 weeks
  • Bringing Stella Home: 50 to 54 weeks
  • Desert Stars: 52 to 56 weeks
  • Heart of the Nebula: 18 weeks (unfinished)
  • Edenfall: 2 weeks (unfinished)
  • Star Wanderers: 9 weeks (unfinished)

What this tells me is that my current writing method is unsustainable. Either I need to learn how to juggle two projects at once, or I need to learn how to produce quality material in half the time–and in all reality, I should probably learn how to do both.

For those of you who might be worried that I’ll sacrifice quality for speed, let me assure you that I don’t intend for that to be the case. Dean Wesley Smith makes a very compelling argument on this subject, how speed and quality are not mutually exclusive. The more I write, the more practice I’ll get, which will hopefully improve the quality of my writing.

One thing I really ought to do is write something new every day. For most of 2011, I was revising something I’d originally written in 2008 or 2009, maybe throwing out a couple of scenes to start from scratch, but overall simply revising an older work. It’s made me a little rusty, and I can feel it. I can say right now, that needs to change.

My biggest concern is that once I’m overseas, it will be much harder to balance these writing goals with everything else going on. However, this isn’t 2008; I don’t have all the obligations of a student. As for whether the obligations of a teacher are any worse, we’ll have to see.

What I really want to do is write a novel in a week–preferably, in three days. Even if the first draft isn’t very good, just the act of doing it will break down some major barriers, I feel. If I finish Star Wanderers by mid-January, I’ll turn it around and write a novel with the same events from Noemi’s point of view, all in a weekend if possible.

In short, this is what I want to do:

  • Produce a minimum of 2 publishable novels per year.
  • Reduce the time for each draft to 6 weeks average.
  • Write a minimum of 500 new words each day.
  • Learn to juggle two projects when revising.

This isn’t going to be easy; I have the feeling that it’s going to involve a fundamental shift in the way I approach writing. However, if I can pull through it, I think this might just transform my career in the way that I need in order to take things to the next level.

In the meantime, I’d better get some sleep. I’ve got a long day of travel ahead tomorrow, and I’ll need all the energy I can get if I want to get some serious writing done.

Managing excitement and an idea for an epic fantasy novel

After getting about 40% through Star Wanderers 1.0, I hit a wall and decided to put the project on the back burner for now.  The beginning part, which I’m hoping to shop around as a novelette, has some issues with it and those are keeping me from making any real progress in the rest of the story.

I wish I could just wave my hand and pretend as if I’ve already fixed those problems, but my creative process just doesn’t work like that.  I guess I’m more of a discovery writer in that way, because I can only build on stuff that I’ve already written.  I have to figure out my characters as I write, otherwise they just fall flat.

It’s discouraging, because I feel like I don’t have enough control or discipline over my creative process.  Other writers seem to be able to pick up a project and finish it, even when that project is commissioned by someone else (editors, franchise owners, etc).  But with me, if I can’t get excited about a project, I can’t finish it.

Fortunately, even if I can’t always control which project I’m excited about, I always seem to be excited about something.  After finishing the last revision for Desert Stars, I felt this unusually strong urge to work on Into the Nebulous Deep (which, after the last post, I’ve tentatively decided to rename Heart of the Nebula).  I totally didn’t see that coming, but I’m glad that it did, because that project is getting due for its first major revision.  It’ll probably be a quick one, just to fix some major known issues before sending it off to first readers.

As for new projects, I’m not quite sure what to pick up next.  I’ve got a feeling I could give Edenfall another shot, though it’s dubious at this point, and I still have a bit of lingering excitement over the untitled Gaia Nova novel that involves Roman, Danica, Rina, and Stella’s son.

At the same time, though, I have a really cool idea for a fantasy novel involving magic swords.  The idea is that the swords are actual characters, with the ability to think, feel, remember, and communicate with those who wield them.  They can only be wielded by those whose minds have been melded to them, however, kind of like the Dragonriders of Pern.

As the swords get passed down from generation to generation, they pass on their skills and memories, so that those who wield them become legendary warriors.  However, all but one of the swords goes insane, turning their wielders to evil.  The one sword that remains has refused to take on a new master, even though war and destruction sweeps the land.  A prophecy states that the one who wields this sword will eventually defeat the evil of the others, but when the good sword finally does take on a new owner, it ends up being a farmgirl / tavern wench (I haven’t really decided).

I don’t have a lot of experience writing fantasy, but this story is starting to really excite me.  If I can combine it with a few other ideas and read some good fantasy novels to get into that mood, I think I can make some good progress on it.

So yeah–I have plenty of projects to work on, so things aren’t that bad.  I just need to find one that I can really get into for the next couple of months; if I keep bouncing around from project to project without finishing any of them, that’ll be bad.

Part I of Star Wanderers is finished!

That’s right–I was up until about 2 am last night finishing it.  Man, time goes by fast sometimes.  This is probably just the first part of a much longer novel, but I hit a good stopping point so I’ll probably put it on the back burner for now while I finish Edenfall and do a final polish for Desert Stars. 

What I really want to do is submit this first part to Writers of the Future, since it falls just under 15k words.  I might be a little biased, but I think it’s got potential. 🙂 It’s going to need some work, though; the story literally sprung out of my head one day, and while that doesn’t necessarily mean that it’s bad, it’s probably missing a couple of scenes and needs some work with the transitions.  Also, the tone completely shifts midway, from a happy go lucky space adventure to something much more serious.  Not sure what to do about that.

So yeah, I’ll probably set this story aside for a little while so I can come back at it with fresh eyes.  It’s not too long, so the revisions should be pretty quick; hopefully, I’ll have it ready to submit to Writers of the Future before January.  If it doesn’t make the contest, I’ll shop it around the short markets for a year while I finish the novel-length version.  At some point I’ll probably epublish it, but I’m not sure when.

In other news, my short story “Decision LZ1527” just went free on Amazon, so if you want to pick up a copy or tell your friends, go right ahead!  It’s right around #200 in the Kindle free category now, but for some reason hasn’t hit any of the lists.  Hopefully that’ll change before the ranking drops back down.

“Decision LZ1527” first appeared in the December 2009 issue of Leading Edge, and was my first traditionally published short story.  Basically, it’s about a college freshman working up the courage to ask out a girl he likes, as told from the perspective of the little men inside his head.  Like Star Wanderers, the story just sprung out of my head one day.  It was a ton of fun to write, and I’m glad that so many others seem to enjoy it too.

In other news, I just got back the edits for Sholpan, so I’ll hopefully have that up on Amazon and other eretailers over the weekend.  More on that as it happens, but it’s happening soon.  I’d also like to put together a blog tour for Bringing Stella Home and Sholpan both, so if you’d like to have me on as a guest blogger, shoot me an email at joseph dot vasicek at gmail dot com.  More on that later as well.

And that’s just about it for now.  Take care, and I’ll see you around!

Just following my bliss

They say the way you know you’re a writer is if you can’t not write.  Well, last week I had the gratification of experiencing that again firsthand.

For all of August, I was more or less betwen projects and not writing a lot of new material. I’d just epublished Bringing Stella Home and was busy getting Sholpan ready for epublication.  Then Worldcon happened, and my writing dropped off precipitously.  I tried to get back in a groove, but found it difficult to choose between projects, none of which seemed to fit my writing schedule.

And then the creative half of my brain said “screw it” and ran off on an idea that came from practically out of nowhere.

It all started when I was taking a power nap after a long day at work.  For some reason, my mind wandered to Jeremiah Johnson, an old Western with an awesome love story.

In the movie, Robert Redford unkowingly insults an indian chief by giving him several captured scalps.  The chief must return with a gift of equal or greater value, and so gives Redford his daughter, who doesn’t speak a word of English.  At first, things are hilariously awkward, but over time they grow into a beautiful and touching relationship.

Well, as I lay there thinking about the movie, I wondered: what if the same basic storyline were set in space?  Instead of a mountain man, the protagonist would be a space explorer / interstellar merchanter.  Instead of an indian chief’s daughter, the female protagonist would be the daughter of a station master whose colony is facing severe famine and widespread starvation.  When the merchanter boy unwittingly shows up at the doomed colony, the station master coerces him into taking his daughter to save her life.  And so, for the next two months, the boy finds himself crammed into a tiny little ship with a girl who doesn’t speak his language.  Hilarity ensues.

At first, I thought I’d keep it as a short story, but…yeah, that didn’t last long.  The more I run with it, the more ideas keep coming to me–ideas that I haven’t played with in a couple of years.  The story is set in the same universe as Gaia Nova and Bringing Stella Home, but about a thousand years earlier, back when things were, shall we say, more primitive.  I still don’t know where this story is going to take me, but I can tell it’s going to be a lot of fun.

The best part is that even if I expand this into a full length novel, the first part stands on its own so well that I could probably submit it to Writers of the Future.  That never happens!  It’s been years since I submitted to the contest; I always wanted to send something, but all I could ever write was novels with long, complex beginnings that couldn’t be cut off at the 17,000 word mark.

Anyhow, the working title of the novel is Star Wanderer (I can’t believe it’s not already taken), and it’s probably going to end up around 80k words or so.  I only have a vague idea at this point, but it’s much more intimate and personal than epic in scope, so I don’t expect it to go much longer.  I’ll probably finish the first part sometime next week and start looking for some first readers.  I’d like to finish the rough draft before I start the Desert Stars revision in October, but we’ll see whether that works out.

As for Edenfall, don’t worry, I’m still working on that project too.  One of the advantages of writing longhand is that it’s much easier to pick up and just go; instead of having to stop and think about what needs to happen next, the physical act of writing is slow enough that the ideas come much more organically.  I might not finish it before October, but if I can juggle it with Star Wanderer, I can probably juggle it with Desert Stars.  In any case, it’ll be good to work on new material and keep my writing sharp while I’m doing the revision.  We’ll see how it turns out.

So that’s what I’ve been up to in the last week.  I only wish I were doing this full time, so that I could spend all day working on these stories.  Soon, inshallah.

Edenfall update

So I haven’t exactly gotten into a good writing routine yet, but Edenfall is coming along pretty well.  I’m just about finished with the first chapter, and the dominoes are already starting to fall.

It’s fun to revisit the world of Genesis Earth, but I’m not going to get too bogged down in recapping the events of the first book or setting things up.  I hate it when sequels do that.  Fortunately, since the majority of this story is going to be from a new character’s point of view (Michael and Terra’s oldest daughter), I don’t really have to do that, except to lampshade some of the worldbuilding.

One thing I need to do is get more in the mood of the first book, which was a lot more introspective and big-picture than my other science fiction.  To do that, I found an excellent collection of videos called The Sagan Series.  Here is my favorite:

Man, I get shivers every time I watch that. “Sailors on a becalmed sea…”

Another good video is this one from The Piano Guys:

I know it says “Southern Utah,” but you could substitute that for “Icaria” and it wouldn’t be that far off.  In particular, the night clip from the bottom of the slot canyon at 2:05 looks like something straight out of Genesis Earth.  Throw in some primitive natives, a few giant lizards and various avians and insectoids, and you’re pretty much there.

I’m still adjusting to writing in longhand, but so far I think it’s going to work out well.  Because the writing process itself is much slower, it’s much more time intensive but surprisingly easy to jump in and get started.  Once I’ve got some momentum going, I think the story will practically write itself.

I do have a confession to make, though.  A couple days ago, I had an idea for another science fiction story that was just so awesome I decided to run with it.  At first, I thought I could keep it down to a short story, or perhaps a novella at most, but…well, I think it’s going to be a bit longer than that.

Don’t worry: Edenfall is still my primary project, and if juggling them both becomes too difficult (which it probably will), I’ll put this new one on the back burner until Edenfall is finished.  It’s kind of a guilty pleasure anyways, a sci-fi romance that draws heavily on tropes from old westerns (Jeremiah Johnson in particular).  I have no idea where it’s going to go (well, nothing more than a vague idea about the twist at the end), but that just makes it all the more exciting to write.

So anyhow, that’s what I’ve been up to these last few days.  Now if you’ll excuse me, I need to get back to writing.  See you around!

Plans for Edenfall

I’m trying something a little different with Edenfall: I’m writing the first draft entirely in longhand.

I first got the idea a couple of years ago, when I was camping in Moab.  The beautiful landscape of southern Utah made me realize that I wanted to write Edenfall while experiencing that sort of connection with nature, and pen and paper seemed to be the best format in which to do that.  This year, when I decided that I’d definitely write it, I ordered the notebook on the left and fitted it out for the project.

With every novel I write, I like to challenge myself in some new way.  In Genesis Earth, I tried out a first person POV with an unreliable narrator.  In Bringing Stella Home, I tried to write a believable female viewpoint character.  I also like to experiment with my writing process, trying out different outlining techniques and writing schedules.  Sometimes, these experiments fail spectacularly, but they also teach me a lot and keep me sharp.

The goal with this experiment is to see how divorcing myself from my computer (with all its myriad distractions) and getting out in nature changes my writing.  I live a short bike ride from the Provo River Trail, and weather permitting, that’s where I’ll probably spend most of my writing time in the next few days. Besides, I want to see how much of a difference the format makes.

Books existed long before word processors, so I have no doubt that writing a novel longhand is entirely possible.  How much of an adjustment it will be remains to be seen.  My handwriting is messy, and I can’t write as fast as I can type, but that hardly matters since rough drafts are slow going for me anyways.

In any case, it’s going to be interesting to see how it turns out.  It’s been a little slow so far, but that’s mostly because I haven’t settled into a routine yet.  By the end of this week, I hope to be fully immersed in the world of this story.

In other news, I sent off the manuscript for Sholpan to my editor, and he just got finished with his first pass, so I’m hoping to get the edits back in a couple weeks and have it epublished by mid-September.  More on that as things develop.

Also, an old friend from Brandon’s 318 class posted a favorable review of Bringing Stella Home up on Amazon.  He was one of my first readers back when the story had a lot of problems, so I’m glad he enjoyed the final version.  Thanks Stephen!  And yes, I’ve got a lot more novels forthcoming in the Gaia Nova universe, including a direct sequel to Bringing Stella Home.  Will the McCoy family save the universe from the Hameji?  Well…you’ll see. 🙂

Finally, I plan on participating in the Out of This World blog tour being organized by the SFR Brigade, which means you’ll be seeing some guest posters in the near future.  That’ll probably wrap up the Genesis Earth blog tour too, since it’s been winding down for the last month or so.  If I agreed to write a guest post for your blog and haven’t done so yet, let me know and I’ll do my best to get that out to you.  Sorry to be a bit of a flake these past few weeks; I’ll try to organize my next tour a little better.

And that just about does it for now.  I’ll be sure to keep you posted on how things go with Edenfall.  Until then, take care, and thanks for reading!

Am I a jerk?

Today, a longtime writing friend told me that she wants nothing to do with me, which made me very sad.  I hope she will reconsider, and if she does, I’d gladly welcome her back as my friend.  However, because it’s come to my attention that some of my other friends feel that I come across as a jerk whenever I talk about indie publishing, I feel that I should take the time to clarify a few things.

First, I wish all of my writing friends success, whether they choose to epublish or whether they choose to go the traditional route.  This is not a zero sub game and I have never believed that it is.  Whether or not my own career tanks, if my friends find success in their endeavors, I will gladly tip my hat to them.

Second, I wish no harm on anyone who is involved in any way in the publishing or bookselling industries.  I have less sympathy for multinational corporations and media conglomerates, but I recognize that they employ large numbers of people, and I don’t wish any harm on them either.

Third, I do not believe that writers who choose to forgo indie publishing are somehow inferior to or less intelligent than writers who do.  I do believe that everyone should at least try it out to see if it’s right for them, but I recognize that indie publishing is not right for everyone, and that writers should carefully evaluate their skill levels, personal proclivities, and career goals before making that step.

This is my goal: to make a living telling the stories that I love.  Those stories fall firmly in the realm of science fiction: grand, sprawling space operas, thrilling sf adventures, poignant and moving tales of alien worlds and cultures, etc.

In my research of the publishing industry, I’ve discovered that it’s become extremely difficult over the past couple of decades to build a career writing science fiction.  For whatever reason, publishers aren’t as interested in pushing this genre or serving its readers as they have been in the past.  Contract terms have gotten worse, and it’s become increasingly difficult to break in, much less make a living.

That’s why the changes in publishing and the ebook revolution have made me so excited.  Writers have more options now than ever before, and I believe that I can better achieve my goal through indie publishing than through more traditional paths.

Now, a little bit you should know about myself: I believe in complete and total honesty.  If I see a problem or something that seems to be wrong, I tend to be very upfront and direct about it (and appreciate it when others are the same with me).

This philosophy has its advantages, but one of its disadvantages is that I tend to be a little tactless.  If I come across as arrogant, I want you to know that I’m sorry.  That’s certainly not my intent, and I’ll try to do a better job of making that clear.

At the same time, I’d like to point out that what you perceive as arrogance may just be my own excitement.  All writers are emotionally involved in their work, and because we’re approaching these issues from fundamentally different worldviews, it’s very easy for mutual misunderstandings to arise.

In the future, I’ll try to be more tactful, but I can’t control how others perceive me.  I have no doubt that those who are emotionally invested in resisting change will continue to find fault with those who embraces it.  Ultimately, I can only be answerable to myself, those who depend on me for support, and my readers.

So on that note, I’d like to finish by saying that after reviewing your comments and giving the issue some thought, I’ve decided to go ahead with Edenfall as my next major project.  More on that later, but for now, I’d just like to thank you all for your feedback and support.  I’m excited to get started!