Hameji Cycle – Page 26 – One Thousand And One Parsecs

Business Plan for an ebook venture

Alright, after watching the market and giving it some considerable thought, I’ve decided to venture into indie publishing, if only to test the waters. I’ll release a couple of short stories first, mostly to learn how to format and release an ebook, and from there I’ll move on to other work.

I spent this afternoon drafting a business plan for the venture, using the resources available at the SBA website (thanks, Jerle). Here’s what I have thus far:

EXECUTIVE SUMMARY

Mission Statement: To tell cool stories and have fun doing it
Projected Start Date: 31 March 2011
Founder and sole owner: Joseph M. Vasicek
Employees: 1 (services to be contracted on a freelance basis)
Location: Provo, UT (subject to change)
Product: Short stories, novels, and novellas

1) Summary of Growth

As the business has not yet been launched, there is no growth to report.

2) Future Plans

Stage One: Initial Release

In this stage, I will prepare and release two short stories, “Decision LZ1527” (previously published in issue 58 of The Leading Edge) and “Memoirs of a Snowflake” (previously unpublished) as ebooks on Kindle, Nook, and Smashwords.

The goals for this initial venture are to:
1) learn how to properly format and release an ebook,
2) gain familiarity with the ebook publishing system, and
3) gauge a general estimate of ebook costs and profits.

Stage Two: Initial Novel/Novella Release

At least 3 months after releasing “Decision LZ1527” and “Memoirs of a Snowflake,” I plan on releasing Sholpan, a novella based on the novel Bringing Stella Home. By doing so, I hope to:
1) learn how to properly outsource editing and cover art,
2) gauge the earnings potential for my novels, and
3) generate an audience for other books in the Gaia Nova series.

After releasing Sholpan, I will most likely wait for a few months to see what happens, submitting my other novels to traditional publishers in the meanwhile. If sales of my ebooks exceed expectations, I will consider moving to the next stage and fully implementing this business plan.

Stage Three: Full Ebook Release

If success in the previous stages justifies it, I will release my completed novels as ebooks, starting either sometime in July/August 2011 or after September 2012 (depending on how well my other works do, according to a metric which has yet to be determined). Currently, these consist of Genesis Earth and Bringing Stella Home, though Worlds Away from Home should be nearing the final phases of revision.

My business goals from here out are the following:
1) produce and release two novels each year (minimum of one),
2) consistently expand my audience through social networking,
3) obtain an agent to handle foreign/subsidiary rights,
4) obtain a print deal in order to build career prestige, and
5) earn enough to support myself entirely off of my writing.

If the works released in stage two do not sell well enough to justify moving on to stage three, I will continue to make them available as ebooks but will postpone releasing my novels until either my other works begin to sell well, or independent publishing becomes the generally accepted path for new writers.

Mainly, I just want to experiment with ebooks and figure out how they work. Since the initial costs are so low, my initial goal is not to make a lot of money, but to learn how to format and release an ebook. I was a little uneasy doing that with my novels, but I figure it wouldn’t hurt to practice on my short stories (all two of them).

So yeah, that’s the date: March 31st, 2011. I’ll release “Decision LZ1527” for $.99, and “Memoirs of a Snowflake” for $.50 or so (since it’s flash fiction). I’m not sure how well it will sell, but I hope that all of you reading this right now go and buy it!!!1!! (that includes you, Mom) Hehe, just kidding. ;P

But seriously, I’ll keep you guys updated closely on how the venture goes. A lot of ebook authors are very transparent with their numbers, and I plan to be no different. And if you have any feedback on the business plan, please let me know. I’m kind of new to this sort of thing, and while it’s surprisingly fun, I’m sure I’ll make a TON of mistakes. Your help would be appreciated!

Story Notebook #5 (part 1)

Alright, time to revisit my old story notebooks and run through some of the ideas there. This one starts in fall of 2009, my last semester at BYU, and ends shortly after my hasty exodus from a miserable internship in Washington DC.

And now, without further ado, here goes:

A super-celibate society that holds that sex is evil and reproduces entirely by artificial insemination.

In other words, what if the Shakers had had our modern reproductive technology? Weird, but not beyond the realm of plausibility.

I suppose that in such a society, the nuclear family would not exist, and children would instead be raised by the community as a whole–kind of like Plato’s Republic. Question is, would this be a happy utopia, or a miserable dystopia? I know how I’d write it…

Shattered glass sparkling in the roadside desert

Okay, that’s less of an idea and more of an experiment with prose. I suppose I saw broken glass on some dusty asphalt and wanted to capture it with words.

The next passage is from an assignment for the wilderness writing class at BYU. We went camping in Moab and hiked up to Delicate Arch, perhaps the most iconic natural landform in all of Utah. Shortly after taking this picture, here is more or less what I wrote:

They say that the arches in this national park are formed by wind erosion. The funny thing is, so is the slickrock. The same wind that carved the gravity defying structure of the arches also wore the rock all around them almost perfectly smooth, so smooth that you feel as if you’re about to slip and fall even as you sit on the edge of a relatively flat ledge.

It makes you wonder: what was here before the wind blew it away? What did the land look like before the wind took out the loose material, leaving behind only the strongest, most resilient bedrock? How many other arches lie underneath our feet, waiting only for time and the wind to unearth the landscape that hides them?

Awesome class; if you ever get a chance, take it. Professor Bennion is great.

A boy born without a name.

Not sure where that came from, but it kind of makes me think of this girl in an abusive household, who grew up to age 14 before learning how to speak. It seriously crippled her intellectual development, so much that she never became fully independent.

Think about it: how would not having a name stunt a person’s growth?

Below them lay the alluvial plains–miles of silt and dirt vomited from the mountains over the passing of countless centuries.

I think I intended this to be a line in the first chapter of Worlds Away from Home…and unless I’m mistaken, something very similar to this passage made it into the book.

The detritus of life from which we extract the fossil record of our memories

Another passage meant to evoke something in the reader. I think I wrote it when I was cleaning out my apartment shortly before leaving for DC. It certainly makes me think of a dirty, junk-filled room.

And that’s enough for now. This basically takes us up to January 2010, when I left for the BYU Washington Seminar program. All the other ideas in this notebook have a decidedly civic/political bent to them, so stay tuned!

Momentum slowly building

I wrote about 2.2k words today in ITND–not a bad amount, but I feel as if it could have been much more. I think I spent more time thinking about the novel than I did actually writing it, which is either 1) a sign that I’m procrastinating too much, or 2) a sign that I’m slowly building momentum.

Trouble is, it’s hard to tell the difference between the two. When I haven’t worked on a project for a while, I’m often restless for a couple of days before I settle back into the zone. The weird thing, though, is that while I’m pacing restlessly around, I’ll be writing out lines of dialog or paragraphs of description in my head. Weird.

I think I’ve got a good idea where I’m going with this project, though. The thing that hung me up on the first attempt was that I did a poor job introducing one of the viewpoint characters (Kyla Jeppson), even though I did a good job outlining her. I’ve given that scene to my online writing group, so hopefully they’ll give me some good feedback tomorrow. However, I still have to read the other submissions, and it’s getting late, so I’ll probably just cut this short and go to bed.

But first…what the heck, provo craigslist?

I swear, one hundred years from now, our contemporary attitudes towards women will seem as wrong-headed and despicable as the last century’s attitudes seems to us. Honestly, which is worse: turning women into domestic house slaves, or turning them into mindless sex objects? And we consider ourselves feminists…

…but that’s a post for another time. G’night!

Change of plans

So I was going to start Edenfall this week…but then, I realized I wanted to spend some more time in the universe of Worlds Away from Home, so I decided to work on Into the Nebulous Deep instead.

ITND is a direct sequel to Mercenary Savior. Basically, it grew out of the realization that James’s story wasn’t anywhere near finished. Like WAFH, I’m trying to throw in some romantic elements…how well that works out remains to be seen. I’ll probably get it all wrong on the first draft, but make it shine in subsequent drafts.

Anyhow, here’s the soundtrack I’ve put together. Most of the songs are from ocremix, but there’s also a good bit of U2 and a little Daft Punk, as well as a couple chiptunes that probably no one’s heard of. Man, I love chiptunes.

I’m going to try to write through this rough draft as quickly as possible. Right now, I’ve got a deadline for April 16th, but I wonder if I can finish before that.

Part of that has to do with my new goal of two novels per year; I want to train myself to write quickly, so I can be putting out more work. More than that, though, I want to try and tap into my creativity in a deeper way. If I can train myself to write quickly, I’ll be less prone to self-edit, which hopefully will help the creative part of my mind to flourish more freely. That was certainly the case with WAFH 2.1, and I want to do it again.

I stopped ITND 1.0 back in December in order to work on Bringing Stella Home; not because it wasn’t working, but because BSH needed a little more work. After that, I ended up picking up WAFH. Now, it’s time to go back and finish this project.

More thoughts on indie publishing

Since my last post on indie publishing, I’ve been thinking a lot about this subject. I haven’t decided to take the plunge into self published ebooks yet, but I have decided to make some changes in my writing and my career strategy, in order to position myself more favorably if/when I choose to do so.

Basically, my new strategy is something like Japan or Saudi Arabia’s approach to nuclear weapons: they don’t have an explicit nuclear program (since that would violate the nuclear non-proliferation treaty), but they have gathered the equipment, resources, and expertise together so that if they decided to go nuclear, they could do it in a year or less.

First, though, I attended Brandon Sanderson’s class lecture this Thursday, in which he had some very interesting things to say about ebooks and the publishing industry. This was part I of his “how to get published” lecture, and here are some of the more interesting points he made:

Almost all the indie writers who are making it big have at least one loss leader ($.99 or less) on their list.
No one really knows whether indie publishing will be viable for large numbers of writers, or whether authors like Amanda Hocking and Joe Konrath are outliers.
Successful indie published books are typically:
1) short (70k to 80k words)
2) written in a pulp genre (thriller, romance, paranormal, sword & sorcery, etc)
3) promoted very well through social networking
We have not yet seen any indie successes in epic fantasy, young adult / middle grade, historical fiction, or non-fiction.
The produce model vs. unlimited shelf space argument for going indie doesn’t apply as much to science fiction & fantasy as other genres, because:
1) sf&f stays on the shelves in bookstores longer than other genres
2) sf&f series grow better with a big push on the first book
3) sf&f makes a lot of money on hardcover, unlike other genres

A lot of these points tend to mesh with what I’m hearing from my other sources–and Brandon really represents the last of the successful writers to make it big on the old model, before the ebook revolution began to take off. He doesn’t make as big a deal on the current 25/75 split on net ebook sales as I would make, but then again, he’s making most of his money through print.

So anyways, here is what I plan to change about what I’m doing in order to better position myself to best take the ebook plunge, if/when I decide to do so:

1) Write at least 2 polished novels per year

Kris Rusch and Dean Wesley Smith make very good arguments about how being able to write well quickly is a huge asset for a writer these days.

There are many good reasons for this:

1) Writing faster gives you more practice with craft, which tends to improve quality.
2) The best way to promote your books is to constantly write new books.
3) The limited shelf space argument against writing quickly is now moot with ebooks.

In particular, I want to increase my writing speed in order that I can have a larger list to put out if/when I decide to go with indie publishing. It’s much harder to be successful if you’ve only got one book available for sale; if/when I decide to take the plunge, I want to have at least three.

So far this year, I’ve finished one (Bringing Stella Home), but that’s because it was already sitting in the queue and only needed a quick touch up. I would like to get Worlds Away from Home polished before the end of the year, and possibly one other project, such as Edenfall.

2) Reduce production time to as close to one year as possible

Right now, it takes me on average about two years to write a polished, salable novel. That’s not a problem, because I have a lot of projects in the queue, but it’s not as fast as I would like. I wrote Genesis Earth and Bringing Stella Home while I was still a journeyman writer, figuring out my craft. I should be able to produce a lot faster.

Towards that end, I’m going to try to get Edenfall finished and polished within a year. Since it’s already March, that might mean getting it polished by February of next year, but I still want to try.

My biggest weakness is first drafts; I always tend to get stuck midway and drop the project for a while before I feel ready to finish it. That’s something I would like to change. Then again, that might just be part of my writing process, and shouldn’t be forced. However, I certainly could go through my revisions much faster.

3) Write out the direct sequels while the first book is still unpublished

Previously, I thought it was a bad idea to write out all the books in a series or trilogy before the first one is ever picked up. After all, a rejection from a publisher on the first book is a rejection on all the other books in the series as well. Using this reasoning, it was much better to write the first book of another trilogy, in order to maximize how much I could submit at any given time.

With indie publishing, however, it’s much better to release the whole trilogy all at once, so that readers who finish the first book can immediately pick up the others. Again, the paradigm here is that the best way to sell books is with other books; if they loved the one, they’ll buy the others, especially to find out what happens next.

Of course, the best model is probably to have an open series with several indirect sequels with recurring characters in the same world. With the Gaia Nova books, that’s exactly what I plan to do: Worlds Away from Home is set in the same universe as Bringing Stella Home, but with different characters and different story arcs.

However, Genesis Earth has serious trilogy potential, and with Edenfall I’ve decided to actually write the other books. If/when I decide to take the plunge, I want to be able to release at least the first two books in that trilogy at the same time. In fact, Genesis Earth is perhaps the biggest reason why I’m thinking so seriously about going indie, but that’s a subject for a whole other post.

4) Experiment with pulp genres such as space adventure stories

When Brandon said that the pulp genres tend to do better, I wasn’t sure whether that includes what I write. I write primarily science fiction, but not the kind of stories you’d read only for entertainment and promptly forget once you’re finished. If anything, I want to write more like Ursula K. Le Guin, whose stories are so meaningful they stick with you long after you’ve finished them.

Then again, there tends to be a lot of overlap in science fiction between the thoughtful, meaningful stuff and the pulps. Ender’s Game and Starship Troopers immediately come to mind as awesome, entertaining stories that also have a lot of depth. In his lecture, Brandon made it clear that “pulp” does not necessarily conflict with high art–just that the primary purpose of the story is to entertain.

I can live with that–and I actually have several story ideas that would translate well with the pulp mentality. I’d like to do a novel (or a series of novels) with Danica from BSH and her mercenary team, perhaps as a sort of origin story for Roman, Anya, Artyom, and the others. I’d like to revisit the Hameji as well, with a sort of “Ain Jalut in space” involving Sholpan’s son (BSH was basically the Mongol conquest of Baghdad in space). I’ve already started an “Odyssey in space,” as told from a female Telemachus character–that’s To Search the Starry Sea. All of these are, at their core, space adventure stories, and might translate well as pulps.

5) Commit to releasing one book every 6 months if/when I take the plunge

This is related to the first strategy on the list, but it’s more of a business plan than a personal writing goal. Basically, if/when I take the plunge, I want to:

1) have at least 3 finished, polished books to put out at first,
2) know that I can put out one book every six months at least.

This not only means developing a backlist, it means doing some soul searching as a writer to find out how difficult it is to keep up with this pace–and adjusting my writing habits accordingly. I’m optimistic that I can, but it’s something of a paradigm shift, and I want to make sure I’ve made that shift before I take the leap.

Anyhow, these are my thoughts on how to alter my current writing strategy. I haven’t yet decided to go indie, but when the time comes, I think that these things will help me to maximize my potential if/when I decide to do so.

Of course, what do any of us really know?

Worlds Away from Home 2.1 is finished!

Yep, that’s right! I finished another novel, in this case the second draft of my fourth. It’s not without its flaws, but good enough that I won’t feel humiliated for life by sending it out to my first readers.

Anyhow, here are the stats:

Worlds Away from Home 2.1
ms pages: 450
words: 96,212
file size: 219 KB
chapters: 20 + prologue
start date: 14 Jan 11
end date: 4 Mar 11

And the wordle:

Yeah, there are a few words that appeared a bit too frequently there. At least I know what to cut out in the next draft.

As for the song that best encapsulates the experience of writing it..hmm, I don’t know. The last couple chapters, I was kind of on a Metroid trip, so even though the old NES game has absolutely nothing to do with my story, I suppose I’d have to go with the Metroid title theme:

So yeah, those are the stats. As for my thoughts, here goes:

This draft was tough, but a lot more fun to write than the rough draft. Most of the struggle happened with the outline, which took about three or four weeks to actually come together, which is unusual for me.

I did a complete read through back in the first week of December, putting everything else on hold just to write the revision notes, and ended up following almost none of it. However, it wasn’t a complete loss, because outlining it helped me to cut out a bunch of useless filler and dead-end subplots.

I tend to do a lot of shotgun writing on my rough drafts, which means I spew out all my ideas in every which direction, going off on useless tangents and failing to properly foreshadow the major central conflicts.

However, by writing this way, I often discover things that I never could have foreseen from the outset. So long as I’m careful to outline each successive draft and cut out all the filler crap (even the crap that I love), it usually works out in the end.

This draft is somewhere on the crappier side of rough draft vs. finished, polished product, but it’s definitely better than the first one. If the third draft is this much better than the second, I’m optimistic that I’ll have this thing polished and ready to send out before the end of the year.

But before then, I need the help that only a few dozen pairs of eyes besides my own can give. That, and a few months to sit so that I can come back to it with new eyes.

If I know you IRL and you’re interested in being a first reader, please contact me. I’m especially looking for male readers, since the target audience is probably more male than female, but I’m open to pretty much anyone who enjoys reading science fiction.

So anyways, enough of that. On to the next project!

Character DTRs and other such stuff

Just a quick post before I go to bed.

The two main characters in WAFH just had a DTR (Define The Relationship discussion) and it was, well, kind of rough. I don’t know what’s harder: having one in real life, or writing a fictional one that actually works.

I also don’t know which one I have more personal experience with, but that’s a subject I’d rather not get into right now.

Anyhow, even though that was an unexpected rough spot that had me down for the past few days, the end for WAFH 2.0 is definitely in sight. I’ve got one more scene in this chapter, the big climactic end battle / rescue / whatever, and then a very short epilogue. In all, that’s about seven scenes, two of which are already written and two others which I can probably glean from recycled material.

In unexpected news, I had a very interesting idea. You know the Writers of the Future contest? I always want to submit to them, but never can, because none of my stuff is short enough. It’s acceptable to submit the first part of a novel–Dave Wolverton did that, with On My Way to Paradise–but only if the first part is a complete story in itself.

Well, as I was walking down the street, I wondered whether I could take one of my novels (like BSH) and eliminate all but one of the viewpoint characters’ scenes. Specifically, I was thinking of doing that with Stella, who goes from prisoner to concubine to queen of a tribe of starfaring warrior nomads. After cutting out all the other storylines and adding in a bit here or there to preserve continuity, it could make for an interesting novella.

Still, it’s going to be tough to get it down to the 17k word contest limit. Stella is one of four major viewpoint characters, so her scenes probably take up at least 25k words in the book. I might be able to cut out a couple of subplots, like the one with Gazan…but I dunno. I’m open to suggestions from those of you who’ve read it.

In other news, I made the first cut for the 2011 Amazon Breakthrough Novel Award contest! I submitted Genesis Earth in the YA category, and mine is one of 1,000 entrants that will go on to the next round of judging. First place wins a $10k publishing contract with Penguin–yay!

I’m trying not to get my hopes up too much, but I’ll know whether I made the second cut by March 22nd. A couple of friends from Quark also made it through the first round, so if any of us makes it to the second, that would be awesome. Go Quarkies!

That’s about it for now; Brandon Sanderson did an interesting lecture in his 318 class on the new world of publishing, which was quite interesting. I’ve got a LOT of new thoughts to share on indie publishing, but that will have to wait for another post.

Until then, keep being awesome…but not like this guy:

Beard pics and other updates

In case you didn’t know, I’ve been experimenting a bit with facial hair recently. I figure, hey, I’m no longer a BYU student, so I might as well, right? Well, the results are in, and I must say I’m quite pleased.

I mean, check out how awesome I look:

Alright, fine, so that’s actually Waylander from David Gemmell’s Drenai series, but hey, a man can dream, right?

So anyways, here’s what the beard REALLY looks like:

I figured it would be good to keep it short, and trim around the neck and cheek; kind of like Riker, actually (no joke–his look was kind of what I was shooting for).

One of the funny things I’ve noticed is how many girls have actually complimented me on this thing. It struck me as quite a surprise, because from previous conversations with the opposite sex, growing a beard is something of a kiss (or lack thereof) of death. Interestingly enough, I’ve gotten as many or more compliments from women as I have from men. How does that work?

I guess that girls are opposed to beards as an idea, but (like most guys) they just don’t know what they want until they see it.

Probably the most hilarious about-face was from my sister Kate (who just started a new blog, hey!). When I was contemplating growing it earlier this winter, she kept telling me not to–that it would look hideous, that no girl would ever want to date me, that it would ruin my social life, etc. Well, guess what she said today?

Me: so you like my beard, eh?
oh ye of little faith
Kate: yes
…
Kate: I like it
I think it makes you look good
you need to be sure to keep it trimmed
it looks good
I’m really surprised
Me: hehehe
Kate: I eat my worrds
Me: so why are you so surprised?
Kate: hahaaha

So anyways, what do you think? Should it stay, or should it go? I’m kind of partial to it, but I’m open to hearing any contrary opinions, if there are any.

In unrelated news, I am sooo freaking close to finishing WAFH 2.0, and it orders of magnitude better than the first draft. Still, it needs a lot of work, so I’m looking for first readers to help me out with it. If you’d be willing to help out, please let me know (and please, only people I know in real life–as much as I love you for reading this blog, I’d prefer not to hand out my work to complete strangers) (also, some of you have already emailed me and I haven’t gotten back to you yet, but don’t worry–I haven’t forgotten. Expect an email about it sometime in the next week).

If you’d like to volunteer as a first reader for WAFH, I’d ask you to finish it by April 15 (tax day, joy!). My next project is Edenfall, and I expect that to take me at least a month and a half. I’m really hoping to get WAFH publishable before the end of the year, so I’ll probably start the next draft by May.

In other totally unrelated news, I’m going to write Edenfall 1.0 entirely in longhand. Crazy? Perhaps. I’ve got the notebook for it, though, and did some arts and crafts with it over the weekend–pictures to follow. Also, I’ll be sure to let you know what it’s like to write a novel in longhand; it should be interesting.

Aaand that’s about it for now. Gotta write!

4,271 words…whew!

Just a real quick post before I go to bed.

I wrote over 4k words today in WAFH–all for a chapter that I basically cooked up on the fly. It feels amazing.

For the past month or so, I’ve been recycling old material, cutting a lot of stuff that doesn’t work, tweaking the stuff that does, and putting in a new scene here and there, but basically just doing revision (aka a “triage edit,” as Wolverton likes to call it).

I’m good at revision, but it seems that that’s all I’ve been doing for the past couple months. The more I revise, the harder it is to write new material–or at least, the harder it feels. I’ve always hated drafting new stuff, because midway through it all seems to fall apart and then I have to drop the project and let it settle in my mind.

But for this chapter, I basically told myself: “alright, this is what needs to happen, this is what the characters need to do–now GO!” I sped through the whole thing without paying conscious attention to the act of writing, and just pumped it all out.

Man, I need to do this more often. Writing is so much fun! I’m sure this stuff will need to be revised later, but the story is definitely taking form the way it needs to.

In other news, LTUE was this past weekend, and I was super lame for not posting about it. But have no fear; I’ll recap the event soon, probably sometime tomorrow <fingers crossed>. And, as with past events, I recorded all the panels I attended. I won’t post the links here, but if you want them, send me an email.

In unrelated news, Talecris sucks and I need a job. Actually, correction: I need to start getting paid for the work I’m already doing by writing these novels. One of these days, though…one of these days…

Writing update, getting ready for LTUE, & Katniss must DIE

So I’m back at work at WAFH, making slow but steady progress. At this point, I’m throwing out about half of what’s on the page and redrafting stuff to fill in the gaps, but that’s only going to increase.

It’s not particularly hard, but it does take a lot out of me. I’m finding that I can write for about two or three hours before my creativity runs dry. When I’m spending more time online or playing games and less time focusing on the story, that’s a sign that it’s time to do something else to refill the well.

Man, I wish that well would stay full for longer…but in the meantime, 2.5k words per day isn’t so bad. I’ll take it.

In unrelated news, I’m currently about a third of the way through The Hunger Games and I hate the main character, Katniss. She’s a total attention whore, and fits all the classic characteristics of a Mary Sue. A tortured past, a heart of gold, ridiculously well skilled, beloved by everyone and romantically irresistible, even to her enemies…blegh! I hope she dies or gets tortured beyond all humanity.

In spite of this, I’ll probably finish the novel, just because it’s been such an influential bestselling title–as a writer, I’ve got to do my research. However, I don’t see myself finishing the series. There are other reasons why I don’t particularly like this book, but I’ll wait until a later post to articulate them.

In other unrelated news, LTUE 2011 is coming up, and I am so freaking excited for it! Here are the panels I definitely plan on attending:

Thurdsay

9:00 am:
– Best and worst writing advice ever given
(Anna del C Dye (M), Mette Ivie Harrison, Tyler Whitsides, Frank L. Cole, James Dashner)

11:00 am:
– Self-Publication pros and cons
(Jessica Douglas (M), LuAnn Staheli, Sandra Tayler, Anna del C Dye)

2:00 pm:
– Writing Strong Female Characters
(Sheila A. Neilson, Aleta Clegg (M), Clint Johnson, Jessica Day George, Bree DeSpain)

4:00 pm:
– The Writing Life: how to set and keep goals, how to prioritize.
(Angie Lofthouse, Julie Wright (M), Sandra Tayler, Berin Stephens)

6:00 pm:
– Marketing and Publicity–what can you do?
(Stacy Whitman (M), Bree DeSpain, James Dashner, Dene Low, Elana Johnson)

Friday

10:00 am:
– Tracy Hickman Presentation

11:00 am:
– Main Address: Steve Keele

12:00 pm:
-Charisma is not a dump stat: The real world importance of personal appearance and social skills in achieving your creative dreams.
(Howard Tayler, Jake Black (M), Tracy Hickman)

2:00 pm:
– The Problem of Sequels
(Anna del C Dye, Mette Ivie Harrison, Larry Correia (M), Bree DeSpain, Jessica Day George)

5:00 pm:
– What You Can And Can’t Do In A YA Novel
(Mette Ivie Harrison (M), Elana Johnson, Bree DeSpain, Robison Wells, J. Scott Savage)

Saturday

9:00 am:
– What I wish I had done, if I could do it all over again – A Guide to New Writers
(Lisa Mangum, Dave Wolverton, Brad R. Torgersen (M), Kathleen Dalton-Woodbury)

11:00 am:
– Main Address: James Dashner

12:00 pm:
“Zombies and You: A guide to what does and does not constitute an apocalypse”
Ross Wolfe

2:00 pm:
– Building believable economies/politics
(Dan Willis, Eric Swedin (M), Roger White, David Ferro)

3:00 pm:
– Can your dreams pay your bills?
(Rebecca Shelley, Ami Chopine, Sandra Tayler (M), Dave Wolverton, Michael R. Collings)

There are more, but these are the ones that look most interesting to me. As usual, I’ll record all of the panels I attend, so if you want a copy, just email me.

Man, I’m so excited! LTUE this year is going to be awesome!