Best comment: “We got the best timeline. No matter what happens.”
Author: Joe Vasicek
Joe Vasicek is the author of more than twenty science fiction books, including the Star Wanderers and Sons of the Starfarers series. As a young man, he studied Arabic and traveled across the Middle East and the Caucasus. He claims Utah as his home.
Now I have the perfect ending
Guys, I just plotted out the last two books in the Genesis Earth trilogy, and it is going to have the most fantastic ending ever. I can’t tell you anything about it, since that would spoil everything, but it’s going to be amazing.
Perhaps it wasn’t such a bad idea to wait ten years to write the next book after all. I’m still loosely following the original outline I made for Edenfall, but there are some key changes to it, and all the other background stuff I’m sure I would have done differently. Sometimes, it really does help to put some distance between you and the story, and to let it simmer for a long, long time.
In any case, I know what I need to do now to turn Genesis Earth into a proper trilogy. Also, I’ll probably go through the first book at some point to remove all the swearing. It’s far too jarring and doesn’t really add anything to the story. At the time I wrote it, I was itching to write a grittier book, but that’s not Genesis Earth.
Edenfall is going to be good, but The Stars of Redemption is going to be amazing! The secondary plot with the third timeline is going to blow your mind. I can hardly wait to write it!
Reworking The Paradox of Choice

The events in New York and Virginia of the past couple of weeks have been interesting, to say the least. The abortion debate has escalated dramatically, with talk of fourth-trimester abortions and keeping the infant “comfortable” while “a discussion would ensue between the physicians and the mother.”
Without getting too much into the politics of it, this discusion has put me in a very awkward position regarding one of my stories. It’s a very short piece, titled “The Paradox of Choice,” and it depicts two women having a conversation about whether or not to “abort” a baby who’s already been born. The narrative is entirely dialog, so it isn’t clear until the middle of the story that they’re talking about a living, breathing baby who happens to be sitting between them.
I wrote the story as a bit of a shock piece, to show that the line between infanticide and aborting an unborn child isn’t as clear as people think. When I wrote it, though, I thought that infanticide would still be considered abhorrent. I had no idea that the Overton window would shift as quickly as it has.
Hence the awkward position. Clearly, this story needs to be rewritten, but how? Expanded, perhaps? By adding more descriptions to actually show the baby? Or do I need to abandon the “shock piece” aspect and turn it into more of a reasoned discussion of evil?
I wasn’t originally going to write this piece, but a couple of years ago I felt a strong impression that I needed to. Even then, I only did about the minimum of what I needed to do to get it onto the page. This isn’t the sort of thing that I usually write. But now, I suppose I need to revisit it and put in the effort to make it properly shine.
Either way, it’s insane how quickly the debate is shifting.
I’m engaged!
So a couple of days ago, I proposed to the girl I’ve been dating for the past few months. She’s pretty amazing. She’s currently at BYU, getting a masters in computer science. Where I make stuff up for a living, she actually makes stuff happen.
The funny thing is that we were both in Brandon Sanderson’s English 318R class back in 2009, even though we didn’t know each other at the time. She also lived in German house at the FLSR (Foreign Language Student Residence) during the summer I was on the Jordan study abroad. I lived in the Arabic house the year before and the year after. Also, after I came back from Jordan, she studied at the BYU Jerusalem Center.
So many near misses, but the way we actually met was through an online dating app. A couple of years ago, I wondered if I should try online dating, but I got this feeling like I should wait. Then around June of 2018, I got this feeling that the time had come to set up a profile and start looking around.
We started dating back in September, and decided to go exclusive after watching Venom (kind of a weird movie to cuddle together at, but still fun). I spent Thanksgiving and Christmas with her family in Provo, and apparently made a good impression. While playing a board game, her six year-old niece smiled at me and said “you’re my uncle!” to which I replied “not quite.”
Dating this girl has been a real adventure. Without getting into all the personal details, I can say that she’s got everything I’ve been looking for, and then some. On one of our earlier dates, we did an exercise where we each listed twenty things we wanted out of life, and five of those things were on both of our lists.
So yeah, she’s a keeper. I secretly met with her parents last weekend, and proposed on Tuesday. Nothing elaborate, just went on a walk around campus after eating lunch together. We’ve talked about getting married before, so after asking if there was anything else she felt we needed to talk about, I said “I can think of one thing,” got down on one knee, and took out the ring.
We’re planning to get married in June. My dad will be out of school by then, and hopefully my sister and her boyfriend will have their residency papers in Brazil figured out so that they can come. It feels like a long engagement period, and perhaps for a Latter-day Saint wedding it is, but I can be patient. Probably.
Good things are definitely happening!
Extra Sci-Fi S3E1: Tolkien and Herbert, the World Builders
So I really enjoyed the first two seasons of Extra Sci-Fi, and since they’ve just started up with season three, I’d like to do a blog series where I react to the episodes.
From the first episode, it looks like the main focus of this season is on Lord of the Rings and Dune, two SF&F classics which I’ve read twice. While I have read The Silmarillion as well, I have to admit that I haven’t read any of the Dune sequels yet. Ah, the woes of a horribly massive TBR list.
In any case, the discussion of intentionality in world-building is quite interesting. The way they contrast it with the pulps got me to thinking about the direction science fiction and fantasy are headed in right now.
With the advent of indie publishing, the era we are living in right now is much more akin to the age of the pulps. The way most indies make a living is by following Kevin J. Anderson’s advice to be prolific—really, really prolific. That doesn’t mean that all books published these days lack the intentionality and depth of the great classics of the genre, but the pendulum seems to have swung in the other direction.
Here’s the problem: I’m sure there are books that are just as finely crafted as Lord of the Rings that are sitting on someone’s hard drive right now, or perhaps hanging out somewhere above the 500,000 ranking on Amazon. Perhaps some of these books are even more masterfully crafted, with greater intentionality and even more depth. Why aren’t they selling?
Lots of reasons. Perhaps the author hasn’t yet mastered the craft of writing. Perhaps the story isn’t compelling enough—the equivalent of a 50 cc engine in the body of a Harley.
Or perhaps it has nothing to do with the quality of the writing or storytelling, but the author’s lack of marketing acumen. The greatest product in the world is worth nothing if nobody knows it exists. Likewise, the worst product is worth at least something if everyone knows about it.
Harsh truths, but that’s the world we live in. I’m not so cynical that I believe that writing is a zero-sum game, but there is a lot of competition, especially with how many books are being published these days. That’s why I say that the pendulum has swung back in favor of pulp-style writing: because the writer who can put out a book a month and put it out to an email list of 10k or more has a decisive advantage over the writer who painstakingly crafts a magnificent epic over the course of an entire lifetime, as Tolkien did.
When will the pendulum swing back? I don’t know, but it’s actually not as daunting of an issue as the guys at Extra Credits make it seem.
The first time I read Dune, I was in high school. The second time, I was in college, where I’d already studied Arabic for a couple of years and become somewhat proficient at it. Studying Arabic pulled back the curtain a bit, and made me realize that Herbert’s world-building wasn’t quite as intentional as it seems at first glance.
There was still a lot of depth and intentionality in the major stuff, like the Bene Gesserit, the mentats and Orange Catholic Bible, and of course the ecology of Arakkis and the Spacing Guild. However, on some of the minor details, he occasionally cribbed or made up stuff, he just did a really good job of disguising it. Even the wider arcs of his world-building have borrowed heavily from the real world, such as the rise of the Fremen (which is basically the Rashidun Caliphate in space) and the politics and economics of the spice trade (which is basically a sci-fi version of the petrodollar).
This is why I’m not too worried. A masterful writer can produce on the level of the pulps, and still write with depth and intentionality—or at least, fake it so well that it feels that way. Writing that well requires skill, but once you’ve figured out all the levers behind the curtain, you really can pull off some truly amazing stuff.
I’m not quite there yet, but I’ve seen behind the curtain, and I’m figuring out how it works. Until now, I’ve leaned more toward the pulp-style of writing, just to get my writing career off the ground, but I hope to get to the level of Herbert and Tolkien before too long. It’s definitely possible, but can it be profitable too? That’s the tricky part.
My LTUE Schedule
Life, the Universe, and Everything is happening in Provo, Utah in just a few days, and I will be there! I plan to spend all day Thursday, Friday, and Saturday at the symposium, so if you want to catch up with me, just find me in the lobby or wandering around the dealer’s room.
Here’s my schedule:
Thursday, February 14
Alternative Worlds: Unconventional Science Fiction and Fantasy (2:00 pm)
Scott R. Parkin (moderator), Charlie N. Holmberg, Joe Vasicek, M. Todd Gallowglas, Michaelbrent Collings
There are few things more discouraging than opening up a new book and getting the feeling that you’ve already been there and done that. Avoid this by learning about the speculative fiction worlds that really took you somewhere else–somewhere alien and impossible.
Saturday, February 16
Writing Stories without Villains (4:00 pm)
Scott R. Parkin (moderator), Christopher Husberg, Joe Vasicek, Peter Orullian, Suzanne Vincent
Antagonists do not have to be people. How to have conflict and a satisfactory resolution without a bad guy.
Heroic not Invincible: Writing Relatable Protagonists (6:00 pm)
Michelle Witte (moderator), Joe Vasicek, Joshua W. Robertson, Kathryn Purdie, Marion G. Harmon
We want to read strong heroes but not too strong, not too perfect. How to write an interesting and dimensional protagonist that people want to like.
Hope to see you there!
Politically incorrect thoughts on intersectional authorship
I’m subscribed to six or seven short story podcasts, and I’ve noticed a trend on them recently. Before they start the story, they introduce the author by first listing all of the intersectional minority identities that the author qualifies for, like “queer,” “transgender,” “immigrant,” “disabled,” “person of color,” etc.
Whenever story starts off like this, I immediately delete it form my podcast.
I’m a busy guy. I’m subscribed to far too many podcasts to listen to every episode. There’s just not enough time. If I have a reason to skip it, I will.
When the first thing you tell me about the author of a story is where he/she/ze/your majesty falls on the intersectional victimhood stack, that tells me a couple of things. First, it tells me that the editors subscribe to this bullshit idea that victimhood makes you virtuous. It doesn’t.
Second, it tells me that the editors didn’t think that the story could stand on its own. Instead of giving a typical author bio, with a few incidental facts and a cute aside about the author’s wife/kids/pets/plans for world domination, the editors decided to lead with the author’s victimhood status. Because that’s why I should listen to the story. Because victimhood is virtuous, and if you don’t listen to this story after learning just how much of a victim the author is, that makes you a racist sexist transphobic Nazi fascist.
Fuck that.
I’m sure this post will generate outrage among some circles. There was a time when I would try to respond genuinely to such outrage, apologizing for causing offense and vowing to try better to understand, sympathize, and accept the experiences of…
Fuck that.
If it offends you that I automatically delete these sorts of podcasts, go fuck yourself. Seriously. Call yourself an autosexual and see where that put you on the intersectional victimhood stack. I don’t give a shit about your outrage. I couldn’t care less about how triggered you are right now. If that makes me a fascist, so be it. To paraphrase Syndrome from the Incredibles, when everyone’s a fascist, no one’s a fascist. (Which is very convenient for actual fascists.)
By the way, I’m not actually opposed to stories written by immigrants, or lesbians, or transgenders, or people of color. I’ve listened to quite a few good ones. “And Then There Were N – 1” from Escape Pod was really fun. So was “Octo-Heist in Progress” from Clarkesworld a couple of months back. Neither of which were introduced by describing just how many oppressed victimhood classes the author qualified for.
If there’s one thing we’ve learned from the Trump era, it’s that when people call you a racist sexist transphobic Nazi fascist, they really just want to bully you into silence. But all bullies are cowards at heart. If they want to silence you, it’s because they know that they’re wrong.
Can we please return to the time when everyone acknowledged that stories should stand or fall on their own merits, not on the merits of the author? Mur Lafferty did quite a few ISBW epidodes on this, and she’s hardly a right-wing type. By all means, let’s bring all the queers and wierdos along. Science fiction wouldn’t be the same without them. But let’s not use a double standard when it comes to their stories.
After all, that would be racist.
January Recap
It’s been a busy, busy month. I finished a major WIP, published a new bundle, started a new job at the local bookstore, and made a bunch of changes and adjustments behind the scenes. And that’s just my writing life!
Nothing Found
First, I published a new Star Wanderers bundle, containing the complete series. This replaces The Jeremiah Chronicles and Tales of the Far Outworlds, the two previous series bundles that have been up for the last several years.
Eventually, I plan to release Star Wanderers: The Complete Series as an audiobook. That’s one of my big projects for the year. I want to narrate it myself, but I also want to do a damn good job of it, which means I have to learn how to properly record and produce a quality audiobook. That’s going to take time.
I will probably release Star Wanderers: The Complete Series in print too, once I’ve gotten set up for that. As I mentioned in my last post, I’ve pulled all my books from KDP Paperback and plan to go with a different print-on-demand publisher in the not too distant future. But again, that’s going to take time to do properly.
Second, I finished Gunslinger to Earth! At this point, I’m just waiting to send it out to my editor. Another few weeks, and it will finally be up for preorder!
There’s a lot of stuff happening behind the scenes, too. I’ve sent out more than 60 short story submissions this month, sold one to The New Accelerator, and hope to sell a lot more in the next few months.
I’ve also been rethinking my email newsletter. Until now, I’ve been using it mostly just to share free and 99¢ stories, and tons of links to giveaways. But now, I think that might not be the best way to provide value.
From what I can tell, there are basically two approaches to newsletters: as a vehicle to convert casual readers into fans, or as something much more personal to keep the existing fanbase active and motivated. Obviously, there is some overlap.
With the way I’ve structured things, I lean a lot more to the first approach. However, I do think there’s a lot more that I can share to add value, even to casual readers. Here are some things I’m thinking about sharing:
- More detailed updates about my writing, current WIPs, and what I’ve been up to.
- Recommendations of other books that I’ve read and reviewed. To do this properly, I plan to set up a separate book site.
- Extended descriptions and background information about my books, kind of like what I’ve got in the author’s notes, but with links and detailed by series.
- Stories from my personal life tha readers might find interesting, such as experiences from working in a bookstore.
- Better curation of the group promos that I participate in. Until now, my approach has basically been to spam InstaFreebie / Prolific Works, but I think it will be better to participate in a smaller number of group promos that more closely match the kind of books that I write.
- I still plan to do free and 99¢ book deals, but not necessarily with every email. A book deal is still more of a take (“read my book!”) than a genuine give.
Those are a few of my current ideas. Do you have any of your own? If so, I would very much like to hear about it!
The other big change to my newsletter is that I’m branching out to other sites, like Story Origin, Book Cave, and Bookfunnel, to build my email list. I’ll probably also add preview editions of my books to Prolific Works and put more emphasis on those. It’s something to experiment with.
Still trying to figure out how this blog fits in to everything else. At this point, I’m just doing my best to keep it updated. I have lots of ideas for blog posts, but not a whole lot of time to write them.
There’s a ton of books that I’m reading or want to read, and at some point I really need to revamp my Goodreads profile and get all of my book reviews up there. Probably after I set up the new book site, which will mostly just be a repository of affiliate links for all of the books that I review. I can’t put them up on this site without commingling them with my own books, and I don’t want to do that.
That’s most of the big stuff, at least for now. The main focus for the next couple of months will be growing my email list and figuring out my newsletter. My girlfriend is a programmer, so this weekend we’ll fix up the newsletter template I’ve been using and hopefully make it cleaner. If you have any other ideas for that, please share!
Why my books are no longer available in paperback
All of my books are available as ebooks, but only a few of them were available in print. Until now. If you’ve looked to buy one of my paperbacks, you may have noticed that none my books are available in print. Why?
TL;DR: KDP Paperback sucks monkey balls, and I’m not going to sell a book if I can’t assure my readers that the product will meet an acceptable level of quality.

I originally published my paperbacks through CreateSpace, before they were acquired by Amazon. The books they printed were great, and I never had a problem with any of them. On the contrary, whenever I had a question about the publishing process, their customer service team far exceeded my expectations and helped to shepherd many of my books to final publication.
I learned a lot of things the hard way, and made a lot of mistakes along the way. But that was all on me. When I finally figured out the right way to do what I wanted, I could alway count on CreateSpace to produce a quality product.
Fast forward to 2018. Amazon shuttered CreateSpace and began the migration of all of their books to KDP Paperback. I loved CreateSpace, but I also saw the writing on the wall, and migrated my books early. I also published several new paperbacks through KDP Paperback, using their cover creator program.
The publishing process went about as smoothly as it had through CreateSpace. The customer service wasn’t nearly as good, but I had a pretty good idea what I was doing, and with a little experimentation, I was able to produce a quality product.
Or so I thought.
I always order proofs when putting together a paperback, and scrutinize that proof carefully before approving it. For Heart of the Nebula and The Sword Keeper, I had to go through a couple of proofs before I was satisfied that I’d gotten it right. The most common problem was that the front cover would bleed onto the spine. After a couple of failed adjustments on the KDP Paperback cover creator, I decided to just upload the jpg and not futz with it, letting the program adjust it instead. And for a time, that seemed to work.
For the Star Wanderers books, I did the same thing, letting the KDP Paperback cover creator do its thing without futzing with the placement of the front cover image. A couple of the proof copies had the bleeding problem, but after following a couple of online discussions, it seemed that the consensus was that the proof copies were of lesser quality than the actual customer copies.
That should have been a red flag right there, but I went ahead and approved them anyway, since the bleed was only about a millimeter or so, and I couldn’t justify the expense of another eight proof copies.
Big mistake.
A couple of months later, I ordered about $100 worth of author copies to sell at conventions. This was the result:

Every damn book had the cover bleed problem. Every. Damn. Book. And it wasn’t a small print error, either. The bleed was as much as 3 millimeters on some copies.
Keep in mind that except for Genesis Earth, all of these covers were designed through KDP Paperback cover creator. Also keep in mind that aside from a couple of the Star Wanderers books, this printing error was not present in any of the proofs that I approved.
Genesis Earth was particularly troubling, because that was a book that I migrated from CreateSpace. None of the author copies that I’d ordered from CreateSpace ever demonstrated this printing error. In fact, I’d gone through several proofs to ensure that the front cover image was completely outside of the red zone, to ensure that such a bleed problem would never be an issue.
KDP’s customer service promises that they respond to every issue within 24 hours. That is a lie. My first inquiry received no reply—not even the standard copy-paste boilerplate response that they usually send first.
I waited three days and sent a second inquiry, threatening to email Jeff Bezos and pull all of my books if I did not receive a response within 24 hours. As you can probably surmise, I did not get a response within 24 hours.
I did eventually get a response, and ultimately I did get a partial refund for my books. But by then, I’d had enough.
KDP Paperback produces an unacceptably inferior product. Furthermore, their customer service is terrible. Because I cannot asure my readers that they will receive an acceptable quality book, I have decided to pull all of my paperbacks from KDP Paperback and go through someone else.
It may take a few months to figure this out, in which time, my books unfortunately will not be available in print. However, I think that this will be the best solution in the long run. I’ve heard good things about Ingram Spark, so I’ll check them out, but it may take a while to do things properly.
And this time, I’m not going to take any half measures.
WIP excerpt: Gunslinger to Earth

Chapter One: Back to the Academy
My name is Rex Carter, and I am—or rather, was—from Earth.
I don’t blame you for not believing me. If I hadn’t experienced firsthand the events of my own life, I would be skeptical as well. But I assure you, my story is true. The legends of humanity’s lost homeworld are, for the most part, based in fact. Sol was indeed the cradle of the human race, not Sirius or Aldebaran or any of the nearby stars. The xenologists’ main criticism of Sol, that it lacks a habitable-zone planet, are moot because the world they are looking for—Earth—no longer exists in our plane of reality.
But I’m getting ahead of myself. My name is Rex Carter, and I was born on Earth only a few years after humanity made contact with the galactics. As a young man, I played a key role in…
[SPOILERS REDACTED]
…so I enrolled at Earthfleet Academy a year earlier than most of my peers. If I had to attend school, I was determined to get it over with as quickly as possible so as to get back to the business of having adventures.
Little did I know, adventure would soon find me.
Earth had a single large moon, which we called Luna. It was gray and rocky, with one-sixth the gravity of Earth, and no atmosphere. It was also the location of Earthfleet Academy. After a week-long break to celebrate the Thanksgiving holiday with my parents down on Earth, I grudgingly returned to my studies at the Academy.
“Hey, Rex,” my roommate Frank greeted me as I entered our dorm room.
I dropped my duffel bag at the foot of my bed and flung myself onto the mattress. Earthfleet Academy had its own artificial gravity to compensate for Luna’s, so it felt very much as if I’d never left Earth. The fact that I’d taken a teleporter back contributed greatly to the illusion.
None of which improved my mood.
The dorm room was clean and Spartanly decorated, as you would expect from a military academy. Frank lay back against his pillow with his laptop on his chest, playing some game or chatting online with some friends back on Earth. Quite possibly both.
“Did you miss me?” he asked, giving me a lopsided grin.
I rolled my eyes. “More than I missed this place, that’s for sure.”
“Oh come on. The academy’s not so bad. Besides,” he said, giving me a knowing look, “you-know-who is back from Antarctica.”
Blood rushed to my cheeks. He was talking about Charlotte Bujold, the girl I’d been crushing on since my first semester. I regretted having ever confided that to him.
“She is?” I asked in spite of myself.
“Yeah,” said Frank. “Came back just yesterdayshift. I was going to tell her that you were coming back early too, but—”
“Dammit, Frank. Please tell me you didn’t say that.”
He laughed. “Don’t worry, my friend. I’m just teasing.”
I groaned and rolled over, burying my face in my pillow. I’d navigated my brother-in-law’s starship through space battles and war zones, and traveled far beyond the Gliese colonies of Earthspace, but girls like Charlotte still made my knees go weak and my tongue stammer. What can I say? I was still young.
“To be honest,” Frank continued, “I think Antarctica may have actually thawed the cockles of her cold little heart. She gave me a smile as we passed in the hall this morning. Didn’t say anything, but she smiled. I don’t think she has anything planned before classes start on Monday. If you’re going to ask her out—”
“Shut up.”
“No, I’m serious. Now’s as good a time as any. What are you afraid of?”
“Nothing,” I said sullenly, burying my face even deeper. Of course, that was a lie.
“Dude,” said Frank. He set his laptop aside and turned to face me. “If you like this girl, man up and ask her out. Nothing’s going to happen unless you take the first step.”
I said nothing. This dissuaded him not at all.
“Seriously. You’re not going to get a better chance than now. Once classes start up again, we’ll all be swamped from now until Christmas. She’s sure to leave Sol for the holidays, and—”
“I get the picture,” I said, cutting him off. “What do you suggest?”
Frank sat up, his grin as lopsided as ever, and rubbed his hands together as if he were starting a project. My heart both sank and skipped a beat at the same time.
About half an hour later, not quite sure how I got there, I found myself on a tram to the Earthfleet Academy library. Charlotte’s roommates had told me she was probably there when I’d checked at her dorm. They’d asked if I wanted to leave a message, but I’d blushed, mumbled something incomprehensible, and gotten out of there as fast as if one of them had thrown a live grenade.
The main campus of Earthfleet Academy sprawled out leisurely across the mare, or lunar plain. Since it was cheaper to maintain a lot of small but interconnected artificial gravity fields than to put everything under one giant dome, all of the various buildings were connected by trams. The library was on the other side of campus from the dorms, not far from the spaceport and Earthfleet headquarters itself.
It was currently night on the moon, and the Earth hung like a brilliant blue-green marble in an otherwise dark sky. Swirls and streaks of bright white clouds covered its surface. The tram was mostly empty, so I had the view almost entirely to myself.
“Phoenix Tanner from Earthfleet News,” the announcer on the radio stated, briefly interrupting my nervous thoughts. “Tensions remain high at New Australia as the Earthfleet task force headed by Field Admiral Cox refused to lift the military quarantine of the system. The two civilian ships detained by the task force remain under Earthfleet control, and repeated requests by the colonial authorities to release the crew have been denied. For the last several months, the president of New Australia has defied the Grand Council of Earth’s ban on the immortality serum to treat children suffering from chronic illnesses, while medical authorities on Earth insist that there are safe, legal ways to address the colony’s medical needs. In other news…”
My mind drifted as the news droned on. The only reason I’d picked up that first story was because Charlotte was from New Australia. A little less than half of the students at the academy were from the colonies. Sam Kletchka, my brother-in-law, had attended for a year before dropping out. If he hadn’t insisted that I finish my studies first, I would have already dropped out and joined his crew.
Well, that’s not entirely true. I probably would have stayed on a couple more months, just to see how things worked out with Charlotte. But the moment she rejected me, as I inwardly dreaded she would, I would have been out of there.
The tram came to a stop, and the doors slid open. I walked out on watery legs. The library was a big place, even for Luna’s standards, but I had a pretty good idea where to find her. Sure enough, she was studying at a cubby on the library’s top floor. I’d seen her in the same general vicinity several times in the previous semester—not that I was stalking her, of course. Her attention was focused on her tablet, with headphones in her ears in a way that said “do not disturb.”
Allow me to take a moment to describe just how gorgeous Charlotte is. Thin and petite, with hourglass proportions and a narrow waist, her eyes are a piercing blue and her hair is as black as midnight. It was cut just above her shoulders, so it bobbed and swung with every move of her head. Her face was long, her lips red and moist, her nose small and slightly upturned. It was the fire in her eyes, though, that really got to me. She may have been small, but she was full of energy and passion, and a hell of a lot stronger than she looked.
With all that said, you can understand why I was intimidated. The moment I saw her, I ducked behind a nearby bookshelf and spent the next few minutes working up the nerve to talk to her. Heart pounding and legs weak, I eventually decided to hell with it and walked over.
“H-hi Charlotte.”
She glanced up at me with a look of contempt normally reserved for strangers. Seeing that I wanted to talk, she reluctantly pulled the headphones out of her ears.
“What do you want, Rex?”
“I, uh, I heard you just came back from b-break,” I stammered. “Your roommates said I might find you here.”
She stared at me evenly, betraying no reaction. I inwardly flagellated myself.
“So, uh, we have a few days before classes start, and I was wondering, uh, if maybe, uh, you wanted to get lunch or something?”
She blinked. “Lunch?”
“Yeah,” I said quickly. “Food court, student center, tomorrow at noon. What do you say?”
From the expression on her face, it looked like my attempt at asking her out had just crashed and burned. My heart sank. If falling through the floor was an option, I probably would have taken it.
“I’ll let you know,” she said, slipping her headphones back over her ears as she turned back to her tablet.
“Uh, thanks,” I stammered.
She glanced up one last time, as if to ask why I was still there. I beat a hasty retreat, tail tucked firmly between my legs, and silently cursed myself with every bad word in my vocabulary.
I felt six inches shorter. I felt like I’d forgotten to put on pants this morning.
I felt like a fool.
Our encounter had lasted mere seconds, and yet as I walked in a daze back to the tram, I couldn’t help but dissect and analyze every moment of it. Charlotte’s icy gaze. My own nervous stammering. Her utterly unreadable face. The longer I thought about it, the more convinced I became that I’d made an utter fool of myself. Frank was wrong: asking her out in person had been a collossal mistake. Any hope I had of dating her was over.
As the empty tram took off again, I stared up at Earth, wondering what the hell I was doing with my life. I didn’t care about Earthfleet. I didn’t care about my studies. I did care about Charlotte, but that was all in the toilet now, thanks to the fool I’d made of myself.
That was when my phone buzzed.
I frowned and pulled it out of my pocket. It was a text—from Charlotte. My heart skipped a beat, and for a very brief moment I hesitated, fearing to read it. But curiosity soon got the better of me.
Food court tomorrow at noon. I’ll be there.
A boyish grin spread across my face as I pocketed my phone, and with no one else on the tram I pumped my fist and shouted “yes!”
Maybe it hadn’t gone as badly as I’d thought back in the library. Maybe she didn’t think I was a fool. Maybe, just maybe, there was a chance things could work out with Charlotte and me.
As I was soon about to learn, I had no idea what I was in for.
