Joe Vasicek

With the Lightnings by David Drake

Daniel Leary, Lieutenant in the Republic of Cinnabar Navy, dreams of commanding a military starship one day. Unfortunately, as the estranged son of a corrupt senator, and with almost no money to his name, he has virtually no chance of ever seeing it happen.

While serving in an assignment on Kostrama, a neutral trade world between Cinnabar and her mortal enemies, the Alliance, he meets Adele Mundy, chief librarian of the Kostraman capitol. The title is virtual meaningless, however, as the uncultured Kostramans would give the position to anyone–even a political exile from Cinnibar such as Adele. Her whole family was assassinated by Leary’s father, and she has sworn to take revenge.

Little do they both know, the Alliance has other plans.

Ever since I met David Drake at World Fantasy 2009 in San Jose, I’ve been meaning to read one of his books. I must say, I picked a good one. With the Lightnings is the first book in his RCN Series, which is basically David Drake’s take on Patrick O’Brian’s Aubrey-Maturin novels. Think Napoleon-era naval battles and political intrigue…in space.

Does it sound good already? Yeah, I thought so.

I was a little surprised at first, because the first chapter started with a bunch of info dumps. It took until about the halfway mark for the action to really start, but when it did, it was awesome. A bunch of navy guys marooned on a hostile planet behind enemy lines, trying to survive a planetwide coup and blowing all kinds of stuff up along the way–yeah, it was cool.

The thing I enjoyed most about this book, however, was the insight into the minds of the officers and the way the officers and soldiers interacted. You can tell that David Drake has experience in the military–lots of experience.

It was evident in the little things the main character noticed–the colors and patterns of soldiers’ uniforms, competency among his own men and incompetency in men not under his command, leadership style and how he dealt with crises–stuff like that. The language was colorful, but when the soldiers swore, their language had a bite to it that went beyond the actual words. The people felt gritty, but very real.

At World Fantasy, I mentioned to David Drake that I’d read some of Joe Haldeman’s works, and knew they were both Vietnam vets. He remarked that Haldeman’s works are very much different than his own: Haldeman’s characters are constantly stabbing each other in the back, whereas in Drake’s works, there is always a sense of teamwork and unity, even when the going gets messy.

I could definitely see that in With the Lightnings–it’s one of the things that made the book so fun to read. Yes, things get pretty tough and a lot of people die, but there’s always a sense of loyalty within the platoon (or whatever the unit is called).

With the Lightnings is a great space opera action/adventure story. After reading it, I really want to read more books in the RCN series. If you want a good, fun military sf adventure story, this is a great one to pick up.

Dinner with friends

I had dinner tonight with one of my classmates from English 318 last year, who is a frequent commenter on this blog. He and his wife were kind enough to invite me over to their apartment, where we ate, talked, hung out, and had a general good time.

It was great to see an old friend from Sanderson’s class! We talked a lot about writing, and that was way cool–I haven’t been around people who can talk writing since I left Provo (not counting the IM conversations I have with Chuck every other day). At one point, his wife had to stop and say “wait, let’s put this conversation on pause and let me get to know this guy”!

He showed me this interesting online compendium of Wheel of Time characters, which blew me away; I haven’t read the Wheel of Time series yet, but just looking at how many characters are in the books, I have no idea how anyone could write something like that. I guess that’s the direction Fantasy is going in–enormous worlds, long books, dozens and even hundreds of characters.

We talked about all kinds of other things, too–school and work, career decisions, future plans, social pressures, life in general, etc. It was great being with interesting people who are genuinely interested in what you have to say. I tend to be a little self-conscious about the fact that I talk too much, but they got me to talk a lot–about how I decided to be a writer, how I wrote Genesis Earth from story idea to the latest draft, my future goals as a writer, etc etc. It was a lot of fun.

We also talked about my current project (working title: Bringing Stella Home), and I shared the 30 second story blurb. I then asked them what they think the title should be, and together we came up with an interesting title idea: Saving Ben and Stella.

What do you think of it? I kindof think it has a nice ring to it. Mentions Ben and Stella, which shows that Ben’s storyline is important as well as Stella’s. Then again, it’s not much of a change from the previous one.

In any case, I had an awesome time with Stephen and his wife. It’s great to have friends wherever you travel, and meet up with old classmates after graduating from college. Thanks guys!

Need new title

I need a new title for Bringing Stella Home. As you can probably tell, the current one just isn’t quite good enough. Got any suggestions?

I was thinking of something that combines the words “fire” and “salvation,” but I haven’t come up with anything cool yet.

If you’ve got any better ideas, please let me know.

Chomping at the bit

It’s 1:30 am where I am, and I just finished reading through the second draft of Bringing Stella Home and all of my first readers’ comments. I don’t know how to describe what I’m feeling right now, but I am so ready to make this story shine!

First of all, the story itself is incredibly powerful, at least to me. True, the current draft is full of problems (some of them so embarrassing I cringe just to think that I allowed other people to read it) but at its core, there is definitely something poignant and moving. One of my first readers is on active duty right now in Afghanistan, and it actually inspired him to write a poem.

Of course, a reader can be “moved” in bad ways as well as good, and some of the feedback on the current draft’s problems brought out a side of my friends that I didn’t know even existed (yes, Kindal, I’m talking about you). Seriously, reading those comments was like getting gutted and filleted with a rusty fishing knife. If I’d had problems with my self esteem, I probably would have cried.

Oh well. At least it wasn’t boring. 🙂

But harsh or not, the comments were all useful–surprisingly useful, actually. In a story this big, it’s easy to miss things (even big things like character motivations), but after reading through all my reader comments, I feel confident that I’ve got a solid outline for the revision.

Some of the suggestions were pretty dang good, too. Usually, I only adopt about half (or less) of the proscriptive comments my readers give me, but this time, I’ll probably end up taking quite a few more. I don’t know if it’s because I was an idiot when I wrote the first draft or because my readers were getting into the story a lot more than usual, but the advice this time opened me up to all kinds of new ideas.

I probably can’t say much more without spoiling my own story, and I definitely don’t want to do that. Let me just finish by saying that I believe this story may be the one that breaks me into publishing. I hope this doesn’t sound conceited or arrogant, because I don’t mean it that way at all. I just think that this story has some serious potential, and that if I treat it right, it will end up in print someday.

Inshallah, someday soon!

In the meantime, I’m going to put everything into revising this next draft–that is, everything short of secluding myself in a white room and starving myself (or graduating and not looking for a job, which is a more realistic possibility). This story is calling to me–it needs to be told. It needs to be fixed. It needs to be polished and shared with other readers.

It needs a lot of work. But now it’s 2:00 pm, and I’d better get to bed. Another exciting day of photocopying newspaper clippings and compiling spreadsheets of data on press freedom in Turkey awaits me. Excuse me if I sound too excited.

Go to Tor.com and read this.

Brandon Sanderson’s story of how he decided to become a writer is very interest. It goes back to elementary school, when he hated books and reading in general. A wise teacher put a copy of Barbara Hambly’s Dragonsbane in his hand, and it started a chain reaction that led to him becoming a bestselling writer.

As one of Brandon’s students, I’ve heard the story several times. However, I had no idea how significant a role that Michael Whelan, the illustrator of that book, played in it all. Tor commissioned Michael Whelan to do the cover for Brandon’s next book, The Way of Kings. In response, Brandon wrote a blog post at Tor.com explaining how significant it is to him that Mr. Whelan was chosen to do the cover art for The Way of Kings.

It’s an awesome and moving blog post. You should check it out.

In unrelated news, I am 110 pages into outlining Bringing Stella Home 3.0 and enjoying the process immensely. I’ve got some awesome first readers. Even with all the honest criticism, I’d much rather be writing than doing office work at my internship. Ah, well, April 15th will be here before we know it.

As for graduating and finding myself in the real world…not quite as thrilled about that. More like scared s***less.

Major project shift

I’ve got this goal to finish my current work-in-progress, To Search the Starry Sea, by May 1st 2010. However, the deeper I get into the story, the more I realize how many problems it has–how much it sucks, in other words.

Normally, this wouldn’t keep me from dropping the project or putting it on hold. It happens with every rough draft (or second or third draft, for that matter); midway through every project, I start to get all angsty and worry that the project sucks, that it’s beyond saving, that I’m wasting my time, etc.

However, this time it’s different for a number of reasons.

First of all, the story itself doesn’t suck. However, it does have a weak beginning and a poor setup, which makes it very difficult to develop the middle section. With better conflict foreshadowing and character introductions, I could tear right through this section, but without that, I’m floundering more and more.

A couple months ago, I started to realize this, so I started a set of revision notes for the next draft. My thought was “if I know the story needs changes, rather than going back and changing them, I can just make a note of them and move on.”

However, that approach isn’t working because the unwritten changes aren’t impacting the story as fully and completely as they would if I’d write them out. If the changes were minor, I could let them go–but when they have to do with something fundamental, like setting up a romantic subplot, or turning a minor character into a major character into a major viewpoint character, I can’ t just make a note of the change and move on–I need to write the thing to see what it changes.

In other words, I need to restart this project from the beginning. But if I do that while I’m still angsty about it, it’s going to end up like crap. I’ve got to let it sit for a while.

It’s frustrating, because I really want to finish a straight draft from start to finish. For both Genesis Earth and Bringing Stella Home, I only finished the rough draft after dropping the project for a while and restarting it at the beginning. If it works, I guess it works, but it would be nice if the creative process were more linear. Blegh.

All is not lost, however. Most of my first readers for Bringing Stella Home have gotten back with their feedback, and it’s been extremely helpful. I’ve got a clear direction and lots of ideas for where I want to take that story, and now that I’ve spent some time away from it, I can honestly say that it doesn’t suck all that bad. In fact, after a lot of work, it might actually be decently good.

There are several reasons why it makes sense to work on Bringing Stella Home right now. For example,

I’m excited about it. Better to capitalize on that now than wait until after the enthusiasm has died.
I’ve got lots of ideas flowing to me now. I could try to write them all down for later, but why not try them out now, while they’re still fresh?
I’m sending Genesis Earth out to a bunch of places, and the rejections are starting to come in. If I can respond to a rejection by sending out a second book in a timely way, I will look much more like a professional, and the agents/editors will take me more seriously.

My goal was to have To Search the Starry Sea done by May 1st. Let’s see if I can do Bringing Stella Home 3.0 (and yes, the title will change) by that day instead. And if that proves too difficult, what with graduation, internship, looking for work, and figuring out life, at least I can reach the halfway mark by then.

So that’s my new goal: Finish Bringing Stella Home 3.0 by May 1st, 2010 (or at least be halfway finished). To do that, I’ll have to read through all the comments by the end of this week and have the revision notes all figured out.

Better get started!

I’m published!

That’s right–my first published story just came out in issue 58 of The Leading Edge. I am happy to say that after three years of formally pursuing my career as a writer, I am now a published author!

The story is titled Decision LZ1527, and it’s about a guy asking a girl out on a date–as told from the point of view of the little men inside his head piloting his body like a starship. I really like the tagline in the table of contents: “A man, a woman, and a whole crew of matchmakers.”

Full disclosure: I submitted this story after I joined the staff as a volunteer slushpile reader. Most of the editors for this issue are pretty good friends of mine (including the Production Director, who’s one of my most trusted alpha readers). I submitted it under a pseudonym, however, so most of the staff didn’t know it was mine until after they’d accepted it.

The Leading Edge is known for the excellent quality of its illustrations, and I’m happy to say that I lucked out with with the artist the editors picked for my story! Josh McGill is a graphic designer and aspiring children’s book illustrator. He’s done art for issues 53 and 55 of The Leading Edge. The picture on the right is the one he did for the front page of my story. I must say, I’m impressed!

The Leading Edge is a semi-professional small press science fiction and fantasy magazine affiliated with BYU. It’s been in publication since the early 80s, when Marion K. “Doc” Smith’s famous “class that wouldn’t die” got together and started it, along with Quark and LTUE. If you would like to support the magazine (and read my story!) you can purchase a copy of issue 58 at the following link:

Issue 58: “Redemption Songs”

Lot’s of people dream about getting published, but it takes a lot of hard work and rejection to actually make it happen. As writers, though, we tend to be harder on ourselves than we ought to be. It took almost four years for Decision LZ1527 to find its way into print, but it did. That’s enough to make the rest of the process worth it.

Let’s hope it’s the first of many!

Writing the synopsis

Ugh. It’s so hard to write synopses. I spent all my free time tonight writing one, so it doesn’t look like I’m going to get more than a couple hundred words (if that) in To Search the Starry Sea.

It’s a necessary evil, though–so many agents and editors require it. Now that I’ve got a one-page synopsis down for Genesis Earth, I can start submitting more liberally. I’m sure, though, that it needs tweaking before it’s ready to send out.

For that reason, I’m uploading it to this blog, so you guys can take a look. I’ve got to warn you, though, there are SPOILERS in this document–so please, don’t read it unless you were one of my first readers! You all know who you are. Here it is:

10-3 march one-page synopsis 4.0.

What do you think? Let me know in the comments. And thanks!

End of the apprenticeship

I got in a long conversation with my roommate tonight, where we talked about girls, government, the economy, 2010 elections, corporatism, Ursula K. Le Guin, and all other kinds of good stuff. Towards the end, we got to talking about my goals to be a full time writer, and I showed him the record I’ve been keeping of my daily word counts.

In case you’re interested in seeing a copy of it, here it is:

wordcounts (to 27 February, 2010)

I basically showed him how I’ve been keeping track of my work, setting and keeping goals on a daily basis, juggling work, school, etc while taking a very professional approach to my writing. While it impressed him, it impressed me almost more–all of this is so habitual by now that I sometimes forget how hard I’ve been working at it.

The most surprising thing? Since May 2009, I have written over 422,000 words!

😮 😮 😮

There’s a saying in writing that says you have to write one million words before you write your first good word. Until now, I thought I was still somewhat short of that number–on the upper end, certainly, but still short.

Well, I’ve been writing on a more or less daily basis since August 2007. If I’ve written almost half a million words since May 2009, how many words did I write between August 2007 and May 2009? At least half a million, I’m willing to guess!

In other words, it is quite possible that I’ve already surpassed my millionth word.

Wow.

I’m not sure what to think about that. On the one hand, it’s exciting. On the other hand, it’s downright scary. If it’s true, it means that I should move past the apprenticeship phase and start pushing this as my career.

That is insanely scary–and yet, at the same time, absolutely thrilling. It’s going to mean investing a lot more time into researching the market and sending out to agents, receiving lots of rejections and wondering if my stories are any good.

Scary. And yet, when I finally do get a publishing deal (and I’m more confident now than ever that this will actually happen someday–inshallah someday soon), that’s when it gets really scary. If that first book doesn’t earn out, my career will be toast. I’ll have to slave away in an office for the rest of my life.

Holy crap, that’s scary. At the same time, though, it’s gonna be awesome.

Bring it on!

Gah! It sucks

I’m about a third of the way through To Search the Starry Sea, and my greatest fear at this point is that it isn’t as good as the last novel I wrote. Because if it isn’t as good, that means that I’m getting worse, not better, and if I’m getting worse, that means I’m never going to make it as an author, because I’m not even published yet, and if I’m not going to make it as an author, that means I’m going to have to do what I’m doing NOW for the rest of my life, which means that I’m going to be miserable and life is going to suck…

Seriously, though, sometimes I wonder if I’ve really made the right choice. To Search the Starry Sea is much more of a happy adventure story, but sometimes I feel that it lacks depth and meaning. I’m starting to get feedback from my alpha readers for Bringing Stella Home, and their reactions to it are surprisingly encouraging. That story moved people–but this one? I don’t know.

Then again, Bringing Stella Home is dark, gritty, and very tragic. I remember feeling depressed by the story even as I wrote it. Is that the kind of story I want to be known for? If I can write something deep and meaningful and have it be optimistic and adventuresome, that would be a lot better.

I’m discovery writing it hardcore, which means that side characters often come to play a much more central role than I’d thought, and events that I thought I could cover in a chapter, I have to cover in two. I have an idea where the story is going to end up, though, and it’s going to be awesome. How awesome? Let me show you:

Yeah, it’s going to be awesome.

I think the key to keeping it meaningful is 1) to keep in mind the main character’s inner conflicts, framing them in a way that the readers can relate to their struggles, and 2) keeping the overall growth arc constantly in mind. How does what’s happening affect how the character is changing? That kind of stuff.

I hope I can finish this in two months. I’m mired in the middle of it right now, and the end is far from sight.

In the meantime, I think I’ll get some sleep.