Joe Vasicek

Desert Stars 3.0 is finished!

That’s right; after almost exactly two months of writing, the third draft of Desert Stars is now complete!

This is the first draft where I feel that things are truly coming together the way they should be, where the story is transforming into something that not only works, but is actually fairly awesome. I’m probably not the best judge, though, so I’ll have to send it out to another round of first readers to get their reactions to it, but I don’t think this will need more than one more draft before it’s ready to go to a copy editor.

Anyhow, here are the stats:

ms pages: 505
words: 108,468
file size: 246 KB
chapters: 22, prologue & epilogue
start date: 16 May 2011
end date: 18 Jul 2011

And the Wordle:

The most influential song in the writing of this draft comes from an mp3 cd of Arabic music that a friend in Jordan gave me while I was studying over there in 2008. The title is فرحة عمرانة بالدار, which apparently translates to “The Joy of _____ in Casablanca.” I know absolutely nothing else about it, other than it sounds very Arab. Since Desert Stars is essentially about a far-future Arab society, it resonated quite well.

The hardest part of writing this draft was probably at the very end, when my daily routine fell to pieces and I completely lost my stride. This seems to happen a lot whenever I’m trying to finish something, which reflects in my daily word count charts.

But the ending itself was not particularly hard to write; in fact, it was quite fun. A bunch of previous changes came together in a way that just clicked, including some spontaneous ones that I hadn’t planned for at all. As a result, I’m really excited about this draft and hope to get it out as an ebook before Christmas.

One question, for those of you who have read the previous draft: do you think I could justify splitting the story into two separate novels and selling them each at a lower cost? I hate books that end on a cliffhanger, but one of my first readers thought that this might work, and it would certainly give me more stuff to epublish.

Also, if you haven’t read a previous draft and would like to be a first reader, please let me know. I only send my rough work out to people I know in real life, however, so if our only interaction has been online, please don’t ask. I’ll probably start the fourth draft sometime in September, so you’ll have until the end of the summer (and possibly a little more) to finish it.

Next project? Publishing Bringing Stella Home and putting together the spin-off novella Sholpan. Shouldn’t take more than a couple weeks. After that, I think I’ll start the indirect sequel that I mentioned before. In the meantime, on with business as usual.

Shoot your fans?

Today’s issue of Dave’s Daily Kick was titled “Hooking Credibility,” and I’m not sure what I think of it. At the end, Dave’s brother Tailspin Jim had the following to say:

What I’m about to add is so basic that [Dave] would never think to include it, but you may be like the vast majority of Kick readers who just don’t have his depth of background on this subject or who would be benefited from taking a look at it.

Each hook or marketing ploy is like firing a bullet at your reader. You probably won’t kill their resistance with the very first shot. You want to fire bullet after bullet until they collapse and make the decision to buy.

Not only does this statement smack of everything I hate about sales and salespeople, but it seems to fundamentally clash with the new reality of publishing.

With social networking and the internet, writers can now connect directly with their readers. For those going the indie route, this is absolutely essential. The key element to success, from what I can see, is developing an ongoing relationship with your fans–one in which they take the role of patron, not merely consumer.

There’s a huge difference between thinking of readers as patrons and thinking of them as consumers. If they’re just consumers, then the end goal is to get them to buy your product, and there’s nothing wrong with spamming them or shamelessly plugging yourself if that’s what works.

But if they’re patrons, the end goal is to develop that relationship–to connect with your readers on a meaningful level, both before and after they buy your work. And in this brave new world of publishing, that seems like the best coarse to take. Consumers have to be sold on each individual book; patrons are sold on you, so they’ll read everything you put out.

And as a reader, that’s how I buy. Whenever I find an Ende or a Wilson or a Le Guin in the bookstore, I rush to grab it, because those are the writers who speak to me. I’ve bought just about every Sanderson in hardcover because I love his work and want to support him.

That’s why this comparison of bookselling to “a series of bullets being fired from an automatic rifle at the prospective buyer” rubs me in all the wrong ways. I’m not just peddling widgets; I’m creating art and sending it out into the world, waiting patiently for it to return back a hundredfold. And if I work hard to create the best possible art and treat my readers (aka you guys) as my patrons, I sincerely believe that it will.

So to all of you who have read my books, regardless of whether you bought them or downloaded them from Smashwords for free, I just want to say thank you! The greatest honor any writer can have is to be read, period.

I also want you to know that I’m never going to “shoot” you with a bunch of cheap sales tricks or “hooks” that get in the way of the story. I’m just going to write damn good books and put them out where you can find them, trusting you to rate, review, like, and share them if you feel they truly deserve it.

I will never, ever, EVER put a gun to your head to get you to buy my work. I’d much rather you jump at the chance to read a Vasicek, because that’s what speaks to you.

Teaser: cover art for Bringing Stella Home

Not too much news today; just plugging along in the final chapters of Desert Stars and working full time at the warehouse. Liva just finished with the cover art, so without further ado, here it is:

Pretty sweet, eh? I’ll figure out the typesetting tonight; what fun!

I’m hoping to have the novel out before the end of the month, depending on when I get the edits back and how much stuff life piles up on my plate before then. But I will definitely have it out before Worldcon.

I’d share more, but I’ve got to go. Stay tuned–more to come!

Q2 roundup

For those of you who don’t know, I keep a spreadsheet with my daily writing word count and use that to help set personal deadlines for various projects. In order to keep myself honest, I do a report every quarter on how I kept up with my writing goals in the past three months.

So, without further ado, here are last quarter’s numbers:

The red line represents daily word counts, the blue line is simply a running total of the past 7 days. Because I’m a discovery writer who often does the heavy work of shaping the story in the revision process, I include revision notes and second / third / fourth drafts in these counts. I do not include proofreading, though, or sentence / paragraph level revisions for basic errors.

In April, I was plugging through the middle of the first draft of Into the Nebulous Deep and working a temp job full-time doing data entry. I had just indie published my first three short stories and was still trying to figure out how the system works. Despite this, I was able to keep up a pretty consistent word count for most of the month, though 10k per week is lower than I would have liked.

Endings are probably the hardest thing for me to write, so at the end of the month things came to a head and my word count dropped significantly. This was also the week before my youngest sister got married, so that threw a kink in the works. The job also caught up to me, so in the last week of April my productivity took a real hit.

In May, however, I took time off from the job to “pursue a freelance project” (aka epublish Genesis Earth). My boss had told me he’d like to have me back once the freelance project was finished, so I felt pretty good about taking the month off.

It took a while for my editor and cover artist to get back with the final product, though, so I spent most of May working on Desert Stars. This was the third draft, so I was WAY stoked to work on it. Outlined my revision notes for the first half in a matter of days, which led to the huge peak around the 19th, and launched right into the project full steam ahead. It was glorious.

When my editor and cover artist got back to me at the end of the month, however, I put Desert Stars on the back burner for about a week to go over the copy edits for Genesis Earth and give it one final proofread. That’s why things dropped off again toward the end of the month.

In June, I went back to the temp job to save up for Worldcon. Fortunately, I was able to strike a pretty good balance between writing and work that lasted for the rest of the quarter. If I didn’t have to juggle a full time job with my full time writing, I probably would have written more, but at 15k per week I was able to keep up pretty well with my personal deadlines.

So yeah, it was a pretty routine quarter. Nothing too spectacular, though there were some ups and downs. If you count Bringing Stella Home, I’m on track to complete two polished books this year once I finish Desert Stars. The latest draft is pretty good, but I think it will need at least one more run through with first readers to make sure the changes to the story are good (and I’ve made a LOT of changes to the story). Still, I’m averaging about two months per draft per book, so I’m optimistic about getting it out in time for Christmas.

My next project after Desert Stars will probably be the sequel to Into the Nebulous Deep. I’ll work as hard on that until it stalls, then spend a couple of weeks to put together Sholpan, a novella with the events of Bringing Stella Home told entirely from Stella’s point of view. I’ll probably put that one up for $.99 or so to generate interest in Bringing Stella Home.

So yeah, that’s what things look like for the immediate future. Still working, still saving for Worldcon, but the writing is coming along and I should be publishing a few more ebooks in the near future. So stay tuned!

Teaser: Starmap from Bringing Stella Home

First off, let me get some business out of the way. I did another post for the Genesis Earth blog tour, this time on my friend Cavan’s blog. The subject: how and why I decided to become an indie published writer.

Also, if you live in Europe, it may interest you to know that Genesis Earth is now available on XinXii, a European ebook retailer website. The price is 2.99 USD and I believe that is VAT inclusive, which should make it much less expensive than Amazon and other American sites.

Finally, an update on my upcoming novel Bringing Stella Home. I’ve commissioned the cover art from Līva Šmaukstele, an artist from Latvia. We just got the sketches finalized this week, and I am very excited to see the final copy! My copy editor, Josh Leavitt, is finishing up with the edits in a couple of weeks, so if all goes well with the art Bringing Stella Home should be up before the end of the month.

And now, the teaser: I spent a couple of hours this afternoon putting together the starmap for Bringing Stella Home. This will appear in the front, just before chapter one. Check it out:

Pretty cool, eh? I might touch it up a little before publication, perhaps lighten the background a tad. I did it in B&W so that it would work better for the Kindle. Many thanks to Logan Kearsley for help with the stellar classes; it really pays to have geeky friends who know so much.

And yes, the Good Hope Nebula will be in the cover art. Yes, it’s going to be awesome. Expect another teaser to come out soon.

😀

Why I am not afraid of the Noise part II

A recent op-ed in the Wall Street Journal titled “Cherish the Book Publishers–You’ll Miss Them When They’re Gone” has ignited a firestorm across the indie publishing community. The post’s basic argument is that the ease of self publishing and the end of New York as the gatekeepers of quality will make it harder for readers to find the truly worthwhile literature amid the flood of crap that will inevitably overwhelm us all.

Joe Konrath fired the opening salvo; in characteristic fashion, he decried the op-ed as hogwash and blamed jealousy among traditionally published writers for the perpetuation of this myth. He concluded that while the “tsunami of crap” is real, it is ultimately irrelevant.

His advice? “Don’t write crap.”

Michael A. Stackpole responded by examining the much more dangerous fear of authors worried about the coming flood; the fear that their own work is crap, and not worth putting out. After examining what we mean when we call something “crap,” he concludes that the really bad stuff will sink to the bottom…

…not because of a rising tide of crap, but because they deliberately swim toward the bottom, open their mouths, and willfully suck.

And the rest of us will happily swim past the effervescent markings of their demise, moving on into the golden age.

Kris Rusch’s take on the issue was perhaps the most instructive of all. First, she used her own experience as editor of The Magazine of Fantasy & Science Fiction to completely blow out of the water the idea that editors are arbiters of good taste. Editors buy what they like; when they try to predict what the public will like, more often than not they fail–and when they try push their own reading tastes onto the public, they make themselves irrelevant.

She concluded that the only truly relevant “gatekeepers” are other readers–that word of mouth is still king, and because the traditional publishing system treats books “like produce, taking them off the shelf as if the book will rot after a month,” indie publishing is much better suited to help the good stuff rise to the top.

David Gaughran responded next by pointing out all the ways that indie publishing and the ebook revolution are enriching the literary world. He concluded that the only people hurt by these changes are the middlemen–that both writers and readers only stand to benefit.

Well. Like I said, it’s quite a firestorm.

So what’s my take? I already posted my thoughts on why the original argument is invalid–that fear of the Noise, aka the “tsunami of crap,” is a specious reason not to epublish. However, I think that the real issue goes much deeper than that.

The most fundamental divide between those who embrace the ebook revolution and those who fight it is whether or not they trust readers to find the truly great works of literature on their own.

The obvious question, of course, is what exactly constitutes “great literature.” As a lover of genre fiction, I measure the quality of literature by the impact it has on readers; that when readers can’t stop talking about how awesome a book is, it’s a good book. For that reason, I’ve never put much credence by Twilight bashers; paranormal romance might not be my thing, but Stephanie Meyer struck a chord in a lot of people, and that certainly counts for something. In other words, story is King.

Putting it that way makes the argument somewhat circular. Can we trust readers to find the good stuff on their own? Yes, because readers read what they love. But what about that literary piece about a depressed writer who has a sexual affair that completely changes his life? Well, I guess it just wasn’t that good. But they would have loved it, if not for all that genre crap flooding the system!

As for readers getting swamped, I think the system itself prevents that.

First, readers browse by means of tags, search terms, categories, top seller lists, “also bought” lists, etc. They follow book bloggers and take recommendations from friends. When they find a book with an attractive cover, they click on it, give the book description a cursory glance, and perhaps check a few reader reviews. If their curiosity is still piqued, they download the free sample to their ereader.

Up to this point, no money has been spent. Readers can download as many free samples as they want, of anything that catches their fancy. When they finally get around to reading the sample, they can decide whether they want to buy the book. If they do, all they need is to click a button on their ereader, and the book is theirs.

Once they finish the book, the ereader prompts them to leave a review (at least the Kindle does this–not sure about the others). If they enjoyed it, they can give a favorable rating which helps other readers find the book. If they don’t, they can give an unfavorable rating which warns others to stay away.

What is happening is nothing less than the democratization of literature. Therefore, it should come as no surprise that those who trust readers will embrace the new system, while those who still cling to editors-as-gatekeepers will reject it at all costs.

But can we really trust readers? Yes, if we believe that story is King. If readers and writers are collaborators in the literary experience, and the truly great literature is that which has the greatest impact on its readers’ lives, then it stands to reason that readers must be the ultimate judges of quality.

Therefore, if we truly believe in the power of story, we cannot help but put our trust in the readers. And if that’s true, why shouldn’t we rejoice in the revolution?

I sincerely believe that we are witnessing the dawn of a great golden age of literature. The invention of the ebook is at least as revolutionary as the Gutenburg press, perhaps a great deal more.

The only ones who have anything to fear from the revolution are those who have built their livelihoods by pushing their own arbitrary tastes on others. Frankly, that’s nothing less than cultural tyranny–and with the democratization of literature, we no longer have to put up with it.

Viva la Revalucion!

Deciding on the next project

First, you know how I said I’d raise the price of Genesis Earth as an experiment? Well, after thinking it through a little more, I figured that it’s more important at this point to build a following, and to do that I should probably have at least one novel at the $2.99 price point. Since Genesis Earth is the only novel I have out right now, I decided to drop the price, where it will probably stay for a while. Flakey, I know, but so be it.

More importantly, I’m coming up on the end of the third draft of Desert Stars. It’s going to be a push, but I hope to finish it by the end of the week. It’s an awesome book and I’m way excited with it, but it leaves me wondering: what next?

I’m currently torn between two projects. The first one, Edenfall, is the sequel to Genesis Earth, and the second in the trilogy. It’s been kicking around in my mind for a long time, and I’ve already got it all outlined and ready to go.

But…the flashier, more exciting project to me right now is the next book in the Gaia Nova series, an indirect sequel to both Desert Stars and Bringing Stella Home, which I hope to epublish later this month. Even though I have a ton of ideas for it, I have absolutely NO outline whatsoever. Nothing. All I know is that it’s basically the Battle of Ain Jalut in space, with Rina from Desert Stars and Danica, Roman, and the other mercenaries from Bringing Stella Home. Oh, and Stella and Qasar’s son, a Hameji prince who makes an appearance in Into the Nebulous Deep. That’s it.

And yet…I am sooo excited to work on it. You have no idea.

So…should I go with the safe, reliable project? Or the sexy, mysterious one? There are good reasons to go with either. Edenfall should be fairly straightforward, taking no more than two months. With the first in the series already out and selling, I should probably write it sooner rather than later. However, the Gaia Nova series is much more expansive, and since I’m already immersed in that universe from working on Desert Stars, it would be much easier to jump right into it.

Right now, I’m leaning more toward the second project, but knowing my personal writing process, I’ll probably get stuck somewhere in the middle and switch to Edenfall. But hey, if it works, it works. That’s how I’ve written all of my other books so far: start the rough draft with a frenzied burst of creative energy, then let it sit for a while and move on to other projects before coming back and finishing the first.

Either way, I’m not going to pull a Rothfuss or a Martin. My goal is to finish my next project in 8 weeks or less, which will be tough with my current job, but not impossible. Which reminds me of yet another reason why I never want to be salaried (unless I’m the one running the business). Not that I plan on ever being pregnant…

Arrrgh Smashwords!

So I go to upload “From the Ice Incarnate” to Smashwords as a free give away, and this is what I see. Arrgh! Why do I have to wait?? Why can’t my book be up nowww…?

Okay, seriously, it’s not that big of a deal. I’ll just have to wait until tomorrow to start ~~spamming everyone~~ sharing it. And unlike last week, I’m going to be more open about the fact that I’m giving this story away for free.

I decided last week to put up “Decision LZ1527” and “Memoirs of a Snowflake” for free on Smashwords, mostly to see if I could get Amazon to price match. So far it hasn’t worked, but it has given me some very interesting insight into the minds of ebook buyers.

The results aren’t scientific, of course, but so far it’s confirmed what I’ve heard elsewhere: that there’s a HUGE difference between people willing to pay more than $1 for an ebook, and people who will grab anything because it’s free. So far, 62 people have downloaded “Decision LZ1527,” 33 people have downloaded “Memoirs of a Snowflake,” but only 2 people this week downloaded the free sample of Genesis Earth–and no one has bought a copy.

Of course, this is only after one week. Perhaps the people who downloaded the free stories are just taking a long time to read them. Perhaps they just can’t afford to buy many ebooks right now, but because they read and enjoyed my stories, they’ll check it out when they have more time/money. Maybe some of them will run across my ebooks years later and remember “oh hey, that’s the guy with that crazy sci fi dating story” and check me out then. Or maybe they’re all cheapskates who only read stuff they can get for free. I don’t know.

But I don’t think it’s the last one. A friend from my apartment complex walked up to me today and told me he’d read and enjoyed my story. It was pretty cool. That’s what I’m really after at this point: exposure and readers. So I think it’s a good idea to give at least some stuff away for free, even if it doesn’t push people to buy your other books in the short term.

Speaking of which, I’ve tried out something else new: raising the price of Genesis Earth from $2.99 to $3.85. Why in the heck would I do that? Mostly because of value perception; I want people to know that I have confidence that my book is worth at least #3.85, that I believe they’ll feel it was worth what they paid for. The kind of books I want to write are the kind that people will want to read twice, and I want to see if changing the price to reflect that will build the kind of readership that is looking for that sort of thing.

I might be totally wrong, of course, but hey it’s worth a shot. I’ve sold two copies so far this month, so at least it hasn’t totally killed sales. I’ll probably keep it at that price for at least a couple of weeks, just to see what happens.

But I can tell you one thing I don’t think I’ll ever do: price a novel higher than $5. I’ve always thought that $6.99 and $7.99 for a paperback is a little steep, even if the book completely changes my life. That’s not something you can put a dollar value on, and even if you could, why would you want to charge that much? If your book was so deep and meaningful, wouldn’t you want to give it away for free?

So yeah, I’m trying to suck my readers dry, only to find a business model that works. And if you think $3.85 is too steep, please let me know. I’d like to give my books away for free, but at the same time, I want to eat without spending my life as a wage slave.

In the meantime, if you haven’t already, check out my free stories!

Craving another retreat

Last night, I got together with an old friend from last year and went camping down in Sanpete county, in the Manti-Lasal National Forest. Even though I didn’t get a whole lot of writing done, it was a much needed change of scenery.

Man, southern Utah is so different from the Salt Lake and Utah valleys. More rural, more laid back, more of a back-country attitude but not in a California kind of way…I don’t know if that makes any sense, but I like it out there. It feels like the kind of place you’d pass through on a road trip, that mystic old-time Americana that always feels like it’s just out of reach. Part of me wants to settle down in a place like that someday, while the other part doesn’t want to settle down ever.

Spending time away like that gives you a renewed perspective. I wouldn’t say that I feel more “centered” now, but getting out in the wilderness certainly made me see the daily grind here in Provo a little differently. It’s so easy to get caught up in a routine, where the weeks and months go by until suddenly it’s summer again and you don’t know where the last year went. Unless you take the time to step back, you can never get perspective.

Unfortunately, in order to save up for Worldcon this August, I’m going to need to work 40 hours per week almost right up to the convention weekend itself. I’m not complaining; I feel blessed to have a steady source of income right now, especially in this economy. But as a writer, it’s hard when your job takes so much time and energy away from your writing time.

Lately, I’ve only been spending two or three hours a day writing, and a lot of that time is filled with interruptions. Part of it is just procrastination, but another part is that my day is so split up that the only periods of unbroken free time are from 9 pm to 8 am. That’s tough, because I need a big chunk of writing time to do my best work.

Even though I’ve been making decent progress on Desert Stars, I feel like I could be doing so much more. If I could take a week off for a retreat where I did nothing but focused on my writing, I could probably finish this draft in a matter of days, with time to start a bunch of new projects. In fact, I already have about a half dozen stories in embryo, with scenes and characters just begging to be written. Once this latest project is finished, I don’t quite know what I’ll be starting next.

Since I should be writing right now instead of posting to this blog, I’ll wrap up by saying that I really wish I could take some time off for another retreat, this time to focus solely on my writing. But since I can’t, I’ll do my best to carve away large periods of unbroken time for writing, and unplugging myself from distractions both online and off in order to make the most of it.

It’s a difficult balance, one that’s a constant struggle to maintain. Right now, I feel like I’m on the losing side of the battle, which means it’s time for a change of routine. Thankfully, taking some time off in the wilderness has helped me to better see what I need to do. I only hope I can maintain that perspective in order to break out of this stifling routine.

<sigh> One of these days, when writing is my primary source of income, this will not be nearly so difficult of a problem. You have no idea how much I want to make that happen. In the meantime, back to work.

Civilized internet trolling and things to look out for

The Genesis Earth blog tour rolls on; just recently, I did an interview with Cindy Borgne of Dreamer’s Perch. She’s been showcasing a number of other indie writers on her site, and the interviews are quite interesting, so check it out!

Also, Moses Siregar is up to an interesting new project called Indie Author Rockstar. I’m not sure exactly how it will work, but it’s basically a community book blog / monthly book contest. Genesis Earth will be participating in that, so be sure to check it out once it goes live (and also check out the site’s twitter feed)!

Finally, I got embroiled in a somewhat heated discussion with Howard Tayler on the comment thread of the latest Writing Excuses podcast. The question we circled around was: “is traditional publishing still safe?” I’m not totally sure what ‘safe’ means in this context, since writing has never been truly ‘safe,’ but it was an interesting if somewhat exasperating discussion.

Fortunately, it ended well, meaning that I didn’t get banned (though I think Howard was contemplating it). I don’t think either of us ‘won,’ but several onlookers came away feeling enlightened–and most of them agreed that the discussion was generally polite. So if I’m a troll, at least I’m a civilized one. If that’s even possible.

So that’s what’s going on here. Genesis Earth is still selling at a slow but steady pace, and the revision of Desert Stars is going very, very well. This is going to be such an AWESOME book–I can’t wait until I’ve got it up for you guys to check it out!

In parting, let me leave you with this amazing trance song I discovered while working data entry. That’s one of the advantages of doing boring computer work all day–it frees you in some ways to do other things. Enjoy!