A Much Deserved Fisking

In the November issue of Locus magazine, Cory Doctorow wrote an op-ed piece defending Jeannette Ng and the decision to strip Campbell’s name from the Campbell Award. At least, that’s how it started out, but it quickly devolved into a hatchet piece against everyone in science fiction whose politics lie somewhere to the right of Stalin.

Ever since Sad Puppies III, I’ve more or less gotten used to the gaslighting, hypocrisy, and projection that has become de rigeur in the traditional publishing side of the field. But somehow, Doctorow’s hit piece manages to hit a new high water mark for leftist insanity.

Since my own politics lie somewhere between Boadicea and Genghis Khan, I thought it would be fun to give the piece a good old-fashioned fisking. I can’t pretend to be as good at it as Larry Correia (and I sincerely hope he fisks it himself), but damn, if anything ever was written to be fisked, it was this ridiculous piece.

Doctorow writes:

At the Hugo Awards ceremony at this summer’s Dublin Worldcon, Jeannette Ng was presented with the John W. Campbell Award for Best New Writer. Ng gave an outstanding and brave acceptance speech

Translation: Ng reinforced the dominant far-left narrative in the science fiction field, telling the gatekeepers exactly what they wanted to hear and earning widespread praise for it.

True bravery is Jordan Peterson deleting his $35,000/month Patreon in protest of their hate speech policies, or Kanye West coming out as a devout Christian, producing a worship album, and announcing that he will no longer perform any of his old songs.

in which she called Campbell – the award’s namesake and one of the field’s most influential editors – a “fascist” and expressed solidarity with the Hong Kong pro-democracy protesters.

You know who else shows solidarity with the Hong Kong protests? That’s right—everyone’s favorite deplorable frog!

Now that’s a dank meme.

I’m curious: does this make Ng a white supremacist for showing solidarity with people who use such a rascist hate symbol? Does it make Cory Doctorow a dog whistler to the far right for appealing to these obviously racist deplorables?

Of course not, but that’s the level of insanity we’ve fallen to.

I am a past recipient of the John W. Campbell Award for Best New Writer (2000) as well as a recipient of the John W. Campbell Memorial Award (2009). I believe I’m the only person to have won both of the Campbells,

All red flags to deplorable readers like me,

which, I think, gives me unique license to comment on Ng’s remarks, which have been met with a mixed reception from the field.

I think she was right – and seemly – to make her re­marks. There’s plenty of evidence that Campbell’s views were odious and deplorable.

There’s that word: “deplorable.” Whenever someone uses it unironically, it’s a sure sign that they hate you. It’s also a sign that they don’t actually have a good argument.

It wasn’t just the story he had Heinlein expand into his terrible, racist, authoritarian, eugenics-inflected yellow peril novel Sixth Column.

I haven’t heard of that one. Thanks for the recommendation, Cory! I’ve already ordered it.

Nor was it Campbell’s decision to lean hard on Tom Godwin to kill the girl in “Cold Equations” in order to turn his story into a parable about the foolishness of women and the role of men in guiding them to accept the cold, hard facts of life.

Okay, I call bullshit. “Cold Equations” wasn’t about the “foolishness of women,” it was about how when our inner humanity comes into conflict with the hard realities of the universe, the hard realities always win.

Switch the genders—a female pilot and a teenage boy stowaway—and the story still works. Switch the endings—have the pilot decide to keep the stowaway, dooming himself and the sick colonists—and it does not.

In fact, it makes the girl even more of a hapless, weak feminine stereotype. Stepping into the airlock voluntarily is an act of bravery. In some ways, she’s stronger than the pilot—and that’s kind of the point.

The thing that makes “Cold Equations” such a great story is that it functions as something of a mirror. It’s the same thing with Heinlein: those who see him as a fascist are more likely to be authoritarians, while those who see him as a libertarian are more likely to be libertarians themselves. After all, fascism is “citizenship guarantees service,” not “service guarantees citizenship.”

It’s also that Campbell used his op-ed space in Astound­ing to cheer the murders of the Kent State 4. He attributed the Watts uprising to Black people’s latent desire to return to slavery.

Was John Campbell a saint? No, and I don’t think anyone’s claiming that. In the words of Ben Shapiro, two things can be true at once: John Campbell had some racist, sexist views, and stripping his name from the award is wrong. (Also, that Doctorow is full of shit.)

The Campbell award isn’t/wasn’t named after him because he was a perfect, flawless human being. It was named after him because of his contributions to the field. If we’re going to purge his name from the award, are we also going to purge all of the classic golden-age books and stories that he edited, too? Are we going to have the digital equivalent of a book burning? Because that strikes me as a rather fascist thing to do.

These were not artefacts of a less-englightened [sic] era. By the standards of his day, Campbell was a font of terrible ideas, from his early support of fringe religion and psychic phenomena to his views on women and racialized people.

What are the standards of our own day? In what ways are we less-enlightened? Are future generations likely to accuse Doctorow of being a “font of terrible ideas,” just like he accuses Campbell here?

Do unborn black lives matter? If Trump is truly a fascist, why does the left want him to take all our guns? Is it okay to be white? Is Islam right about women? Is transgender therapy for prepubescent children just another form of conversion therapy? Are traps gay?

When you free your mind to explore new ideas, a lot of them are bound to be terrible. It’s simply Sturgeon’s law. So is Doctorow criticizing Campbell for having an open mind, or for not conforming to Doctorow’s values and beliefs?

Who’s supposed to be the fascist again?

So when Ng held Campbell “responsible for setting a tone of science fiction that still haunts the genre to this day.

I’m pretty sure that taking hormone blockers and getting your balls cut off makes you a hell of a lot more sterile than anything else. Lesbians, gays, transgenders, queers—all of these tend to be sterile as a general rule. Most babies are still made the old-fashioned way.

Male.

Isn’t her word choice kind of sexist here? I mean, she could have used the word “patriarchal,” but she didn’t. She. Deliberately. Used. The. Word. “Male.”

White.

Is she saying that it isn’t okay to be white?

Exalting in the ambitions of imperialists and colonisers,

Come on, Ng. Let’s not be racist. There were plenty of imperialists and colonizers who weren’t white Europeans. After all, how can we forget Imperial Japan and the Rape of Nanking? Now that was an ambitious massacre. The Turks also ran a pretty brutal empire, as did the Zulus and the Aztecs. You can’t tell me that cutting out the beating hearts of more than 80,000 prisoners to rededicate your temple isn’t ambitious.

settlers and industrialists,”

Find me one place that was not built by “settlers.” Find me one human being on this planet who has not benefitted from “industrialists.” Who do you think makes the vaccines and antibiotics? Who do you think makes machines that harvest your food?

Just for a single day, I would like to see all of these anti-capitalist types live without any of the benefits that capitalism and modern industry provide.

she was factually correct.

And yet, so completely full of shit.

In the words of Andrew Klavan, you can’t be this stupid without a college education.

Not just factually correct: she was also correct to be saying this now.

Because it’s [current year]!

Science fiction (like many other institutions) is having a reckoning with its past and its present. We’re trying to figure out what to do about the long reach that the terrible ideas of flawed people (mostly men) had on our fields.

The best way to fight a terrible idea is to allow it out in the open while fostering freedom of speech. In the words of Andrew Breitbart, sunlight is the best disinfectant.

The reckoning that Doctorow is calling for is something that’s already built into the field. Science fiction is constantly evolving and revisiting its past. Good science fiction not only builds on the stuff that came before, it critiques it while taking the ideas in a new direction.

We don’t need to tear down the legacy of the giants in the field who came before us; we simply need to build up our own legacies for the generations that come after us. But that’s not what Ng and the social justice warriors want to do.

It isn’t a coincidence that the traditionally published side of the field is rapidly losing market share as the SF establishment seeks to purge everything that could possibly offend their progressive sensibilities. The people doing the purging can’t compete on the open market because their toxic ideologies don’t resonate with the buying public, so they’re forced to resort to the digital equivalent of burning books and tearing down statues. Meanwhile, indie publishing is eating their lunch.

Get woke, go broke.

We’re trying to reconcile the legacies of flawed people whose good deeds and good art live alongside their cruel, damaging treatment of women. These men were not aberrations: they were following an example set from the very top and running through the industry and through fandom,

Future generations will struggle to reconcile our good deeds and our good art with our cruel and inhuman treatment of the unborn.

None of this is new. All of us are flawed; every generation is tainted with blood and sins that are reprehensible to those that follow. Realizing all this, you would think a little introspection is in order. But the people today who are so eager to throw stones are completely lacking in self-introspection that they can’t—or rather, won’t—see their own blood and sins.

to the great detriment of many of the people who came to science fiction for safety and sanctuary and community.

Is science fiction a “safe space,” or is it the genre of ideas? It can’t be both at the same time. Ideas are inherently dangerous.

It’s not a coincidence that one of the first organized manifestations of white nationalism as a cultural phenomenon within fandom was in the form of a hijacking of the Hugo nominations process.

Bullshit. If you think that the Sad Puppies were white nationalists, you’re either stupid or willfully ignorant (a distinction without a difference).

Larry Corriea’s flagship fantasy series, the Saga of the Forgotten Warrior, is set in an Indian-inspired fantasy world populated entirely by brown people. Brad Torgerson has been happily married to a woman of color for decades. Sarah Hoyt is both latina and an immigrant.

If this article was written three years ago, you would have just called them all racists, but you can’t do that now because “racist” has lost its edge. You’ve cried wolf far too many times, and no one pays attention to those accusations anymore. That’s why you use words like “fascist,” “white nationalist,” and “white supremacist” to describe your enemies—not because you actually believe it, but because those accusations haven’t yet lost their edge.

While fandom came together to firmly repudiate its white nationalist wing, those people weren’t (all) entry­ists who showed up to stir up trouble in someone else’s community. The call (to hijack the Hugo Award) was coming from inside the house: these guys had been around forever, and we’d let them get away with it, in the name of “tolerance” even as these guys were chasing women, queer people, and racialized people out of the field.

Translation: we’re done with paying lip service to “tolerance” and “open-mindedness.” From now on, if you don’t look like us, act like us, or think like us, we’re going to do everything we can to destroy you.

I’m telling you, these people hate us. That’s why they call us “deplorables.” That’s why they paint us as racists and fascists, even when we’re nothing of the sort. They don’t want to listen to us. They don’t want to give us a fair hearing. They want to destroy us.

Stripping Campbell’s name from the Campbell Award is just another example of this toxic cancel culture. It isn’t about reckoning or reconciliation. It’s a naked power grab.

Those same Nazis went on to join Gamergate, then became prominent voices on Reddit’s /r/The_Donald, which was the vanguard of white national­ist, authoritarian support for the Trump campaign.

See, this is why I can’t trust you, Cory. Gamergate had legitimate grievances with Anita Sarkeesian, Zoe Quinn, and Gawker. Trump supporters had legitimate reasons to want to stop Hillary Clinton from becoming president. Yet you casually dismiss all these people as deplorables, racists, and fascists without even listening to them.

That’s intelluctually dishonest, Cory. It’s also a form of gaslighting.

The connections between the tales we tell about ourselves and our past and futures have a real, direct outcome on the future we arrive at. White supremacist folklore, including the ecofascist doctrine that says we can only avert climate change by murdering all the brown people, comes straight out of SF folklore, where it’s completely standard for every disaster to be swiftly followed by an underclass mob descending on their social betters to eat and/or rape them (never mind the actual way that disasters go down).

I don’t think Cory Doctorow has any idea what actually happens when society collapses. When the thin veneer of civilization gets stripped away, people will eat each other. We’ve seen this just recently in Venezuela, Syria, and Mexico. Here in the US, we can see the seeds of our own collapse in Chicago, Portland, San Francisco, Baltimore, and Detroit (all very blue and progressive cities, by the way).

Also, I don’t think Cory Doctorow has any idea what he’s talking about when he says “white supremacist folklore.” What is that even supposed to mean? Just a couple of paragraphs ago, he called all the Sad Puppies “white nationalists,” and that obviously isn’t true. By “white supremacist folklore,” does he mean all the science fiction that doesn’t fit his radical progressive political ideology? Once again, he’s painting with an overly broad brush.

Also, notice how he uses “white supremacist” instead of “racist.” He can’t use “racist” because that word has been overused. Give it a couple of years, and “white supremacist” will lose its edge as well.

When Ng picked up the mic and told the truth about Campbell’s legacy, she wasn’t downplaying his importance: she was acknowledging it. Campbell’s odious ideas matter because he was important, a giant in the field who left an enduring mark on it. No one questions that. What we want to talk about today is what Campbell’s contribution was, and what it means.

Whenever the people on the progressive left claim that they want to have a “conversation” about something, what they really mean is “shut up and let me tell you how I’m right and you’re wrong.” There is no way to have an honest dialogue with these people, because they will not listen to us “deplorables.” Cory Doctorow has already demonstrated this with his blanket accusations against all the supporters of Gamergate, the Sad Puppies, and President Trump.

These people don’t want to talk about “what Campbell’s contribution was, and what it means.” They want to purge him from the field. Metaphorically, they want to burn his books and tear down his statues.

Look, I’m not trying to defend all of Campbell’s views here. I’m all for having an honest discussion about his bad ideas and how they’ve influenced the field. But I don’t believe I can have that discussion with people who clearly hate me, and will do whatever it takes to cancel and destroy me.

After Ng’s speech, John Scalzi published a post where he pointed out that many of the people who were angry at Ng “knew Campbell personally,” or “idolize and respect the writers Campbell took under his wing… Many if not most of these folks know about his flaws, but even so it’s hard to see someone with no allegiance to him, either personally or professionally, point them out both forcefully and unapologetically. They see Campbell and his legacy ab­stractly, and also as an obstacle to be overcome. That’s deeply uncomfortable.”

Scalzi’s right, too: the people who counted Campbell as a friend are au­thentically sad to confront the full meaning of his legacy. I feel for them.

Do you really, though?

It’s hard to reconcile the mensch who was there for you and treated his dog with kindness and doted on his kids with the guy who alienated and hurt people with his cruel dogma.

Did you catch the sneaky rhetorical trick that Doctorow uses here? He assumes that we’ve already accepted his argument that Campbell’s views were odious enough to have his name stripped from the award. Now he’s using an appeal to emotion to smooth it over.

Gaslighting of the highest order.

Here’s the thing: neither one of those facets of Campbell cancels the other one out. Just as it’s not true that any amount of good deeds done for some people can repair the harms he visited on others, it’s also true that none of those harms can­cel out the kindnesses he did for the people he was kind to.

Or cancel all of his contributions to the field?

If Doctorow actually believes all this, why does he support Ng, who argues that everything Campbell did should be cancelled out by his most odious views? If anything, this is an argument against stripping Campbell’s name from the award.

Life is not a ledger. Your sins can’t be paid off through good deeds. Your good deeds are not cancelled by your sins. Your sins and your good deeds live alongside one another. They coexist in superposition.

Yes, and you should never underestimate the capacity of the human mind to believe two mutually exclusive ideas at the same time, especially when his name is Cory Doctorow.

You (and I) can (and should) atone for our misdeeds.

Not in today’s cancel culture, where everything you’ve accomplished can be erased by the one bad thing you tweeted or posted to Facebook ten years ago. There’s also no forgiveness or repentance, when you will be forever remembered for the worst thing you said or did.

We can (and should) apologize for them to the people we’ve wronged.

No. Giving a public apology is the absolute worst thing you can do in today’s cancel culture, because your enemies will smell blood in the water and come in for the kill.

Never apologize to a mob.

We should do those things, not because they will erase our misdeeds, but because the only thing worse than being really wrong is not learning to be better.

Oh, this is rich.

You first, Cory. Have you taken a good, hard look in the mirror? Have you really, truly asked yourself “what if I’m wrong?”

I don’t see eye to eye with Vox Day about everything, but he was right about this: you social justice types always lie, you always double down, and you always project your own worst faults onto your enemies. That’s why you’re so blind to your own hypocrisy, even when it’s staring you in the face.

I completely and totally agree that we should all strive to admit when we’re wrong and learn to be better for it, but you’re not in a position to tell me that, Cory. Not after painting all us “deplorables” with such a broad brush.

People are flawed vessels. The circumstances around us – our social norms and institutions – can be structured to bring out our worst natures or our best. We can invite Isaac Asimov to our cons to deliver a lecture on “The Power of Posterior Pinching” in which he would literally advise men on how to grope the women in attendance, or we can create and enforce a Code of Conduct that would bounce anyone, up to and including the con chair and the guest of honor, who tried a stunt like that.

Honest question: was the sexual revolution a mistake?

Asimov, Heinlein, Farmer, and all the other science fiction writers who explored questions of sexuality back the 60s and 70s were speaking to a culture that had abandoned traditional morality for a new, “free love” ethic. In other words, having thrown out all the rules, they now felt free to explore their newly “liberated” sexuality.

Was Asimov wrong in his attempt to rewrite our sexual norms? Personally, I believe it was, but I come from a religious tradition that still practices total abstinence before marriage and total fidelity within. Even then, it still depends on context. Groping a random stranger at a science fiction convention is obviously wrong, but playfully pinching my wife when the two of us are alone? Not so much.

I find it really fascinating that the woke-scolds of the left have become far more puritanical and prudish than the religious right ever was. Within the bonds of marriage, most of us religious types are actually very sex positive—after all, where do you think all those babies come from?

And Ng calls us “sterile.” Heh.

We, collectively, through our norms and institutions, create the circum­stances that favor sociopathy or generosity. Sweeping bad conduct under the rug isn’t just cruel to the people who were victimized by that conduct: it’s also a disservice to the flawed vessels who are struggling with their own contradictions and base urges.

Fair enough, but there’s nothing generous about today’s cancel culture, which is frankly pathological in the way it defines everyone by their worst flaws and basest urges.

Creating an environment where it’s normal to do things that – in 10 or 20 years – will result in your expulsion from your community is not a kindness to anyone.

But how can we know what will and will not be acceptable in 10 to 20 years?

Twenty years ago, it wasn’t considered hate speech to say that there are only two genders. Ten years ago, “micro-aggressions,” “safe spaces,” and “white privilege” were not a thing. In fact, we’d just elected our first black president, bringing an end to our racially divisive past. /sarc

In the next 10 to 20 years, will we adopt all the theories and ideologies of the radical left? Or will the pendulum swing back in favor of more conservative morals and standards? We don’t know yet, because the future has not been written, and frankly, it’s not our place to write it. Every generation reinvents the world.

There are terrible men out there today whose path to being terrible got started when they watched Isaac Asimov grope women without their consent and figured that the chuckling approval of all their peers meant that whatever doubts they might have had were probably misplaced. Those men don’t get a pass because they learned from a bad example set by their community and its leaders – but they might have been diverted from their path to terribleness if they’d had better examples.

Certainly. I’m just not convinced that these virtue signalling, social justice warrior types are the examples that we should hold up.

They might not have scarred and hurt countless women on their way from the larval stage of shittiness to full-blown shitlord, and they themselves might have been spared their eventual fate, of being disliked and excluded from a community they joined in search of comradeship and mutual aid. The friends of those shitty dudes might not have to wrestle with their role in enabling the harm those shitty dudes wrought.

I’m confused. Does Doctorow believe that women are strong and independant, or does he believe that they’re tender, fragile creatures that need to be protected from socially inept, “larval” shitlords? I mean, I can see how they need to be protected from predators, since all of us—women and men—are vulnerable to various degrees… but you’d think that a strong, independent woman would be able to hold her own against a socially incompetent geek who is simply a “flawed vessel.”

Since her acceptance speech, Ng has been subjected to a triple-ration of abuse and vitriol,

Join the club.

much of it with sexist and racist overtones.

You keep using those words. I do not think they mean what you think they mean.

But Ng’s bravery hasn’t just sparked a conversation, it’s also made a change. In the weeks after Ng’s speech, both Dell Magazines (sponsors of the Campbell Award) and the James Gunn Center at the University of Kansas at Lawrence (who award the other Campbell Award at an event called “The Campbell Conference”) have dropped John W. Campbell from the names of their awards and events. They did so for the very best of reasons.

No, they did it because they were bullied into it by the woke-scolds.

As a winner of both Campbell Awards, I’m delighted by these changes. Campbell’s impact on our field will never be truly extinguished (alas),

Yes, because what you really want is to tear down all the statues and burn all the books. Who’s the fascist again?

but we don’t need to celebrate it.

Back when the misogynist/white supremacist wing of SF started to publicly organize to purge the field of the wrong kind of fan and the wrong kind of writer, they were talking about people like Ng.

Bullshit.

The entire point of the Sad Puppies (which Doctorow intentionally and dishonestly mischaracterizes as “the misogynist/white supremacist wing of SF”) was to bring more attention to a diversity of conservative and libertarian writers, many of whom are also women and people of color. We were the ones who were excluded, not the ones doing the excluding. In fact, we invented the words “wrongfan” and “wrongfun” to describe the unfair way that we were treated by the mainstream establishment.

Please stop trying to gaslight us, Mr. Doctorow. Please stop projecting your own faults onto us, and recognize your own hypocrisy which is laced throughout this article. I don’t expect a public apology, since I wouldn’t offer one myself, but do wish for once that you would just listen to the people on the other side of these issues. Just. Listen.

I think that this is ample evidence that she is in exactly the right place, at the right time, saying the right thing.

Meanwhile, traditional publishing and the SF establishment will continue to implode, and indies will continue to eat your lunch.

If all you want is to be king of the ashes, you can have it. The rest of us are off to build the new world.

Further thoughts on the drama in the SF&F community and a rescinding of some previous thoughts

About a year ago, there was a big discussion in the science fiction & fantasy community about sexual harassment and sci-fi conventions. As a result of that discussion, allegations were thrown out about a certain senior editor at Tor, rumors began to fly, and through what some might characterize as popular justice and others might characterize as an internet bullying campaign, the editor was fired.

That disturbed me, so after engaging in a rather heated discussion on Mary Robinette Kowal’s blog about it, I wrote a blog post of my own, which I then took down (though not before it was picked up elsewhere) after some private email correspondences that were rather toxic. Even though I had an opinion, I decided that this wasn’t where I wanted to plant my flag, especially since it looked like I’d be hard-pressed to defend it.

Well, at the risk of taking some rightly earned flak, I want to bring back that post in order to give myself an opportunity to respond to it. My views and opinions have changed since then, and I don’t think I was right.

First of all, it’s come to my attention that this isn’t the first instance of high drama within the SF&F community. In fact, there have been so many inane kerfluffles and genuine spats over the years that for lifelong, hardcore fen, engaging in them is practically a sport. So now, I can see that my concerns about the community “tearing itself apart” were naive at best, and concern trolling at worst.

Second, through the efforts of writers like Jim C. Hines and Cora Buhlert, through following various discussions on Twitter, KBoards, and blogs like The Passive Voice, and through various conversations on-line and off-line with personal friends, I’ve come to realize that bigotry, sexism, and sexual harassment are much bigger problems within the SF&F community than I thought they were. The majority of voices now being raised are not trying to advance some nefarious PC agenda, but are simply pushing back against some very legitimate grievances. If we’re only hearing about those grievances now, it’s because they’ve been swept under the rug for too long.

Whether or not there is a faction in the SF&F community with an overt political agenda, that’s an entirely separate and disconnected issue from sexism, sexual harassment, and the stigmatization of minorities. Just because it’s not as visible to me as a white male author and fan doesn’t mean that there isn’t a major problem. If anything, I’m the least qualified person to make that judgment. The people who are complaining about these issues should be taken entirely at their word.

The science fiction & fantasy community as a whole is maturing and diversifying, and that’s a very good thing. It’s bringing in a rich influx of wildly imaginative stories, which strengthens the genre tremendously. Whatever your worldview, whatever your gender, whatever your preferred fandom, you should feel like there’s a place for you here if that’s what you want to read and write. Anything that makes people feel harassed or unsafe, stigmatized, or unwelcome is a much bigger threat to the genre than anything else.

As the SF&F community continues to mature and epublishing brings in a whole new generation of writers, there’s going to be a lot more drama as issues that have been swept under the rug for years are brought into public view. As this happens, I think it’s important to keep in mind what makes our genre strong: a rich variety of visionary and imaginative voices. The message should always be “there’s a place for you here,” not “you’re only welcome if you look and think like me.”

So yeah, I want to go on the public record and take back what I said in that previous post. There’s a much bigger issue here that should not be overshadowed, and it was wrong for me not to acknowledge it. I hope that no one feels that I’m disparaging of women, minorities, transgendered individuals, or any other group within fandom, because that’s not what I stand for. I may not agree with all of your views–in fact, I expect I’ll disagree with many of them–but that’s what makes the genre strong, and I don’t want anyone to feel like their voice is being silenced.

As for the other issues, I’m not quite so worried about the internet bullying aspect anymore because it’s clear that most of the pushback is not malicious, even if it can become quite vocal and heated at times. I don’t condone internet bullying at all, and I reserve the right to be critical where I believe the intent is malicious. At the same time, I don’t think there can be much credibility when gender-normative white male writers cast themselves as the victims.

If you felt demeaned or angered by what I said, either here on my blog or by my comments somewhere else, I’m sorry. My views on these issues are evolving, so I hope you’ll take that into account. And I hope that we can all keep an eye on what makes the community strong, which is a wide diversity of visionary and imaginative voices.

Thoughts on the recent drama in the SF&F community

NOTE: I’ve since changed my views and retracted many of the things I said in this blog post. You can find a link to the retraction here.

Oh, boy, has there been a lot of drama in the science fiction & fantasy community recently.  From the trouble with the SFWA bulletin to the revelation of accusations of serial sexual harassment by a senior editor at Tor, it seems like the whole community (or at least, the part that sees itself as part of a wider community) is up in arms.  And while a lot of the response has been balanced and civil, I’ve also seen some things that I find troubling.

For the benefit of the doubt, let me just say that I support the people who are coming forward with stories of harassment and abuse.  It’s clear that this is a problem, and that it needs to be addressed in a way that brings about real change.  Also, I agree that the community has a history of demeaning or undervaluing the women within it, making it a lot more difficult for female writers to earn the same level of respect as their male counterparts.  That, too, needs to change.

But guys … can’t we get along?  Can’t we come together and get back to what this community is really about–sharing and telling good, fun stories?

Don’t get me wrong–I’m not trying to minimize any of the problems causing this drama.  They need to be fixed, and it’s going to take time to do so.  But are they going to become the focus of everything we talk about, or are we going to turn back to the things that unite us, and pull together as a stronger and better community than we were to start out with?

Right now, I get the impression that the majority of members who are active in the SF&F community mean well and want it to be a welcoming space.  They may have their faults, but they’re working on them.  And most of their faults are not causing direct harm to others.

Then there’s a small but outspoken minority who wants change, wants it now, and wants it so badly that they see problems everywhere.  Many of them have legitimate concerns, and people from the less outspoken majority are coming out and confirming that.  But many of them are dangerously overzealous–and since we have in this community some of the most imaginative minds in the world, it doesn’t take much for people to start projecting onto people they disagree with, or reading things into comments that aren’t actually there, or seeing those who question or disagree as The Enemy.

I cannot control how others perceive me.  I cannot speak without risking that someone is going to misconstrue my intent and feel “silenced,” or “afraid,” or whatever.  I can reach out to people privately, though, so if you feel like I’m part of the problem, please contact me and let me know.

This whole thing reminds me of my time from ’03 to ’05 as a Mormon missionary.  Oh boy, was there drama.  Imagine a couple hundred sexually repressed, 19-21 year-old boys (and a couple dozen young women) in a rigidly structured environment, with tremendous emotional pressures and very little direct supervision.  There was drama, and I hated it.  The best times on my mission were when I never saw anyone but my companion (Mormon missionaries live and work together in pairs) and maybe the four or six other members of the district once a week or so.

But the way things are playing out right now, I wonder if the outspoken minority is so determined to reshape the SF&F community in their own image that they’re tearing it apart.  Orson Scott Card, for example, has been tarred and feathered multiple times and thrown out of the community on a rail.  And yet, Ender’s Game is still one of the best (and bestselling) science fiction books ever written.  Mike Resnick, for all his chauvinism, has written a lot of really good books and stories too.  Jim Frenkel, for all his creepiness, has been instrumental in bringing us great books from Tor.

Does this excuse their faults?  Of course not.  But guys, these authors and editors aren’t The Enemy–they’re part of the community just as much as you are.  And you deal with offenders within the community differently than you do with offenders who are not.

A lot of people are congratulating themselves and saying that we’re doing a good job rooting out these problems and dealing with them in an open and reasonable way.  And to an extent, I think that’s true. But if there’s one thing I’ve learned from all this drama, it’s that the SF&F community is a lot more fractious than I’d previously realized, and that the ties that bind us really aren’t that strong at all.  And that makes me wonder if it’s better just to forget the whole thing–forget the conventions, forget SFWA, forget the major blogs–and just do my own thing independently of everyone else.

And honestly, it would appear that a large number (perhaps even a majority) of SF&F writers are doing just that, especially the self-published ones who don’t really care about courting publishers or winning awards.  For these guys, it’s all about the readers–and isn’t that the way it should be?

Trope Tuesday: A Man is Not a Virgin

I’m back from vacation, but I’m going to take a break from the Hero’s Journey trope posts to talk about something that I really feel passionate about.  I hope you’ll forgive me if this turns into a rant, but I think this is an important issue that has some very dangerous implications that need to be explored.

In modern fiction, there’s a very prominent trope that a man is not a virgin.  The basic idea is this: if the protagonist is an adult male and he hasn’t yet had sex with a woman, there’s something fundamentally wrong with him.  Of course, because of his adventurous lifestyle, he can’t be tied down in a committed relationship–that would spoil the story.  But he can’t be holding himself back, either, lest his manhood come into question.  And most of the time, he doesn’t really want to, anyway.

This trope has a whole host of unfortunate implications, though, all of which serve to reinforce constrictive gender roles, disempower both men and women, drive a gulf of misunderstanding between the sexes, and emasculate true manhood and its role in our society.

To demonstrate this, let’s take this trope to the logical conclusions that our society seems to have come to.

If a man is not a virgin, then sex is a rite of passage, and it isn’t rape if it’s female on male.

In fiction, the sex as rite of passage trope is often seen in stories about angsty teenagers trying desperately to get laid. These are not typically stories about love–they are stories about peer pressure, objectification, and power.  By equating sex as a rite of passage in this way, it actually divorces sex from any concept of love or commitment, and turns any form of physical intimacy into a caricature of itself.

It doesn’t stop there, though.  If sex is a rite of passage, then it’s only reasonable that the young novice should have an older mentor to help him through the initiation process.  Thus we get the professional sex-ed trope, where the boy’s mentors or guardians help guide him through his first sexual encounter.  The implications for pedophilia and underage sex are more than a little disturbing.

We can see this trope in action in the way we treat female sex offenders.  If a 30-something male teacher has sex with one of his female students, he gets a lengthy prison sentence and spends the rest of his life stigmatized as a predator.  If a 30-something female teacher has sex with one of her male students, she gets a slap on the wrist and TV spot.  She’s not a sexual predator–she’s just having a personal crisis.

Needless to say, this double standard is extremely destructive for the victims of such abuse.

If a man is not a virginthen men cannot help themselves.  Therefore, all men are perverts.

If a true man is not a virgin, then a true man doesn’t say no to sex.  Even if he can say no, he won’t because that’s just not what men do.  Therefore, being a man is functionally synonymous with being a pervert.

The danger here is that it reduces men to their basic animal urges.  If being a man means finding a warm, inviting place for your penis each night, then you might as well go out to the pasture and eat grass.  Whatever happened to self control and delayed gratification?  Do you think anything meaningful would ever have come out of our civilization if we couldn’t keep our pants on?

And yet, both men and women seem perfectly willing to believe that it’s not only unmanly for a man to control his animal urges, it’s impossible.  On the Kindle Boards forum about a month ago, there was a thread on erotica and marriage and one of the members posted this:

I used to work as a forums admin on a large women’s forum (over 100,000 members) and the relationships forum had a lot of heated discussions on this topic. I won’t of course refer to any specific threads, but the discussions went a lot like this:

One woman concerned that her husband was spending too much time watching porn
A massive amount of women telling her that it’s ok, that ‘all men watch porn’
A small amount of women saying either they don’t agree with it or that their men don’t view it
A percentage of women saying their men are addicted to porn and would rather watch it than go to bed with a willing wife
A percentage of women saying it’s not the porn itself that concerns them, but the type of porn their husbands watch
Another group of women saying they either watch it themselves, or watch it with their husbands
Yet another small group of women who either were or are prostitutes/strippers/involved in amateur porn (who are either for or against based on their experiences)
A very vocal percentage of women saying that if your man says he doesn’t watch it, he’s a liar
A heated discussion ensuing….

How does it possibly empower men to tell them that they cannot control their own sexual impulses?  It’s a self-fulfilling prophecy, which harms not only men but women as well.  If all men are perverts, then women can’t afford to wait for a decent man and should settle instead for a deadbeat porn addict.

But that’s not even the worst of it:

…and if all men are perverts and all women are prudes, then men and women are two entirely different species that are completely incapable of understanding one another.

This one really gets to me.  I hear it everywhere, even from people who don’t consciously buy into the logic behind it.  I used to buy into it myself.  It’s the idea that women are so complicated that they are impossible to understand, whereas men are as simple as an on/off switch.

In my experience, men and woman are both human.  Both of them are equally complex and equally emotional.  Yes, they are different, but in such a way that it’s equally difficult (or equally easy) for the one to understand the other.  Generally, women tend to externalize their complexity, whereas men tend to internalize it.  At least,  that’s what I’ve found.

Our society takes this to the next level, however, and teaches men that they should just swallow their emotions.  If they don’t, they risk being seen as weak or effeminate (never mind that equating weakness with femininity is a whole other can of worms in itself).  And after a lifetime of living this way, it can be hard not to believe that that’s just the way men are.

But this is perhaps the most insidious danger of all.  It’s the falsehood that real men don’t cry, or show emotion, or have any capacity for compassion or tenderness.  It’s the fallacy of equating strength with violence.  It’s the destructive belief that men will never rise above the lowest common denominator of their hormones, and should never even try.  And because men are so obviously different from women in this regard, any attempt to understand them would be futile.

But how can you have a committed relationship with someone you can’t understand?  How can you possibly hope to make the necessary sacrifices for each other to make the thing work out?  And if you can’t reach the understanding necessary for a committed, loving relationship, how can you ever hope to raise a family together?

So yeah, sorry for the rant, but this trope REALLY gets under my skin.  It doesn’t help that one of my favorite authors, David Gemmell, is a big fan of it.  I tried to get into his Rigante series, but this trope was so strong that I couldn’t finish the first book.

I should also clarify that the thing that irks me isn’t just the trope, but how much our society has bought into it.  By themselves, tropes are neither good nor bad, but when something like this becomes so prevalent that it defines the entire operating system on which our society is based, that’s when someone needs to speak out.

And for the record, I am a 28 year old single male who is not ashamed to say that he is still saving himself for marriage.  Am I gay?  No.  Has it been difficult?  Yes.  Am I anything less than a man because of it?  Hell, no.  In fact, I would argue that the wait has made me more of a man than I otherwise would have been, and I’m sure that my future wife will agree.

Real men aren’t defined by their hormones or their sexual history.  They’re defined by the way they treat the people around them, especially the ones who are most important in their lives.

Trope Tuesday: The Bechdel Test

The Bechdel Test is a way to measure how prominently women figure in a story.  It mostly comes up in discussions of TV and film, but can also be applied to works of literature.  To pass the test, the story must have

  1. at least two named female characters
  2. who talk to each other
  3. about something other than men.

The surprising thing, as you can see in this discussion of the trope, is that so few stories actually pass this test. Even in literature, works like The Odyssey, Romeo & Juliet, and even War & Peace fail to pass or only barely pass this test.

Closely related to the Bechdel Test is the Smurfette Principle, where only one of the major characters is female–the token chick.  Stories that fail to pass the first part of the test fall into this category.

So why does this happen?  It may be because most writers are male, but that isn’t necessarily true of books and literature.  Novel writing, after all, was originally considered a womanly pursuit, and the English major was created in the so that women could have something to study while they were in college.  Not surprisingly, 19th century works by female writers like the Bronte sisters tend to pass…

…or do they?  It’s been a while since I read Jane Eyre or Pride and Prejudice, but the impression I got was that the women in those books spend only really talk with each other about men.  And when you look to contemporary writers like Dickens and Tolstoy, the trend holds.  After all, how many female characters are there in A Christmas Carol?  Do any of them ever even talk to each other?

This isn’t necessarily a measure of how good or bad a story is, or even of how feminist it is (Aliens, after all, technically passes), but it is a measure of how independent and well rounded the female characters really are.  If the story doesn’t pass, it’s a sign that the women only play a role in relation to the men, or that the male characters are the ones who advance the plot.

I don’t usually like to bring up my own stories in relation to these tropes, but I thought it would be useful to apply this test to my own books and see how they shape up.  As a writer, I think it’s a good idea to do this periodically, to make sure my work isn’t slipping into a rut.  So here we go:

Genesis Earth

Point 1: Yes, there are two named female characters: Terra and Stella.

Points 2 & 3: No, they never talk.  However, when you apply the reverse Bechdel test (two men who talk to each other about something other than women), Genesis Earth only barely passes.  Michael talks with Tom in the first chapter, mostly about Terra, and for the rest of the book he and Terra are alone.

Bringing Stella Home

Point 1: Yes, it passes.  Named female characters include: Stella McCoy, Danica Nova, Anya Sikorsky, Tamu, Lady Borta, Lady Zeline, Sergeant Maria.

Point 2: Yes; in most of Stella’s scenes, she’s talking with Tamu or Borta or one of the other Hameji women.  Also, since Danica is the captain of the Tajji Flame and Anya is the chief pilot, they interact quite a bit.

Point 3: Yes, but just barely.  In most of their scenes together, Stella and Tamu are talking about Qasar or the harem or sex.  There are a couple where they talk about each other and their past, but it all relates back to their captivity under the Hameji.  At one point later in the book, Anya goes AWOL and Danica has to talk her down, which is probably the scene that makes the book pass, but a hardcore feminist might argue that that conversation is indirectly about a man.  Still, I’m counting it.

Desert Stars

Point 1: Yes, there are plenty of women.  In fact, as you can see from this list of non-minor characters, there are almost as many women as there are men:

Female Male
Mira Jalil
Shira Sathi
Zayne Hamza
Tiera Rumiya
Lena Gregor
Surayya Kariym
Amina Ashraf
Rina Ibrahim
Sarah Lars
Michelle Nash
Mark
Will

Point 2: Yes, plenty of these women talk to each other.  Surayya and Amina are practically joined at the hip, Tiera, Shira, and Lena all have private conversations with Mira, and the only time Rina even talks is when she and Mira are alone.

Point 3: While most of the conversations between the female characters revolve around men and marriage, Tiera talks with Mira about honor, and Rina talks with Mira about leaving home.  Without spoiling too much, there are other conversations that have nothing to do with men, though they happen off-stage and only get reported second-hand.  Either way, I’d say this book passes.

None of this is to say that a good story must pass the Bechdel test.  Lawrence of Arabia, for example, doesn’t have a single female actress–not one single actress!–and it’s an amazing film.  As a counterpoint, I’m sure there are plenty of good stories out there (most of them probably anime or manga) that do not pass the reverse Bechdel test.

However, it is a good measure of female presence and how much the story is driven by men.  And as a lens through which to view the wider culture, it offers a surprising and somewhat disturbing perspective on male-domination in fiction.

Sexism in reverse

One of the blogs I like to follow is postsecret.  It’s basically this project where people anonymously send in their secrets on postcards, and this guy posts them online.  At times, it can be raunchy and gross, but it’s always very honest and I like that.  Plus, it’s a great place to go for story ideas.

This week, there was a particularly disturbing one–and the most disturbing thing wasn’t necessarily the secret on the card, but my reaction (or lack thereof) to it.  Here’s what it said:

I wish there was a place for me to go on a regular basis to find great looking men to pick up and safely bring home and have sex with me.  I am in my 40s and have needs.

I am a professional woman working for a well known company.

The image on the postcard was of a bunch of ten to fourteen year old boys on a beach smiling for the camera and flexing their scrawny muscles.

Initially, I didn’t have too much of a reaction to this.  As I glanced over it, my first thought was: “oh dear, another raunchy secret.” My second thought was: “Huh, I guess women have needs too.”

My third thought didn’t come until ten hours later, when I was driving home from my brother in laws.  For some reason, the postcard came into my mind, and I started to wonder: what kind of a person would write such a thing?

The comment about being a professional made me think that the woman might be some kind of CEO.  If she’s a CEO, she’s probably used to being in charge and controlling people.

Instantly, the secret began to feel a little bit sinister.

I then started wondering about the kind of “young men” she wants to pick up.  Does she want someone she can dominate?  Someone young, like in the picture?  That’s when I started to feel disturbed.

But then, as I reflected a bit more on it, I started to wonder why it didn’t disturb me as much at first.  Does it have something to do with the way our society sees men and women?  That women and girls are sexually vulnerable, but men and boys aren’t?

Here’s a question–what if the postcard had said this:

I wish there was a place for me to go on a regular basis to find great looking girls to pick up and safely bring home and have sex with me.  I am in my 40s and have needs.

I am a professional man working for a well known company.

Superimposed, of course, on an image of fourteen year old girls in bikinis.

It’s a lot more disturbing than the first one, isn’t it?  But why should that be so? Is there really any difference between a middle aged man seeking young girls and a middle aged woman seeking young boys?  How screwed up is it that we think there is?

That’s when I started to get really disturbed–when I realized how much I’d unconsciously bought into the screwed  up worldview of our modern society.

Anyhow, I just thought I’d point it out, because sexism is not a one way thing.  Sometimes, it can be really frustrating when people forget that.