morality – Page 2 – One Thousand And One Parsecs

Trope Tuesday: Scarpia Ultimatum

How far would you go to save the one you love? Would you sacrifice your life? Suffer an irreparable blow to your reputation? Or would you sleep with your lover’s would-be killer?

Scarpia Ultimatum is when the villain threatens to kill the hero (or, alternately, a basket full of kittens) unless the romantic interest gives him some sort of sexual favor or gratification. It doesn’t have to explicitly involve the physical act, though if it does, it tends to take the story in a very dark direction. G-rated examples of this trope tend to revolve around marriage or some sort of emotional commitment instead.

The standoff can end in one of the following ways:

The romantic interest submits to the villain’s demands. Since the ultimatum involves a fundamental betrayal of fidelity, this rarely ends well.
The romantic interest decides she’s not all that interested in the hero after all. Alternately, she does the villain’s job for him.
One of the side characters offers to go in the romantic interest’s place, and the villain consents. IIRC, something like this happened in Enchanted.
The romantic interest submits to the villains demands, but the hero escapes and rescues her at the last minute. Can be difficult to pull off, since it basically consists of having your cake and eating it too.
The romantic interest comes up with a third option that saves the hero without forcing her to give herself up to the villain. By far, this is the most common solution.

At the heart of this standoff is the fact that both choices involve a betrayal. If the romantic interest refuses, she lets the hero die. If she submits, she becomes unfaithful. Even if the standoff is over a basket full of kittens, it almost always involves a choice between two morally reprehensible options.

My favorite example of this trope is from Phantom of the Opera, where the Phantom forces Christine to choose between her freedom and Raoul’s llife. She takes the third option and kisses the Phantom, making him have compassion on her because no one else had ever shown him such affection. What makes this a crowning moment of awesome, for me at least, is the way that it empowers Christine without doing anything to diminish Raoul. He shows himself willing to make a truly heroic sacrifice, while she proves that love is more powerful than violence.

As a way to add a moral dilemma to your story, this trope is highly effective. The stakes are high, the options are limited, and the moral choices are far from black and white. If your characters do take a third option, however, it should probably make some sort of commentary on the ethical questions raised–otherwise, it’ll probably come across as an ***-pull.

“Who would have thought…”

I would like to address this post to my fellow Mormon readers.

A couple of days ago, I got a discouraging message from some old mission friends of mine. It said, more or less: “who would have thought that the missionary that taught us the gospel would write such a lurid book?” They were referring to my latest release, Sholpan.

To be honest, it’s been very difficult for me to publish it, because I knew that this sort of thing would happen. I worry that my friends and family will think that I’ve done something inappropriate, or violated some moral standard, or made myself unworthy in some way. It’s very difficult to put your writing out there under normal circumstances, much less with complications like these.

However, I would like you to know that I have prayed about this, and that the answer I’ve received is that this is a story worth telling.

Sholpan is about a girl who lives essentially LDS moral standards and falls into what may be the worst situation any of us could imagine for such a girl: slavery in the harem of a powerful warlord who has the power not only to rape her, but to kill her. By refusing to compromise her values–and risking death to do so–she makes friends in unexpected places and gains a whole lot more power than she ever would have if she’d taken the easy path and compromised.

In other words, it’s a little bit like the story of Esther. Yes, there are sexual themes, but they aren’t there to be gratuitous or titillating; they’re there to show that even in the face of such horrible immorality, you don’t have to compromise your values.

I know this kind of story isn’t for everyone, which is why I’ve put up warnings in the book descriptions and made it abundantly clear that this book has adult content. And if you decide you don’t want to read it, I won’t be offended at all. But please, don’t assume that I’ve gone off the deep end or betrayed my faith, because that’s not the case at all.

It’s a difficult position to be in; I’m sure that Stephanie Meyer’s and Orson Scott Card’s bishops get a lot of mail from fellow Latter-day Saints who feel that they ought to be excommunicated. But these are the kinds of stories that I feel driven to write: stories that address difficult moral issues and don’t shy away from portraying evil for what it really is.

I appreciate your concern on my behalf, but my faith and spirituality are still quite strong. You may or may not believe that after reading my books, but please don’t feel like you have to save me. The best thing you can do is continue to be a positive influence, and let me be a positive influence for you.