I love these trailers

Holy cow, I cannot get enough of this trailer for Civilization: Beyond Earth! It’s like something from a book I would write. There’s the classic Science Fiction story about leaving Earth to colonize the stars, but there’s also a deeply human element to it. And I love the religious element to it, how the colonists take the old religions of Earth with them to the new world. Awesome.

This definitely looks like a game I want to play. I grew up with Civilization 2, perhaps the most classic title in the series, and discovered Sid Meier’s Alpha Centauri in college. In a lot of ways, Alpha Centauri shaped my love for Science Fiction, and gave me many ideas that later influenced my stories. Genesis Earth is, in some very key ways, a response to the vision of humanity’s future presented in SMAC.

While on the subject of awesome trailers, it’s worth pointing out this one for the new Christopher Nolan film, Interstellar:

Again, this looks like a fantastic story–the kind of one that I’d love to tell just as much as I’d love to hear. And with all of our modern problems like climate change, resource depletion, wealth disparity, terrorism, and global war, it strikes frighteningly close to home. Are we as a species on the verge of driving ourselves extinct? What will we do if our home planet can no longer support us? Where could we go, and what could we hope for?

So much awesomeness. I really, really, REALLY want to see this movie and play this game! But even more, these trailers make me want to write an awesome story along those same lines. I’ve already written at least one novel that addresses these issues, and it’s definitely part of the background of the Gaia Nova universe, but I want to revisit these same issues again.

Maybe in Starship Lachoneus? Who knows?

J is for Jedi

Ben_KenobiAs much as science fiction looks to the future, it also of necessity looks to the past.  And as much confidence as it places in the scientific method, it often turns to religion, simply because of the scope of the great cosmic questions that such stories inevitably pose.

For these reasons, it should come as no surprise that the best science fiction stories often include knights and shamans, priests and warrior monks.  Far from degrading our view of the future, they greatly enrich and humanize it, bringing a sense of meaning and destiny to an otherwise cold and lonely universe.

The best example of this is probably the Jedi from the original Star Wars trilogy.  I still get shivers when I hear Yoda explain the force:

Size matters not. Look at me. Judge me by my size, do you? Hmm? Hmm. And well you should not. For my ally is the Force, and a powerful ally it is. Life creates it, makes it grow. Its energy surrounds us and binds us. Luminous beings are we, not this crude matter. You must feel the Force around you; here, between you, me, the tree, the rock, everywhere, yes. Even between the land and the ship.

There are plenty of other examples too, of course–harsh ones like the creeds the Cylons follow in the re-imagined Battlestar Galactica, which they use to justify their genocidal war against the humans.  And then there are the quaint and simplistic ones that happen when a primitive race makes first contact with humanity … as well as the ones from a race so advanced that they make us look like barely evolved monkeys.

So why is religion so prominent in science fiction?  Probably because the best science fiction stories act as a mirror that allows us to see ourselves better.  Throughout history, religion has been one of the most important parts of any human civilization.  Even the modern secular cultures still grasp at the same cosmic questions, striving to find meaning beyond the animal drives of food, sleep, and sex.

At its core, every religion is about telling a cosmic story.  There’s a reason why the Bible starts with the words “in the beginning,” and why the first sura of the Qur’an names Allah “The Merciful and The Compassionate.” Since the best science fiction also tells a cosmic story, is it any surprise that there should be overlap between the two?

The best science fictional religions are the ones that make you want to believe.  The Force in Star Wars was definitely like that to me (the original trilogy, of course–before all that midi-chlorian nonsense).  Orson Scott Card’s philotic web also turned me into a believer, at least for the duration of those books.  Even Eywa from the movie Avatar had some deep undertones that made me wish I was a part of that world.

Religion plays a huge role in my own books, not just the stuff that I believe in real life (though I’m sure that influences my writing), but the stuff that I think the characters would believe.

In Star Wanderers, for example, most of the outworlders are pagans who pray to the stars.  In that universe, astrogation is an act of worship.  The Deltans subscribe to a fusion of pagan and Christian beliefs, which in turn affects how much they value families and children.  I won’t spoil it, since it comes as something of a reveal in Homeworld, but it definitely drives the series.  And of course there’s Jeremiah’s New Earther background, with its guilt complex that leaves him emotionally scarred.

My favorite religion to write so far was the faith of the desert tribesmen in Desert Stars.  I wrote that book just after spending a summer in the Middle East, and my experience of the Muslim culture definitely was a huge influence.  The tribesmen pray to the Temple of a Thousand Stars, the temple erected to the memory of Earth soon after the first colonists made planetfall.  The first half of the book follows Jalil’s pilgrimage to the ancient temple, through the domes filled with strange and decadent people.

When I started the Gaia Nova series, I wanted to create a science fictional universe where any of our real-world religions could still plausibly be true.  The way I got around all the conflicting prophecies of the end times was to have a human colony mission leave Earth soon after our time.  When the colonists woke up, they’d lost the location of Earth, so naturally all the religions developed around the idea that Earth had received its prophesied glorification and become a heavenly paradise.

That’s the short explanation, anyways.  But the books themselves aren’t so much about that as they are about the characters.  If religion is important to them, then that becomes an important part of their story.  And since religion is so important to us here on Earth, I can’t help but believe that it will follow us to the stars.

Stars of Blood and Glory coming out soon

So last year about this time, I wrote a novel in the Gaia Nova universe.  Usually when I sit down to write a novel, it falls apart about midway through the first draft, or I have some kind of a break down, or something else comes up and I have to put it on hold for a while.

From start to finish, this one came out in about six weeks.

Even the title, Stars of Blood and Glory, really seemed to stick (usually, I go through three or four lame titles before finding one that works).  It took a lot of energy to write it, but the writing process itself was fun.  Seriously, everything just came together and the story practically wrote itself.

However, writers can often be notorious judges of their own work.  For that reason, I set it aside and tried not to touch it for a few months (I did rework the first couple chapters, but later ended up cutting out most of that stuff and going back to the original version, which was better).  Over the summer, I picked it up for the first revision, and while the scenes were out-of-order and a few of them were missing, but for the most part, everything that was there seemed pretty good.

Just to be safe, I sent it out to some first readers and laid it aside for another six months.  I didn’t hear back from everyone I sent it to, but those who did read it said it was pretty good.  The problems they found were relatively minor, or could be fixed relatively quickly, without having to overhaul the story.

To be perfectly honest, this blew me away.  My first drafts are usually really messy, and require a lot of work before they’re any good.  But this one…this one seems different.  This one, I might have just nailed it <fingers crossed>.  And if that’s indeed the case, it’s probably better not to risk revising it to death, or polishing the voice right out of it.

It’s always a scary thing to send a book out into the world.  However, I think the time to send out this one has come.  I’m going to do one last revision pass, just to make sure there isn’t anything too egregious, and then I’ll send it out to my editor and commission the cover art.  If all goes well, I’ll finish the revision next week, and publish it in ebook and print-on-demand sometime in February.

As an indirect sequel to Bringing Stella Home and Desert StarsStars of Blood and Glory has a lot of recurring characters.  Here are some of them:

  • Captain Danica Nova
  • Master Sergeant Roman Andrei Krikoryan
  • Rina Al-Najmi
  • Stella McCoy, aka Sholpan

Besides that, here are some of the other cool things you can expect to see:

  • A far future Japanese-Polynesian society on an ocean planet with giant floating cities.
  • A Hameji offensive, with massive space battles and planetary slaggings.
  • A lonely boy emperor who fears that he’ll never live up to his father’s dying wish.
  • A runaway princess who wants to experience everything the universe has to offer.
  • A young Hameji prince who yearns to prove himself in the field of battle.
  • A cyborg mercenary who feels like his humanity is slowly fading into irrelevance.
  • An unlikely assassin whose mind and body are not completely her own.

All of this comes together in a war of epic proportions that will determine the fate of the last free worlds in the galaxy.

So yeah, I’m really excited about this story.  It’s a departure from some of the more intimate (and less action-y) science fiction romances I’ve been putting out lately, but in all of the right ways.  If you read Bringing Stella Home and wondered when you’d get a worthy sequel, well, this is it.  And hopefully, it’s just the first of many.

Expect it to be out in ebook and print-on-demand sometime next month.

Quick worldbuilding question

For To Search the Starry Sea, I’m writing from the point of view of a far future starfaring culture completely independent of Earth. They’ve preserved our concepts of “hour,” “day,” and “year,” but these units of time do not correlate in any way with the revolutions of the worlds on which they live (basically, a set of tidally locked moons orbiting a gas giant planet several AUs from its sun).

The people of this culture use terms like “morning,” “evening,” “day,” and “night” to describe their waking and sleeping cycles, but having been cut off from Earth for so much time, they don’t associate these times with the position of the sun.  In order to convey that this is different, I’m thinking of spelling “afternoon” like “afternune,” to show that there’s been some cultural drift since the migration from Earth.

Does that work?  Or if  you had to read “afternune” instead of “afternoon,” would it completely throw you out of the story?

Or am I just not making any sense at all?