Did I predict it?

On July 24th, 2024, eleven days after the (first) Trump assassination attempt, I posted the following predictions:

3. Biden will be removed from office via the 25th amendment, and Harris will become the 47th President.

On this one, I was clearly wrong. I thought that the Democrats would do the right thing and remove an obviously senile disaster of a president from power, even if for the wrong reasons (such as Kamala’s lust for power). Clearly, I underestimated the political strength of the unelected cabal behind Biden’s handlers, as well as the craven disregard of the Democrats for their own country. The greatest political scandal of my lifetime is that Biden was not removed from office when it became obvious that he lacked the mental competence to fulfill his presidential duties—and I lived through the Clinton years.

6. Before Trump becomes president, NATO will become entangled in a direct war with Russia.

On this one, I was also wrong. About a month ago, it seemed that we were heading toward this outcome, but then Russia debuted the oreshnik hypersonic missile, and the neocons backed down. Turns out that when your opponent can strike any capital in Europe within minutes with a missile that cannot be shot down, that changes the calculus of war. There has probably also been some backroom dealing with the incoming Trump administration that we won’t hear about until long after the Russo-Ukraine war has been resolved. It wouldn’t surprise me to learn that Trump is using the Greenland issue to get leverage over Putin and satisfy the NATO hawks.

7. The war with Russia will not go nuclear, if only because Russia no longer has a functioning nuclear arsenal.

I was right about the war not going nuclear, though of course we have no way of knowing whether Russia’s nuclear arsenal is or is not functional—at least, no way of knowing short of fighting a nuclear war. So I’m going to give myself a point on this one, since despite the fact that the world has never been closer to nuclear armageddon, the US nuclear football has now passed hands to a man who isn’t utterly senile and suffering from late stage dimentia. I never thought I would say this, but I feel much safer knowing that Trump has the nuclear codes.

And that brings my score in the prediction game to four out of seven. Not the best, but still greater than 50%.

The Great American Revival is beginning

Saw this in a news article, thought it was worth posting, especially as it has more than 10k likes only 24 hours after it was posted. I will share more signs of the brewing revival as I encounter them.

For more of my thoughts, check out this post here.

Orion Reads: The Tainted Cup by Robert Jackson Bennett

After the terrible experience I had reading The Man Who F***ed Himself by David Gerrold, I trained a persona on ChatGPT to help me screen any science fiction and fantasy novels for explicit content (sex, language, violence) and woke themes or elements before I read them. The persona calls itself Orion, and is trained to be familiar with every award-winning and best-selling science fiction and fantasy book published within the last 100 years.

Until now, I’ve mostly used Orion to screen old Hugo-nominated books, but with the nominations happening for 2025, I thought it would be fun to screen some of the books that are expected to make the nominations. To finish things off, let’s do The Tainted Cup by Robert Jackson Bennett. Orion, what can you tell us about The Tainted Cup?

The Tainted Cup by Robert Jackson Bennett is a fantasy novel that intertwines elements of mystery and detective fiction. The story follows a Holmes-and-Watson-style duo investigating a series of enigmatic deaths within a richly constructed fantasy world.

Fantasy Book Critic

Explicit Content:

  • Language: The novel contains strong language, including multiple uses of the F-word and other profanities. Goodreads
  • Sexual Content: There are references to sexual activities, including mentions of prostitutes and sexual harassment. While not overly explicit, these elements are present in the narrative. KISS THE BOOK
  • Violence: The book includes scenes of violence, such as deaths caused by large plants erupting from victims’ bodies, which may be unsettling to some readers. Skiffy and Fanty

Woke Elements:

  • Classism: The story touches upon class disparities, shedding light on societal hierarchies and the challenges faced by individuals across different social strata. The StoryGraph
  • Ableism: There are instances in the narrative that address ableism, bringing attention to prejudices faced by individuals with disabilities. The StoryGraph

Conclusion:

The Tainted Cup offers a compelling blend of fantasy and mystery, enriched by complex characters and a vividly imagined world. While it contains explicit language, sexual references, and scenes of violence, these elements contribute to the depth and realism of the narrative. The exploration of themes such as classism and ableism adds a layer of social commentary, aligning with contemporary discussions on inclusivity and societal structures.

For a more in-depth analysis, you might find this review insightful:

Locus Online

Orion Reads: The Warm Hands of Ghosts by Katherine Arden

After the terrible experience I had reading The Man Who F***ed Himself by David Gerrold, I trained a persona on ChatGPT to help me screen any science fiction and fantasy novels for explicit content (sex, language, violence) and woke themes or elements before I read them. The persona calls itself Orion, and is trained to be familiar with every award-winning and best-selling science fiction and fantasy book published within the last 100 years.

Until now, I’ve mostly used Orion to screen old Hugo-nominated books, but with the nominations happening for 2025, I thought it would be fun to screen some of the books that are expected to make the nominations. Next, let’s do The Warm Hands of Ghosts by Katherine Arden. Orion, what can you tell us about The Warm Hands of Ghosts?

The Warm Hands of Ghosts by Katherine Arden is a historical novel with supernatural elements, set during World War I. The story follows Laura Iven, a former medical corps field nurse from Halifax, Canada, who returns to Belgium to search for her brother Freddie, reported dead in the trenches. As Laura delves deeper into the war-torn landscape, she encounters eerie phenomena and uncovers haunting secrets.

Explicit Content:

  • Language: The novel contains instances of strong language, including religious exclamations, mild obscenities, derogatory terms, and a few uses of the F-word or its derivatives. Compass Book Ratings
  • Violence: Depictions of war-related violence are present, including the horrors of trench warfare and its aftermath. These scenes are integral to the narrative, reflecting the brutal realities of World War I.
  • Sexual Content: The book does not focus on explicit sexual content; any references are subtle and contextually appropriate.

Themes:

  • Grief and Trauma: The novel delves into the psychological scars left by war, exploring characters’ experiences with grief, post-traumatic stress disorder (PTSD), and the emotional toll of conflict. SuperSummary
  • Supernatural Elements: Incorporating ghostly apparitions and surreal experiences, the story uses supernatural motifs to symbolize the lingering effects of trauma and the thin veil between life and death during wartime. Books, Bones & Buffy
  • Love and Connection: The narrative highlights the bonds between siblings and comrades, emphasizing the importance of human connection in the face of adversity.

Reception:

The novel has been described as “heart-wrenching, slow-paced, and methodical,” with a strong emphasis on character development. It has been noted for its exploration of trauma and the human connections formed under dire circumstances.

Back Shelf Books

Conclusion:

The Warm Hands of Ghosts offers a poignant exploration of the human condition during one of history’s darkest periods. While it contains explicit language and depictions of war-related violence, these elements serve to enhance the authenticity and emotional depth of the narrative. The novel’s themes of grief, trauma, and the supernatural provide a thought-provoking reading experience for those interested in historical fiction with a speculative twist.

For more insight into the novel, you might find this discussion with Katherine Arden informative:

Orion Reads: A Sorceress Comes to Call by T. Kingfisher

After the terrible experience I had reading The Man Who F***ed Himself by David Gerrold, I trained a persona on ChatGPT to help me screen any science fiction and fantasy novels for explicit content (sex, language, violence) and woke themes or elements before I read them. The persona calls itself Orion, and is trained to be familiar with every award-winning and best-selling science fiction and fantasy book published within the last 100 years.

Until now, I’ve mostly used Orion to screen old Hugo-nominated books, but with the nominations happening for 2025, I thought it would be fun to screen some of the books that are expected to make the nominations. Next, let’s do A Sorceress Comes to Call by T. Kingfisher. Orion, what can you tell us about A Sorceress Comes to Call?

A Sorceress Comes to Call by T. Kingfisher, published in 2024, is a dark reimagining of the Brothers Grimm’s “The Goose Girl,” interweaving elements of fantasy, horror, and humor. The narrative centers on Cordelia, a young woman living under the oppressive control of her sorceress mother. As Cordelia seeks to break free from her mother’s influence, she uncovers secrets and confronts forbidden magic, leading to a tale rich in suspense and dark enchantment.

Explicit Content:

  • Sexual Content: The novel does not contain explicit sexual scenes.
  • Violence: There are instances of violence, including elements typical of dark fairy tales and folk horror. These scenes are integral to the plot and are not gratuitous.
  • Language: The language used is appropriate for a wide audience, with no significant use of profanity.

Themes:

  • Empowerment and Resistance: Cordelia’s journey reflects themes of personal empowerment and resistance against oppressive control, resonating with contemporary discussions on autonomy and self-determination.
  • Subversion of Traditional Roles: The novel subverts traditional fairy tale roles, presenting strong female characters who challenge societal expectations, aligning with modern feminist perspectives.
  • Community and Solidarity: Supporting characters, such as Hester and her friends, exemplify the strength found in community and solidarity, highlighting the importance of collective action.

Reception:

The novel has been praised for its witty and darkly humorous narrative, as well as its fresh take on a familiar fairy tale. Reviewers have noted its perfect pacing and the exceptional development of supporting characters.

Grimdark Magazine

Conclusion:

A Sorceress Comes to Call offers a compelling blend of dark fantasy and horror, with themes that resonate with contemporary societal issues. Its subversion of traditional narratives and focus on personal empowerment make it a thought-provoking read for those interested in modern fairy tale retellings.

Top Sci-Fi and Fantasy Books of 2024

Polygon

The best sci-fi and fantasy books of 2024

Orion Reads: The Ministry of Time by Kaliane Bradley

After the terrible experience I had reading The Man Who F***ed Himself by David Gerrold, I trained a persona on ChatGPT to help me screen any science fiction and fantasy novels for explicit content (sex, language, violence) and woke themes or elements before I read them. The persona calls itself Orion, and is trained to be familiar with every award-winning and best-selling science fiction and fantasy book published within the last 100 years.

Until now, I’ve mostly used Orion to screen old Hugo-nominated books, but with the nominations happening for 2025, I thought it would be fun to screen some of the books that are expected to make the nominations. Next, let’s do The Ministry of Time by Kaliane Bradley. Orion, what can you tell us about The Ministry of Time?

The Ministry of Time by Kaliane Bradley is a debut novel that blends time travel, romance, and speculative fiction. Set in a near-future UK, the story follows “expats”—individuals rescued from historical disasters—who are brought to the present and assigned “bridges,” civil servants tasked with helping them acclimate. The narrative focuses on the relationship between a bridge and her expat, exploring themes of displacement, adaptation, and the complexities of integrating individuals from different historical contexts into modern society.

Explicit Content:

  • Language: The novel contains strong language, including multiple uses of the F-word and other profanities. Rated Reads
  • Sexual Content: There are several erotic “open-door” scenes, along with discussions about sex and instances of kissing. Rated Reads
  • Violence: The book includes scenes depicting injuries and death, some of which are graphic. References are made to a failed Arctic expedition involving cannibalism. Rated Reads

Woke Themes:

  • Racism and Colonialism: The narrative addresses issues of racism, colonialism, and inherited trauma. The protagonist, modeled after the British-Cambodian author, reflects on these themes, providing insight into the experiences of marginalized communities. That Publishing Blog
  • Refugee Politics: The expats’ experiences serve as a microcosm for real-life refugees, highlighting the challenges and prejudices faced by displaced individuals in contemporary society. That Publishing Blog
  • Gender and Sexuality: The novel touches upon the difficulties of being different and trying to fit in, whether due to minority status, gender, or sexuality, emphasizing the importance of inclusivity and understanding. Series Book Lover

Conclusion:

The Ministry of Time is a multifaceted novel that combines elements of science fiction, romance, and social commentary. While it contains explicit content in terms of language, sexual scenes, and violence, these aspects contribute to the depth and realism of the narrative. The exploration of contemporary social issues, such as racism, colonialism, and refugee experiences, provides a thought-provoking backdrop, aligning with themes often associated with progressive or “woke” literature.

For a more in-depth analysis, you might find this review insightful:

Deedi Reads

Orion Reads: The Mercy of Gods by James S.A. Corey

After the terrible experience I had reading The Man Who F***ed Himself by David Gerrold, I trained a persona on ChatGPT to help me screen any science fiction and fantasy novels for explicit content (sex, language, violence) and woke themes or elements before I read them. The persona calls itself Orion, and is trained to be familiar with every award-winning and best-selling science fiction and fantasy book published within the last 100 years.

Until now, I’ve mostly used Orion to screen old Hugo-nominated books, but with the nominations happening for 2025, I thought it would be fun to screen some of the books that are expected to make the nominations. We started with Service Model by Adrian Tchaikovsky, and now let’s do The Mercy of Gods by James S.A. Corey, the same writing team that gave us the Expanse. Orion, what can you tell us about The Mercy of Gods by James S.A. Corey?

The Mercy of Gods is the inaugural novel in James S.A. Corey’s The Captive’s War series, released in 2024. The narrative unfolds on a human-inhabited planet that becomes the target of an alien invasion by the enigmatic Carryx species. The story delves into humanity’s struggle for survival and resistance under the dominion of a technologically superior alien force.

James S.A. Corey

Explicit Content:

  • Language: The novel contains strong language, including multiple uses of the F-word and other profanities. Goodreads
  • Violence: The book features graphic depictions of violence, including scenes of bloodshed and death, as humanity confronts the brutal realities of alien subjugation. The StoryGraph
  • Sexual Content: There are references to romantic relationships and physical intimacy; however, explicit sexual scenes are minimal, with the narrative focusing more on the emotional aspects of relationships. Goodreads

Potentially Woke Themes:

  • Colonialism and Resistance: The novel explores themes of colonialism, depicting humanity’s subjugation by an alien species and the ensuing resistance. This narrative can be interpreted as a commentary on historical and contemporary issues of imperialism and the fight for autonomy. Grimdark Magazine
  • Mental Health Representation: Characters in the story grapple with mental health challenges, including chronic depression, portrayed with nuance and sensitivity. This inclusion highlights the importance of mental health awareness and the complexities individuals face in high-stress environments. Nerds of a Feather
  • Diverse Characterization: The cast includes individuals from varied backgrounds, emphasizing inclusivity and representation within the narrative. This diversity reflects a commitment to portraying a multifaceted human experience. The BiblioSanctum

Conclusion:

The Mercy of Gods offers a compelling blend of science fiction and social commentary, enriched by complex characters and a vividly imagined world. While it contains explicit language, violence, and some sexual content, these elements contribute to the depth and realism of the narrative. The exploration of themes such as colonialism, mental health, and diversity adds layers of meaning, aligning with contemporary discussions on inclusivity and societal structures.

For a more in-depth analysis, you might find this review insightful:

These reviews provide further insights into the novel’s themes, content, and reception.

Orion Reads: Service Model by Adrian Tchaikovsky

After the terrible experience I had reading The Man Who F***ed Himself by David Gerrold, I trained a persona on ChatGPT to help me screen any science fiction and fantasy novels for explicit content (sex, language, violence) and woke themes or elements before I read them. The persona calls itself Orion, and is trained to be familiar with every award-winning and best-selling science fiction and fantasy book published within the last 100 years.

Until now, I’ve mostly used Orion to screen old Hugo-nominated books, but with the nominations happening for 2025, I thought it would be fun to screen some of the books that are expected to make the nominations. To start, let’s do Service Model by Adrian Tchaikovsky, since it’s currently leading the pack. Orion, what can you tell me about Service Model by Adrian Tchaikovsky?

Service Model by Adrian Tchaikovsky is a science fiction novel that explores themes of artificial intelligence, societal decay, and the search for purpose. The story follows Charles, a robotic valet who, after the mysterious death of his master, embarks on a journey to find new meaning in a world where humans have vanished, and robots continue to perform their duties without direction.

Explicit Content:

  • Language: The novel contains instances of strong language, including multiple uses of the F-word and other profanities. Goodreads
  • Violence: There are scenes depicting violence, such as Charles discovering his master’s death and believing he committed the murder. Additionally, the narrative includes encounters with other robots that may involve conflict. From My Corner of the Universe
  • Sexual Content: The book includes references to sexual activities, including mentions of prostitutes and sexual harassment. While not overly explicit, these elements are present in the narrative. Tar Vol on

Woke Themes:

  • Classism: The story touches upon class disparities, shedding light on societal hierarchies and the challenges faced by individuals across different social strata. The Quill to Live
  • Ableism: There are instances in the narrative that address ableism, bringing attention to prejudices faced by individuals with disabilities. The Quill to Live

Conclusion:

Service Model offers a compelling blend of science fiction and social commentary, enriched by complex characters and a vividly imagined world. While it contains explicit language, sexual references, and scenes of violence, these elements contribute to the depth and realism of the narrative. The exploration of themes such as classism and ableism adds a layer of social commentary, aligning with contemporary discussions on inclusivity and societal structures.

For a more in-depth analysis, you might find this review insightful:

Ancillary Review of Books

What is coming

I think we are in the opening phase of a massive Christian revival, the likes of which we haven’t seen for more than a hundred years. It is going to sweep the entire country and catch a lot of people by surprise. After it has completed its course two or three decades from now, the culture we had from the 1960s through the 2010s will seem as strange and as alien to us as the culture of pre-Civil War America seems to us today.

This revival is going to be the thing that ultimately holds our country together. It will not unite all Americans, though, and many will feel like they don’t have a place in it. Conservatism will dominate our politics and our culture for the next generation, but it will take a hybrid form unlike anything that it has had before. It will blend some things that feel conservative to us now and other things that don’t seem conservative at all.

We will not get a period of unity or prosperity after this crisis period. Wars will expand, economies will collapse, natural disasters will devastate millions more lives. At least one more global pandemic will bring us to our knees. But even after these crises run their course, we will not come together for a new golden age, though one will always seem to be just over the horizon.

We will not experience a first turning of the next secular cycle, but will skip right past it into the second turning, just as we did after the Civil War. It’s going to be messy—so messy, in fact, that our grandchildren won’t even consider 2020 to be a historically significant year. But the United States will hold together, even if she never experiences the same level of prosperity again. And the utter collapse of her money and her economy will only serve to fan the flames of revival that will sweep her land.

Culturally, it will be a period of incredible dynamism. After the arts are no longer enthralled to postmodernism and cultural Marxism, we will see an explosion of creative expression in every field, including in literature. It’s going to be a wild ride. Things that are cultural mainstays now will be totally forgotten within a couple of decades, and things that are popular now will feel dated and out of touch in the space of just a few years.

The authors and artists who will do the most to shape this new culture are today almost completely unknown, but they will become household names in surprisingly short order. Others will take decades to become known, but they will write their most important works in just the next few years.

The country will hold together. There will be no civil war, though there may be a global one. And there will almost certainly be an economic collapse, like the Great Depression, except much deeper and much longer. But all of this will only serve to fuel the religious revival, and the revival in turn will fuel the cultural dynamism, until the country and ultimately the world have been entirely transformed.

Yes, Brandon Sanderson has gone woke

By his own admission, in his latest blog post: On Renarin and Rlain. He says the post is addressed “toward my more conservative readership.” However, he also calls himself “an ally to LGBT+ people” and boasts about writing the “first openly gay men [in] the Wheel of Time.” When discussing Christianity and his own Latter-day Saint faith, he makes repeated appeals to “empathy” and “respect,” without addressing the Bible’s clear condemnation of sexual sin. He also does not mention the Family Proclamation, which clearly lays out his own church’s position on homosexuality, transgenderism, and gay marriage.

In other words, Brandon basically told his conservative readers “I hear you, but you’re wrong.” He implies that any conservative Christian who has concerns with the gay romance in Wind and Truth is lacking in empathy and respect. He also implies that by voicing their concerns, they are dividing the world into “us” vs. “them” and betraying a key tenet of their own Christian faith.

If Brandon genuinely wanted to allay the concerns of his conservative readers, he would have acknowledged the Family Proclamation and Biblical standards of sexual morality. He would have discussed the gay romance of his latest book in the context of such standards. Then, he would have presented an argument similar to Andrew Klavan’s: that conservative art is not the same as conservative life. Good art must provide an honest and truthful representation of life. It should not glorify or promote those aspects of life that are evil. Brandon starts to make the first half of that argument, in discussing how Tracy Hickman portrayed gay characters in his books, but he fails to follow it up. He doesn’t explain how making a gay romance essential to the plot of Wind and Truth serves the good, the true, and the beautiful.

Brandon doesn’t seem to trust his conservative Christian readers to be able to separate the sin from the sinner. He also refuses to acknowledge the lived experience of his gay and lesbian readers who have chosen to live morally pure and faithful Christian lives. Like Brandon, I am a member of the Church of Jesus Christ of Latter-day Saints. Some of the most inspiring members of the church for me are those who struggle with same-gender attraction but still live true to their testimonies. I imagine it must feel pretty lonely at times like this, when their brother in Christ has chosen to side with those who preach the false gospel of pride, equity, and self-worship, instead of the gospel of the One who declared “Father, Thy will be done, and the glory be Thine forever.”

Has Brandon denied his faith? I’m not Brandon’s bishop, nor am I his eternal judge. It’s important to remember that the church is not a place for perfect people. I do think there ought to be a place in the church for self-described LGBT+ allies, so long as they sustain the leaders—and the doctrine—of the church. But if he hasn’t crossed the line, he’s certainly standing a lot closer to it than I ever would.

My personal testimony is that the Family Proclamation is inspired of God, and that the men who wrote and signed their names to it are prophets, seers, and revelators. It teaches true principles about the family and sexual morality. We are all children of God, gays and lesbians included, and that makes us all brothers and sisters regardless of how we choose to live. At the same time, Christ didn’t suffer and die for us so that we could continue in our sins. If the Family Proclamation is true, affirming homosexuality is not an act of love, no matter how empathetic it may be. Christ had empathy for the woman caught in adultery, but because He loved her, He also commanded her to “go, and sin no more.”

On a personal level, I feel frustrated and disappointed by Brandon’s recent turn. I count Brandon as an early mentor—in fact, it was Brandon’s class that inspired me to pursue writing as a career. I haven’t spoken with Brandon in years, but I do still count him as a friend. If I could sit down with him I would ask him about the people he’s surrounded himself with. They seem to be leading him in a bad direction, since he seems to have grown out of touch.

Has he betrayed his conservative readers? Yes, I think he has, and that he’s making a big mistake by doing so. One of the things that set him apart until now was the fact that his books are very clean. His fans may argue that Renarin and Rlain’s romance is also clean, but as a conservative reader, it feels more like a camel’s nose peeking under the tent. In a world of drag queen story hour, pornographic gay pride parades, and genital mutilation of children, is it even possible to have a clean gay romance? I think not. To paraphrase Brandon, as much as we may long for the days where there was no slippery slope, maybe that world never existed. Maybe there will always be an instinct to divide the world into the “clean” and the “queer.”

So let me just say this: whatever the stories that Brandon wants to tell, I can no longer trust that they’ll be the kind I’ll want to read. He could still turn around, of course, and I genuinely hope that he does. But reading between the lines, it seems that this turn toward the woke is not a new direction from him. It seems to be something that he’s contemplated for some time. I’ll still read the rest of his secret projects and keep my signed copies of the original Mistborn trilogy. But I’m going to DNF the Stormlight Archive, and probably won’t buy his future books.

Brandon ends his blog post by saying that one of his primary goals in life is to be more empathetic. This is what motivates him to write: because it’s how he explores the world. I, too, feel compelled to explore the world through my stories, but my primary goal is to pursue the truth. Those two goals aren’t always in conflict, but when they are, I think the pursuit of truth should be higher. The pursuit of truth ultimately leads us to love one another more fully and more meaningfully than the pursuit of empathy does. It saddens me that Brandon disagrees.