One Thousand And One Parsecs

Thoughts on the protests in Egypt

So unless you’re living under a rock, you know that there’s a revolution going on in Egypt right now.

Protesters have been demonstrating 24 hours in Tahrir square in Cairo for the past seven days, demanding that President Mubarak step down from power. With police unable to contain the protests, the army has been called out, but seems to be taking a neutral role.

It’s hard to tell exactly what’s going on right now, but from what I can see, it doesn’t seem likely that Mubarak can hold onto power much longer. In some places, it seems that the military has actually sided with the protesters, allowing them to stand on top of tanks and blocking the police with their armored vehicles. Many of the looters include police officers, who apparently have read the writing on the wall.

If Mubarak does step down, the effects will be incredible. Egypt is by far the most populous Arab country, and a major center for regional cultural trends. Mubarak’s regime has also been one of the most authoritarian and repressive, and until now, his hold on power seemed as absolute as any Arab ruler. If he falls, where will the next revolution happen? Libya? Syria? Yemen? Sudan? Iran?

This wave of protests didn’t start in Egypt; it started in Tunisia, where a citizen’s self-immolation sparked massive unrest. When the protests reached their apex, the military and police stepped down, forcing President Ben Ali to flee the country. Tunisia had one of the most repressive regimes in the region, and the speed with which it collapsed was absolutely stunning–and no doubt an inspiration to the people of Egypt.

Some articles I’ve read suggest that the Iraq War and the fall of Saddam Hussein was a major cause of the current revolution, but I disagree. Most of the Arabs I’ve talked to consider the US invasion of Iraq to be a disaster, and have nothing positive to say about anything that’s come of it. The fate of Iraq is still very much in the air, and many people (myself included) don’t expect democracy to take root in that country without another dictator coming to power.

Instead, I think the root cause of this revolution is economic. According to the UN, food prices across the world have risen 25%, and the global recession has led to widespread unemployment. No doubt the people of Egypt have been feeling this, especially with the huge disparity between the rich and the poor. What we’re seeing right now is a loosely organized, broad-based popular uprising, with people from all segments of society demanding that Mubarak step down.

I’ve got to be honest; I think these protests are very exciting. The chaos and violence is definitely bad, but if it leads to a more just and democratic Egypt, I think that it’s definitely a good thing. When I visited Egypt back in 2008, my first impression of Cairo was that the place was a post-apocalyptic wasteland of a city, with trash in the streets and police armed with machine guns. The longer I stayed, the more I felt that the country was backward–and that a major source of the backwardness was the corrupt Mubarak regime.

I’m not an Egyptian, so I can’t say what’s best for the Egyptian people, but I hope and pray that they get what they are fighting for–a more just and democratic country.

How do you write a character who is shy?

The writing is a little sporadic these days, but it’s coming along. I’ve broken out of my most recent block, and progress is coming along on WAFH…or at least it was, when I didn’t have a temp job sucking up most of my time during the day.

Still, can’t complain about work–and even though all the job interviews from a couple weeks ago seem to have lead nowhere, I’ve got a few new opportunities opening up that seem promising. More on those later.

One of the more challenging aspects of WAFH is writing the main female protagonist, Mira Najmi. Mira is something of a shy pushover, who gradually learns to stand up for herself and make her own independent decisions.

Because of this, I find it difficult to write from her point of view. When she isn’t letting people walk all over her, she’s either homesick and depressed or following others without making any real decisions for herself. And yet, in order for her growth arc to work, this is the point at which she needs to start out; her gradual change into a strong and independent woman is a major part of the book.

In short, how do I make a shy, self-effacing protagonist sympathetic and interesting while remaining true to her character?

(Before I go further, I should note that Mira does have strengths. She has a caring, nurturing personality, and is sensitive to the needs of others. She often notices the little things that go right over the male protagonist’s head. Besides that, she’s basically a good person, with a pure heart and an aversion to causing hurt or injury. Oh, and she’s stunningly beautiful–though in some ways, that’s more of a handicap than a strength.)

Thus far, my strategy has been to delve into her internal monologue when in her viewpoint and try to make her underlying motivations clear. I suspect it goes beyond that, though. The best thing I can probably do is make her relatable to the audience–to make her shy in ways that make the readers feel like she’s one of them.

But that’s difficult for me, because I’m not a very shy person and I don’t generally relate well with people who are. So how can I get a better understanding of what it’s like? Do you guys have anything that you can share with me that would help me to understand? Any tips or techniques for writing similar characters?

(image taken from http://webpages.scu.edu/ftp/lgrove/resign%20splashpage.htm)

The Worthing Saga by Orson Scott Card

Somec: the miracle drug that allowed the rich and well connected to sleep through the centuries and postpone death almost indefinitely. While the masses continued to live out their lives in normal time, the social elite watched over centuries as their investments multiplied, and their kingdoms grew into empires…

…and ultimately crumbled.

Thousands of years have passed. Somec is unknown, except to the one man who saved humanity from its own corruption. He has slept through the eons to find out if his last gambit brought about the peaceful and benevolent society that he hoped to leave behind.

But as he awakens from his slumber, he finds himself in a universe infinitely stranger than he could have imagined–among a people who revere him as their god.

I’ve heard that Orson Scott Card considers this book his best work, and I’d have to say, I agree with him. Right up until the ending, it’s at least as good–if not better–than Ender’s Game, his most famous book.

The book unfolds magically from the first page, drawing you in to this beautiful, fantastical world. The characters have depth and feeling, especially the ones from ages long past, whose stories are powerful and haunting.

I absolutely loved this book–right up to the end, which had a twist that caught me off guard, and not in a good way.

Story-wise, the ending was great. It was a beautifully foreshadowed twist, right on the order of Ender’s Game and Speaker for the Dead. Thematically, however, I had a hard time not feeling that it undermined everything that had come before. I can’t get into details because I don’t want to give spoilers, but the last couple of pages jolted me out of the book and left me saying: “Huh? How is that right?” I eventually warmed up to it, but it took a while.

Still, I’d definitely give the book five stars, or at least four and a half. Everything about it is monumentally amazing. The characters, the worldbuilding, the sense of wonder, the thought-provoking questions and issues it raises, and just the sheer joy of the experience of reading it. This is a book that I can get lost in, and not just once.

As a side note, the book includes the short novel The Worthing Chronicles, as well as several short stories that take place in the same universe. The short stories were all quite good, but personally I preferred the novel by itself. Perhaps it’s because the epic scope came through so much better in the novel than in the stories, or because the stories didn’t allow me to spend much time with any of the characters. Your mileage may vary, of course.

Interestingly, The Worthing Chronicles is a retelling of Hot Sleep, Orson Scott Card’s first novel. As a writer, I find it interesting that Card revisited his first novel in this way–to basically rewrite it, keeping all the major events but telling it from the point of view of someone who meets the main character of the first (Worthing) much later in his life. I haven’t read Hot Sleep, so I can’t compare the two, but The Worthing Chronicles turned out amazingly well.

Will I ever attempt something like this? Not sure–but it’s interesting to think about.

Yet another reason why I love Quark

For those of you who may not know, quark is BYU’s science fiction and fantasy club. I had the good fortune of being one of the club’s vice presidents for two years while I was a student, and I still keep in touch with a ton of friends from that group.

One of the funnest things about quark is the online werewolf games–currently, I’m GMing a round based on Interstella 5555. Recently, Jerle and I decided to put together a database of all 49 rounds that we’ve played over the years, compiling player stats, setting up rankings, and other such nerdy things.

While I was going across some of the older threads, I came across this amazingly hilarious premise for round fourteen:

In the year 1815 Napoleon conquered Russia.
In 1817 he conquered China.
By 1830 he was the ruler of continental Europe, Asia, and parts of Africa that were interesting.
In 1834 he invaded Antarctica and defeated the United Federation of Penguins and Polar Bears.
His successor sent ships to conquer America and England, and succeeded, but not without a fight.

The year is 2015.
The entire world speaks either French or English, or, more likely, some mixture of two.
A great scientist has invented a Time Machine.
The only hope for penguins and polar bears is to infiltrate high-security research facility in New Paris, use the device to go back in time and present a plush toy of a penguin to young Napoleon. A rogue rebel Greenpeace group assists the penguins/polar bears.

The research facility is guarded by an elite team of 15 highly-trained frenchpeople. Through great ingenuity Greenpeace was able to replace three of them with its agents. Those three must kill everyone else and use the time machine.

There is also a rumor that one of the elite guardsmen has been replaced by a clown.

Playing:
Avulsion 7
Baggins 17
Beatobur 13
Cardasin 20
Child 10
Daen 17
Drek 5
Fezzik 11
HER0 0
Jerle 13
RamenSensei 1
SilverStorm 19
Sunstarr12 16
Thundershorts 12
Turin_Turanbar 0

3 Greenpeace members, 1 DGSE detective, 1 team medic, 1 clown.
And 9 FRENCHPEOPLE!

RULES

NIGHT.

Awaiting requests.

Hehehe…these are sooo my people!

I’m so happy…

…because I checked out five of the Drenai books by David Gemmell from the library this week, and I’m going to read them all by the end of the month. I’m already in the middle of The King Beyond the Gate, and it is awesome.

Holy crap, I love the Thirty! If/when I ever write fantasy, I am definitely including an order of elite warrior priests like those guys! And the way the Nadir sometimes end up fighting for the good guys, with the interesting twists in their culture that make them more than just the evil rampaging hordes–man, I love that.

I’m also happy because the Provo Library had a used book sale today, and I picked up a ton of new books! Here’s the list:

The Wayfarer Redemption by Sara Douglass,
Starman by Sara Douglass,
The Princess Bride by William Goldman,
The Eye of the World by Robert Jordan,
A song for Arbonne by Guy Gavriel Kay,
Abhorsen by Garth Nix,
The Man with the Iron Heart by Harry Turtledove,
Terraforming Earth by Jack Williamson,
A Bridge of Years by Robert Charles Wilson,
Bios by Robert Charles Wilson,
Serpent Catch by Dave Wolverton (his second novel!),
Looking for the Mahdi by N. Lee Wood,
Warhorse by Timothy Zahn, and
Changeling by Roger Zelazny.

Oh, and a gift book for my mom. All for $7. 🙂

So after I get off my Gemmell binge, which book(s) should I read next?

Sick (blegh!), submitting, and thoughts on self-publishing

Sorry I haven’t been posting much recently; I came down with a nasty fever this week, and I’ve spent the last two days recovering.

It really sucks, because my two temp jobs just finished, and I was hoping to get into another writing routine. The jobs were sucking up all my time, though it was definitely awesome to have money flowing in.

Anyhow, I caught Brandon Sanderson after his 318 class and asked him about submitting to agents while I’ve got my full ms out. He said I shouldn’t do it; that it would look bad if I had to turn down another request because it’s already out. So for now, I’m just going to sit on it and send out Genesis Earth to other agents.

Genesis Earth keeps getting turned down, but the vibe I get is that it’s more because of the agents’ tastes, not because of the poor quality of the book. So far, I’ve gotten one request for a full, one request for a partial, two personalized rejections, and several variations on “I don’t feel I’m the right agent.”

Even if all of the latter are just nice standard form rejections, that’s enough to tell me that Genesis Earth isn’t a crappy book. So I’ve been thinking, if I run the rounds and fail to find an agent or a publisher, maybe I should take the plunge and publish it for $2.99 as an e-book on Amazon.

Speculation about e-publishing is rampant, and opinions are wildly mixed right now. According to Joe Konrath, everyone (including new writers) should self publish their works–to wait even a day is to give up large amounts of potential earnings. According to Dave Wolverton, however, new writers should definitely not self publish, but try to break in through traditional publishing with as big of a deal as they can possibly get. Both authors have had huge self-publishing successes, so which is right?

Well, I read an interesting guest post by Lee Goldberg on Joe Konrath’s blog that takes the middle ground: start out with a traditional publishing deal, in order to build a name for yourself, but self-publish a couple of e-book lines shortly thereafter.

So far, that seems to make the most sense to me. The science fiction and fantasy community is very tight-knit, and I don’t see myself becoming a major part of it through self-publishing alone. At the same time, it’s very difficult to make a living through traditional publishing in these genres, so once I’ve built up something of a name and a fan-base, it would be good to start self-publishing a couple of e-book lines.

But then again, why not try it out now with Genesis Earth? Well, a couple of reasons. I’m worried that self-publishing would make me look bad when I submit my other stuff. E-book sales tend to take a long time to build momentum, so even though the starting costs are low, the returns don’t start coming in until later–if they come at all. And that’s the second thing I’m worried about–that my stuff will get buried under the flood of drivel that’s swamping Amazon and other e-publishers right now.

The main reason, though, is that I feel I need to do more research to figure out what’s going on. Probably the most valuable thing I can do is get an e-reader and dive into the market from the consumer end, just to figure out how the system works. Without some hands-on experience and a good working knowledge of the field, I’m probably not ready to take the leap.

In the meantime, I’ll keep trying to break in through the traditional route. I might not make as much money as quickly this way, but I hopefully will build my name faster–and at this point, that’s more important to me than revenues.

New OCR album and my first chiptune

So overclocked remix came out with a new album a few days ago, and it is absolutely fantastic. It’s called THE ANSWER, and it’s a fanmade album of music from the Armored Core series.

For those of you who don’t know, ocremix is an online community of video game music fans. It’s got a database of almost two thousand fanmade remixes of popular game tracks, and all of them are available for free download.

THE ANSWER is ocr’s 21st album project, and in my opinion it is one of the best. It’s full of happy, high-energy techno mixed with guitar and drums, and the quality of production is quite good. While each track is unique, there are enough recurring elements that the album feels very coherent as a whole. In that, it reminds me a bit of Humans + Gears and Summoning of Spirits.

Anyhow, the album is available for free from the project’s webpage. You should definitely check it out, even if you’ve never heard of the Armored Core games. Good stuff– ocremix is definitely starting the year out right!

Speaking of which, remember how I mentioned I wanted to make an album of original chiptune music this year? Well, I found a program for doing just that!

It’s called MilkyTracker, and it’s an open source program based off of FastTracker 2, an old DOS program for writing computer music. The interface is way old school–makes me feel like I’m on my old 386 from the 90s. Ah, those were the good days…

Anyhow, after playing around with it for a while, I wrote an 8-bit style remix of Son of Flynn, the third track on the Tron: Legacy soundtrack by Daft Punk. Several excellent chiptune arrangements of songs from the Tron soundtrack have been popping up recently, so I thought I’d get in on the action.

Here it is:

Pretty sweet, huh? You can download the original file here, but unfortunately I don’t know how to convert .xm to .mp3, so unless you have a media player that can read extended module files, all I can say is go fish.

Anyhow, that’s what I’ve been up to these past few days. Haven’t gotten a whole lot of writing done, but I’m slowly transitioning back into WAFH and getting excited about it again. I’m not sure if I’ll be able to finish it before LTUE as I’d hoped, but a February 28th deadline seems reasonable. More on that later, for sure.

Merchanter’s Luck by C. J. Cherryh

He was a down and out merchanter, the captain, crew, and sole proprietor of a run-down bucket of bolts spacecraft. She was a daughter of one of the finest starfaring clans, with seven hundred cousins standing between her and the one thing she wanted more than anything else: command of a starship.

They met at Pell during the height of the Company War–the key strategic point on the border between Union and Earth. Their fateful meeting would affect not only the outcome of the war, but the course of their own lives–for the starship Lucy of Wyatt’s Combine was not at all what she seemed to be.

Before I review this book, I need to issue a disclaimer: you probably aren’t going to enjoy it very much unless you’ve already read Downbelow Station. Cherryh isn’t the best at easing her readers into her worlds, and without the background on Union, Alliance, and the Company War, you’ll probably be hopelessly lost.

That said, I absolutely loved this book.

The premise is so awesome. Space adventure hardcore, with a beautiful love story set amidst an epic interstellar war, where alliances are constantly broken and no one can be trusted…oh man, I LOVED this book!

While the premise seems pretty standard, C. J. Cherryh transcends the well-worn tropes and cliches of her genre by intimately developing her characters and working their motivations into the story until they are the ones driving the plot, and not the other way around.

Every character is unique, and though they act in ways that may seem strange to our modern sensibilities, there are always reasons for everything they do, cultural or otherwise. As windows into their far-future spacefaring culture, they give the reader a wonderful view of Cherryh’s unique and marvelously constructed universe.

The thing that surprised me the most, however, was the sharp contrast between this book and Downbelow Station. While Downbelow Station traces the epic arc of the Company War through the viewpoints of a large cast of characters, much like Tolkien or Dune, Merchanter’s Luck focuses more on the characters themselves, in much the same way as David Gemmell or Ursula K. Le Guin. In other words, while Downbelow Station is comparable to “high” or epic fantasy, Merchanter’s Luck would fall closer to “low” fantasy or sword & sorcery.

The interesting self-realization I took from the book was that I’m much more interested in the intimately personal stories than the sweeping epic tale of the Rise and Fall of cultures and civilizations. I suppose that’s why I’m more of a David Gemmell nut than a Tolkien fanatic, and perhaps why I’m more into space opera and military sf than epic fantasy. In all of my novels, the focus is always on the individual characters and their personal conflicts, and whenever I get sidetracked and focus too much on the overworld story, it always falls apart.

Merchanter’s Luck definitely doesn’t get sidetracked, and that’s why I loved it so much. I fell in love with the characters almost from the very first page–from the blurb on the back cover, even. And most of all, I fell hopelessly in love with the starship Lucy:

You know you’re doing science fiction right when your readers bemoan the fact that they weren’t born in the 26th century, when they could command their own spaceship. C. J. Cherryh is an amazing writer, and if I had the chance, I would teleport into her Union-Alliance universe in a heartbeat.

If you love well-crafted far-future worlds and stories about the people that live in them, check out Downbelow Station (or really, just the first chapter–that’s all you need for a solid grounding) and read this book!

What the…?

I sent out two queries this afternoon, about an hour apart from each other. The first was for Genesis Earth, the second for Bringing Stella Home. Both agents responded within the hour. Genesis Earth got a form rejection, and Bringing Stella Home got a request for the full manuscript. Yeah, I was shocked too.

So I was planning to query Bringing Stella Home all over the place in the next few weeks, but with the full out…I’m not exactly sure what to do. I know it’s okay to send out multiple queries, so long as you only send the full ms to one place at a time, but what about querying when the full is already out?

I’m assuming that it’s okay to keep sending out queries, so long as you don’t send a second copy of the full while the first agent is considering it. If someone else requests to see it, I should probably say “so and so is currently considering it, but I’ll let you know once they’ve gotten back to me.” Is that right?

Needless to say, this is very encouraging.

Bringing Stella Home 5.0 is finished!

That’s right; I finished the fifth draft just tonight. 110,000+ words and 550+ pages in three weeks–not bad. Here are the stats:

ms pages: 556
words: 110,000
file size: 264 KB
chapters: 27
start date: 21 Dec 2010
end date: 11 Jan 2011

And the wordle:

The song that best represents my experience with this particular draft would probably be a chip tune remix I discovered recently (as in, yesterday). It’s called “Milk in Veins,” and the only version I have is in .xm (extended module) format. I don’t yet know how to export it to mp3, but here it is:

Raina — Milk in Veins

This draft was mostly just a quick polish, but I did get some useful feedback from some World Fantasy friends; some of Stella’s reactions were off, and Anya’s parts needed better development. I don’t know if it’s publishable as is, but it’s definitely as good as I can make it without a professional editor.

I had a good time with this draft. I feel confident that I’ve got an exceptional story here, and I think I did a good job telling it. At the end of the day, it’s great to have something you can look back on and say “yeah, I accomplished that.”

Now, to send it out into the publishing world and see if it gets any takers. Who knows–maybe this could be my debut novel! Only one way to find out…