My future wife can do WHATEVER she wants–drag me up to Alaska or Antarctica to get married, make us move in next door to her parents, force me to hold down a real job until the writing takes off…
…I just ask that they play this song at our wedding.
My future wife can do WHATEVER she wants–drag me up to Alaska or Antarctica to get married, make us move in next door to her parents, force me to hold down a real job until the writing takes off…
…I just ask that they play this song at our wedding.
Just a heads up: the latest issue of Mormon Artist magazine is out, and my article about BYU’s “class that wouldn’t die” is in it! What’s more, Orson Scott Card himself commented on it. Squeeeee!!!
If you’d like to read the full article, you can find it here. Mormon Artist is published online for free, so be sure to check out the rest of the issue too.
A huge thanks to all the people who helped me out with the research–and an apology to those I should have gotten to, but ran out of time and space to include them. My goal in writing this was to collect as many oral histories and primary sources as I could find, and put it in a context where the people who were there could tell the story themselves. I hope I’ve done that without making too many factual errors, but if I have, please let me know.
Also, I would like to personally thank everyone who was a part of Xenobia and the class that wouldn’t die–the people who started LTUE, Leading Edge, and Quark, which have become the bedrock of BYU’s thriving sf&f community. Thank you so much–all of this stuff has greatly impacted my life, helping me to connect with like-minded friends and to grow tremendously as a writer. We really do stand on the shoulders of everyone who’s come before, so thank you!
Squeeeeeee!!!!!
Almost twenty years have passed since the fall of the Targaryen dynasty–twenty years since the last of the dragons was seen in the Land of the Seven Kingdoms. Now, the libertine Robert Baratheon sits on the Iron Throne, blind to the conspiracies and secret combinations that surround him.
In this dangerous time, Ser Jon Arryn, the King’s Hand, dies of mysterious causes. Most of the realm accepts the official story that the death was natural, but when Arryn’s wife Lysa sends a letter to her sister, Catelyn and her husband Ser Eddard Stark immediately suspect that the death was orchestrated by the Lannisters. Only one thing remains: to travel to King’s Landing and uncover the proof. Soon, King Robert calls on Ser Eddard to become his new Hand, giving them the perfect opportunity to do this.
Little does Ser Eddard know, the intrigue goes much deeper than any of them realize. For the Lannisters are gathering an army, and Queen Cersei and her brother, Ser Jaime, harbor a secret that would tear the realm apart. Meanwhile, the last of the Targaryens bears a child prophesied to rule the world, while far to the North, an ancient evil bides its time, waiting to sweep the seven kingdoms with horror the likes of which has not been seen in a thousand years.
Winter is coming–and the people of the Seven Kingdoms are ill prepared to face it.
Everyone seems to be talking about George R. R. Martin’s Song of Ice and Fire series these days–next to The Wheel of Time, it’s probably the biggest epic fantasy line of the last ten or fifteen years. Martin is well known for killing off his characters and writing in shades of gray, so I thought it would be good to give this series a try.
As soon as I picked up the book, I was hooked. Martin knows how to craft a beautiful, engrossing fantasy world. In order to leave no doubt on that point, observe:
Yeah, that pretty much sums up what Martin did with his Land of the Seven Kingdoms. It’s an awesome fantasy world, and I found myself lost in it from the first page.
I must admit, however, after hearing so much about the Song of Ice and Fire series, I was surprised at how few characters died in this book. That’s not to say everyone survived–in fact, Martin killed my favorite character, which made me feel HORRIBLE–but I was expecting there to be more. However, this is the first book in the series, so I assume that the really crazy stuff happens later.
While overall I loved A Game of Thrones, I admit I did have a few misgivings about the book. Martin really does write in shades of gray, and while that makes the story unpredictable and surprising, it also makes things very dark and austere. Martin seems to have no interest in redeeming his characters, and when any of them try to be noble, he cuts them down at every turn.
Personally, I don’t care for that. Flawed characters may be more relateable, but seriously flawed characters (or characters with no interest in overcoming their flaws) turn me off. In this way, Martin is practically the antithesis of David Gemmell; whereas Gemmell makes you love his characters despite their flaws, Martin keeps you reading in spite of the fact that you hate all his characters.
How does he do it? By creating a beautiful, wondrous world. By crafting a masterful story full of intricate twists and turns. By making you hate some of the characters so #%$^! much that you have to stick around and see how they die. It’s all entertaining and extremely engrossing, but at the end of it all, I didn’t come away with any real love for Martin’s characters–except perhaps for a couple of Eddard’s kids, who are still young enough to be somewhat innocent.
I suppose it’s all a part of this new non-conciliatory movement in fantasy. Don’t get me wrong; A Game of Thrones is an EXCELLENT book, but it’s very…non-conciliatory. If that’s your thing, more power to you, but I personally prefer stories about redemption, where romance still lives and even the most unlikely character can be a True Hero, if only for a few fleeting, glorious moments.
I made a lot of progress on the latest draft of my novel Genesis Earth last week, and figured it was time to post another excerpt. This one comes from chapter 4, when Michael and Terra arrive at the star system they’ve been sent to explore.
A slightly truncated version of this excerpt won first place in the 2009 Mayhew short story contest at BYU. I’ve made a few minor edits since then, mostly for clarification, but nothing too major. Enjoy!
They say that cryofreeze is the closest thing to death short of actually dying. I believe it.
First, you strip off your clothes and lower yourself down into the coffin-shaped cryo chamber. The glass seals shut above you, and a cold, green mist fills the narrow space, penetrating your naked skin. The mist contains chemicals that freeze your cells properly, so that they don’t crack or break when you thaw out–but it has a nauseous smell to it, and makes you feel sticky. Your skin starts to change from pink to white to light blue, slow enough not to notice right away, but quick enough to catch if you know what to look for.
As the chemicals continue their work, you start to shiver. Just before the cold becomes unbearable, sleeping gas seeps in through the top valves of the chamber. You pass out, too stiff to peacefully fall asleep. The rapid freezing process–where your heart and lungs cease their natural functions–happens while you’re unconscious.
They say that you don’t dream when you’re in cryo, but that’s a lie–they just don’t know how to explain it. Neither do I, but I can say something about the experience. The lines between the senses and your own thoughts blur together, until reality itself becomes utterly unrecognizable. Imperceptible images flash across your awareness, beyond your ability to process them.
Maybe that’s what nothing itself feels like; after all, is it really possible to comprehend non-existence without thinking of it in terms of space and time? I don’t know–I just know that I don’t want to go back there.
By the time you regain consciousness, the thawing process has already run most of its course. The flashes and images become brighter and more perceptible. You have a sort of falling sensation, during which you become aware of your body.
Painfully aware.
When you open your eyes, you’ve got a splitting headache and a nauseous stomach. Every time you move, another muscle cramps up on you. If you aren’t careful, you empty your bowels right there in the chamber.
The glass hisses open, the chamber tilts up to a forty five degree angle, and your limp body slides down the cold metal back until you find yourself sitting on your ankles. Your breath feels like fire in your lungs, and even though steam envelopes your body from all sides, you feel deathly cold. Too weak to stand up, you fall forward onto your hands and knees instead.
The vomiting is the worst. Forty year old bile splatters cold across the floor, followed by a good ten minutes of dry heaving. Each convulsion is so painful, it makes you feel as if you’re coughing up your own stomach. After you’re finished, you want to do nothing but lie on the ground–in your vomit or to the side, it doesn’t really matter–and cry.
But all that passes with time. After lying on the floor for what seems like hours, your body starts to take strength. The headaches die down, and the cramps slowly diminish. When you open your eyes again, the stars fade away like some kind of ebbing soda fizz, revealing the unfamiliar room in which you have awakened. You bend your fingers, lift your arms, and slowly drag yourself away from that god-awful place.
After that, what is there to do? Wash up, get dressed in your vacuum wrapped forty year old clothes, and clean up the mess.
My stomach throbbed as I walked onto the bridge, but I ignored the pain. My aching body could wait; I had more important things to do.
The instruments showed that we had arrived nearly thirty light hours out from the central star, just outside the orbit of the fourth planet in the system. An unfamiliar starfield shone through the windows, dimmed somewhat by the presence of EB-175 even though the star was still far away. A quick review of the automated ship’s log showed that no significant objects had come anywhere close to the ship in the last two months. Nothing had been sent to intercept us.
I blinked and reread the log, just to make sure. If there was intelligent alien life, maybe they were waiting, watching us from a distance. Or maybe the log was wrong.
My bodily needs eventually overcame my scientific obsession, however. I stood up from my seat on the bridge and made my way to the ship’s tiny mess hall where I could find something to satisfy my cramping stomach.
I felt sick and disoriented for nearly an hour. In that time, I ate some meal and fruit drink, but not much else. It felt eerie to be alone on the ship, but I didn’t want to thaw Terra until I had recovered my strength.
After an hour, I was ready. At least, I thought I was.
Terra didn’t look human–she looked like a giant doll, a pale, lifeless marionette. Her skin was a whitish-blue, while her other features–fingernails, toenails, lips, nipples–stood out in high contrast shades of black and purple. Her hair was darker than I remembered, as if the cryofreeze had sucked the color out of that, too. The glass of the chamber was cold to the touch, and the expansion of her frozen bodily fluids made her body look slightly bloated. I felt like a voyeur staring at her, but the sight was so morbidly fascinating that I could hardly turn away.
Eventually, however, I got myself together and started the thawing process. A hissing sound came from within the chamber, and a greenish mist washed over her. Gradually, almost imperceptibly, redness and color began to return to her skin. Her body deflated as the temperature in the chamber rose and her bodily fluids began to melt. A robotic arm with two suction cups fastened onto her chest and twitched as a series of quick electric shocks restarted her heart.
I periodically glanced down at the control screen, monitoring the various measures of her status. My legs felt stiff, and my hands trembled–I’d never run through this procedure before, and I barely knew what I was doing. The process was supposed to be fully automated, but cryonics is an imperfect science, and problems frequently arise.
About ten minutes in, I noticed something unusual. Little blue splotches were forming on Terra’s skin at the extremities on her hands and feet. After half a minute, they started showing up on her thighs and torso. I frowned; that didn’t seem right. I adjusted the heating pattern inside the chamber, but the blotches didn’t go away. Instead, the bleeping from the computer that marked her heartbeat started drifting into an unpredictable pattern.
With sweaty palms, I accelerated the thawing process. The uneven heating was probably causing blockages in her veins and arteries. I’d need to break those up soon, if her heart, brain, and lungs were to fully revive their functions. She could only last so long on the machine–
Without warning, the bleeping turned into a constant monotone.
I glanced down and cried out in shock. The line showing her heartbeat had flatlined–according to the machine, she was clinically dead.
I frantically keyed in a series of commands on my console. The robotic arm reattached the suction cups to Terra’s chest and reapplied the electric shocks. To my relief, her heart started beating again, but weaker and more erratic than before. A second later, the warning indicators on half the instruments blinked on. My heart skipped a beat as they flashed in rhythmic chorus. This was serious–very serious.
“Please, no,” I said, face paling. There was no-one on the ship to hear me, though; I was alone.
Within seconds, I figured out what the problem was. Micro-cramps in her muscles were causing uneven heating, cutting off the arteries and capillaries in various parts of her body. Her heart hadn’t recovered sufficiently to break the blockages, so they were spreading.
My hands trembled so much I doubted my fingers could type a coherent sentence. In spite of that, I worked as quickly as I could to counteract the complications, maintaining constant periodic shocks to her heart and significantly increasing the heat on her upper torso. With any luck, her blood would warm up enough to relax the contracted muscles and break the blockages. Still, most the indicators remained in the red–the electric shocks were simply unsustainable. I waited as long as I thought I could, then crossed my fingers and shut them off. Her heart kept pumping, but the beat soon drifted back into unpredictability.
I glanced up at the cryo chamber and caught my breath. Her arms, legs, and chest twitched and convulsed at utter random, undulating in a slow motion seizure. She had no control of her body. Chills ran down my neck and arms.
She needed more than the machines could give her. I pulled out a syringe from the medical cabinet and nervously fumbled through nearly four dozen canisters of liquid drugs. The wrong injection could kill her, but if I didn’t give her something right away, she didn’t have a chance. I grabbed the formula that I thought would best relax her muscles and filled the syringe.
A few of the indicators were moving out of the red when I returned, but the situation was still serious. A brainwave scan showed that her body was operating 85% autonomously from the machines and that she had regained partial consciousness. I waited until the indicator reached 95% and cracked open the glass.
Steam poured out of the chamber and splashed across the ceiling, while the sound of violent coughing came from within. Terra half slid, half fell to the ground. I rushed forward and caught her before she hit the floor, and she responded by vomiting on the front of my shirt.
Despite the heat of the steam, her skin felt cold, and her vomit even colder. I held her off to one side and patted her back to help her force it out. She stopped twitching and coughed a couple of times, but quickly grew weak in my arms.
“Come on, Terra!” I pleaded. Her breathing was too ragged for her to respond.
There wasn’t any time to lose. I pulled out the syringe and balled my fingers around it into a fist. It was built for a fast, emergency injection–the kind that could be jammed into someone’s leg. I brought it down on her right thigh. Her blotchy-blue skin rippled a little, and the fluid went in almost immediately.
A couple of seconds passed before the medicine took any effect. When it did, her whole body went stiff, and her eyes opened wide, revealing dilated pupils. Before I could react, she started convulsing violently, as if she were going into a seizure. I set her on the floor as gently as I could and held onto her head to make sure that she didn’t injure herself.
After about fifteen seconds, her body went limp again. I put two fingers up to her neck and felt for a pulse. To my relief, it was steady and strong. I sighed and practically collapsed.
As if in response, her chest heaved and she started vomiting again. I scrambled to my knees and turned her onto her side. How much stuff did she have in there–hadn’t she followed the 24 hour no food rule? No time to worry about that–just help her get it out without choking on the stuff.
She vomited and coughed until snot dripped down her face and the hoarse sound of her dry heaving filled the room. She was still too weak to sit up, so I supported her as best I could until she stopped. Sobs of pain slowly replaced the retching.
“Are you all right?” I asked.
What a stupid thing to say!
She looked up and gave me an icy glare. Tears and snot mingled on her cheeks. “No!” she shouted, then went back to coughing.
I held her until she began to quiet down. With the worst of it gone, relief came slowly to my nervous body. Her skin was getting warmer and her heartbeat was steady now. After forty years on the threshold of death, she was alive again.
Alive and completely naked. My cheeks flushed, and I set her on the floor.
“Can you stand up yet?” I asked.
“Not…yet,” she groaned. “Cramps…everywhere.”
I grabbed a towel on the side of the control panel and hastily draped it over her. She reached up with a hand and weakly held onto it. I waited until her breathing became less labored before asking her again.
“How about now?”
She clenched her teeth and nodded.
I stood up and took her by one hand, pulling her gently to her feet. She bent her knees carefully as she sat up, still holding onto the towel. When she was standing up, she let go of my hand and reached out for the wall. The towel fell off of one side, but she didn’t make any attempt to fix it. She still seemed fairly incoherent.
“What’s…our…status?” she asked.
“Everything is going well. We’re about two light hours out from the system.”
“Good,” she groaned, slowly wrapping the towel back around her. I almost reached out a hand to help, but hesitated.
“D–do you need help?” I stammered.
“No, thanks, I think I’ve got it.” She glanced up at me, then down at my chest and grinned. “Sorry about your shirt.”
“What?” I looked down and saw the vomit. “Oh, that. Don’t worry about it.”
She nodded weakly and closed her eyes.
“Are you sure you don’t need help?” I asked.
“I don’t…think so. Getting…better.” She staggered away from the wall and nearly fell over. “So…cold…”
She had stopped shivering. That was a bad sign.
“Here,” I said, taking her hand. “Follow me.”
If she wasn’t shivering, her body wasn’t generating enough heat yet and she was at serious risk for hypothermia. The best way to counteract that was to immerse her in warm water. I led her down the hall and into the narrow, cylindrical shower unit in the bathroom. She nearly passed out on the way there, and I practically carried her the last half of the way. The towel fell off in the hallway, making things only more awkward for me, but that was no longer important.
I leaned her up against the smooth wall of the unit, and she slid down to her knees. Her skin was sickly pale, her arms limp, and she mumbled incoherently as her head flopped back against the wall, hair partially covering her face.
I bit my lip and reached around the side to activate the water. Should I turn the heat up to full, or would that give her system too much shock? My heart pounded in my chest–no time to waste. I set the temperature to low-warm and hit the activate button.
Jets of lukewarm water shot out from all sides, drenching my already soiled shirt and running out into the room. Rivulets ran down Terra’s face and pale skin, but she didn’t move.
“Come on,” I said, ignoring the water soaking my clothes as I knelt down and put my hands on her shoulder. “Terra, are you alright? Terra!”
I pressed my fingers against her neck and found a pulse. Her body shuddered and she coughed. Nothing else to do but give her some space and let the shower do its work.
My heart still pounding, I stepped out of the unit and shut the door. My shirt was soaking wet, and Terra’s watery vomit ran down my legs and pooled on the floor. As I stood there dripping, Terra stumbled noisily to her feet, teeth chattering. The diffuse glass began to steam up, indicating that she’d turned up the heat on her own.
She was recovering.
“Your clothes are outside,” I said as I pulled out the vacuum sealed bags and put them on a shelf next to the door.
“Okay,” she groaned.
“Are you okay? Do you need any more help?”
“No…thanks,” she muttered. I left the room.
When I reached the hallway, I leaned against the wall and promptly collapsed in exhaustion. A puddle of grimy water formed around me on the floor, but I no longer cared. I sat there by myself for a long time.
So a few days ago I discovered this French techno group called Daft Punk. They are freaking amazing! I’ve been listening to them nonstop ever since–and when I say non-stop, I mean it quite literally. Their music is so awesome, it blows my mind!
Take the stuff they’re doing for the new Tron movie, for example. When I listened to Derezzed for the first time, I was like “whoa.” I’m not really all that into techno, but that track really grabbed me (I actually prefer this edit, which is even more epic than the original). The highly compressed quality of the sound, the awesome industrial tone, the intensity and power behind it–immediately, I was like “this is good stuff.”
So then I looked a little more into Daft Punk, and I discovered some interesting things. Probably the most interesting is their image: as you can see from the picture, they wear these crazy robot helmets every time they’re in public. I guess it started because the two guys are kind of shy, or maybe because they wanted to distance their personal lives from their public persona–either way, you’ve got to admit, the concept is just freaking awesome. Robot DJs in leather and chrome FTW!
The more I found out about them, the awesomer it got. For example, did you know that they released a feature length anime to go along with one of their albums? That’s right–a feature length film, set to nothing but music. And what’s more, it’s science fiction!
Interstella 5555 is just about the cheesiest, awesomest sci fi you can get–it’s like it’s taken right out of the 70s, when Star Wars was the big new thing and space was still this magical place that everyone felt we were destined to go some day.
But the music–man, this isn’t the throbbing powerhouse kind of stuff they’re doing for Tron. This music has depth and emotion; it’s much more innocent, and resonates on a more personal level with me than their hardcore techno stuff–which, don’t get me wrong, I still like. It’s just that with their Discovery album (which became the basis for Interstella), I feel that I can listen to any song no matter what mood I’m in, and by the end of the track I’ll be smiling.
In short, Daft Punk is AMAZING. What more can I say? Squeeee! You should totally give their stuff a try. Maybe it’s not for you, but who knows–maybe you’ll be surprised. At least check out Interstella 5555, because it is awesome.
Man, I’ve watched and/or listened to this film maybe half a dozen times in the past four days, and it just doesn’t get old. Like so many other things, it makes me wish I’d grown up in the 70s and 80s, when science fiction was good. Even though it came out in 2003, Interstella 5555 just seems to channel the spirit of that time.
Anyhow, I’d better wrap this up before I get all fanboy crazy and start slathering at the mouth. But if you want to be the most amazing person on the planet, please!!! get me Interstella 5555 for Christmas! Are you reading this, Mom? And as for the rest of you, don’t worry–I’d be totally happy with any of their other albums, hint hint.
🙂 🙂 🙂
Last year at World Fantasy, I learned that one of the perks of an attending membership is that you get a massive bag of free books. What’s more, there’s a table where people can informally swap books (since everyone gets a slightly different bag).
The really cool part, though, is that most people don’t have room in their luggage to pack all the books. Some people ship them home, but most just dump them on the table for anyone to grab. On most days, if you arrive early enough (when everyone else is nursing their hangovers), you can get some really good picks.
So this year, my unofficial goal was to hang out around the book swap table and see how much I could make in free books. Here’s the list at final count:
Asher, Neal. Shadow of the Scorpion: A Novel of the Polity. $7.99
Asher, Neal. Prador Moon: A Novel of the Polity. $7.99
Austen, Jane, and Ben H. Winters. Sense and Sensibility and Sea Monsters. $12.95
Baker, Kage. The Anvil of the World. $14.99
Cook, Glen. Starfishers: The Starfisher’s Trilogy Volume Two. $14.95
Cook, Glen. Star’s End: The Starfisher’s Trilogy Volume Three. $14.95
Cook, Glen. Passage At Arms. $7.99
Holland, Cecelia. Varanger. $16.99
Kollin, Dani and Eytan. The Unincorporated Man. $25.95
Mallet, Nathalie. The Princes of the Golden Cage. $7.99
Marks, Laurie J. Water Logic. $16.00
North, Pearl. Libyrinth. $17.99
Pitts, J.A. Black Blade Blues. $25.99
Sanderson, Brandon. Warbreaker. $7.99
Strahan, Jonathan, and Lou Anders, eds. Swords & Dark Magic: The New Sword and Sorcery. $15.99
Turtledove, Harry. After the Downfall. $24.95
Vigneault, Francoise ed. Elfworld. $12.95
Waltz, Jason M. ed. Rage of the Behemoth: An Anthology of Heroic Adventure. $16.99
Williams, Walter Jon. Implied Spaces. $24.95Total: $296.54
All in all, I more than made back the cost of admission and the hotel. Not too shabby–and this list doesn’t count all the ARCs and free samplers I took as well.
Yep, World Fantasy is pretty much awesome. Now I just need a bookshelf…
Wow, what a tiring day. I feel drained, mentally and physically, and I didn’t even spend all that much time at the parties tonight.
I got started a bit early, prowling around the book-swap table, where I was rewarded with some books that look really good. If you know what you’re doing, you can totally get the price of your admission ticket in free books (and then some). I packed super light for that exact reason.
The convention started out with an awesome panel titled “Fantasy Gun Control,” where the panelists discussed why fantasy tends to favor swords over guns, even though guns have existed since the 1300s. Funniest quote from the panel: Walter Jon Williams asked what if Samuel L. Jackson was one of the Defense Against the Dark Arts teachers from Harry Potter, and Charles Gannon quipped “do I have to get magical on your ass?”
The other panel I attended was “The Tension Between Art & Commerce,” an excellent panel which very quickly evolved into a cage fight between Nancy Kress and her publisher, Tom Doherty. It basically went something like this:
Tom: I don’t think there is any tension; the best art always sells the best.
Nancy: No way! Just look at Danielle Steele: her writing is CRAP, yet she sells like crazy–and that’s the norm!
Tom: But true art endures beyond its time and sells much better over the long run. After all, just look at Homer and the Iliad.
Nancy: Homer? Are you serious? He’s been dead, what–2,000 years?
Tom: Yeah…but my point is, if you’re a writer, you need to write what’s in your heart and not chase the market. If you do try to chase the market, your writing will be crap, AND it won’t sell.
Nancy: True, but what about my apocalyptic novel about a plague that turns domestic dogs feral? I got four rejections that all said: “this book is great, but it would offend dog lovers so much that we can’t publish it.”
Tom: Well, those were just stupid editors.
Nancy: Uh, Tom…one of those was from your publishing house!
Of course, those aren’t exact quotes, and Nancy was very quick to make it known that she loves Tom and appreciates him for publishing so much of her work, but that was more or less how it went. It was hilarious.
At the same time, the panel was quite useful as well. Everyone mentioned how a writer’s willingness and ability to learn the craft and accept criticism is key–especially after getting an editor. Without this capacity to learn, aspiring writers will almost never succeed, whereas those who have it have a chance.
The rest of the time I spent hanging out and shmoozing with various people. I interviewed both Dan Wells and Peter Ahlstrom for the Mormon Artist article on BYU’s “class that wouldn’t die,” and those interviews went very well. Those two guys are seriously awesome–way down to earth and easy to talk with.
I also pitched to a couple agents, and I think it went very well. For one of them, I thought I saw her eyes light up as I described the characters in my novel from last year, Genesis Earth. It might just be wishful thinking, but her response was enough to convince me that I need to give that story a thorough revision and send it out to her before the end of next month.
I worry, though, that there’s not as much demand for the kind of fiction I write. My writing falls very solidly into science fiction (space opera, to be more specific), but everything I see here at the con is fantasy–epic fantasy, urban fantasy, paranormal, steampunk. No science fiction, except from a couple small presses. Just fantasy.
In the art vs. commerce panel, Ginger Buchanan claimed that science fiction was never a popular genre–that the popularity was all due to a handful of specific writers and a handful of specific works. I’m not sure I agree with that, but it is a bit discouraging. Speculative fiction is a fairly niche corner of the publishing world to begin it, and to see and hear people within that niche treating science fiction as ANOTHER niche…it doesn’t bode well for someone who wants to make a full time living writing it.
But then again, maybe my stuff is good enough that it’ll find a home anyways–and not just a home in a small press, but with a big enough publisher that I can actually be a full time writer. I don’t hold any illusions about my books making me fabulously rich and famous or somehow spawning a new sub-genre unto itself, but I do think my writing is good enough that I can shoot big and hope to get somewhere–perhaps even expect it. I don’t know, but I feel that the hope is justified, at least.
Anyhow, that’s probably more angst than you cared to read. World Fantasy is going great, and I’m exhausted, so I’m going to hit the sack. Good night.
Am I missing anything?
So I found a job today, which should keep me in the black until November and help me save up enough money for World Fantasy 2010.
The job is at a warehouse for a locally based costuming company. It only runs through October, but that’s perfect because the training for the wilderness job starts the week after. If all goes well, I should be gainfully employed for the rest of the year.
In a blessed stroke of good fortune, I landed a normal 8 to 5 shift. Graveyard is a good shift for writers, but only if you’re sitting at a desk spending 95% of your time doing nothing. I doubt that’s what this job will be like.
I don’t know what this new job will do to my writing, but I tend to think it will be positive. At the very least, it’ll give my life some much-needed structure, and at the worst, it’ll make me write as if my life (or livelihood) depended on it.
In unrelated news, my sister went into labor today. Go Kate! My mom texted everyone in the family–she’s way excited. This will be her second grandchild, and my first nephew. If all goes well, I’ll see him over Thanksgiving. Sarah and I are already planning the road trip down to Texas–it’s going to be awesome!
Life is very, very good.
Never leave home without a weapon, Dakyras taught his adopted daughter Miriel. Though they live a quiet life alone in the mountains, death is never far from the man known as Waylander.
When the Assassin’s Guild puts out a high price on Waylander’s head, both Waylander and Miriel find themselves on the run. With them come two ill-fated gladiators from Drenai: the loyal and steady Angel, and the arrogant and reckless Senta. Both men vie for Miriel’s hand–and both are honor bound to kill each other.
But in the face of the evil hunting Waylander, Angel and Senta must lay aside their vendetta and take up arms against the Gothir army hunting the Wolf clan, tribe of the prophesied chieftain that will one day unite the Nadir. For deep in the realm of the Wolf lies a castle more ancient than the three empires–a castle whose dark secrets threaten to upset the global order forever.
This book was awesome. I loved every moment of it. With each page, the story just got better and better, right up to the climactic finish. If you’re looking for a rousing adventure, you can’t go wrong with David Gemmell.
One of the things I loved the most about this story was the love triangle between Miriel, Angel, and Senta. At first, I thought I knew who was good, who was bad, and which one she’d end up with, but then things changed and I wasn’t too sure. Even though I hated Senta at first, I spent most of the book vacillating with my feelings on him. And the way things ended–I wasn’t disappointed. Not one bit.
Even though the overall story conflict was much, much larger than life, Gemmell’s characters always felt very real. Perhaps it has to do with the way their true nature always seems to come out in battle–and Gemmell gives them plenty of opportunity to show their true nature.
It also has to do with the things they’re fighting for, though–the stakes are always clear for each character, and when they’re confused what they’re fighting for, that’s made clear too. Though the conflict itself is larger than life, the stakes for each individual character never are.
The ending really took the cake for me, though. When I finished the book, I couldn’t help but smile. Gemmell is a master at writing endings that make you want to stand up and cheer.
As awesome as this book was, though, the last book in the trilogy, Hero in the Shadows, is so much better. The last scene of that book stands out so much more to me, now that I know everything about Waylander’s past. So. Freaking. Epic.
But do yourself a favor: don’t read the last book first, like I did. Start with Waylander, which is a good book–not great, but good–and read through the trilogy. If you love stories about true heroes and epic adventures, you won’t be disappointed.