Star Wanderers – Page 10 – One Thousand And One Parsecs

Do you like your chapters named or numbered?

There’s an interesting article linked on The Passive Voice blog about the importance of a table of contents, especially in ebooks. The article is geared mostly for non-fiction, which is a whole different beast from novels and novellas, but the discussion on TPV got me thinking: for ebooks, is it better to name chapters or to merely number them?

In the comments section on TPV, Jamie makes an interesting point:

With e-books in particular I think there needs to be more care taken with the TOC. I can easily find my place with a print book even without a book mark, but with an e-reader, it’s possible to lose your place very easily, and “loc 4950″ is not going to be committed to my memory banks. I know what happens in the chapter titled “His Grace of Avon Takes Command of the Game,” but I’m not sure if that was chapter 16 or 15 “loc 1730″ or what. I won’t remember the number.

For organizational purposes for my own use I title my chapters, and I believe that readers will appreciate that habit, too, and will be more forgiving if they use the Look Inside feature and see those headers vs. if they just see “1, 2, 3.”

I try to make sure the titles are enticing and pique the curiosity of anyone who would see them in a TOC. They’re not spoilers, because unless you’ve made it to the end of the previous chapter, you’ll likely have no idea what the next chapter’s title is referring to (and if it is obvious, it simply increases the suspense/curiosity). The titles Makes Sense in Context (TM).

When I first learned how to make an ebook, the concept of a table of contents for a novel seemed pretty weird. I was used to reading print books, which you can flip through much easier and find what you’re looking for just from the feel of the pages. But with ebooks, obviously that’s much different. A table of contents is more than just a list of chapters, it’s an important navigational tool that can’t be overlooked.

But if chapter hyperlinks are perhaps the only way to flip through the middle of the book, does that mean that merely numbering the chapters is insufficient? I have to admit, the concept of naming each chapter seems a bit old-fashioned, but the technology has changed and as writers, we need to change with it.

In the context of a hyperlinked table of contents, numbers are practically meaningless. They can even be quite ugly, if there’s a huge list of them that sprawls beyond the screen. Chapter titles can sprawl even more, but they at least provide some idea of what lies on the other side of the link.

I’ve done it both ways. For example, the table of contents for Genesis Earth looks like this:

Table of Contents

Author’s Note | Acknowledgments

Most of the chapter titles are pretty mysterious, but I was kind of going for that. And in any case, is it possible to make them completely unambiguous without spoiling key parts of the story? It seems like the art of naming chapters is much subtler and more complex than you’d think at a first glance.

In contrast, the table of contents for Desert Stars looks like this:

Table of Contents

Prologue
Book I: Dome and Desert
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10
Book II: Sand and Stars
11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22

Author’s Note | Acknowledgments

I kept the numbers for the chapters, but divided the novel into two sections or “books” and listed the numbered chapters as minimally as possible, to save space. I suppose it looks all right, but as a guide to navigating the book, I’m not sure how useful it is–not to mention how hard it can be to click on a hyperlink that’s only one character long, especially on a touchscreen.

For Journey to Jordan, there were so many entries that I didn’t bother listing them all in the table of contents. Instead, I divided each part into sections based on location, then listed the locations in the table of contents and the posts/chapters at the head of each section, complete with hyperlinks.

As a side note, it’s actually pretty amazing how internal hyperlinks can change the experience of the book. For one thing, it opens up all sorts of possibilities for alternate endings and “Choose Your Own Adventure” type stories. Is it possible to list a chapter in the <manifest> without including it in the <spine>? I don’t think it is (at least, not in a well-formatted ebook), but if you could find a way to do that, you could add all sorts of hidden content and Easter eggs …

In any case, for my shorter Star Wanderers novellas, I think I actually prefer numbered chapters. The stories are short enough that the numbered subdivisions still have meaning, and the chapter lists aren’t long enough to look too cluttered. Besides, I’ve already started the series in this particular format so I think it will be better to keep it this way.

But for future books and future series … I don’t know. What do you think? Are ebook chapters better off named or numbered?

SW-VI: BENEFACTOR is now out on Amazon, Smashwords, and Kobo!

That’s right! My latest book, Star Wanderers: Benefactor (Part VI) is now available on Amazon, Smashwords, and Kobo! It’s $2.99, but for the next couple of days until the end of June, you can get it for $1.49 from Smashwords with the summer promotion code.

This one took a long time to write, especially for a novella, but I’m very satisfied with the result. It shows the events of Fidelity from Jakob’s point of view, really diving into his character and exploring his background as a star wanderer who settled down and now struggles to take care of his family. There are overtones of an impending conflict between the Outworlders and the Gaian Empire, which I plan to make a major part of the overworld story arc, and some new characters introduced as well.

Here’s the teaser:

IN A COLD AND LONELY UNIVERSE, A SIMPLE ACT OF GRACE CAN RESONATE ACROSS WORLDS.

An outworlder is nothing if not fiercely independent, and Jakob is no exception. But ever since he brought his family of starbound refugees to Alpha Oriana, he’s felt increasingly powerless. With the recent Imperial takeover and rumors of job cuts at the dockyards, it’s only a matter of time before they’re forced to move on—again.

When a young man and woman with an unusual story show up from his wife’s homeworld, he takes them in, if for no other reason than that they remind him of a time when he was young and still in love. Ever since he sent his sons away, his marriage has been a nightmare—but all he wanted was to give them a chance at a better life out among the stars. Whether or not that was a mistake, his wife has never forgiven him for it.

In the face of so many challenges, it’s not clear how long the family can hold together, but Jakob will sacrifice everything before he asks for help—even if the only way out lies through an open airlock.

Star Wanderers: Benefactor (Part VI) should be up on Barnes & Noble shortly, as well as Drivethru Fiction and All Romance eBooks. In a couple of weeks, it should be out on iTunes, Sony, and Diesel as well. If you want to add it to your Goodreads library, you can find it here.

Thanks guys! I’m heading out on a short backpacking trip this weekend, but I’ll be back in a couple of days with more updates. Later!

New STAR WANDERERS story coming soon!

So last night I finished the 2.0 draft of Star Wanderers: Benefactor (Part VI), and I have to say, it’s pretty good. With the first draft, there were parts of it that worked well, but as a whole it didn’t seem to really cohere together, and I didn’t know why. After getting some helpful feedback from first readers, I think I’ve figured it out and brought it together.

I’ve sent it out to some friends for proofreading, and that should be done before the end of next week. While they’re doing that, I’ll write up the author’s note, figure out the teaser for Reproach (Part VII), and get everything else squared away for publication. With luck, I’ll format the ebooks over the weekend of the 27th and have them up on Amazon, Kobo, Barnes & Noble, and Smashwords before the end of the month.

I’m really happy with the way this one turned out. It doesn’t have a whole lot of action, but it really gets into the personal conflicts and struggles of the characters. It also explores some of the implications of what it means to live in a culture where the oldest son of nearly every family leaves his homeworld at age 19 to venture across the stars, never to return again. The other stories explore this from the perspective of one of the sons; this one explores that from the perspective of one of the fathers.

As always, if you’d like a free copy of this one, be sure to sign up for my mailing list; I’ll send out a Smashwords coupon code for email subscribers to download it for free. The next one, Reproach, should be out in August/September (hopefully closer to August).

When something you’ve written moves you

So I had an interesting experience today as I was revising Star Wanderers: Benefactor (Part VI), and I’m not sure how to describe it without sounding like “that guy” who gushes far too much about his books. At the risk of being “that guy,” here goes.

As writers, it’s far too easy for us to write something in the heat of a creative passion, only to dismiss it later. Perhaps we’re so afraid of screwing up that we yearn to fall back on the story that’s safe rather than the story that rings true, or perhaps we realize just how much of ourselves we’ve put into it that it scares us to death that someone might actually read it. Too often, something else that’s broken about the story distracts us from the stuff that’s actually good, so we end up throwing it all out together. Our critical minds work so differently from our creative ones that when the fires of creative passion turn to smoldering embers, it’s not unusual to feel like we’ve been left completely naked and need to scramble desperately to cover ourselves.

For that reason, I’ve made myself a rule not to revise a story without first making a set of bullet points, chapter by scene, of what I’m going to do. My critical mind has full domain of that list of bullet points, but I will not let him carve up my story. The list contains a series of instructions for my creative mind, who can actually revise quite well when given a little direction. But when he thinks that the direction is wrong, he’s not afraid to push back.

The revision notes for my books always read like a back-and-forth argument between my critical and creative minds. Once I’m finished writing up the bullet point list of revisions, I turn on track changes and cross them off one by one as I complete them. But whenever I get to a point where my creative mind disagrees, I’ll cross it off and write down the reasons why it’s better to go in a different direction. Some of the more recent notes for Benefactor include:

It’s not as much of an issue as you think.

Eh, the dialog works pretty well.

Already there. Better to keep it subtle.

Why? This is good.

No, it works very well with what’s already here. Don’t change it.

So with that as a preface, I got to a scene in Benefactor today where one of the characters has a major life crisis upon learning that his wife is pregnant. The pregnancy catches him completely by surprise, and makes him wake up and wonder if his life is really heading in the direction that he wants. He feels like he’s stumbling into his future blindly, tripping over his feet without knowing where he’s going, and that frightens him.

I’d made some notes to add some stuff for clarification at the end of the scene, but I must have only been skimming it when I made the revision notes because all of that stuff was already there, and expressed more poignantly than I think I could have done. Basically, the character comes to peace with the life he’s giving up by realizing that he will one day lead his son to follow in his footsteps, just as his own father did with him.

My critical mind completely missed that, because he was only looking for problems that needed to be fixed. But when I read it again today, I was actually kind of shocked that this was something I’d written. I don’t want to say that it’s the best thing that’s ever been written, because certainly I have lots of room for improvement, but the passage really moved me, and I wasn’t expecting that.

So yeah, revisions for Star Wanderers: Benefactor (Part VI) are coming along swimmingly. It might be a bit tough to get the final draft proofread in time for a July release, but I’ve got some friends who might be able to help. Just like I don’t trust my critical mind to meddle with the story, I don’t trust my eyeballs to catch all the typos and grammatical errors. But I think that the substantive revisions will be finished by Tuesday, and after that, it’s time to get the publishing wheels grinding.

In the meantime, I was playing around with The Gimp today, and I came up with a cover for Star Wanderers: Reproach (Part VII). Check it out!

SW-VII Reproach (cover) The image is the Orion Nebula, as imaged by the Spitzer Space Telescope. You can find the original here.

I thought it was fitting, considering how Reproach is a parallel novella to Sacrifice, and Sacrifice also features an image of the Orion Nebula on the cover. But the important thing is just that it looks cool and is sufficiently eye-catching.

So that’s about it. I’ve got a lot of heavy revisions to do tomorrow, but even my critical mind agrees that chapters 4 and 5 are actually pretty good. There’s at least one scene missing and a couple of other things that need to be added, but I’m actually looking forward to writing those. Also, a couple of characters need some more fleshing out, but that shouldn’t be too difficult. The Tuesday deadline is quite doable.

Have a good night, and thanks as always for reading!

It’s all there (mostly), just out of order

So I picked up the rough draft of Star Wanderers: Benefactor (Part VI) this week and started making notes for the revision. It turns out that most of the scenes after the first chapter are jumbled and out of order.

This is good, because it means that I don’t have to toss it out and write it from scratch. All I have to do is figure out the right order, rework the transitions, and then maybe add a couple of scenes to smooth things over. Not too difficult, and it should turn this story around from something’s-broken-and-I-don’t-know-what to dang-this-is-awesomesauce.

It’s not so good, though, because it means I’m going to have a real struggle over the next couple of weeks to get at the core essence of this story and draw it out. That’s always tough, when I don’t get it on the first pass.

To be honest, I’ve kind of been avoiding this story for the last couple of months. When I finished the rough draft and put it on the back burner, I had the sense that something was wrong, but I didn’t know what it was. That’s always the worst. Now that I know, it’s just a matter of doing the work. But that’s also daunting, because it’s like I’m standing at the base of a mountain looking up. At least the climb itself is invigorating, so once I get started, it should be pretty straightforward.

Benefactor takes the Star Wanderers series in a bit of a different direction, focusing on Jakob (Mariya’s father) and his struggle to provide for his family when all he’s ever really been is a star wanderer. As an outworlder, he’s always had a certain amount of pride and independence, but as a starbound refugee with a family to look after, that only gets in the way. When he married Salome and settled down, it seemed like they had a bright future, but now he’s trapped in a life he never wanted, and the love he once shared with his wife has grown cold.

Here’s an excerpt from the first chapter, which probably won’t change much in the final draft:

Jakob never felt more bone-weary than when he came off of a twelve-hour shift at the Oriana Station dockyards. His feet ached and his back groaned with pain, even in the low gravity of the tram as it raced from the hub to the rimside habs. As usually, the narrow car was crammed like a vacuum pack, every seat occupied with the hot and sweaty bodies of the other workers. He glanced out the window to catch a glimpse of the stars, but an advertisement for a synthetic protein formula filled the holographic windowpane.

My life is a prison, he thought to himself—silently, as always. It’s a prison of my own making, but it’s a prison nonetheless.

The twelve hour shifts had started only a standard week ago, but already it felt like months. A Gaian Imperial battle group had just arrived from the Coreward Stars, panicking some and causing a lot more work for others. Jakob didn’t have much time to follow interstellar politics, but he knew it meant longer work shifts for the foreseeable future. Which really wasn’t so bad, except that the overtime pay would barely keep the family above water, without paying off any of their debts.

From the quadrant tram station, he took an elevator to the slums on the lowest level. This was always the worst part: getting used to the slightly heavier gravity, after spending so much time in null-gee at the hub. He shuffled down the rimside corridor, barely lifting his feet off the floor. The walls were drab and gray, but spotlessly clean. That was something to say about the immigrant community—they might be poor, but they weren’t dirty.

The pungent odor of Deltan cooking spices met his nose the moment the door hissed open. That would be his mother-in-law, fixing dinner. He stepped inside and dropped his work boots on the floormat, waking his sister-in-law’s baby in the living room. He cringed from the high-pitched wailing almost as much as he did from the tongue-lashing he expected to get for it. But what did it matter? Ignoring the baby’s cries, he trudged off toward the bathroom for a much needed shower.

“Oh, hi Dad!”

His daughter Mariya bounded down the hallway, her black hair bobbing with every step. The bright smile on her sixteen year old face cut through his dark mood, at least momentarily. She gave him a great big hug, and he returned it with a grunt.

“Guess what?” she said, her eyes lit with excitement. “I finally found someone to rent out the spare room to!”

Jakob raised an eyebrow. “Oh?”

“Yeah! A couple from Delta Oriana—Megiddo Station, in fact. At least, the girl is from there. Her husband is out working on his ship—he’s a star wanderer, see—but she’s out in the living room right now, talking with Aunt Giuli. Do you want to meet her?”

Her words passed over him like a flurry of raw, unprocessed data. He focused on the important parts and disregarded the rest.

“How long are they going to stay?”

“Oh, not long. They just need a place to stay for a couple weeks until they’ve refitted their ship. Apparently, they—”

“How much are you going to charge them?”

So yeah, it’s a new direction from the previous books, but it’s got a lot of the same characters and ties in quite well with Fidelity, I think. Also, it expands the universe and shows some other aspects of what life is like for star wanderers and outworlders in general.

It’s going to be to be a lot of work making sure I get this one right, but it’s a short novella, so it shouldn’t take too long. Barring no unforeseen complications, I should still be able to get it out before the end of the month. The next two books, Reproach and Deliverance, should be ready soon after that.

In the meantime, I’d better get some shuteye so I can wake up early and work full steam on this book tomorrow. Gnight!

Why I love writing novellas

For the first half of this year, almost every project I’ve worked on (with the exception of an unfinished short novel) has been a novella. It’s not a form I was familiar with when I first started writing, but I’ve come to enjoy it immensely, and look forward to writing much more in the future.

The technical definition of a novella is pretty simple, at least according to SFWA. It mainly has to do with word length:

Novel — 40,000 words or more
Novella — 17,500–39,999 words
Novelette — 7,500–17,499 words
Short Story — 7,499 words or fewer

That one simple distinction leads to a host of other differences, though, since words and story length are so crucial to the different types of stories you can tell.

Short stories tend to be more situational. A good short story writer (which I am not) can use the form to explore all sorts of other story elements, but there’s always something of a tradeoff. A good short story will have strong characterization but a simplistic or nonexistent plot, or center around a compelling concept but not provide an immersive setting. It’s a very minimalistic form–there’s always something of a sacrifice.

A good short story can pack a real punch, but it doesn’t really immerse you in another world. It might resonate for a long time after you read it, but you finish it almost as soon as you start it. It’s a form that I enjoy in audio form, but don’t actually read very much. It’s great for the commute or a road trip, but not so great when I’m curled up in the lovesack looking to get lost in a book.

That’s just me, at least. And as for writing them, I need a lot more practice before I have anything useful to say on that.

With novels, it’s exactly the opposite. They are so expansive that they tend to have multiple viewpoints, subplots, character arcs, and setting elements all woven together in one sprawling whole. There are differences, of course, between a 200k word fantasy epic and a short 60k word thriller, but complexity is an important part of the form. It’s not enough to have an interesting situation, or a single mind-blowing idea–you have to have several, and they have to work together.

When done well, the effect can be tremendous. A good novel is much more than just the sum of its parts, and the climactic moments when everything comes together can be truly spectacular. They’re incredibly immersive, too–I’m pretty sure that some of my childhood memories are things that never happened except in the pages of a book.

But sometimes, it can be hard to get into a novel, either because it starts off slow or because from the very beginning it’s so complex. Also, it requires much more of an investment, especially in time. I can’t tell you how many novels I’ve checked out from the library, only to return a few weeks later with a hefty overdue fine on my account–not because I didn’t like them, but because I just couldn’t find the time to finish.

In terms of writing, all of that storytelling complexity can make the task positively gargantuan. It depends on the length of the novel, of course, but the longer it gets, the harder it is to keep everything straight. And when something is off and the story just doesn’t seem to be coming together, it can be incredibly difficult to figure out exactly what is broken. Even if it’s small, or something that’s easy to fix, you can easily find yourself revising in circles.

The novella falls more or less in the “Goldilocks” zone of these other forms. It’s long enough to give you the space you need to play with things on a novelistic scale, but short enough that you don’t have to worry about bringing all that complexity to the page.

Generally, I’ve found that there isn’t much of a difference between novellas and novelettes. I’ve dabbled with both, and found that the difference has more to do with brevity and less to do with actual structure or form. A well-written novelette can do all (or at least most) of the things a novella can do, just in a slightly more economical fashion. And of course, the differences in all of these forms is subjective and fuzzy. Your experience could very well be different.

But personally, I find novellas (and novelettes) much more fun to write because it allows me, sometimes even forces me, to get a lot more intimate with my characters and their individual points of view. A situation or idea alone is not enough to carry the story for the required length, but exploring multiple viewpoints (or at least more than two) tends to push the story too far. Consequently, I find myself really diving into my characters and trying to see things from their perspective.

It’s similar with novels, but without all the other subplots or character arcs, there are fewer distractions–and fewer ways to screw up. I can stay in the character’s head without having to break out to fix something else. Also, my first drafts tend to be a lot cleaner, with less need for massive substantial revisions. And even if the draft is irredeemable, I can toss it out and rewrite from scratch with a lot less pain, since it’s only 30k or 40k words.

So yeah, I really love writing novellas, which is something that would have surprised me only three or four years ago. There aren’t a whole lot of traditional markets to sell them to, but that doesn’t matter because they’re perfect for ebooks and self-publishing. It’s also a lot easier to take a loss on a perma-free novella than it is on a full-length novel.

I’ve found that I can write a good first draft of a novella in anywhere between two and six weeks. I wish I could do it quicker, but I’m not a very fast writer, so thirty days is a pretty good cap for a deadline. And because they’re shorter, they tend to be quicker to revise, and easier to hand off to alpha readers who will give you a good turn-around time for feedback.

For those of you who prefer more long-form stories, don’t worry–I haven’t given up on writing novels. In fact, I’ve got a half-finished epic fantasy novel that I’ll probably work on next, once Star Wanderers: Benefactor (Part VI) has gone through a major revision pass. But if you enjoy reading novellas as much as I enjoy writing them, then you’ve got a treat, because I’ve got a bunch of Star Wanderers novellas that will be coming out in the next few months!

And after that? Who knows …

I will finish this novella tomorrow, I SWEAR.

I was going to finish it two weeks ago. I really was. But then, things were slow for a while as I adjusted to the new swing-shift job, and it wasn’t looking like I could do it, so I pushed the deadline back a week and went hiking instead. No worries.

Then, the internet exploded and I got distracted. So no book Saturday. No worries, I told myself. I’ll just finish it on Monday and go for another hike on Tuesday, my day off.

So. Went grocery shopping on Monday, putzed around, wrote a bit, but didn’t really finish it. I don’t know why. Maybe I was still distracted. Still, I figured I’d just call off the hike and finish it the next day. Since it was supposed to be my day off, I could cook a nice batch of koshary too.

Tuesday, I cooked a nice batch of koshary, had some friends over, life was good, sat down to write … and got a call from my supervisor (who I’ve seen exactly once) that the regular employees have the 4th of July off, so could I please come in and work?

AAARGH!!!!

Did I mention that it’s been a hundred degrees here recently? I’ve been sleeping practically naked and still sweating like crazy. That’s probably more than you wanted to know, but I mention it only because I’ve been getting up progressively later. Though the smart thing, of course, would be to wake up earlier when it’s still somewhat cool outside …

So anyways, Wednesday rolls around, and I get some good writing in. I start the final chapter, with only two more scenes to go before it’s finished. But it’s my sister’s birthday tomorrow, and I ought to stop by and say hi, which of course turns into a youtube party and playing with my nephew. Also, my tomatoes are dying, so I really should pick up some fertilizer and see what I can do to revive them, but of course I don’t know hardly anything about fertilizer so it takes forever to find something that might actually do the trick. Also, Institute is on Wednesdays, and I really should attend that more often (but I can’t, because of the job), so I go to that for a few hours. Good times, meet some new people and chat up with friends, head back to my apartment but then the guy two doors down asks if I want to join him and a couple of girls for a game of cards, and since I really don’t have much of a social life (again, because of the job), I say yes and end up hanging out with them until midnight.

So tomorrow is the 4th of July. There’s all sorts of stuff going on, including a family barbecue, the fair downtown, my sister’s birthday, my Mom coming into town, but #^$%@^#%^#@ I will finish this book!!!!1!!1!!! Even if it means getting up at 7am, which it probably will.

And if I end up sleeping in again … no, that totally isn’t going to happen. And it’s not going to happen because I’m going to bed RIGHT NOW.

July Smashwords sale–all books 50% off!

Every summer, Smashwords does a sale in which authors can enroll their books. This year, I’ve enrolled all of mine at 50% off, so all of them are under $2.50. Check it out!

Genesis Earth
A boy and a girl on a voyage to an alien star.
Price: ~~$4.95~~ $2.48

Bringing Stella Home
He’ll go to the ends of the galaxy to save his brother and sister.
Price: ~~$4.95~~ $2.48

Desert Stars
A tale of adventure and romance from the fringes of an interstellar empire that has forgotten its holiest legend: the story of Earth.
Price: ~~$4.95~~ $2.48

Stars of Blood and Glory
The only hope for the last free stars now lies on the path of blood and glory.
Price: ~~$4.95~~ $2.48

Star Wanderers: The Jeremiah Chronicles (I-IV)
He wanders the stars in search of a home. Instead, he got a girl without one.
Price: ~~$4.99~~ $2.49

Star Wanderers: Fidelity (Part II)
Is fidelity worth the price of freedom? Can love take root beyond the stars?
Price: ~~$.99~~ free!

Star Wanderers: Sacrifice (Part III)
She gave up everything to wander the stars with him. Now, he must do the same.
Price: ~~$2.99~~ $1.49

Star Wanderers: Homeworld (Part IV)
They’ve finally found a world to call home. But first, they have to fight for it.
Price: ~~$2.99~~ $1.49

Star Wanderers: Dreamweaver (Part V)
He saved her from death, but to save him, she must command the power of dreams.
Price: ~~$2.99~~ $1.49

Journey to Jordan
Travels of a young Mormon writer to Jordan, Egypt, and the Holy Land.
Price: ~~$2.99~~ $1.49

Decision LZ1527
A boy, a girl, and a whole crew of matchmakers.
Price: ~~$.99~~ free!

One of the great things about Smashwords is that these prices are the same throughout the world–no extra surcharge for international sales. So if you live outside the United States and don’t have a US bank account, these are the best prices you’re going to find.

These books will remain 50% off on Smashwords through the month of July. Just use the coupon code SSW50 to get the discount. Smashwords does accept Paypal, so you don’t have to sign up for an account or share your credit card information to purchase.

If you’ve been meaning to check out some of these books but haven’t gotten around to it, this is a great way to try them out. And if you want to sample them first, the first 15% to 25% is available on each book’s Smashword’s page.

Enjoy! 😀

No new books this month, but the next few should be stacked.

I’m working on Star Wanderers: Deliverance (Part VIII) right now, and it’s coming along swimmingly. Where the other novellas are pretty much character dramas in a space opera setting, this one is more space adventure with the character / relationship stuff under the surface. It’s all about Mariya and Lucca, how they meet and end up falling for each other in some very extreme circumstances. I think they crash-land on Zarmina in chapter 3, and things just get crazier from there. Today, I wrote a scene with some giant reptilian bird-monsters, and I think I pounded out 1,000 words in 20 minutes.

So yeah, I’m having a lot of fun with that. The next one I’m going to publish, though, is Benefactor (Part VI), and I still have to do a lot of revisions on that one. So it probably won’t be out until next month sometime, probably closer to August–I want to make sure it’s as good as I can make it. But since the first draft of Reproach (Part VII) is already finished, it (hopefully) shouldn’t be much longer than that for it to come out, maybe in August. And Deliverance should come out soon after that.

For now, my goal is to finish Deliverance this week, and start the revisions for Benefactor immediately after that. It would be awesome to get these books out in July > August > September, though it might be more like July > September > October. Definitely, I’ll have Part VIII out before the holidays, perhaps even Part IX or X as well.

In the meantime, I just started typesetting the print edition of Stars of Blood and Glory and set Desert Stars and Genesis Earth for expanded distribution through CreateSpace. There’s been some interesting developments in print-on-demand in the past few months, which may make it possible to get my books in bookstores through that venue. I still need to do some research on that end, but I do want to get the print versions out there at least. My first priority, though, is definitely writing.

There’s been a great deal of interest in my Star Wanderers ebooks, not at blockbuster levels but certainly more than I was expecting. And it’s growing, too–June is already my best month ever sales-wise, and most of the reviews have been quite positive. If the momentum keeps up with the next few books in the series, I might (might!) be able to go full-time before the end of the year. Worldcon 2013 is definitely looking like a possibility, and if I can find some friends to room and/or drive down with, chances are good that I’ll be going.

So yeah, thanks for all your support and interest! This has been my dream for a long, long time, so it’s really gratifying to see it finally within my grasp. I definitely don’t take it for granted, so I will do all I can to write more and better stories for you guys. My goal is to write more than a hundred novels & novellas, and I’m already on track to do so!

I’ll leave you with this video from Georgia, which I still miss almost every day. Man, I need to find another place that I can fall in love with as much as I did with that country. A small part of me wants to say “screw it all” and go back … in any case, here’s the video:

Naxvamdis!

Trope Tuesday: The Last DJ

In any vast bureaucracy, you’re bound to find obstructive bureaucrats and professional butt-kissers. But if you look long and hard enough, usually somewhere towards the bottom, you may be lucky enough to find one of the Last DJs.

The Last DJ is a man with integrity, who often puts honor before reason and cannot be bought, no matter how much his superiors try. Consequently, he usually ends up somewhere at the bottom of the organizational hierarchy, no matter how competent he may be. In extreme cases, he may be reassigned to Antarctica. Either way, do not expect to see him kicked upstairs–that’s for insufferably incompetent idiots who are promoted to an administrative post so everyone else can get back to the real work. If anything, expect this guy to get thrown under the bus.

Depending on the story, he may be a brotherly mentor figure for the main character or play some other sort of supporting role. However, don’t expect him to be much of a plot driver, unless the story is specifically about him. Because of his refusal to suck up or play office politics, he’s rarely in a position to effect change or become a whistle-blower.

Over time, this character may turn into something of a sour knight, developing a thick skin of crusty cynicism to protect his idealistic heart from all the crap he continually has to put up with. Like the Obi-wan, if he’s a mentor figure, he will probably die. If he’s the hero, though, or part of the ragtag bunch of misfits, expect him to be vindicated, possibly in a crowning moment of awesome. Rarely if ever will this guy be the villain–that’s the obstructive bureaucrat, whom this guy hates.

Lieutenant Armstrong from Fullmetal Alchemist is a good example of this trope. He’s a good soldier who was passed up on all the promotions because he refused to go along with the war crimes done against the Ishvalan people. His sister, who WAS reassigned to Antarctica (though probably by choice), is a whole other story.

Another good example of this trope is Lucius Fox from Batman Begins. The interesting thing about this one is that he’s a mentor figure who actually survives. This is probably because the story requires a lot of badassery from the hero, and Lucius is in no position to fill that role, so there’s no threat of him outshining Bruce Wayne. This is also a good example of the last DJ getting vindicated in the end.

In my own work, the best example I can think of is Tiera from Desert Stars. She’s fiercely stubborn with an uncompromising sense of honor, which results in her being stripped of her claim of inheritance due to her stepmother Shira’s wiles (although ‘stepmother’ isn’t quite the right word–how do you describe your father’s evil second wife, when he’s still married to your mother?). I’ve got some interesting plans for a sequel where she’s the main character, but that book is still in the early conceptual stages.

In my own life, I’ve actually fulfilled this trope. I don’t care to discuss the details of it publicly, but back when I was interning in Washington DC, I had a very negative experience that this trope describes perfectly. It’s one of the reasons I hate Washington so much, and decided to become a global nomad who makes a difference on the ground, rather than pushing papers in someone else’s petty empire of personal influence. It’s also one of the reasons why I started the Star Wanderers series–because I wanted to tell a story about people on the space-bound frontier, as far away from the galactic empire as possible.

I may not write many stories about vast bureaucracies or other hierarchical organizations, just because that doesn’t interest me, but whenever I do, you’ll probably see this guy pop up. As someone who’s been there, I have a lot of sympathy for this character. You’ll probably see him (or her) pop up in my work from time to time.