Author: Joe Vasicek

Joe Vasicek is the author of more than twenty science fiction books, including the Star Wanderers and Sons of the Starfarers series. As a young man, he studied Arabic and traveled across the Middle East and the Caucasus. He claims Utah as his home.

Falling in love: does it actually happen?

I like to tell people that I don’t believe in the concept of “falling in love”–that true love isn’t something you fall into, it’s something you grow into.  The thing you fall into is called “infatuation,” which by itself doesn’t last long.  It’s happened to me many times, and look at how single I am.

However, I was listening to this week’s episode of This American Life, and the first story got me to think about the concept of “falling in love.” The story was about an American exchange student in China who went back a year later in order to chase down this girl he’d met over there.  Miraculously, he found her, and in a short period of time, they married each other.

The story doesn’t end there, though, nor does it gloss over or ignore their struggles since getting married.  In fact, they’re both surprisingly candid.  Even though they could have broken up, though, they said that the incredible story of how they got together kept them going until they worked through the crisis.  The narrator finished:

..Eric and Yuen-Yuen had to make that same transition that all couples do, from the crazy, in-love stage to the other thing—the hard part of love. And it’s when you’re in that struggle that you most need the story of how you’re meant to be, because the alternative–that the person you’re with could be one any one of hundreds or thousands of other people–well, if that’s true, then why even try?

This got me to wondering–is there something besides sentimental hogwash to the notion of falling in love? Is it a necessary myth? Or is it more than a myth? Growth is generally something you control, but if all you can say is that you and your significant other “grew” into where you are today, is that enough to keep you going?

Snarkiness aside, I suppose it’s different for everybody. Some people have to believe they were fated to be together, while others abhor anything but the idea that love is something that grew slowly and steadily, without crazy flashes in the pan.

The important thing, I suppose, is that when it comes to love, we all have to have a story that we tell ourselves. Without a story to help us make sense why we’re with our significant other, it’s possible to think about leaving them.

By definition, every story has a beginning, a middle, and an end. In a love story, I suppose that “falling in love” happens in the beginning, while “growing in love” has to do with the middle, while the end is this hopeful, optimistic future, full of wonderful possibility. No one part makes any sense without the two others, but together they must give a comforting sense of direction, of destiny.

So maybe there is something to the idea of “falling in love.” I don’t think for one second that the initial “falling in love” is the most important part of any functional romance, but I’ll grant that it has its place in the story.

Stuck in a scene

I’ve been stuck in the same scene the whole week, and I really wish I could get it over with so that I could move on to other stuff.  What that other stuff is, exactly, I don’t know, but I’m eager to find out.

I don’t plan things out much when I write.  Usually, when I do think about where I want the story to go, I think ten or twenty steps down the road, painting in broad strokes where things are going to end up.  It’s like Paul Atreides’ foresight in Dune; time is like an ocean where you see a few isolated events like cresting waves, but you can’t see all the stuff in between.

I’m really annoyed because this scene is so long, but in some ways it has to be long.  I’m introducing some of the major characters, the major story conflict, introducing setting and cultural elements, etc etc.  Most of what I’m writing is crap and will probably be significantly edited,  but I’ve got to at least get it out there first.  But it’s hard to do that when you’re only averaging 500 words a day.

I’m going to take advantage of the holiday tomorrow by finishing this scene, no matter what it takes.  Hopefully that will build some momentum that will carry for the rest of the week.

Also, I sent out Bringing Stella Home 2.1 to a bunch of first readers.   I wasn’t originally going to do it, since it’s pretty bad…but Kindal kept begging me to read it, so I figured what the heck and sent it out to half a dozen other people as well.  It’s probably for the best…though, after reading over some of the more violent scenes, I hope the girls I sent it to don’t think less of me after reading it.  Holy crap, it needs a lot of work.

Anyways, in tribute of MLK day, I’ll end with this awesome tribute to Martin Luther King by U2. Happy MLK day!

Thoughts on future career

Just a few quick, scattered thoughts before I run off to work.

Working a desk job has convinced me that if at all possible, I want to make my full time living as a novelist.  I don’t see myself doing what I’m doing in this internship for the rest of my life, or even for a major part of it.

Don’t get me wrong–WINEP is a great place to work.  The people are great, the organization is prestigious and very well run, the public events are fascinating and frequent, and the stuff we produce is good, well-researched material.  I’m not writing this in response to anything specific I’ve encountered at the institute–just a realization after being immersed for two weeks in an office environment.

I’ve only been averaging about 500 words a day since I came here–but I’ve been writing every day, because now, more than ever, I see this as the path I want to take.  The path I need to take.  I don’t want to be stuck in a desk job the rest of my life.

Trading old hangups for new ones

So I started my internship with the Washington Institute for Near East Policy last week, and it’s been quite interesting.  Trying to figure out the new routine while starting a new novel has been quite challenging, but somehow, I’ve written at least something every day (except Sunday–I try not to write Sundays now).

I can tell, though, that it’s going to be just as difficult to juggle writing and work as it’s been to juggle writing and school.  There is NO room for procrastination–when I succumb to other things on my to do list instead of forcing myself to pound out the next scene, the day goes by and nothing gets written.

There is one thing I’ve been putting off for almost a month, though, and that’s the query letter for Genesis Earth. I recently received a very encouraging rejection letter from Eddie Schneider, where he basically said “this is good, but I’m not the right agent for it because it doesn’t excite me enough.”

I’ve written the book, polished it, made the writing solid–now, all I have to do is find an agent who’s passionate enough about it to take the project on.  That’s the last hurdle–most of the difficult work is already finished!  All I have to do is write a solid query letter and send it to the dozen or so agents I’ve researched…but yeah, I’ve been putting it off.  Query letters are…difficult.

For that reason, I’ve decided to set a new goal: submit Genesis Earth to at least 12 agents/editors by February 1st.

The only way that’s ever going to happen is if I write a query letter in the near future–as in, sometime this weekend.  When I do, I’ll post it up here and ask what you think.  Queries are very tricky–they are extremely different from novels, and otherwise good writers often botch them up.  We’ll see how this one goes.

So look out for an “I need your help!” post here in the near future!  Thanks!

How Avatar should have ended

Before I came out to Washington DC, I saw Avatar in the theaters.  AWESOME movie.  Loved the concept, loved the characters, LOVED the science fiction elements and how well they were woven into the story.

However, like much of the stuff that comes out of Hollywood, I was disappointed with the ending.  It felt too cheap–kind of like Matrix: Revolutions.

ONCE AND FUTURE SPOILER WARNING!  MAJOR SPOILERS AHEAD!

The ending of the story didn’t really solve the initial problem–it only put off the inevitable defeat of the good guys.  Do you REALLY think that the corporations of Earth are going to let a band of primitive aliens keep them from exploiting the natural resources of Pandora?  No way–they’ll be back, and with much bigger guns than before.  The ending solves nothing.

What they should have done was created an interstellar authority that the corporation needed to answer to–a weak, toothless one, at least initially, but one that becomes more important as the movie progresses.  This is because the real bad guy was the CEO, not the colonel–the colonel always answered back to the guy running the company.  HE was the one who made all the real decisions for the bad guys.

Things started to get cheesy once the rogue pilot sprung Jake, Norm, and Dr. Grace from the holding cell.  She should have hidden the trailer for the outpost, then sprung them out, since the only place they would go after leaving the base was the remote outpost. Where else could they go to access the avatars?

Moreover, Jake and his allies wouldn’t want to hide the trailer near the alien holy place.  That’s one of the last places they’d want to go–the aliens would just kill them, after the destruction of the mother tree.

Capturing the red and yellow dragon bird was a good way to get the legitimacy Jake needed to lead the aliens, but would the young prince really cave in so easily? I think not–especially after Jake stole his betrothed.

And summoning all the other alien tribes from across the planet? This was when I thought things had gone too far–no way was a coalition of bow and arrow wielding blue people take down the human armada.

This is where the interstellar authority comes in.  Without any oversight, the corporation can do whatever it wants.  Even if the aliens drive them off the planet, they or someone else will just come back.  Instead, the authority should have played the key role in defeating the evil corporate bad guys.

The scientists working for the corporation should have been in connection with scientists back at Earth from the very beginning.  Once the corporation pulled the plug on the science operation, it would have created discontent back home–only among the scientific elite at first, but as knowledge of Pandoran biology and its secrets begins to spread, public sympathy for the alien’s cause would grow–and with it, political capital that the scientists could leverage to stop the corporation.

Knowing this, the CEO would do everything in his power to keep the alien sympathizers from sharing their full discoveries with the scientists back on Earth.  To counter this, the good guys would have to either use their spy or covertly break into the facility to transmit the information to the people who can leverage it.

This sets up a “time bomb,” so that the goal of the good guys is no longer to defeat the bad guys in one last spectacular battle (which, let’s face it, they never could have realistically won), but instead to hold out until the cavalry arrives to save them.

There’d be a show down with the colonel, and a big epic battle to save the holy place, but the REAL victory would come when the interstellar authority comes in, arrests the CEO and his staff, freezes their operations, and slaps a whole host of regulations on the corporation, effectively saving Pandora–FOR GOOD.

That’s the way I think it should have ended.  I look forward to seeing how the guys at How It Should Have Ended.com handle it.

In the meantime, check out their take on Twilight:

I agree 110%!

New city, new life, new writing project

This is going to be a quick post (very quick), since it’s 1:00 am and I am TIRED.  FYI, it might not be edited all that much.   What the heck–it’s my blog anyway.

So today I left home to move into the Barlow Center for the Washington Seminar!  Took the train (Dad had an accident a block from the station–yikes!  A minor one, but still…); left around 6:30 am and arrived at 1:30 pm.  Took the metro to the Barlow Center, unpacked, walked up to the office for my internship (it’s only a 15 minute walk!), then made new friends and hit up the city!

It’s going to be a good semester.

I’ll probably start a separate blog for all the stuff that I’m doing in Washington DC.  It might be a little while before I get it all set up, but I’ll probably run it roughly the same way as my Jordan 2008 study abroad blog.  Still thinking about that.

But, more importantly (at least as concerns the stuff I write about on this blog), I started a new novel today!  After much deliberation, I settled on the title To Search the Starry Sea. It’s a space opera science fiction novel that rough parallels The Odyssey, at least in the first part.

The main character is a girl named (at least for now) Katrione.  She lives with her mother on the family estate, a medium sized moon orbiting a gas giant planet far from civilized society.  Her father was lord of the estate, but he went off to war a long time ago and hasn’t returned.

The novel starts when a woman starship captain piloting the ship Minerva arrives with some limited news of Katrione’s father’s survival, and gives her the encouragement she needs to be more aggressive and proactive about rescuing her father, even if it means crossing some gender-based boundaries in the starfaring society.

I’m totally discovering this story as I write it.  I got stuck on the second paragraph, wondering what sort of things Katrione would be doing before the Minerva arrives–what she does in her spare time–and when the answer came to me (reading a novel), it opened up about a dozen interesting story possibilities.  Things just flowed…at least until I realized I need to come up with more character names.  Blech.

Also, after working so hard to polish and revise Genesis Earth and Bringing Stella Home, it is very difficult to get over the fact that this draft doesn’t need to be immaculate.  I’m writing down sentences and paragraphs and thinking “this is SO telly,” but I can’t do any better at this point because I don’t know the story.

The important thing at this point is not to perfect the craft but to perfect the story, and that’s a HUGE transition from everything I’ve been doing the last 6 months.  I just need to tell myself that until I believe it.

Anyway, I am definitely excited for this story.  VERY excited!  And excited about Washington DC–it is going to be a very, very interesting semester.  And hopefully fun as well!

Bringing Stella Home 2.0 is finished!

Just in time for the new year, too!  I finished it at approximately 11:25 pm on New Year’s eve 2010.  Here’s the breakdown:

ms pages: 491
words: 136,095
file size: 1,869 KB
chapters: 30
start date: 14 July 2009
end date: 31 December 2009

And the wordle image:

Wordle: Bringing Stella Home 2.0

I’m glad to have it finished. It’s got tons of issues with it–way too many for me to show it to an agent/editor–but I think this draft is significantly better than the first one. In particular, I’ve worked on improving the chapter structure: making sure that each chapter has consistent rising action, a central focus, a climax that develops the main story in some way, and compelling transitions that propel the reader into the next chapter. I don’t do any of that very well in first drafts.

So now that the second draft is finished, time to lay it aside for a while and work on something else. After a few months, I’ll be in a better position to pick it up and fix the major issues.

In the meantime, on to something new–in more ways than one!

Happy new year!

Calling on readers

I had an awesome idea for a magic system over the Christmas break.  But…I’m not sure I want to post it publicly.  I know I said in an earlier post that I didn’t believe in hording good ideas…but I don’t know about this one.  Not with just anyone.

At the same time, I don’t want to keep this idea locked in my mind.  I’ve found that when I share my ideas with my friends, they help me to see it from an angle I haven’t considered.  That’s a necessary part of the idea phase, IMO–bouncing ideas off of friends.

So I’m going to try something new: password protected posts.  If I’ve got something I only want to share with friends, I’ll put a password field on the post.  Email me at onelowerlight at gmail dot com and I’ll send you the password…probably.

It feels kind of weird, keeping people away from reading things on my blog.  If you’re a regular reader and someone I know from real life (you know who you are), chances are pretty good (as in: 100%) that I’ll give you the password if you ask.  And I’ll trust you not to share it, though if you do, I obviously can’t stop you.  I just want to be able to keep the random googlers from having access to everything.

So if you’re a friend of mine and see a password field on one of the posts, don’t think that I’m trying to exclude you!  The opposite is true–it means I want your feedback twice as much.  So please read and let me know what you think!