Ugh. Just ugh.

Man, it was hard to write.  So hard, I only just finished, and it’s 1:30 am.  Ugh.

The reason it was hard was because the character’s reactions in this scene needed to be totally revamped.  That also necessitated a complete shift in the structure of the writing, because the rough draft consisted almost entirely of internal feelings and reflections.  Indeed, the rough draft of this scene was about as close to an info dump as I will ever allow myself to come.

Or so I tell myself.  The first rewrite tried to keep things internal, just with the new reactions and motivations, but…well, before I knew what I was doing, I was info dumping.  Yes.  Shame on me, I went and committed one of my greatest pet peeves.  And I felt dirty afterwards, too.

Well, guess what happened?  I just kept writing, dumping out the info that I , but it kept coming out slower and slower, like wringing the last few drops out of a washcloth.  I didn’t know where to end, so I decided to cut it out somewhere in the middle…but then I got to the next scene from this character’s point of view, and realized that I was lacking the right transition to that part of the story.

Everything was falling apart.

So…I couldn’t just cut out all that stuff that I’d vomited onto the page.  It was a butt ugly info dump, but I had to get it across somehow.  I decided the only way to do it was to add in an extra scene.

 Trouble was, for the sake of the flow of the  chapter itself, I couldn’t just add all that stuff in another scene.  For starters, the nature of the stuff I’d just dumped on the page necessitated two scenes, but I didn’t have another one to bring in to break them apart.  I didn’t want to have three scenes all in a row from the same point of view–that would just be clumsy.

Ugh.  Just ugh.

So, how to solve it?  Take out a chainsaw and perform some delicate surgery.  I threw out virtually the entire info dump that I’d spent a good part of my day writing, and made some fundamental changes to the world that I’m writing that totally negated all of that previous stuff (I can do that, you know.  One of the perks of being a science fiction / fantasy writer–you can play god with the world you create).  Then, with the new changes I’d made to the world, I came up with a totally different scene–one that actually worked–and inserted that after the very brief, almost prologue-ish opening scene of introspection.

And then, when I was working with something a little more concrete, I was back in that wonderful place where character shines through and suspense builds through a functional plot.  No more info dumping–I felt so clean, so free of sin.  Great.

It still took bloody forever to finish, though.  All that wrangling from earlier in the day killed my momentum, so it was an uphill battle the whole way.  Ugh.

Looking back, am I satisfied with what I wrote?  Honestly, no.  But the revisions it need are the kind that can wait until the 2.0 draft, not the kind that are preventing me from finishing the first draft.

Those problems, I’m afraid, are yet to come.

By Joe Vasicek

Joe Vasicek is the author of more than twenty science fiction books, including the Star Wanderers and Sons of the Starfarers series. As a young man, he studied Arabic and traveled across the Middle East and the Caucasus. He claims Utah as his home.

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