Looking for work (and possibly an adventure)

Ever since graduation in May, I’ve been doing my best to support myself and be 100% financially independent.  I haven’t gotten a steady, well-paying day job yet, but fortunately summers in Utah are cheap and I’ve more or less been able to make ends meet.

That’s not to say it’s been easy, though.  I’m operating under an extremely limited budget, and things are only going to get worse in August.  My current employment is more or less a dead end job, and I’m going to need to find something else if I want to stay in the black (and keep myself mentally sane).

Here’s what I’m trying to do to change that, in order of priority:

1) Apply for full/part time positions at BYU. My ideal job at this point would be to use my writing/editing/mentoring skills as a BYU employee in some capacity. Not only would I be able to stay in Utah Valley where all my writing contacts are, I’d be able to take classes at BYU for free! Besides, BYU is an organization behind which I can completely throw myself. Having graduated from there, I believe 110% in the university’s mission and the value of a BYU education.

The trouble is that there are probably hundreds of other graduates in my position trying to do that right now. More spots might open up quickly if the economy improves, but the competition is still going to be fierce.

2) Apply for a bookstore job in Utah Valley. Working in a bookstore might mesh very well with my aspirations to become a full-time writer. It would give me a chance to see a useful side of the publishing/bookselling industry, as well as opportunities to network with authors, readers, and booksellers. The pay might not be great, but as long as it’s full time and pays at least minimum wage, it would be enough.

I hear that a lot of local venues are going to be making hiring decisions later in August, as the summer term at BYU comes to an end and the students start moving back to Provo. For that reason, I’ve been holding out contacting places like Chapters (formerly Pioneer Books) and Barnes and Noble–the last thing I want is for my resume/application to get swamped under a huge pile of other applicants.

3) Apply for a Wilderness Therapy job. There are a lot of these in Utah, and I hear that they’re always looking for new staff. The work is strenuous–one to three weeks out in the wilderness with a bunch of troubled teens, living in survivalist conditions–but the life experience may well be worth the extended time commitment. Besides, considering how much it will cut down my living expenses (since I won’t be spending money in the wilderness), the pay should be pretty good. I may be able to save up a sizable amount.

The main reason I’d want to do this is because of the adventure. I feel that at this point in my life, I need to do something big–something I can look back and point at as a major milestone or accomplishment. For this reason, I almost want to take a wilderness job more than a BYU or bookstore job, but the tradeoffs are pretty serious. My social life will probably suffer, as well as my daily writing schedule.

Redcliff Ascent has their next staff training session in September. If I’m still looking for work by then, I’ll probably take it.

4) Try to find some opportunity in the Middle East. When I came back from Washington DC in April, I decided to hold out for a year before returning to the Middle East to see how the tensions between Iran, Israel, and Lebanon play out. While I still think there will be a war, however, I’m less worried about getting caught up in a bad situation if I’m in, say, Jordan or Egypt.

This would also be an awesome adventure. The trouble, though, is how it may cut into my writing career here in the states. I’ve already bought tickets to World Fantasy 2010 in October, so I probably won’t be leaving before then. Besides, most Middle East jobs only pay enough to cover living expenses–not enough to save up, or even buy a ticket back. Getting stranded in a developing country might not be so fun.

5) Take any part-time retail/labor job I can find in Utah Valley. This is the last option, because I don’t want to end up with a job that, for all intents and purposes, isn’t going to lead to anything bigger and better. If it pays the bills, though, might as well take it.

That’s what I’m currently trying to do to improve my employment situation. In the meantime, I’m looking up part time jobs and gigs on craigslist and trying to be as resourceful as I can. It’s not fun being poor.

Inshallah, though, something big will come my way. I have every confidence that things will work out for the best, whatever happens.

Image courtesy Postsecret.

Braving the unexpected rough spots

Right now, I’m going through this unexpected rough spot in my novel, where I know what’s supposed to happen (or at least I have enough of an idea to wing it fairly well), but the writing just isn’t coming.  This happens every time I hit the two thirds mark, and it really sucks.

Currently, I’m using two methods to get through it: 1) keep a running chapter-by-scene outline of the next few scenes, and 2) use a loose adaptation of story theory models (such as the hero’s journey) to keep perspective on things.  Right now, this is what my chapter-by-scene outline looks like:

Chapter 14
14.1: Jalil
Jalil meets LARS, who with Michelle shows him the ship. Jalil learns that Lars has a connection with the Farlen family and that the Stewarts are from his parents’ home.
14.2: Mira
Mira returns home an outcast. Sheila rails at her for failing to seduce Jalil, while Sathi pulls her into his quarters to tell her that he’s arranged for her speedy marriage.
14.3: Jalil
The Bridgette launches from GN-2 using a gravity whip maneuver. The ship heads out for the L2 point, using a second gravity whip around GN-2b. Jalil realizes this is goodbye.

Chapter 15
15.1: Mira
While Mira prepares herself to get ready to meet her cousin Ibrahim, Tiera approaches her in private to apologize for calling her a whore. Tiera advises her to stand up for herself.
15.2: Mira
IBRAHIM’s convoy arrives. As Sathi and Ibrahim’s father conduct negotiations, Mira meets him and is surprised to find that she’s attracted to him.
15.3: Mira
Mira, Surayya, Amina, and Tiera discuss Ibrahim in the women’s quarters. Tiera advises Mira not to pursue him, but Surayya and Amina convince her to go ahead with it.

Chapter 16
16.1: Jalil
Lars and Michelle tell Jalil about the Colony. They show him pictures, and he has flashbacks.
16.2: Jalil
While making maneuvers around GN-2a, the Bridgette receives news of Hameji movements near Karduna. Jalil learns a bit of the Hameji.
16.3: Jalil
The Bridgette arrives at the L2 station and enters the starlane. Jalil’s first experience as an adult making the jump.

Chapter 17
17.1: Mira
???

As you can see, I’ve broken down each chapter by scene, with the viewpoint character indicated as well as a short one or two line description of what happens. When a new character comes along, I mention them by name in ALL CAPS. I use the auto font color for story that I’ve already written, and the stuff that remains to be written in red. Also, I only outline a handful of scenes ahead of my current position.

That’s the method that works for me.  I have no idea if it will work for you, but feel free to give it a try or let me know what methods you’re using.

I’m finding that even though I’m more of a “discovery writer,” certain methods of outlining give me much greater flexibility to discovery write than simply winging it all on the fly.  In particular, I find that outlining my characters and keeping a running scene-by-scene map for the next couple days helps to keep me on track.

I ran into this problem earlier in the week: without any kind of outline, and no previously written material to fall back on, I had no idea what to do.  Instead of sitting at my keyboard doing nothing, though, I plotted out the next few scenes to give me some idea what to do.

That helped me out for a while, but now…man, it’s still rough.  I did 3,251 words yesterday, but today I only hit 1,555.  It’s a lot, I know, but with all my free time, I should be hitting more.  Much more.

I suppose the only way out of this slump is to write–and write I certainly must.  I seriously need a real job, and right now I’m looking into the field staff position at Wilderness Quest.  If they hire me, I’ll need to finish this novel before I start work, since I’ll be out in the wilderness for three weeks at a time and the last thing I want is to pick up a half-finished project after it’s gone cold–especially when I’ve got to rewrite Mercenary Savior for World Fantasy 2010.

So that’s what I’m looking at right now.  Three weeks, inshallah, and Worlds Away from Home 1.2 will be finished.  Hopefully by then, I’ll have a real job too.

To close, check out this awesome version of the Corridors of Time song (Zeal theme) from the Chrono Trigger soundtrack.  I’ve heard maybe twenty or thirty different arrangements of this excellent composition, and this one takes the cake.  Beautiful.

The wilderness is calling me…

…and I’m kind of hesitant to answer.

Four years ago, my sister went through Wilderness Quest, a wilderness therapy organization based in Monticello, Utah.  At the end of the program, I went down with my whole family for family therapy.  The experience was incredible–intense, emotional, and very life changing for all of us.

Fast forward to last month.  After graduating college, I had this crazy idea: maybe I could apply for a job with some wilderness therapy organization.  My sister, who worked for WQ after completing their program, told me that they’re always looking for qualified, motivated people for the wilderness staff.  As a clean, addiction-free, college grad, chances are fairly good that I could get a job here.

I talked with my sister for a LONG time about it.  Yes, it’s tough–the teens in the program are very, very troubled, and there’s all kinds of drama.  Some of the kids are forcibly escorted to Monticello by professional kidnappers that their parents have hired to bring them out.

Living in the wilderness is rough, too.  The way WQ does it, you’re in the wilderness for 21 days, on the job 24/7, with two weeks off between work periods.  That’s 21 days completely cut off from the rest of civilization, out in the middle of nowhere.

At the same time, though, that’s 21 days in which WQ pays for all your food and supplies–21 days in which you’re earning money instead of spending it.  And then, after the 21 days are up, you’ve got two weeks of free time to do whatever you want.  Pay ranges from $60 to $135 per day, multiplied by 21 days–not a bad job.  And two weeks of complete freedom…

Perhaps the best advantage to this kind of job, though, is the incredible range of life experience it would give.  Unlike sitting in an office all day, or doing telephone surveys at a call center (my current job), this kind of work offers some real meaningful experience.  Changing people’s lives, seeing them at their best and worst, connecting with them in a truly genuine way–it could have a huge influence on my writing.

Then again, 21 days cut off from civilization…that’s 21 days in which I’m not going to be writing.  21 days in which I’m not going to have a social life (at least, not in Provo).  21 days in which I may miss other important career/writing opportunities.  And two weeks–that’s not really a lot of time, not when you’ve got all your chores to do.

But then again–do the costs really outweigh the benefits?  Maybe I could bring a notebook and write while out there.  Maybe I’ll make up for the missed writing time in the two of weeks, while still having enough time to do my other chores.  Maybe it will force me to make time.  Maybe the improved quality will make up for it–and maybe my new friends in this apartment complex won’t totally forget me when I come back.

I don’t know.  I’m trying to figure out if this is something I should do.  Part of me wants to jump up and start right away–but the other half is holding back.  But at this point, I’m thinking that once my Dad drives out to Utah to give me the old family Buick, I’m going to apply.  I really should.  Should I?