The Hameji – Page 3 – One Thousand And One Parsecs

Ugghhhhh…

Man, I am sick. It sucks.

I’m also at a low spot in writing this novel. That sucks too.

When you get towards the last third of the book you’re writing, you start to have doubts about the whole project. Is this really any go0d? Is the story really holding out? Things slow down a lot, and you lose most of the enthusiasm that carried you through the first half. The daily drudgery of writing becomes harder and harder, and pretty soon you can’t see beyond the chapter you’re presently writing. It’s not a whole lot of fun.

Then, as you get into the final stretch, the ending comes into sight and you start to regain a little bit of the enthusiasm. Your goal isn’t too distant, and you start to see how things wrap up to bring you to that final climax and ending. You find yourself believing in the story again, and excited to see it to the grand finale.

Of course, the actual writing gets harder and harder, exponentially, right up until the last page, but you’ve regained the motivation and you have at least a portion of the drive.

Right now, I’m kind of at the low point. It doesn’t help that school is starting to get busier, too. It certainly doesn’t help to be sick, even if it does give me more time around the house (man, I need to get out…I need to get out…). But I’m almost at the end of the second act–one climactic battle, one huge and tragic development, one major try-fail cycle, and then I’m on the final stretch. I’m currently at 64,250 words, so I should wrap up part two by about 68k and finish up the novel at around 100k. Perhaps a little longer, but I don’t think part three is going to be much longer than part two.

One of the major doubts I have about this novel is that it’s too predictable. All of my readers from English 318 have been making their predictions, and…really, most of them are correct. In fact, they’re correctly predicting stuff that happens WAY later, stuff from part three that I haven’t written yet. If this story doesn’t have any surprises, I worry that it might not be as good.

On the other hand, it has some ideas and concepts that are really drawing in my alpha readers, particularly with the Hameji. Over and over again, that’s the comment I get–they want to find out more about the Hameji. This is something that might help me to carry the book, even if it is a bit predictable: show this barbarian spacefaring culture at their most brutal, make them the key antagonists, and then slowly humanize them until the readers understand exactly why they do what they do, and even come to agree with them. That is pretty fun.

So we’ll see how that goes. In the meantime, I’m going to go to bed early–9:30 or 10:00. This sickness is just killing me, and I don’t know of anything more effective at curing it than sleep. G’night.

Progress!

I’m sludging through the middle of Bringing Estella Home. I’ve heard people call this the “blue collar work” of writing, all the parts between the beginning chapters and climactic ending chapters. I believe it.

In particular, I was having some difficulty with chapter 7 last week. I have, basically, three separate plot threads tied up in four viewpoints. Sometimes, it can be frustrating to give them all equal time while putting the scenes together in such a way that they contrast and build off of each other. In particular, it’s difficult to get the chapters right.

I’ve heard that each chapter is supposed to be its own distinct sub-story, with its rising action, a mini-climax, and a falling action of some kind. I’m fairly confident that I can do this intuitively over one or two viewpoints, but over four viewpoints, with three different plot lines? It’s tough. Last time I tried was with my first novel, and when I went back for the rewrite I had to reorder several of the chapters, especially the first three ones.

The way I’m doing it for Bringing Estella Home is picking one of the plot lines to be the main subject, if you will, of the chapter. I build on the other plot lines as well, but the big climax, the big reveal, comes in the plot line that I’ve designated for that chapter. Typically, I’ll start each chapter with a viewpoint from the plot line that is central to the rising and falling action of that chapter–or, if I don’t start it with the viewpoint, I start it with the characters talking about the idea that is central to the climax of the chapter.

Originally, I thought that the climax / central aspect of chapter 7 would be the brainwashing / mind-altering procedures that Ben undergoes in becoming a soldier for the Hameji. I started with James discussing the Hameji with the other mercenaries on the ship and talking about various legends they’ve heard of mind-altering drugs that give the Hameji special powers. The next scene was Ben forced to take some of those drugs.

However, I really hadn’t figured out Ben’s part of the story at this point. I knew he’d take the drug, and I knew how it would change him, but I didn’t know what happened next. As a result, the rest of the chapter just felt like a chore, one that I accomplished over several late nights (probably to the detriment of the quality of the writing :P)

It wasn’t working. The chapter just didn’t feel like it held together.

Then, I had a genius idea–why not make the last scene of chapter 6 the first scene of chapter 7? The viewpoint was from Estella, meeting the jealous head wife of the Hameji overlord. That scene set up the conflict for the next two chapters of Estella’s story–in retrospect, why didn’t I make it an opening scene for that reason alone?

I don’t know. But it worked out wonderfully well! Once I shifted the central focus of the story to Estella, EVERYTHING fell into place! Her conflict at this point really was a lot more interesting than anything else in the chapter.

So now, with chapter 7 under my belt, I am WAY excited for chapter 8! While I was walking back from school one day, I figured out exactly what needs to happen next in his story, and it is amazing! Brutal, violent, and torturous, but it is amazing! And this is the perfect chapter to insert James’s philosophical discussion with Danica, the one that I wrote down nearly a month ago just because I had to get it out! I’m excited. Maybe I’ll even finish it before Saturday.

Anyways, it is 2:30 am, and I am way tired. Time to get some sleep. Thank goodness my first class doesn’t start until noon! 🙂

update on the novel

Ughh…….

Alright, in the tradition of last year when I would write until 2am every night and then blog on it before going to bed, here is another update on how Bringing Estella Home is going right now.

It’s getting tougher. I’m right in the middle of it right now, in chapter 7, and I’m not sure whose viewpoint I should do next or how I should be organizing these chapters. I’ve got four viewpoints, but really there are three separate subplots going on, and I need to give them each equal time while structuring them so that the tension builds from one to the other. When you don’t know what your chapter is doing in relation to the novel as a whole, it’s difficult.

My readers in English 318 tell me that one of the most interesting things in this story is the culture of the antagonists, the Hameji, and that’s really good because I want it to be interesting. I’ve created a sort of ruthless, cold-hearted, irrationally violent barbarian culture, and over the course of the rest of the novel I’m going to show exactly WHY they are so violent, what drove them to it, etc. Sound familiar? It’s my Mongols in space idea, and it’s coming along very well…

…except that I didn’t have Ben’s part figured out very well. He’s the one who gets brainwashed and turned into one of their soldiers, given a drug that melds his emotional being with that of a collective–kind of like the borg, but only with feelings and emotions, not with thoughts. It will be interesting to play with that idea, but this chapter, which was originally supposed to focus more on his experience with that transition, just…didn’t work out as well. Not a lot of screen time for him, for some odd reason.

So I did a little bit of thinking as I was walking home today. I thought to myself, “if I were a Hameji commander, how would I train these guys?” And it worked out very well! I think I know what I need to do now, what Ben’s story is going to be for the next couple of chapters. That’s very good.

Man, going for a walk can really help you sort things out and figure out what happens next. Even though I have an mp3 player, I rarely listen to it as I’m walking to and from campus. Many times I have my best ideas while making the commute. If/when I become a professional novelist, I’m going to have to set aside time each day for long walks.

Finally, I’m a little worried that I’m falling behind on my deadline. I wanted to finish this thing by the final exam day, sometime in April, but now that I’m sludging through the middle, I wonder if it might take longer. I have the climaxes figured out very well, but I’m still a long ways away from them. I might not finish this novel until the end of May, especially since I’ll have to do some major revisions of the first three chapters to hand it in for the English 318 final. That won’t give me a lot of time to revise my novels for World Fantasy 2009…

Bah. There is so much to think about. Rather than deal with it now, I’m going to go to bed.