SSF-V: Captives in Obscurity 2.0 is complete!

Yesterday I finished the second draft of Captives in Obscurity (Sons of the Starfarers: Book V). I’m extremely pleased with how it turned out, and I think you guys are really going to enjoy it!

Unfortunately, writing the book is only the first step. Publishing is going to take resources that I don’t currently have, so it’s going to be a few months before I can get it out. Right now, it looks like Captives in Obscurity will go up for pre-order sometime in April/May, for a release date in July.

In the meantime, I plan to start working on Book VI: Patriots in Retreat right away, in order to release it soon after. With luck, there should be three Sons of the Starfarers books published next year, with only two left to complete the series.

I’ve got so many awesome ideas for stuff to fit into the next few books. Captives in Obscurity and Patriots in Retreat fall squarely into the midpoint of the series, where the characters hit rock bottom right before the plot twist. In other words, this is where I really get to twist the knife, and if you’ve read my other books you know that that’s the part I like best!

So yeah, it’s going to be a while before these books come out, but they are really going to be awesome when they do. In the meantime, I’ve got some short stories coming off of submission in the next couple of months, including a Sad Puppies inspired piece that I want to have up before the Hugos are in the news again. So even if it takes some time for Captives in Obscurity to get out there, I’m definitely not going away!

Dying of the Light by George R. R. Martin

Worlorn is a planet without a sun, wandering on the fringes of the galaxy where the skies are starless.  Though it came to life briefly as it passed the red giant Fat Satan, those days are over, and the world is slowly dying.

Dirk T’Larien never thought he would find himself on such a forsaken world. But when his onetime lover, Gwen Delvano, sends him a plea for help, he realizes that more than anything, he wants to have her back.

It will not be easy, however.  Gwen is betheyn to two men: Jaantony Vikary, whom she loves, and Garse Janacek, whom she hates.  Both are from Kavalar, a warlike planet where offworlders are considered subhuman.  And even though Worlorn is slowly dying, a colony of extremist Kavalars has taken root, planning to bring back the old ways when offworlders were hunted like beasts.

I picked up this book at Pioneer Books a couple weeks ago; I saw that it was by George R. R. Martin and decided to give it a try.  I was very much impressed.  For the last hundred pages, I couldn’t put it down, and the story haunted me for a couple days after I’d finished it.

The strongest element of the story was definitely the setting.  The story may be set in a grand galactic empire with spaceships and alien worlds, but make no mistake, this beautiful piece of space opera reads more like fantasy than science fiction.  There’s even a thirty page glossary of terms in the back, for ease of reference.

The effect of Martin’s grandiose worldbuilding is a haunting sense of wonder that keeps you, as the reader, hooked.  The more you read, the more you immerse yourself in the world; and the more you immerse yourself, the more you want to read.  After the story ends, you still find yourself thinking about the fantastic worlds, as if you’ve actually been there.  It’s awesome.

Another thing that kept me hooked was the basic premise of the plot.  The main character, Dirk T’Larien, is trying to win back the affection of an ex-girlfriend and get back together.  That’s something with which I can definitely relate–the ex even has the same name (roughly) as a girl I once chased after (quite unrequitedly, may I add).  Because of this, I was drawn into the story right away.

Martin is known for his plot twists, however, and though the story began as a basic love triangle, it very quickly became… something else.  I’m not entirely sure how to describe it without giving major spoilers, but I will say that I found it impossible to predict how this story would end.  I found that a lot more annoying than enjoyable, however–just when I thought things were headed in a certain direction, something happened to nullify everyone’s efforts and turn things completely around.

Despite this, however, the story…worked.  I don’t know quite how to describe it.  The basic markers were all there, even though they were jumbled in unpredictable patterns.  No death was meaningless, no success was insignificant; there was no excess baggage in the story that didn’t somehow belong.

All around, it was a very good book.  Kind of dark, but not nearly as edgy as I was expecting.  This is definitely the kind of science fiction that a fantasy reader would go for–and probably most science fiction readers as well.

Jemma 7729 by Phoebe Wray

The following is a book review I wrote for The Leading Edge. It will be coming out in the November issue, along with my short story Decision LZ150207.  The editors gave me permission to post the review here.  Be sure to pick up a copy of the magazine when it comes out!

Jemma is a rebel, fighting against a system that teaches women to be obedient and submissive and “alters” those who refuse to assimilate.  After escaping the giant dome cities of a post-apocalyptic California, Jemma joins with a band of rebels known as the Movers in the free, uncultivated country.  But as her reputation grows and the people in the domes begin to take up arms, the government stops at nothing to hunt Jemma down and silence her for good.

With images reminiscent of Brave New World, 1984, and A Handmaid’s Tale, Jemma7729 is a dystopian, post-apocalyptic novel with a YA feel.  The first half of the book details Jemma’s childhood and her transformation from daughter of two mid-level government workers to a rebel fighting to overthrow the system.  I enjoyed the first part of this novel, with its intimate human drama and its resourceful, sympathetic viewpoint character.  The story was paced well and kept my interest.

The second half of the book, however, was somewhat disappointing.  Once Jemma escapes the domes and begins her campaign as a rebel terrorist, the story loses a lot of tension.  Even though she is barely a twelve year old girl, she still, without any outside assistance, manages to blow up almost a dozen government facilities without getting caught or killed.  The villains’ reasons for creating such an oppressive, anti-feminist regime are never adequately explained, and when Jemma starts to fight back, the government is too weak to put up a believable resistance.  The middle of the novel lags considerably, with very little real action or suspense.

When the pace finally does pick up again, about forty pages from the end, the action is so confusing and happens so quickly that I felt completely lost.  The main character’s voice gets lost in a blow-by-blow account of impossibly rapid events, as if the author was trying to compress two hundred pages of story into less than a quarter of that space.  I fount it disappointing and inconsistent with the tone of the rest of the book.  However, the twist at the end caught me by surprise and gave me some degree of satisfaction as I finished the book, though I would have been more satisfied if the last half of the book had been as good as the first half.

Review of JEMMA7729
Joe Vasicek
Jemma is a rebel, fighting against a system that teaches women to be obedient and submissive and “alters” those who refuse to assimilate.  After escaping the giant dome cities of a post-apocalyptic California, Jemma joins with a band of rebels known as the Movers in the free, uncultivated country.  But as her reputation grows and the people in the domes begin to take up arms, the government stops at nothing to hunt Jemma down and silence her for good.
With images reminiscent of Brave New World, 1984, and A Handmaid’s Tale, Jemma7729 is a dystopian, post-apocalyptic novel with a YA feel.  The first half of the book details Jemma’s childhood and her transformation from daughter of two mid-level government workers to a rebel fighting to overthrow the system.  I enjoyed the first part of this novel, with its intimate human drama and its resourceful, sympathetic viewpoint character.  The story was paced well and kept my interest.
The second half of the book, however, was somewhat disappointing.  Once Jemma escapes the domes and begins her campaign as a rebel terrorist, the story loses a lot of tension.  Even though she is barely a twelve year old girl, she still, without any outside assistance, manages to blow up almost a dozen government facilities without getting caught or killed.  The villains’ reasons for creating such an oppressive, anti-feminist regime are never adequately explained, and when Jemma starts to fight back, the government is too weak to put up a believable resistance.  The middle of the novel lags considerably, with very little real action or suspense.
When the pace finally does pick up again, about forty pages from the end, the action is so confusing and happens so quickly that I felt completely lost.  The main character’s voice gets lost in a blow-by-blow account of impossibly rapid events, as if the author was trying to compress two hundred pages of story into less than a quarter of that space.  I fount it disappointing and inconsistent with the tone of the rest of the book.  However, the twist at the end caught me by surprise and gave me some degree of satisfaction as I finished the book, though I would have been more satisfied if the last half of the book had been as good as the first half.