Dan Wells – Page 2 – One Thousand And One Parsecs

Space Pirates of CONduit

So this weekend I went to CONduit up in Salt Lake city. It was a great experience! Lots of fun, lots of friends, and lots of excellent panels on writing.

The usual crowd was there: Dan Wells, Brandon Sanderson, L. E. Modessitt, Bob Defendi, Dan Willis, Paul Genesse, Julie Wright, John Brown, Larry Corriea, James Dashner, Eric James Stone, and tons of others. Besides the bigger names, I saw a lot of other aspiring writers like myself who have yet to make it big–friends from World Fantasy and LTUE. It was good to catch up and reconnect.

Friday had a number of excellent panels. My personal favorite was A Writer’s Life, in which a number of relatively newer writers gave advice on breaking in and talked about what their lives are like now that they’re published.

At one point on the panel, a fearful aspiring writer asked the question: “when do you know when it’s time to quit and give up?” The responses from the panelists were quite insightful. Basically, the only way to know that you need to quit writing is if you can imagine your life without it. If you can’t, you may feel that you’re writing currently sucks, but you’ve still got stories in you, and those stories need to find a voice.

There were a number of other gold nuggets on that panel. Larry Corriea surprised me by saying that there is no such thing as an “outline writer” or a “discovery writer”–that these concepts simply describe writing tools, and that different projects require different tools. Julie Wright said that if you are not enough without a publishing deal, you will never be enough with it. John Brown (I think) said that writer’s block doesn’t exist: if you’re blocked, it means either something’s wrong with you or something’s wrong with the story.

Saturday had a number of excellent panels as well. The guest of honor was Barbara Hambly, and she was a delight: witty, saucy, and full of interesting stories and great advice. For her main address, she simply talked about how her life has changed in the past thirty years, but it was fascinating.

One of the more interesting things she said was that God places an angel with a flaming sword in front of every door in our lives that we shouldn’t take. Sometimes, it seems that you’re simply staring down a corridor full of guarded doors–and sometimes, especially towards the end of life, it seems that you’re staring down a corridor and the angels are saluting you. That made her tear up–she’s had a long, rough, yet interesting and vibrant life.

When asked to elaborate on the decline of the fantasy market in the past twenty years, she gave a very interesting response. Today, instead of buying fantasy novels by the pound, fans are immersing themselves in MMORPGs like World of Warcraft. Because it requires much less effort to play a game than to read a book, people are turning to games as a substitute.

Another fascinating panel was Riding the Rocket, in which a number of established authors discussed the career blast off and what to expect. Lee Modessitt made the point that there are two basic approaches to writing: storytelling or writing excellent prose. In order to be successful, a writer has to master both, but they generally start out better at one than the other. The key is to know which one you’re weaker at and consciously work on it.

When asked about their greatest fear, the unanimous answer was that they’re terrified their next book will tank and that they’ll fade into obscurity–that they’ll be forced to go back to that dreaded day job. The only way to deal with that, though, is to keep writing, keep working on your craft, and control the things you can while not fretting too much about the things you can’t. If you do what you can, things will generally work out for the best.

There were a ton of other excellent panels, other nuggets of wisdom. I recorded a number of panels, but I’ve decided not to post the mp3s publicly here: if you want them, just email me and I’ll send you a copy.

All in all, I’m very glad I came! Besides all the panels and networking opportunities, it was just a lot of fun to hang out and talk science fiction and fantasy with a bunch of like minded people. CONduit is an awesome convention–if you’re a local Utah writer and you have the chance to come, I definitely recommend it!

Book Festival and other updates

So last Friday, there was a book fair at the Provo Library. I only heard about it the night before from Facebook, but there were almost twenty authors on the guest list, so I figured it would be a good place to go to meet other writers. I wasn’t mistaken!

I biked up to the library just as Brandon Sanderson was walking in. We chatted for a while, caught up on stuff since the last time I took his class. I almost got to walk into the author’s only lounge with him, but one of the staff stopped me. One of these days, though…one of these days!

I also ran into Dan Wells, who remembered me from World Fantasy and gave me a very nice compliment: he said I was very good at approaching people, especially at conventions. Talked about the different cons this year; according to Dan, Dragoncon is going to be huge this year, since Worldcon is in Australia and World Fantasy is in Ohio. I have a friend in Atlanta–I’ll have to look into attending that.

Brandon Sanderson, Clint Johnson, Mette Ivie Harrison, and J. Scott Savage did a panel on writing fantasy. Fortunately, I had my mp3 player on me and was able to record it. If you would like to listen to it, you can find it here:

Fantasy Panel, Provo Children’s Book Festival (15 May 2010)

Clint had some interesting advice for me after the panel; he asked about the books I’ve written and said I should submit them to YA agents/editors as well as mainstream adult agents/editors. Apparently, Genesis Earth and Mercenary Savior could work as YA, since 1) they’re about (relatively) young protagonists having coming-of-age experiences and learning how they want to live their lives, and 2) they don’t have the sense of nostalgia that adults often have when they think about their childhood.

So that was the Provo Children’s Book Festival. Let me just say, this is one of the reasons why I love Utah: the writing scene for fantasy/sf/YA is HUGE. Tons of writers, tons of readers, local writing events all the time–it’s great.

In other updates, I got a personalized rejection from Orson Scott Card’s Intergalactic Medicine Show! It was a pretty long one, too. The assistant editor said the writing was pretty good, but it felt too much like a novel. Hehe…confession, it was part of a novel. But that’s awesome that he thought the writing was good!

Besides that, he gave a lot of suggestions as to formatting, referring me to this site for detailed ms instructions. I didn’t think most editors would mind Times New Roman, but if it’s an issue even for a few of them, I should probably just switch to Courier–no editor is going to fault me for using Courier.

Besides all that, I’m well on my way to finishing Mercenary Savior 3.0 before CONduit. My goal right now is to finish it next Tuesday and spend Wednesday and Thursday sending it out. After CONduit, I plan on starting Hero in Exile (except the name will change), and I have a TON of great ideas for it. Funny how sometimes in order to finish a book, you need to write another one first.

World Fantasy 2009 — first day

After four years, I’m back in California! Yay!

Okay, now that I’ve got that out of my system (because California is, without a doubt, the most awesome state in the union), let me just say that the first day of World Fantasy 2009 was most excellent.

For Cavan, Alex and me, the day began at about 4:30 am, when we woke up early to road trip it out to San Jose. The salt flats near Dugway were very beautiful in the early morning light, as were the mountains. Nevada stretched on forever, but a little bit of Ennio Morricone helped it pass enjoyably. After Reno, we descended through the Sierras, passed Sacramento and the Central Valley, crossed over the gorgeous bay area mountains and arrived in San Jose without incident.

Well…there was one incident. We got a little lost finding Alex’s friend’s house, and pulled a U-turn that ticked off one of the local drivers. She honked her horn and shouted out her window: “go back to Utah!”

California, I love you. You haven’t changed at all since I left. 🙂

We’re staying with Alex’s friend, within walking distance of the downtown area where the convention hotel is situated. No, really, we couldn’t have planned it better. Alex’s friend is way chill.

After we registered, we scoped out the hotel. It feels a lot like the hotels in Cairo–big and grand, with lots of marble and large open spaces. We browsed around the dealer’s room, saw lots of small publishers, some of whose books I’ve reviewed for Leading Edge. Everyone was very friendly and easy to talk with.

The only panel tonight was on the Google book settlement, and it was very informative and helpful for someone as clueless on this issue as me. Some very choice words were exchanged between the president of SFWA and a Google employee in the audience, but most of the panelists had the same opinion–that the settlement would set a terrible precedent for copyright law and should be fought tooth and nail. Interesting, timely stuff.

We heard about a party on the top floor, so we decided to check it out, and low and behold! Practically the entire convention was there. Ran into some familiar faces from LTUE and CONduit; it turns out that there are one or two dozen people from Utah at this convention, and most of us already know each other. How awesome is that?

Let me just say, I am so happy that I have friends at this convention. All that networking in Utah over the last two years is really paying off. It’s so much easier to meet new people when you’re working together as a group. I’m starting to get an idea of the editors/agents here that I should contact and how to approach them. I’m also meeting a lot of other aspiring writers, making new friends.

In short, the party was not only productive, it was lots of fun. Met new people, reconnected with old friends from the Utah scene, got the scoop on Dan Well’s Serial Killer book and the pending sequels (which I’m eagerly anticipating), and just had an overall great time.

An excellent finish to a very eventful day–and the convention has only just begun!

I Am Not a Serial Killer by Dan Wells

John is a weird kid. When he isn’t helping out his mother at their small-town mortuary, taking intense, morbid pleasure from opening up the dead bodies and exploring their insides, he’s researching serial killers, devouring every book he can find on the subject. If he had his way, he would open bodies all day–dead and living bodies, exploring them, savoring the addiction. That’s why he must constantly work hard to stop himself.

But when a demon comes into town, killing off members of the small community one by one and hiding in plain sight by posing as a normal human being, John is the only one who can stop the monster from killing again. To do this, he unleashes his own demon–the one urging him to kill. As the monster inside of him starts to take over his life, he starts to lose control and sink deeper and deeper toward his destiny.

Will he return from the dark side, having fought fire with fire? Or will he give in to fate and become a serial killer?

This book was a surprisingly fast read. I borrowed it from a friend and finished it only a couple of days after I started it. Part of this was because it’s a short book, but part of it was because the story and characters were so interesting.

The character development in this book is awesome. Dan Wells does a wonderful job making a morbid sociopath into a genuinely likable character. I felt like I knew him–and liked him–after only a couple chapters. Even though he’s got a disturbing, dark side, he’s constantly trying to fight it and keep himself in check. From almost the very beginning, I found myself rooting for this character.

The book had some sick, disturbing stuff in it, but it wasn’t nearly as violent or fundamentally disturbing as some of the other books I’ve read (Neuromancer, On My Way to Paradise). It was more of an “eww…cool!” kind of thing for me than a heart stopping, I-can’t-believe-what-I-just-read kind of thing. Still, the book definitely made me squirm. I’m glad none of my family works in a mortuary, I’ll say that much.

For a story so engaging, the writing was surprisingly simple. Unlike a lot of the fantasy and science fiction that I read, Dan Wells includes very few concrete details–just enough to keep you in scene–and tends to be a little adverb heavy. None of this was an obstruction to reading–on the contrary, the sparseness and simplicity is part of what makes this book a quick, enjoyable read. As an aspiring writer, it helped me to see that story trumps the minor, sentence level stuff, like using excessive adverbs with said bookisms (not that that’s a problem with this book–the writer part of my brain noticed it, but the reader part didn’t care).

The book reads very much like a thriller (…probably because it is one) and reminded me of a lot of the Michael Crichton stuff I used to read when I was in high school. While it isn’t as gripping as Sphere or Jurassic Park, it has about ten times the character development of any of Crichton’s works. Although the plot is definitely engaging, I read as much for the character as for the plot, if not more.

If you’re looking for a good, squeamish read with interesting, believable characters, this is a good one to pick up. It doesn’t come out in the US until 2010, but if you check out Dan’s website, you can probably find a way to get it. Check it out!