Picking up the pace

I’m writing this post from somewhere in Iowa, riding the California Zephyr from Chicago to Salt Lake City. Since I hate sleeping on the train, I figured now is as good a time as any to write a blog post.

One of the good things about traveling by train is that you have lots of time to just sit and think. Yesterday I took a long, hard look at my writing over the course of the last year, and was surprised at what I found. Long story short, I think it’s time for a major recalibration.

As you know, my main writing goal is to produce a minimum of two novels per year, fully polished and of publishable quality. Desert Stars will be my third this year, if I can get it up before January. But after that, I don’t have a whole lot lined up in the queue. Heart of the Nebula is a finished rough draft, but it’s the only one; everything else is either incomplete or just an idea floating around in my head.

Perhaps the best way to see it is to look at this chart. It lists all of the novels that I started, finished, and published by year. The titles highlighted in blue are novels that I’ve epublished. Ashes of the Starry Sea was a practice novel, so I’ve grayed it out, but everything else is a project I intend to carry to completion.

While 2011 was a great year for me in terms of starting new works, it was a downright horrible year in terms of actually finishing anything new. I’m worried that unless I can force myself to buckle down and produce new material at a much faster rate, this handicap is going to bite me in the butt next year.

Here’s another way to think about it: if I want to write two novels per year, and I can only focus on one novel at a time, I should be able to complete any project in no more than 26 weeks. And yet, when I look at my word count spreadsheet (which only goes back to May 2009), here’s what I see:

  • Genesis Earth: 22 to 26 weeks
  • Bringing Stella Home: 50 to 54 weeks
  • Desert Stars: 52 to 56 weeks
  • Heart of the Nebula: 18 weeks (unfinished)
  • Edenfall: 2 weeks (unfinished)
  • Star Wanderers: 9 weeks (unfinished)

What this tells me is that my current writing method is unsustainable. Either I need to learn how to juggle two projects at once, or I need to learn how to produce quality material in half the time–and in all reality, I should probably learn how to do both.

For those of you who might be worried that I’ll sacrifice quality for speed, let me assure you that I don’t intend for that to be the case. Dean Wesley Smith makes a very compelling argument on this subject, how speed and quality are not mutually exclusive. The more I write, the more practice I’ll get, which will hopefully improve the quality of my writing.

One thing I really ought to do is write something new every day. For most of 2011, I was revising something I’d originally written in 2008 or 2009, maybe throwing out a couple of scenes to start from scratch, but overall simply revising an older work. It’s made me a little rusty, and I can feel it. I can say right now, that needs to change.

My biggest concern is that once I’m overseas, it will be much harder to balance these writing goals with everything else going on. However, this isn’t 2008; I don’t have all the obligations of a student. As for whether the obligations of a teacher are any worse, we’ll have to see.

What I really want to do is write a novel in a week–preferably, in three days. Even if the first draft isn’t very good, just the act of doing it will break down some major barriers, I feel. If I finish Star Wanderers by mid-January, I’ll turn it around and write a novel with the same events from Noemi’s point of view, all in a weekend if possible.

In short, this is what I want to do:

  • Produce a minimum of 2 publishable novels per year.
  • Reduce the time for each draft to 6 weeks average.
  • Write a minimum of 500 new words each day.
  • Learn to juggle two projects when revising.

This isn’t going to be easy; I have the feeling that it’s going to involve a fundamental shift in the way I approach writing. However, if I can pull through it, I think this might just transform my career in the way that I need in order to take things to the next level.

In the meantime, I’d better get some sleep. I’ve got a long day of travel ahead tomorrow, and I’ll need all the energy I can get if I want to get some serious writing done.

By Joe Vasicek

Joe Vasicek is the author of more than twenty science fiction books, including the Star Wanderers and Sons of the Starfarers series. As a young man, he studied Arabic and traveled across the Middle East and the Caucasus. He claims Utah as his home.

4 comments

  1. Learning to juggle two projects at once would probably be the most effective way of doing it. I’ve learned that at least for me, the writing-new-stuff part of my brain and the editing-old-stuff part are completely distinct. That means they get tired seperately instead of together, which means when I tire one out, I can just switch to the other one and keep working. It’s been pretty successful so far; whether it continues to be so, we will have to see. Hope you find your rhythm soon!

  2. I think you’re right about that. I’ve tried juggling two projects in the past and wasn’t able to do it, but I think that’s because I was also in school at the time. Also, because revision comes easier for me, it’s always tempting to put down the new project and focus on what’s familiar. The only way to work around that is probably self-discipline. Better get the whip!

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