There’s a lot of uncertainty that comes with being a working writer. I’m caught up in the middle of it right now as I get ready to launch a new series, and it’s enough to drive me crazy.<\/p>\n
First of all, I’m not sure whether this new series, Sons of the Starfarers,<\/strong> will do well or whether it will flop. It’s a spin-off series from my Star Wanderers<\/strong> books, but the story is very different–much more action\/adventure, whereas Star Wanderers<\/strong> is more of a sci-fi romance. I hope that my readers will eat up both of them, but until I actually hit “publish,” there’s no way to know.<\/p>\n The uncertainty is harder for me to deal with because the stakes are a lot higher. When I published Star Wanderers,<\/strong> I did so on a shoestring budget as a sort of side project that I didn’t think would take off. For Sons of the Starfarers,<\/strong> though, I’m going all in, commissioning a cover designer and hiring a professional editor. I don’t anticipate the production costs to go much higher than $300 per book, but there’s going to be nine books at least. Those costs add up rather quickly, and at $2.99 it’s may take a while for these books to earn back their costs.<\/p>\n Still, the stakes could be much higher. I’m a young single guy with no dependents, living on his own in a rather inexpensive part of the United States. My health is good and I’m fortunate enough to have graduated college without any debt. At this stage in my life, I’m in a really good position to take some calculated risks. Pursuing this writing career has definitely been one of them, and so far, it’s paid off about as well as I could have hoped.<\/p>\n But things would be very, very different if I had a wife and kids to take care of. If it’s just me that I have to worry about, I’m perfectly fine with taking risks and committing to projects that may fail spectacularly. But if there were a possibility that someone else could be hurt by my failures–someone I care very much about–I’d be a lot more worried.<\/p>\n At least the nice thing about being an indie writer is that you get your royalty checks like clockwork every month. I can look at my sales reports for March and know exactly how much money is going to come in in June. With legacy publishers, I hear it’s not unusual for royalties and advances to come four or five months late, or to be wildly off when they do come. That’s one uncertainty that I don’t have to worry about because I’m an indie.<\/p>\n Another uncertainty that I don’t have to worry about is that something out of my control in the production process will doom my book. I’m totally in control of my book’s production–if the cover art sucks, I may have to scrounge up a couple hundred bucks to hire a new cover designer, but I can do that without having to worry about my publisher ignoring my concerns. There may be a lot of uncertainty, but as an indie there’s also a lot of flexibility and control.<\/p>\n Uncertainty is a fact of life, whether or not you’re a career writer. Generally, though, where there’s more uncertainty, there’s also more opportunity. When I took the plunge and became a self-published writer, I was under no illusion that my success would be guaranteed–but I also knew that the only limitations would be the ones I put on myself. And personally, I like it that way. The uncertainty might be enough to drive you crazy when you’re staring it in the face, but when the risks pay off, they pay off very well.<\/p>\n Hope for the best, plan for the worst. Follow the path of least regret.<\/p>\n","protected":false},"excerpt":{"rendered":"