Tag: character arcs

Desert Stars is now published!

Desert Stars, my third novel (and second in the Gaia Nova series), is now available as an independently published ebook from Amazon, Barnes & Noble, and Smashwords.  Within the next couple of weeks, it’ll be available through Kobo, iTunes, Diesel, Sony, and Xinxii as well.

It’s been a long journey, and I’m thrilled to finally see it come through.  I started the first draft back in the fall of 2008, but had been working on ideas for the world since 2005, when I returned from my LDS church mission in California.  Spending the summer of 2008 in Jordan was a major catalyst for my imagination, and I soon was bursting with ideas for a far-future story on a desert world.

I got stuck in the winter of 2009, however–right before taking Brandon Sanderson’s English 318 class.  Since he encourages all of his students to work on something new, I decided to write a book in the same universe in order to work through some of the world-building things that were holding me up.  That book became Bringing Stella Home, which was a thrill to write all of its own.

The strategy worked; by the time I’d finished that one, I had a much clearer idea where to go with Desert Stars, and an awesome ending that was nothing like anything I’d planned in the first draft.  And so, after graduating in April 2010, I soldiered through and finished the rough draft that summer.

It still had a lot of problems, though.  Fortunately, my first readers were extremely helpful both in pointing those out and in giving me fantastic ideas for other things I could do.  In the second draft that winter, I completely scrapped a major subplot in the second half of the book and focused on perfecting the character arcs for the two main characters: Jalil and Mira.

Around this time, I made the paradigm shift from traditional to indie publishing.  Other projects like Genesis Earth and Bringing Stella Home took my attention for a while, as I learned the basics of the new world and prepared those books for publication.  However, I always kept coming back to Desert Stars: I knew I had a good story there, and I was just itching to bring it to its full potential.

In the fall of 2011, I finally had that opportunity.  The last draft flew by in three weeks, and was one of the funnest writing experiences I’ve had since I started writing seriously in 2007.  By the end, I knew it was ready.  I sent it out to my editor, Josh Leavitt, and started to prepare it for publication.

In writing any book, there are always moments that stand out; experiences where things come together in an unexpected yet memorable way.  One of those came to me in Jordan, while I was walking down Queen Rania street from the University of Jordan to Al-Dustour, and the phrase “Temple of a Thousand Suns” flashed into my mind and sparked the whole novel.  Another of those moments happened while I was driving from Salt Lake to Provo, and Mira’s final words in the last chapter came to me; I literally could not stop screaming for two or three minutes.

I could share more, but if I did, I’d find it difficult to maintain the illusion that I’m not a loony psychopath. 🙂

In any case, it’s just awesome to see the story come to maturity and embark out into the world.  I’m sure this isn’t the end of the journey, but it’s definitely entering a new and exciting phase.  I sincerely believe that this is my best book yet, and I hope you find it as worthwhile to read as I have found it worthwhile to write.  If you do, I would appreciate it greatly if you took the time to post a review, or share it with a friend.  Every little bit helps, and I’m grateful for whatever support you can give!

In the next couple of days, I’m going to send out a newsletter with some freebies including desktop backgrounds of the cover art.  If you’d like to get in on that, be sure to sign up for the email newsletter via the form on the sidebar; you’ll also receive notices for other giveaways, as well as new releases.  It costs nothing and you can always unsubscribe, so there’s no pressure or obligation.

And that just about wraps it up.  Now: on to the next book!

Sholpan 2.0 is finished!

Today I finished the second draft of the novella Sholpan, only two days after the deadline I set for myself.  Here are the stats:

ms pages: 173
words: 37,466
file size: 94 KB
parts: 5
start date: 1 Aug 2011
end date: 15 Aug 2011

I decided to divide it into parts because I read somewhere that novellas aren’t typically divided into chapters, and I felt that foregoing chapter divisions would give it more of a sense of unity.

Still, I divided it into five parts, which essentially function as very large chapters.  I did this because it seemed that the story needed it, to better develop conflict and theme, as well as the transitions and turning points.

Like I’ve said in the earlier posts, this is a “companion novella,” which means that it repeats one of the story lines from the novel with additional scenes that (hopefully) elaborate and flesh out that particular story line.  Ideally, this will entice readers of the novella to pick up the full-length novel, and give readers of the novel a satisfying experience by using the new scenes to cast everything else in a new light.

By my entirely non-scientific calculations, Sholpan contains about 80% repeated material from the novel (with a little touching up and fleshing out to get more inside of Stella’s head) and 20% entirely new material, most of it in the form of flashbacks to Stella’s life before she was captured and enslaved by the Hameji.  It ends about halfway through Stella’s story arc from Bringing Stella Home, and includes one of the major twists, but hopefully that won’t spoil too much.

In terms of story, I think there are some subtle deviations between Stella’s arc in the novel, and Stella’s arc in the novella.  Even though the novella ends just after one of the novel’s major shifts, the ending felt very satisfying–almost a little too much.  Still, it’s good for the story to be complete in itself, and there are enough loose ends that I think it will drive interest in the novel.

Anyhow, I’ve sent the project out to a couple of alpha readers, just to get a sense for whether or not I’m totally off base.  If all goes well there, I’ll send it out to my copy editor and get it up for sale sometime in mid-September.  I haven’t tried out the $.99 price point yet, so this will be a good test case to see how it works.

For those of you who are interested, here’s the cover:

And that’s about it.  I’m leaving the day after next for Worldcon, so I’ll do a post on that before I head out.  Probably won’t write much this week, but hopefully the con will help me make connections, pick up a few pointers, and get a good feel for the current zeitgeist in the science fiction and fantasy genres.  More on that to come.

The Swords of Night and Day by David Gemmell

A thousand years ago, a young warrior named Skilgannon helped the princess Jianna escape an attempt on her life.  They became lovers, and when she retook her throne, she made Skilgannon her chief general.  When she ordered the abject annihilation of her enemies, he loved her too much to refuse her–and thus became Skilgannon the Damned.

Now, the wizard Landis has recalled Skilgannon back from Hell to defeat the tyrant queen known as the Eternal.  For hundreds of years, the Eternal has ruled the world, using the arcane arts of a fallen civilization to achieve immortality and crush all who oppose her.

When the Eternal learns of Landis’s treachery, the only hope for freedom lies with Skilgannon, the axeman Harad, the huntress Askari, and the Drenai ranger Alahir.  But how can they defeat an enemy who commands nearly all the armies of the world?  Who has lived a dozen lifetimes and simply steals the bodies of her clones whenever she is killed?

But most of all, how can Skilgannon defeat the Eternal when she is none other than Jianna, his beloved?

The Swords of Night and Day is a direct sequel to White Wolf, the first David Gemmell novel that I read.  I have to admit, I wasn’t particularly impressed with White Wolf; it meandered a lot and didn’t seem to have any clear direction.

That is most certainly not the case with The Swords of Night and Day, however.  I was hooked from the very beginning, and could hardly put it down until the shocking, mind-bending twist at the end.  It tied up all the loose ends from White Wolf and completed Skilgannon’s character arc in a surprising yet satisfying way.

One of the reasons I think I love David Gemmell so much is because he captures so perfectly the experience of being a man.  In that, I suspect that Gemmell is to me what Jane Austen is to most women.

But even though Gemmell’s characters might be crass, vulgar, chauvanistic, and downright detestable at times, there is always something heroic deep inside of them–something worth redeeming.  And when he does redeem them, it surprises me how powerful it is–even when he redeems someone I don’t want him to.

With The Swords of Night and Day in particular, one of the things that particularly fascinated me was the fictional cosmology of the Drenai universe.  With magic that can resurrect people’s spirits from hell, the story must inevitably deal with questions of the afterlife.  Yet even so, there’s still enough ambiguity and latent potential that it never felt stilted or labored.  If anything, it felt a bit like Tolkien’s cosmology in The Silmarillion, where all the stuff about gods, angels, and the undying lands only added to the sense of wonder.

I love just about all of David Gemmell’s books, but this one in particular was well worth the time and experience reading it.  I wouldn’t recommend starting with this one, though: better to read Legend, White Wolf, and The King Beyond The Gate first.  But if you’ve read and enjoyed those ones, you will DEFINITELY love this one.  I certainly did.