That’s Georgian for “good morning, Georgia.” It’s 7:20 am in Tbilisi right now, and I figure it’s time for an update before starting another day of TLG orientation.

So Georgia is a pretty interesting place so far.  We haven’t seen too much of it, because we’ve been in the hotel most of the time doing various cultural and language training sessions, but last night we got out and hiked to the top of the fortress in Tbilisi which was very fun (unfortunately, I didn’t bring a camera–next time!).  I’ve just about mastered the alphabet, though I can’t really read it well yet, and I know a few basic phrases that together with gestures and pantomimes will help me to get around.  Very few people speak English; that’s what we’re here as part of the TLG program to change.

There are 33 other teachers in my group, and they’re all pretty awesome.  Most are from the US, though there are a handful from Australia and New Zealand, which is fun.  Most of us are the same age and in the same life position: young, single, fresh out of college, fairly well educated, free of major life responsibilities and looking for an adventure.  For that reason, I think we’ve been able to bond fairly quickly, which is encouraging.  I don’t know how often I’ll see most of these people once I’ve been placed, but I’ve been making friends and getting along fairly well.

So far, the people running the TLG program seem really on the ball.  This is only the program’s second year, but it’s a major initiative from the government and has really started to have an impact.  It’s humbling, actually, to see how much the Georgians are investing in us; the program might not pay as well as JET or EPIK (TEFL programs in Japan and Korea), but for a developing country like Georgia, it’s quite a lot.  The country has been through a lot of tremendous difficulties, but they are pushing forward for a brighter and more prosperous future and I hope that I can make a difference and be a part of that.

In case you’re wondering whether I feel safe, don’t worry; everything in Tbilisi is fine.  Yes, there has been a lot of saber-rattling with Iran, but that hasn’t directly affected Georgia other than the attempted attack on the Israeli diplomats (which could have happened anywhere).  If the Western powers do undertake a major military operation in the area, Russia could become antagonistic, but I think Obama has made it clear that the US is going to stick with sanctions, at least for the foreseeable future.  Personally, I think a military strike is unlikely.  Slightly more disconcerting are the Russian anti-terrorist operations in Chechnya/Dagestan, but that seems to be an internal Russian affair, so don’t worry: I’m safe.

As far as the local culture goes, I think there will be some challenges but I should be able to get along quite well.  It seems that the people have a strong sense of community, emphasize people and relationships over rules and regulations, are honest and outgoing, very passionate, and very friendly toward Americans.

The biggest challenge will probably be the alcohol; Georgians are very proud of their wine, and men are expected to be heavy drinkers (REALLY heavy drinkers–like, even the Australians are nervous about it).  Hopefully, I’ll be able to communicate that I don’t drink because it’s forbidden in my religion, and they’ll respect that.

In general, the orientation has been preparing us for the worst (Turkish toilets, difficulties with co-teachers, host parents trying to marry us off), so a lot of us are nervous, but we’re also very excited. This is definitely an adventure!  And three or four months from now, I think most of us will look back and laugh at how nervous and scared we were.

Honestly, I’m not scared at all.  If not for the study abroad trip to Jordan, I probably would be, but so far the experience has been quite similar (though I’m sure it will be quite different).  I’ll just keep my eyes open, be a gracious guest, work hard, and experience as much as I can of this beautiful and wonderful country.

Whew!  I just finished revising through almost 9k words in Desert Stars.  I’ve only got three more chapters and an epilogue to go, and man, I am so excited about this story!  I have no doubt it’s my best work yet.

Of course, I might be biased. ;)

Star Wanderers is also coming along very well.  I’ve only got a few more scenes to write/revise before it’s ready to send off to the next round of first readers.  Part of me wants to send it off to Writers of the Future right now (and according to Dean’s sage advice, that’s probably what I should do), but I want to get some feedback first just to make sure there isn’t something I’ve missed that would make it better.  If all goes well, I’ll probably send it off by the end of the month.

This is the best part of writing process: finishing up a project that you know is good.  This is one reason why I love rewriting so much.  If I could do this all day, every day, and get paid enough for my work to make ends meet, I’d be living the dream.

Until then, however, I’ve got to figure out another way to make ends meet.  One option I’m considering very seriously is selling my contract and driving across the country this Thanksgiving to spend a month or two with my parents before going overseas.  My mom was the one who suggested it, and I have to admit it makes a lot of sense; if I’m going to go abroad to teach English anyways, why not spend some time back home?

If this is something I need to do, I’m going to have to make the decision very soon, possibly before the end of next week–and if you know me, you know that I’m terrible at making decisions.  However, I have been thinking about it enough to make a couple of lists, and this is what I’ve come up with so far:

Reasons to go to abroad:

  • To start a new career.
  • To have adventures.
  • To experience another culture.
  • To gain TEFL experience.
  • To support myself as I write.
  • To have a change.
  • To see the world.
  • To have something to write about.

Reasons to stay in Utah:

  • To get married.
  • To focus on writing.
  • To pursue a graduate degree.
  • To stay in a predominantly Mormon community.

I decided to list only the positive reasons for making either decision, and not to consider any of the creeping doubts or fears (and there are many!).  So let’s break it down:

To start a new career: This seems prudent, especially if it takes a while for my books to really take off.  Specifically, a TEFL career seems like something I could juggle with my writing career, and it would certainly offer a lot more satisfaction than a grunt day job.

To have adventures: Perhaps not the most responsible reason, but hey, you’ve got to remember to have fun.

To experience another culture: One of the perks of traveling, for sure.  It would probably improve my writing considerably as well, though culture shock and distance from family would certainly pose a challenge.

To gain TEFL experience: In other words, to find out if teaching English as a foreign language is something I want to build a career around, or whether I’m just not suited for it.  This is why I’d want to do the TLG program first, before heading off somewhere like Cairo or Amman.  And if it doesn’t work out…well, at least I’d know.  Right now, I don’t.

To support myself as I write: This is huge.  I hear that most TEFL jobs only take up about 20 hours per week, and that if you’re living in a local apartment, it’s not hard to make time to write.  In the past two years, I haven’t had any success balancing writing with full-time work, and working part time probably wouldn’t earn me enough to support myself here in the states.

To have a change: Not quite as tangible a reason, but important nonetheless.  I can’t quite explain it, but if I stay where I am now, in my current life situation…it’s just not going to work out.

To see the world: I could probably lump this under “to have adventures.”

To have something to write about: Also huge.  My experiences in Jordan and the Middle East were a huge inspiration for Desert Stars, and if I’d never gone over there, the novel wouldn’t be nearly as rich.  Who knows what else my imagination would produce if I spent some time traveling the world?

Now, for the other side:

To get married: Honestly, this is more of a negative reason than a positive reason.  I’ve already decided that I’m only going to marry someone who’s a practicing Mormon, and since Utah is predominantly Mormon, I’m worried that if I leave Utah, I won’t be able to find someone.

Trouble is…I’ve been here for almost six years, and still haven’t found anyone.  I could probably put more effort into dating, but the truth is probably that finding a marriage partner is more about your mindset than where you physically live.

Besides, I could always spend a year or two abroad and come back.  I’d be pushing thirty and well beyond “menace to society” status, but at least I wouldn’t be a loser who spent all his twenties in Utah.

To focus on writing: This was why I decided last year not to go teach English in Korea.  The ebook revolution was just getting started, and I felt that I needed to stay in the states to learn how the market was changing and focus on building my indie writing career.

Now, however, I feel like I’m high enough on the learning curve that I can afford to work on other things.  Besides, with the current state of the economy, I don’t think I’m going to find balance if I stay in the states.

To pursue a graduate degree: I’ve largely ruled this one out.  I don’t see how an English degree would help me at this point, and I don’t currently have any career aspirations that would justify pursuing an advanced degree.  The only reason I’d go back to school is to postpone facing the real world, and that’s probably the worst reason I could possibly have.

To stay in a predominantly Mormon community: Kind of the opposite of “see the world” and “experience another culture,” and it gets at the very heart of the matter.  Would it be better to establish myself among people who are more like me and share my values, or should I venture out of the “bubble” and see what else is out there?  I have a much stronger support group here in Utah than I’d probably have as a global nomad, but do I really need it?  Am I independent enough to strike out and bloom wherever I’m planted?

I don’t know.  My thinking is so muddled with doubts and second thoughts that this whole exercise has probably been futile.  If I had to make a decision RIGHT THIS SECOND, however, I’d probably choose to go.

If nothing else, it would give me a good two months of writing time. :)

So the edits for Bringing Stella Home came in just a couple days ago, and I’m hoping to finish running through them either today or tomorrow. After that comes formatting, then uploading to the various ebook vendor platforms.

I have to admit, even though this is my second full-length ebook, I’m a little terrified.  Formatting is always tricky, and I want to try out some new stuff (such as interior images and a logical TOC) that might not carry over well into other formats.  That, on top of all the usual fears associated with sending your work out into the world, is pretty nerve-wracking.

It doesn’t help that I’m currently working full time–or that a bazillion other things are conspiring to totally eat away this weekend.  However, I’m determined to get this book out, and to get it out right.

I don’t currently have any plans for promotion, but I’m not too worried about that.  I’ll probably put something together when I finish Sholpan.  On that front, I’ve finished the first draft of the novella, but decided to run it through a pretty substantial edit to make it more satisfying for people who read the novel first.

But…yeah.  I’ve got the cover art, got the blurb, got the edits, got the interior map…the only thing left is to write up the author’s note and acknowledgments, format the book, and put it up.

Crazy!

 

One of the biggest concerns for writers considering indie publishing is the fear of being drowned out by “the Noise”–all the obnoxious crap that will inevitably pile up because everyone thinks they can write a book.  After all, if anyone can self publish, anyone WILL self publish, including all the hordes of terrible, terrible writers.  In such an environment, how will anyone find you?

I’ve been thinking a lot about this, and reading a lot of author blogs to hear their take on this issue.  While I was afraid of the Noise at first, I’m not that worried about it anymore.  Here’s why:

1) The Noise has always existed.

The Noise is not a new problem.  Anyone with a printer and/or internet access can submit their stuff to agents and editors–and they do.  It’s called the “slushpile.”

Under the old system, good stories would never find their audience unless they got picked up by one of a handful of editors.  Problem is, this creates a huge bottleneck that only amplifies the Noise, making it even harder to get noticed.  Editors outsourced the slushpile to agents, but this only made it worse, like adding an extra level of bureaucracy to an already inefficient system.

The way I see it, if I’m going to have to fight the Noise one way or another, I would rather have direct access to my potential readership than be forced to submit to an overworked editor who doesn’t have time to give my work fair consideration.

2) Epublishing gives books more time to find their audience.

Traditional publishing works on the “produce” model, where new books have only a few months on bookstore shelves before they’re pulled to make room for something new.  In sf&f, it’s more like a couple years for paperbacks, but it’s still the same thing.

If your book doesn’t find its audience in those first few months–and therefore doesn’t sell very well–it’s considered a failure. With epublishing, though, there’s unlimited shelf space, and that means the book will ALWAYS be available.  It might not sell for the first few months, but that’s okay–it has as much time to find its audience as it needs.

I believe that given enough time, the good stuff always rises to the top of the heap.  I would rather follow the model that gives me that time, rather than gamble on the arbitrary timetable established by the traditional publishing establishment.

3) The revolution is social.

At LTUE this year, Tracy Hickman astutely pointed out that bookselling is no longer about creating artificial marketing hype so much as making a direct and personal connection with the reader.  With modern social networking platforms, writers can connect directly with their audience in a meaningful, peer to peer manner, expanding their readership naturally.

If we still had to rely on old, top-down marketing models, the Noise would certainly be a problem.  But with social networking, the audience is becoming much more interconnected, revolutionizing word of mouth and making it easier for writers and readers to connect than ever before.

4) Success comes at a much lower threshold.

For my purposes here, I’ll define “success” as making a full time living as a writer (>$20k/yr, though that will probably change when I’m married).

Under the old model, a $20k advance for a new writer like myself would be quite good, especially in my genre.  However, that money would get paid out over the course of several years, and I probably wouldn’t get a contract for another book until after the first book proved itself.

But the $20k is really just an advance against royalties, and the royalty rates run pretty low (<12% hardback, <8% paperback).  At those rates, I probably wouldn’t start to make a full time living until my devoted readership (those who buy my books in hardcover) numbered at least between 5,000 and 10,000.  And even then, my publisher might still drop me.

Under the current indie publishing model, though, the author gets a 70% cut.  That means that I could significantly undercut traditionally published books in price and still make more money per book. A $5 ebook earns as much at 70% as a $25 hardback at a 14% royalty rate, and will probably find its audience a lot faster because of the lower price.  With paperbacks, the difference is even more stark.

An audience of 5,000 is a drop in the bucket compared with the population of all readers.  The Noise might keep me from reaching everyone, but I don’t need to reach everyone to make a living–just a few thousand.

5) Transformational growth will greatly expand the market.

Right now, we seem to be on the verge of transformational growth in the publishing industry.  With epublishing, not only are avid readers buying more books, but more people are becoming avid readers.  This means that now, more than ever, publishing is NOT a zero sub game.

Sure, the Noise will get louder as more people self publish–but that Noise will also be spread out across a much larger market.  Even if my piece of the pie gets smaller, the pie itself is getting much, much larger, and that’s good news for everyone.

I have other reasons for not fearing the Noise, but these are the biggest ones.  Promotion is still a major question in my mind, but for now I’d rather get back to writing.  After all, that’s what I do–I’m a writer.

Man, I feel like I’ve been so out of it recently.  I’ve been getting up around 9 am or 10 am every day, going to bed every night around 2 am or 3 am, and running around so much that I hardly seem to have time to write.  Life is good, and between plasma and phone book deliveries I’m earning enough to get by, but my days are very unstructured and that’s not good for my writing.

So here’s what I need: a stable job that facilitates my writing.  For the past year, I’ve been working random odd jobs and temporary jobs, and while they pay enough to get by (just barely), the variability and lack of long-term security is just too much to juggle on top of writing.  I’ve got to find something else.

Trouble is, I’m afraid that if I settle for a dead end job, it’ll put such a stigma on me that I won’t be able to get a better job later if the writing career doesn’t take off.  I’m pretty confident that I’ll eventually be able to make a living off my writing, but I don’t know how late or how soon that’s going to happen.  The last thing I want is to end up as a wage-slave without a future.

Anyway, despite the lack of daily structure, I really love the flexibility that this phone book delivery job is giving me.  Pay is on a per route basis (like newspaper delivery), and the supervisor is really awesome and easy to work with.

If I want, I can take the mornings easy, do personal chores for a while, deliver a couple hundred phone books and write in the evenings.  That’s basically what I’ve been doing these past three weeks.

I really hate going to bed and waking up late, though.  That’s not sustainable.  If I come to my writing only at the very end of the day, it’s going to be a wash.  I might get a thousand words in, but if I’m not consistently crossing the 2.5k threshold every day, my heart really just isn’t in to it.

In any case, WAFH 2.0 is coming along fairly well.  I’ve got a good idea where I want the story to go, and the characters seem to be working out.  Also, I think I’ve found my big reason for wanting to write this story–I’ll write more about that in a later post.

This next draft isn’t going to be perfect, but hopefully I can get rid of all the major story problems (and there are a TON of major story problems!).  I suppose my goal at this point is to make it good enough to send out to my first readers.  The rough draft is so full of crap, I wouldn’t let anyone read it if they paid me.  Blegh!

Also, I know it’s only been a month, but I think I’m going to do another cover to cover revision of Mercenary Savior in the next few weeks.  I really want to get it polished enough to start sending it out–preferably by the end of the holidays–so that’s probably going to take priority. If it goes as fast as Genesis Earth 5.0, I should have the entire manuscript done in about three or four weeks.

And another thing–I’m going to set a new goal: submit at least one thing to an agent/editor every week.  Right now, I tend to go on splurges where I’ll send out half a dozen queries, then sit around for a month without really doing much to try to break in.  I feel like I need to be more consistent on that front, because submitting is definitely one of my greatest weaknesses.  They say everything comes better with practice, so I might as well send stuff out more regularly.

Anyhow, that’s how things are going right now–disjointed and all over the place, but somehow things still get done.  I just wish I could get more done, but who doesn’t?  Anyhow, there’s always next week–may it be better than the last.

So yesterday, I wrote through 4k words in WAFH 2.0 without even realizing it.  I didn’t feel very productive, because I only did about 500 words at a time before something came up and I got distracted, but by the end of the day, ended up accomplishing a lot.  That was a pleasant surprise.

In terms of my writing, I’ve been really out of things since Thanksgiving.  I finished Genesis Earth 5.0 right before the vacation and started outlining WAFH 2.0 immediately after, but…man, the rough draft REALLY sucks.  Like, sucks so bad I’ll have to completely throw out part III and start from scratch.

Fortunately, I think I’ve got a good idea what to do.  I’ve outlined about eighteen complete plots and subplots, so that’ll probably help out with keeping things tight.  The rough draft has a lot of shotgun writing, which means I have a lot of stuff to cut out–and now that I see where things are going, I know how to cut it.

One thing that worries me, however, is that I don’t have a strong driving reason to write this book–or maybe I do, but I just haven’t noticed it yet.  I’m hoping that’s the case, but I don’t yet know, and it’s really bugging me.

For Genesis Earth, it was the first line (“Earth was a ghost that haunted me”) and the cryo scene.  For Mercenary Savior, it was the ending, and the way it resonated with an old Western I saw as a kid.  With both projects, I got to a point of desperation somewhere between the first and second drafts where I wanted to throw everything out and never work on it again–but with both projects, that driving reason kept me going until I made it work.

With WAFH, however, I’m not sure what it is that’s driving me to write it.  For now, though, I’ll just press through until I find out.  I really hope I’m not just wasting my time writing this (because the rough draft sucks REALLY bad) but past experience has told me to ignore my own self-doubts at this phase.

Which reminds me: this week’s Writing Excuses podcast is really amazing.  I just listened to it an hour or two ago, and the advice this time around was exactly what I needed to hear.  Brandon’s advice in particular is very good: he basically says to stop worrying and enjoy what you’re doing.

So do I enjoy all of this?  In spite of all the angst I’ve spilled, I think I can say that I do.  When you’ve got a good story, and you know that it’s good, and you tell it in a way that moves someone else in a personally meaningful way–man, there’s nothing that compares to that.  I look back now on stuff I used to think was absolute drivel, and I’m amazed.  It takes persistence and drive and a little bit of crazy, but once you can get to that point, it makes everything you did to get there worth it.

The only thing now is to find out why WAFH is worth writing, and to hang onto those reasons at all costs until the story comes into its own.  Wish me luck!

This week, I got hit by some good news and some bad news.

The good news was that I got a short term seasonal job, delivering phone books.  That should keep me solvent for the rest of the month, at least until I can find something slightly more permanent.

The bad news?  I heard back from the company with the wilderness job, and it turns out I didn’t get it.

So now I’ve got to figure out what to do with my life for the next  year.  My writing career, as always, is plan A, but that’s more of a mid- to long-term thing.  And honestly, that’s how I want it.

I feel that I need to do something big–to go on some kind of adventure.  I’ve been working hard to hone my craft, but I feel that I need to acquire some kind of significant life experience, not only to boost my writing, but just to grow as a person.  It’s tempting to look for a comfort zone and camp out in it, but I don’t think that would be the best thing for me to do right now.

Before I graduated, I decided not to go to graduate school yet for a few reasons.  First, I was sick of school, and felt that I needed a break. Second, I didn’t know what to go in for, and didn’t want to go to grad school just to postpone figuring things out.

Third, I wanted to get out of the cloistered halls of the university and gain some real world experience.  I’d spent my whole life up to that point in academia, and was sick and tired of being sheltered from the “real world.” I wanted to get out and see what things were really like on the other side of the ivy.

For the past eight months, I’ve been bouncing around in Utah, working odd jobs to get by.  It’s a different set of stresses and problems, and while I can’t say I’m unhappy, I certainly can’t say that I’m fulfilled.  Being unemployed is about as unfulfilling as you can get and still be breathing.

I could probably find and hold down a graveyard job until my writing career takes off, but somehow that doesn’t seem much better.  I don’t just need a job to facilitate my writing–I need a major life experience to broaden my perspective on things.  I was hoping the wilderness job would provide me with both of those, but unfortunately that’s no longer an option.

So what next?  Here’s an idea: maybe I could go abroad and teach English for a year.

I used to joke with all my friends that if I didn’t get the wilderness job, I’d probably leave the country and go on an adventure–but really, why not?  A chance to see the world, use the teaching and language learning skills from my degree, and acquire new skills that might come in handy later on.  Plus, when I come back, I’ll sure have a lot of interesting things to write about.

The big question in my mind is what I need to do to get ready.  I suppose the best thing would be a TEFL certificate–I could probably get one of those in a month or two through online classes.  But…is that really the best path?  And what is the best program to go through?  A couple of friends of mine who have taught English abroad for the past couple of years say you don’t need a certificate to get a job, but they were working with kids, not adults.  And for the English teaching jobs in the Middle East (especially the gulf), you really do need certification.

So I guess I still need to think it through.  Right now, my top three destinations would probably be Japan/Korea (for the earning potential), Saudi Arabia (for the Middle East experience), or the Czech Republic (for the chance to connect with my roots).

I don’t know, though.  I’ve still got to weigh the pros and cons.  I’ll probably do that in a later post–but for now, that’s what I’m thinking about.  And the more I think about it, the more attractive it becomes…

Just a quick update, since it’s 3 am and I’m kind of in a daze after playing Halo: Reach on Xbox live with my roommate.  Whoa, decompressing…

This whole week, I’ve been in a weird funk.  It sucks to be unemployed, especially since I can’t commit to anything long term because I’m waiting to hear back from the wilderness job.  Man, I really hope I get it–but even if I do, I’ll need to raise some cash to keep me going through January until the paychecks start coming in.  And if I don’t get the job, I have no idea what I’ll do.

But mostly, it has to do with my writing.  I’ve been running through the rough draft of Worlds Away from Home, and…holy crap, it REALLY sucks.  It sucks to the point where I’m not sure exactly how to fix it.

Part of it probably has to do with my initial ambitions for it, which I probably set too high.  I originally wanted to write a science fiction romance that turned the “romance” element on its head by having the sex be the thing pushing the characters apart rather than bringing them together.  I got a little too didactic in the rough draft, though, and failed to tell a story that, at it’s root, is meant to entertain.

That’s probably the most important thing–to tell a story that’s fundamentally entertaining.  So I’ve been looking at that, and I’m finding that there are significantly fewer plot threads here than there were in Mercenary Savior.  That, and there’s considerably less suspense.  The character arcs are still sufficiently complex, I think, but there aren’t nearly as many hooks and cliffhangers as my other work.

This whole week, I’ve been vacillating between “alright, I can do this” to “this novel sucks and I should just throw it out and never work on it again.” In fact, I drew up a chart today of all the novels I’ve started, finished a first draft, and finished a polished draft–and the results are a little stark.

I only just produced a fully polished draft for Genesis Earth, so at 2010 I’ve finally gotten one novel to the point where I think it’s as good as I can make it without an editor/agent to help.  One freaking novel–and that’s after two years of work.  Mercenary Savior, I’m finding, isn’t quite where it needs to be, though it’s close–probably I’ll nail it down in early 2011.  But other than those two?  I’ve got nothing.

I started Worlds Away from Home back in 2008, and I’m wondering whether I was even good enough back then to craft a story that could carry through a complete novel.  Ashes of the Starry Sea was probably a bit too ambitious, and Genesis Earth, while it ended up working out, was so small in scope that it wasn’t that hard to pull off.

Is something fundamentally flawed with Worlds Away from Home? Did I bite off more than I could chew?  Is the story premise so screwed up that I should just abandon it and reuse it occasionally for scraps?

I have no idea.  Maybe I’m just being too angsty–after all, I started Genesis Earth BEFORE I started Worlds Away from Home, and that one turned out great.  It took two years, of course, but it worked out in the end.

So will this one work out?  Probably, I suppose–but only if I can solidly get behind it.  I’m trying to put together a detailed plot outline to figure out what the story needs, but if I can’t find something else–something on par with the cryo scene and the first line of Genesis Earth, which for the longest time were the only two things keeping me from trashing that project–if I can’t find something redeemable like that, I might just drop this monstrosity and let it die.

Blarg.  I hate this.  I might just take a break from things and write a couple short stories.  This whole week, I’ve been writing nothing but outlines and revision notes–I need to do something a little more creative.

Anyhow, that’s what I’m currently slogging through.  Before the end of next week, I’m hoping to find out whether I’ve got that wilderness job or not.  Let’s hope…