…I’ve started writing a Sword & Planet story.

In case you’re wondering what the heck is Sword & Planet, think Conan the Barbarian in space.  With giant lizards and man-eating plants.  And half-naked princesses getting kidnapped by evil technomancers with giant four-armed bodyguards that wield laser-bladed swords.  Basically, science fiction in the style of the classic 20s pulp adventure novels.

In other words, this:

I’ve read a lot more Heroic Fantasy and Sword & Sorcery than straight Sword & Planet, but I figure there’s a good deal of overlap.  I read A Princess of Mars way back in college and really enjoyed it, and of course I’m a huge fan of Star Wars and other series that were heavily influenced by the genre.  Basically, I want to try my hand at a classic science fiction adventure style, without the scientific rigor of Hard SF or the sprawling world building of Space Opera.  It’s all about the adventure, with liberal helpings of awesome sprinkled with omigoshomigoshomigosh.

The tentative title for this book is The Last Warrior Princess, though it’s about a twenty-something college grad working a wilderness job in southern Utah who accidentally finds a portal to another world while wandering around Arches National Monument.  The princess comes later, though not too much later.  I don’t know much about her yet.

In fact, I don’t know much about the story at all.  I’m discovery writing everything, and I do mean everything.  This is a fly-by-your-pants ready-set-go kind of book, with no restrictions and no limits–just me and the muse, not caring what anyone else thinks.  My internal editor is bound and gagged in the cellar with the spiders, and if he breaks out somehow I’ll hamstring him and toss him back down.  This project might never get another mention beyond this post, but I’m okay with that because it’s going to be a whole lot of fun.

For those of you waiting for the next Star Wanderers story, don’t worry, I’m still writing those too.  This is more of a side project at this point, so I won’t put up a progress bar for it until I get fairly close to the end and know it’s something I want to keep.  Which might never happen.

So basically, it’s just a personal pet project for now.  It’s interesting, though, because when you’ve got nothing to fall back on but your own creative impulses, the words start to flow in remarkable ways.  Take this passage, for example:

I drove up just as the sun was setting. The crescent moon hung like a razor in the yellow-orange sky, with Venus a twinkling point on its edge. Blood-red Mars was not far off, while Jupiter loomed ascendant.

I have no idea where that came from, but in the white-hot creative heat of the moment, it just spewed out onto the page that way.  The only word that I changed was “loomed,” which I had originally written as “hung” (maybe I should change it back? Nah, who cares).  In a little over an hour, I committed about 1,500 words, all just like this.

So yeah, if nothing else, this project will help to shake up my creative process and get the juices flowing for other projects.  I could really use that right now, what with a couple of recent life roles (my grandmother passed away last week, which wasn’t unexpected but it did throw a kink in my already rocky routine).  And who knows?  If it turns out well, you might see me put it out as a novel in a few months.  Or maybe the first part of a new series … nah, better not get carried away.  Better just write it first.

Besides the A to Z challenge (which I may also turn into a book at some point) and Star Wanderers: Reproach, that’s what I’ve been up to recently.  I’ve got a Star Wanderers omnibus in the publishing queue, but there’s nothing firm I can say about that yet, other than it will probably be for Parts I-IV and feature a professional cover (though I plan to keep the space images for the individual installments).  I could say more, but I want to go for a walk.  Later.

So, for the past week, I’ve kind of been between projects.  I finished the revisions for Stars of Blood and Glory last Saturday, after a week or two of light revisions, but since then it’s been a bit of a struggle. I’m still working on Star Wanderers: Benefactor, and progress on Lifewalker had been coming along, but haven’t managed to really immerse myself in either those stories yet.  As a result, I don’t really have much to show for this past week, other than a scene or two in Benefactor and a new first chapter for Lifewalker.

One of the problems, I think, is that I haven’t really been able to turn off my internal editor.  Even with my blog posts, I’m constantly going back and rewriting the previous sentence.  This sucks, because it slows down the writing, makes the process tedious and painful, and doesn’t necessarily improve the quality of my writing either (at least, not beyond a certain degree).

What I really need to do is run with a project until I hit my stride, and then do all I can just to keep a steady pace.  So that’s what I’m going to do with Lifewalker this next week: force myself to write without really caring too much about whether the stuff on the page is pretty good.  Because usually, when I don’t angst about it too much, it actually turns out pretty well.  Sure, I might write myself into a hole I can’t get out of (at least, not without breaking the story), but if that’s the case I can always toss out a couple of chapters and redo things.

So far, Lifewalker has surprised me quite a bit.  I have a general direction I want the story to go, and a vague idea of where the main character is going to go up, but when it comes to a particular scene, things will pop up out of nowhere that takes the story in all sorts of interesting directions.

For example, my main character is currently wandering a post-apocalyptic Utah with just a handful of possessions.  One of them is a copy of Brandon Sanderson’s Mistborn: The Final Empire.  At one point, he spends a night among the people living in the ruins of Santaquin (“Sannakin”).  Out of nowhere, I decided to have him read them a chapter or two from the novel, which of course confuses the heck out of them.  So then they start asking him questions, like whether the world before the apocalypse was covered in ash like in the novel, which leads them to all sorts of wild and ridiculous speculations.  The aside only lasts a couple of paragraphs, but it takes things in a whole direction that I hadn’t planned it to–one that really fleshes out the world.

This is my first time writing post-apocalyptic fiction, and while it seems a bit daunting, when I actually sit down and focus on putting out new words, wild and interesting things happen.  The research is a bit daunting, but the story takes place two hundred years after the apocalypse event, so there’s actually a fair amount of leeway.  As long as I’ve got Google Earth running in the background, with ready access to Wikipedia when I need it, I should be all right.

As for Benefactor, don’t worry, that one’s coming along as well.  When I’ve had too much of the post-apocalyptic world, it’s actually quite refreshing to come back to the familiar universe of the Star Wanderers series.  Bouncing between the two stories should be a good way to avoid burnout–though at my current pace, that’s the least of my worries.

Next week is going to be fairly eventful.  I’ve got a job on Monday that will take up most of the day, and LTUE will keep me occupied all Thursday, Friday, and Saturday.  Still, I should be able to get in at least a chapter or two in both stories.  We’ll see how it goes.

That’s about all for now.  It’s getting late, so I’d better turn in.  Night!

So with Star Wanderers coming to a close, at least as far as the actual writing is concerned, I’ve recently found myself back in that weird writerly place where I don’t have any pressing projects to work on.  Whenever this happens, I find that it’s generally a good idea to start something new.

Until just a couple of days ago, though, I wasn’t sure which project to start.  At first, I thought I should do the sequel to Stars of Blood and Glory, since I’m currently getting that one ready to send off to my editor, but beyond a tentative title (Empress of the Free Stars) and a really awesome opening scene, nothing has really sparked for that one.  With time, I’m sure my ideas will come together, but for now it’s just not ready to come out of the incubator.

So then I went back to The Swordkeeper, going back over the ideas that had sparked that one.  I started the opening scene back in March, but it’s currently lackluster, and none of my attempts at worldbuilding have gotten me anywhere.  For the past six months, I haven’t really touched it.

But when I took the time to just think about the story, something amazing happened.  All my ideas came together, and the ending just came to me–not just for the first book, but for the entire series.  Seriously, I must have spent hours staring out across the Georgian countryside from my farmhouse balcony, totally in awe of the story in my head.

A similar thing happened to me last summer with Stars of Blood and Glory.  It took me a few months to finally get around to writing it, but when I did, the first draft flew out in just a matter of weeks.  I’ve since made a few relatively minor fixes to the beginning and added some scenes that were missing, but otherwise haven’t made any substantial changes, and the comments from my first readers so far confirm that that’s the right decision.

So if all goes well, I’ll finish up with Stars of Blood and Glory by the end of this next week, and restart The Swordkeeper soon after that.  Things are looking good, and I can’t wait to get immersed in this next story.  It’s a fantasy, so that’s going to be a major shift, but I think it will help to keep things fresh.

Anyhow, that’s all for now.  More later.

So, I was going to finish Stars of Blood and Glory today…and then I went and spent some time with an old friend, had some dinner and spent the evening with the missionaries…long story short, I think it would be better just to wait until tomorrow than to do a rush job tonight.

I’ve only got two scenes and an epilogue left, which is very strange, because the novel isn’t even 75k words long yet.  Something definitely seems to be missing, and it probably has to do with the storyline of the new characters I introduced.  They’re the prince and princess of a futuristic Japanese culture (with a mix of Polynesian elements) that’s built on giant floating cities on a water world that never fell to the Hameji.  I think I skipped a little too much on the research, so the culture doesn’t feel fleshed out enough at this point.  Also, there’s a whole host of minor characters that I neglected to even give names; in the next draft, I’ll have to work out who they are and how they fit into things.

I’ll definitely finish this book tomorrow, though.  There’s nothing stopping me, and I really need to get it done.

After that, the plan is to immerse myself in the world of Star Wanderers.  I’ve got to be honest, I’m really looking forward to it.  This story came to me like a love child: completely unexpected at a time when I was supposed to be working on other things.  And yet, few other projects I’ve worked on have given me so much satisfaction.  When I let my mind wander, I inevitably find myself daydreaming about it.  And yet, it’s not a story I can force.  I tried that once, and it was as if the characters just refused to cooperate; the answer, quite firmly, was “no.”

As for my next publishing project, I’m going to try to get the illustrated version of Journey to Jordan formatted and up on Amazon and Barnes & Noble before the end of the week. It’s a little intimidating, because I don’t yet know how to add pictures in html such that they turn out well in ebook format.  However, I think it will be a good learning experience, once I climb the learning curve.  Expect to see some news about that very soon.

And as for my New Year’s goal to read a book every week…I know, I know, I missed it last week.  But I plan to make up for it with a couple of really good books in the next couple of days.  Both of them are indie published, and they’re both really fun reads.  The only reason I haven’t finished them is because I’ve been too busy working on my own projects.

So on that note, I think I’m going to retire for the evening with a good book while I wait with baited breath for Kris Rusch’s next Business Rusch post to go live.  Have a good night!

So I have a confession to make: a couple of days ago, when I was in something of a rough spot with my current novel, Stars of Blood and Glory, I had this overwhelming urge to go back and revisit Star Wanderers.  In two days, I went through everything I’d written up to the point where I’d gotten stuck, and something just clicked.  All of a sudden, I knew exactly where to take the story.

So today, I sat down and wrote the next scene…and man, it was hot!  The words were flying, the characters were leaping off the page (and almost into the sack with each other–almost, but not quite)–it was awesome!  The flame for this project has definitely been rekindled, and I’m really enthusiastic to get it rolling again.

Trouble is, I’m already working on Stars of Blood and Glory–and making some good progress on that one as well.  In fact, I’m still quite excited about it.  I’ve got all the twists planned out, the characters are really coming alive, and while the manuscript is still pretty rough, none of the problems are too serious to stop the creative process.

But sometimes…well, sometimes I feel like I’ve been writing so fast on this one, that the story hasn’t had time to really percolate.  I’ll have the next few scenes planned out, but I just won’t want to write them–not because I’m lazy, I don’t think, but because it hasn’t really clicked yet in my mind.

This is something I’m slowly coming to grips with.  The creative writing process isn’t something you  can completely capture with metrics (like daily/weekly word counts, hours worked, writing rates etc). There’s a whole lot of mental-space work that, on the outside, looks a whole lot like procrastination or laziness–and can easily degenerate into that, if you aren’t careful.  However, these mental activities are absolutely crucial, because they serve to refill the creative well.  Without them, writing becomes painfully difficult, and the quality of the stuff you do manage to put out tends to suffer.

That’s what I’m starting to notice, in any case.  I’ve found it somewhat helpful to go on a long walk each day, like maybe for an hour or more, but I wonder if it might also be helpful to have multiple projects to fall back on, so that even if I’ve got to refill the well for one of my projects, I can still be actively creating.

Because it’s more complicated than just outlining the next chapters.  The best scenes to write are the ones that go off in their own direction, without any planning (or perhaps minimal planning) on my part.  Discovery writing is definitely a part of my process.  To make that happen, however, I have to get a real feel for what’s happened up to that point, and think through all the implications of their possible choices.  If I do it right, something I haven’t considered comes to mind, and it helps the scene to come to life enough for me to write through it.

So yeah.  For Star Wanderers, the ideas have been percolating since a conversation I had with my brother in law and former roommate over Christmas break.  For Stars of Blood and Glory, I feel almost as if I’m going too fast to percolate–or that at least I need to take a little time off here or there.  And the real trouble is that I’m probably going to be going overseas in a couple of weeks–which means that all the free time I enjoy right now is probably going to become extremely scarce in the near future.

So I’m going to do my best to finish Stars of Blood and Glory before the end of the month, but if I’m not getting enough prewriting in to do the story justice, I’m not going to push it.  And when I’m not working on that one, I’ll work on Star Wanderers, since I’m really in love with this project (seriously, very much in love) and it’s not in my heart to put it off any longer.  I just hope that it doesn’t get in the way…

Anyhow, if I’m going to pound out another 4k to 5k tomorrow, I’d better get to bed.  I’ll leave you with this:

Man, I need to get this girl to do the soundtrack for my life. Either that, or my next book, which pretty much amounts to the same thing. :P

G’night!

Many Bothans died to bring you this.

I recently read an amazing blog post by Rachel Aaron, in which she explains how she went from writing about 2k words per day (about what I’m doing) to routinely breaking 10k.

This is something I really want to do with my own writing.  As I noted a couple of weeks ago, I need to pick up the pace if I’m going to keep up with my professional goals.  If I could go from 2k to 10k, and make 10k the standard…holy cow, that’s a 500% jump in productivity.  Who wouldn’t want that?

From Rachel’s blog:

Drastically increasing your words per day is actually pretty easy, all it takes is a shift in perspective and the ability to be honest with yourself (which is the hardest part). Because I’m a giant nerd, I ended up creating a metric, a triangle with three core requirements: Knowledge, Time, and Enthusiasm. Any one of these can noticeably boost your daily output, but all three together can turn you into a word machine. I never start writing these days unless I can hit all three.

The point that I probably need to work on the most is time: I tend to start off the day slow, checking Facebook and blogs and other stuff before getting into the writing, then write for a little while before running off and doing some chore or allowing myself to get distracted again.  Sometimes, I don’t really buckle down until a couple of hours before I should go to bed, and that’s bad.

But really, I think the main obstacle is just thinking that writing is difficult.  If everything comes together in the right way, there really isn’t any reason why 5k or 6k or even 10k should be too difficult–and yet we naturally think that if 2k is hard, anything more should be that much harder.

I’m in a weird state of limbo right now between moving and preparing to go overseas, but I’m going to start a daily writing log so that I can figure out what time of day is most productive.  You can’t wait for life to settle down before you get to work; you have to roll with what you’re given.  Also, I’m going to put a lot more effort into outlining and planning, so that I don’t get hung up by research when I should be writing.  Even discovery writers need a little bit of time to ponder things before putting words to the page.

Also, after considerable thought and effort, I’ve decided to put Star Wanderers on the back burner again.  I finished the novelette last week and submitted it to Writers of the Future; I think it’s quite good, and stands a good chance of finding a home in one of the short markets.  But the full length novel, for various reasons, just isn’t coming to me.  I don’t know if it’s because I lack the life experience to write it, or because I’m too close to it to see what’s broken, but regardless of the reason, I need the break.

I’m not sure whether to do Edenfall or Stars of Blood and Glory next, but I’m leaning towards Stars of Blood and Glory.  This is a novel set in the Gaia Nova universe, with characters from Desert Stars, Bringing Stella Home, and Heart of the Nebula.  I’ve been itching to write it since this summer, but never got around to it because other projects got in the way.  Well, hopefully now that will change.

I know from emails and other correspondence that some of you are really looking forward to Edenfall, but don’t worry, I’ll get around to it soon.  In order to do it justice, I feel I need to reread Genesis Earth and immerse myself in some Carl Sagan, but right now I’m still running on a sci fi adventure trip.  If I can implement some of these metrics and push my daily word count upwards of 10k, it shouldn’t be long before Edenfall gets my attention again.  My goal is to finish it before the end of the year, so there’s a very good chance it’ll be published sometime in late 2012.

As for Star Wanderers, I’ll shop the novelette around after I hear back from Writers of the Future.  I think it has a good chance at winning the quarter, but of course I can’t count on it.  At this point in my career, I should probably be playing both the traditional markets as well as the indie field.

That’s just about it.  Now, if you’ll excuse me, I need to write…

After getting about 40% through Star Wanderers 1.0, I hit a wall and decided to put the project on the back burner for now.  The beginning part, which I’m hoping to shop around as a novelette, has some issues with it and those are keeping me from making any real progress in the rest of the story.

I wish I could just wave my hand and pretend as if I’ve already fixed those problems, but my creative process just doesn’t work like that.  I guess I’m more of a discovery writer in that way, because I can only build on stuff that I’ve already written.  I have to figure out my characters as I write, otherwise they just fall flat.

It’s discouraging, because I feel like I don’t have enough control or discipline over my creative process.  Other writers seem to be able to pick up a project and finish it, even when that project is commissioned by someone else (editors, franchise owners, etc).  But with me, if I can’t get excited about a project, I can’t finish it.

Fortunately, even if I can’t always control which project I’m excited about, I always seem to be excited about something.  After finishing the last revision for Desert Stars, I felt this unusually strong urge to work on Into the Nebulous Deep (which, after the last post, I’ve tentatively decided to rename Heart of the Nebula).  I totally didn’t see that coming, but I’m glad that it did, because that project is getting due for its first major revision.  It’ll probably be a quick one, just to fix some major known issues before sending it off to first readers.

As for new projects, I’m not quite sure what to pick up next.  I’ve got a feeling I could give Edenfall another shot, though it’s dubious at this point, and I still have a bit of lingering excitement over the untitled Gaia Nova novel that involves Roman, Danica, Rina, and Stella’s son.

At the same time, though, I have a really cool idea for a fantasy novel involving magic swords.  The idea is that the swords are actual characters, with the ability to think, feel, remember, and communicate with those who wield them.  They can only be wielded by those whose minds have been melded to them, however, kind of like the Dragonriders of Pern.

As the swords get passed down from generation to generation, they pass on their skills and memories, so that those who wield them become legendary warriors.  However, all but one of the swords goes insane, turning their wielders to evil.  The one sword that remains has refused to take on a new master, even though war and destruction sweeps the land.  A prophecy states that the one who wields this sword will eventually defeat the evil of the others, but when the good sword finally does take on a new owner, it ends up being a farmgirl / tavern wench (I haven’t really decided).

I don’t have a lot of experience writing fantasy, but this story is starting to really excite me.  If I can combine it with a few other ideas and read some good fantasy novels to get into that mood, I think I can make some good progress on it.

So yeah–I have plenty of projects to work on, so things aren’t that bad.  I just need to find one that I can really get into for the next couple of months; if I keep bouncing around from project to project without finishing any of them, that’ll be bad.

Yesterday I heard back from one of my first readers for Star Wanderers, and the feedback she gave me was awesome.  You know you’ve got a good first reader when their comments make you go “aha!” and you find yourself with a host of new ideas for the story.

Anyway, at one point, she asked me: “what was your purpose in writing this?” To which I answered “I don’t know; I was supposed to be working on something else, and all of a sudden I found that I’d written this story!”

Her eyes widened a little, and she kind of got this look on her face that said: “how could you possibly write something like this and not put a ton of thought into it?” Which struck me as amusing, because she’s an editor who writes on the side, and I’m a writer who edits on the side.

This is the thing about discovery writing: it’s not about how much sweat and tears you put into your work, but how much energy you get out of it.  If a project just totally drains you, chances are it’s not going to be as good as something so exciting that you can’t not write it.  And once you improve your craft to the point where you’re no longer committing all the stupid new writer mistakes, if you’re having fun, chances are that the readers are going to enjoy it too.

Ah, the joys of spontaneous creativity.  Would that it was always this much fun.

:)