For those of you who don’t know, I do a report on my blog at the end of each quarter, giving a progress update on my writing.  I like to think it helps me keep things professional.  Whether or not it does, it’s certainly helpful to look back on how I did.

So anyhow, here’s the word count chart:

The red line represents daily word count, and the blue line is a running total for the previous seven days.  The chart includes revisions as well as original material; for revisions, I just do a wordcount of the finished version, whether or not I’ve cut out significant chunks of the text or left it largely as-is.  Maybe that skews the picture a bit, but it’s the best I can do with the tools I have.

At the beginning of the quarter, I was working 40+ hours per week at a seasonal job, so the writing was pretty slow, averaging a little less than 15k per week.  My main project was the fourth draft of Mercenary Savior, which I was struggling to get ready for World Fantasy.

The job ended October 28th, and I didn’t do any writing during the conference, which is why you see the dip at the end of the month.  But I took November off to work entirely on my writing, which is why things took off again rather quickly.

That huge peak in the middle of the quarter is from the fifth draft of Genesis Earth, which I completed in about two weeks.  The draft was already pretty well polished, but one of my hard sf friends did a read through and got back with a few major science issues which I needed to rectify.  Also, I figured it was in need of a language polish, since I finished the last revision almost a year ago and my writing (I hope) has improved a lot since then.

I was pretty surprised at how quickly it went.  The book is definitely as good as I can make it, and any further revisions without professional editorial assistance would be a less effective use of my time.

Things dropped off rather sharply, however, because I spent all of Thanksgiving week either on the road or with family.  Ah, how I love road trips…but they sure can throw a kink in the writing schedule.  I also had a hard time settling on my next big project, which is why things took a while to take off again after I got back.

After starting a sequel for Mercenary Savior and toying around with a short story idea, I decided to do a major overhaul of Worlds Away from Home.  Unlike GE, however, WAFH really, really sucks. It took me two weeks just to read through the rough draft and pick out all the troubled spots, after which I rewrote the outline from the ground up and decided to completely scrap half the book.  I started the second draft in mid-December, but it’s taken a while for things to really build steam.

Right as I was starting WAFH 2.0, a couple of other writer friends from World Fantasy got back to me with their comments on Mercenary Savior, and pointed out a few problems that I hadn’t noticed before.  I started the revision on December 21st and have been plowing through ever since.  That accounts for the huge spike at the end of the quarter–like GE 5.0, the draft has a lot fewer story problems, but does need a few things fixed for consistency, as well as a language polish.

Overall, I wrote or revised through about .25 million words this past quarter–some of which were easier than others.  I started a new project (Into the Nebulous Deep), polished one of my manuscripts to the very best of my abilities, and made significant headway on revising and polishing two others. In terms of publications, I had a major article published in Mormon Artist, and a short poem accepted for publication in a forthcoming issue of Leading Edge.

Not a bad quarter.  Now, let’s see if I can find an agent and/or publisher in 2011.

Just a heads up: the latest issue of Mormon Artist magazine is out, and my article about BYU’s “class that wouldn’t die” is in it! What’s more, Orson Scott Card himself commented on it.  Squeeeee!!!

If you’d like to read the full article, you can find it hereMormon Artist is published online for free, so be sure to check out the rest of the issue too.

A huge thanks to all the people who helped me out with the research–and an apology to those I should have gotten to, but ran out of time and space to include them.  My goal in writing this was to collect as many oral histories and primary sources as I could find, and put it in a context where the people who were there could tell the story themselves.  I hope I’ve done that without making too many factual errors, but if I have, please let me know.

Also, I would like to personally thank everyone who was a part of Xenobia and the class that wouldn’t die–the people who started LTUE, Leading Edge, and Quark, which have become the bedrock of BYU’s thriving sf&f community.  Thank you so much–all of this stuff has greatly impacted my life, helping me to connect with like-minded friends and to grow tremendously as a writer.  We really do stand on the shoulders of everyone who’s come before, so thank you!

Squeeeeeee!!!!!

Wow, what a tiring day.  I feel drained, mentally and physically, and I didn’t even spend all that much time at the parties tonight.

I got started a bit early, prowling around the book-swap table, where I was rewarded with some books that look really good.  If you know what you’re doing, you can totally get the price of your admission ticket in free books (and then some).  I packed super light for that exact reason.

The convention started out with an awesome panel titled “Fantasy Gun Control,” where the panelists discussed why fantasy tends to favor swords over guns, even though guns have existed since the 1300s.  Funniest quote from the panel: Walter Jon Williams asked what if Samuel L. Jackson was one of the Defense Against the Dark Arts teachers from Harry Potter, and Charles Gannon quipped “do I have to get magical on your ass?”

The other panel I attended was “The Tension Between Art & Commerce,” an excellent panel which very quickly evolved into a cage fight between Nancy Kress and her publisher, Tom Doherty.  It basically went something like this:

Tom: I don’t think there is any tension; the best art always sells the best.

Nancy: No way!  Just look at Danielle Steele: her writing is CRAP, yet she sells like crazy–and that’s the norm!

Tom: But true art endures beyond its time and sells much better over the long run.  After all, just look at Homer and the Iliad.

Nancy: Homer? Are you serious? He’s been dead, what–2,000 years?

Tom: Yeah…but my point is, if you’re a writer, you need to write what’s in your heart and not chase the market.  If you do try to chase the market, your writing will be crap, AND it won’t sell.

Nancy: True, but what about my apocalyptic novel about a plague that turns domestic dogs feral?  I got four rejections that all said: “this book is great, but it would offend dog lovers so much that we can’t publish it.”

Tom: Well, those were just stupid editors.

Nancy: Uh, Tom…one of those was from your publishing house!

Of course, those aren’t exact quotes, and Nancy was very quick to make it known that she loves Tom and appreciates him for publishing so much of her work, but that was more or less how it went.  It was hilarious.

At the  same time, the panel was quite useful as well.  Everyone mentioned how a writer’s willingness and ability to learn the craft and accept criticism is key–especially after getting an editor.  Without this capacity to learn, aspiring writers will almost never succeed, whereas those who have it have a chance.

The rest of the time I spent hanging out and shmoozing with various people.  I interviewed both Dan Wells and Peter Ahlstrom for the Mormon Artist article on BYU’s “class that wouldn’t die,” and those interviews went very well.  Those two guys are seriously awesome–way down to earth and easy to talk with.

I also pitched to a couple agents, and I think it went very well.  For one of them, I thought I saw her eyes light up as I described the characters in my novel from last year, Genesis Earth.  It might just be wishful thinking, but her response was enough to convince me that I need to give that story a thorough revision and send it out to her before the end of next month.

I worry, though, that there’s not as much demand for the kind of fiction I write.  My writing falls very solidly into science fiction (space opera, to be more specific), but everything I see here at the con is fantasy–epic fantasy, urban fantasy, paranormal, steampunk.  No science fiction, except from a couple small presses.  Just fantasy.

In the art vs. commerce panel, Ginger Buchanan claimed that science fiction was never a popular genre–that the popularity was all due to a handful of specific writers and a handful of specific works.  I’m not sure I agree with that, but it is a bit discouraging.  Speculative fiction is a fairly niche corner of the publishing world to begin it, and to see and hear people within that niche treating science fiction as ANOTHER niche…it doesn’t bode well for someone who wants to make a full time living writing it.

But then again, maybe my stuff is good enough that it’ll find a home anyways–and not just a home in a small press, but with a big enough publisher that I can actually be a full time writer.  I don’t hold any illusions about my books making me fabulously rich and famous or somehow spawning a new sub-genre unto itself, but I do think my writing is good enough that I can shoot big and hope to get somewhere–perhaps even expect it.  I don’t know, but I feel that the hope is justified, at least.

Anyhow, that’s probably more angst than you cared to read.  World Fantasy is going great, and I’m exhausted, so I’m going to hit the sack.  Good night.

While trolling around the new Facebook questions app, I came across this interesting question.  Unable to resist, I spent the next hour crafting my answer.

This is what I wrote:

Gosh, what HAVEN’T I learned from science fiction?

Because of science fiction, I do not fear the alien. I do not feel threatened by people of different places or cultures, but take great interest in learning from them. I look at them and love them, because I can see myself in them.

Because of science fiction, I can look out at the vast expanse of the universe and not despair because of my insignificance. I know my place within it, and can appreciate the wonders and endless possibilities all around me.

Because of science fiction, I can look at the world and know which questions to ask. I can see through the lies that society constantly feeds me, and know how to fight against them.

Because of science fiction, I can look to the future with hope. Having seen the best and the worst of all possible worlds, I know which paths to avoid and which paths to follow. With this knowledge I can inspire my fellow men, because I know that nothing is inevitable.

Because of science fiction, I have a deep and endearing love for the world in which I live. I know better what it means to be human, and knowing this helps me to take no human life for granted. I have a greater capacity to love those around me, and that is the most important thing of all.

Science fiction has enriched my life beyond measure. By constantly stretching the bounds of my imagination, science fiction has led me to more truth than any other literary genre–and not only led me to that truth, but helped me to incorporate it into all that I do. So long as I live, I will always be a reader and a writer of science fiction.

Answering this question reminded me of my interview with Shayne Bell a couple weeks ago.  In it, he talked about how rich and vibrant science fiction is as a literary genre, and how it deeply impacted his own life.  Listening to him speak, I couldn’t help but feel that I was in the presence of a great man.

I don’t think he’d be comfortable with me posting the full audio of that interview, but many of his comments will appear in the article I’m putting together for the December issue of Mormon Artist.  Between working full time and trying to finish the fourth draft of Mercenary Savior in time for World Fantasy, I haven’t had much time to work on it, but it’s going to be awesome.

What have YOU learned from science fiction?  How has it enriched your life?

The interview with Dave Wolverton was a resounding success!  We had a fascinating conversation about science fiction and the gospel, his latest book In The Company of Angels, self-publishing, the English 318 class at BYU and the profound impact it’s had on the LDS writing community, and much, much more.

On that, I suppose I should disclose my full reasons for going down to St George and meeting with Dave.  I’m putting together an article for the December 2010 issue of Mormon Artist, where I hope to give a brief history of BYU’s “class that wouldn’t die” and explore the impact that it’s had on both the LDS writing community and on mainstream sf&f.

The “class that wouldn’t die” was the group of students who signed up for the first English 318R science fiction creative writing class at BYU, back in ’78 (I think it was ’78…gotta check that).  After the semester was over, the students banded together through forming a writing group, which they called “Xenobia.”

They didn’t stop there, however.  As Xenobia grew and matured, the students decided to form other organizations designed to help new writers (especially sf&f writers) improve their craft and build their writing careers.  Specifically, they founded Quark, BYU’s science fiction and fantasy club; Leading Edge, a student-run magazine that gives written feedback to every story submitted; and LTUE, an annual science fiction and fantasy symposium (like a convention, only no costumes).

These organizations, as well as the 318 class, led directly to the explosion of LDS writers in science fiction and fantasy.  Several bestselling LDS authors, including Stephanie Meyers, Brandon Sanderson, and Dan Wells (among many others) can trace the launch of their careers back to this class.  In turn, these authors are having a tremendous impact on mainstream sf&f literature.

The article is slated to come out in next December’s issue of Mormon Artist Magazine, just in time for LTUE 2011 (which I hope to attend).  Right now, I’m in the research phase, meeting with some really amazing people and gathering some fascinating stories.  This article is going to be awesome.

In parting, let me share one of the more interesting things Dave said in the interview.  As we talked about all these amazing resources available for sf&f writers in Utah valley, I asked him why this happened in this community and not elsewhere.

His answer was extremely insightful: for many writers, the mentality is that once you break in, you have to close the gate behind you.  It’s something of a zero-sub game, where people horde their ideas, compete with each other to break in, etc.

Not so in the LDS community.  As Latter-day Saints, we have a deep-set mentality of helping each other and building each other up.  That’s exactly what happened with the “class that wouldn’t die”–they did everything they could to foster other writers.  The proliferation of Latter-day Saints in mainstream sf&f is a direct result of this.

That’s Dave’s take on it, anyway.  It will be interesting to hear what others think.

Oh, and FYI, Mormon Artist is 100% volunteer run and free, so when the article and interview come out, you won’t have to pay anything to read them.  I’ll certainly provide links on this blog–stay tuned!

And as one final note, check out this piece of Xenobia history: the original Quantum Duck, as featured in the first issue of The Leading Edge.  Why a quantum duck, you ask?  Because that’s where the club’s name came from: a bumper sticker that said: BEWARE THE QUANTUM DUCK THAT GOES ‘QUARK,’ ‘QUARK’!

Haircut: check.
Clean clothes: check.
Bag lunch and dinner: check.
Chilled water bottles: check.
Directions to St George from Provo: check.
Interview questions: check.
iRiver 800 with sufficient recording space: check.
iRiver to USB cord: check.
Extra batteries: check.
Asus netbook: check.
2003 Buick LeSabre Custom: check.
4+ hours of ocremix and other music: check.
Copy of On My Way to Paradise to get signed: check.

Tomorrow I am going on a road trip to St George, Utah to interview bestselling author Dave Farland (aka Dave Wolverton) for Mormon Artist magazine.  Wish me luck!

Wrote 2,889 words today, bringing the running 7-day total to just under 15,000 words.  If I can keep this up for a month without lagging, I should be able to finish Mercenary Savior 3.0 in time for CONduit.

In the meantime, I’m looking for a job.  A friend of mine who’s in Egypt right now told me about this interesting online freelance contractor, which looks like a promising source of cash in the short term.  Sent in my application, inshallah will hear back soon.  Payment is via paypal on a work for hire basis, with most writers / copy editors averaging $20-$25 per hour, so could be useful.  No benefits, but what the heck.

In between writing and applying with the online writing place, I submitted Genesis Earth to a couple new places, and sent From the Ice Incarnate to IGMS.  I don’t have many short stories, but I really need to send out the few I do have to more markets.  Maybe I can pull out the first couple chapters of some of my novels and call them short stories and/or novellas.  Wouldn’t hurt.

Graduation is coming up in less than 100 hours.  My parents arrived in town about an hour ago, and the rest of the family should be coming shortly.  It will be really good to see them–I’m looking forward to it.

That’s about it for now.  I’ve got some other thoughts on jobs, dating, future plans, settling down, an article I’m writing for Mormon Artist, and the computer I want to build once I’ve got a job, but I’ll write about that later.  Goodnight.

So I figure that since I want to write professionally, it would be a good idea to keep track of my writing and do quarterly updates on my blog.  Here’s the first one for this year:

The red line shows my daily writing word count, the blue line a running seven day total.  The graph starts January 1st and goes to March 31st.

For the first part of January, the seven day total was high for a week because I’d just finished Bringing Stella Home 2.0. It dropped down way low for a while because I was busy moving into the Barlow center, starting my internship, and starting a new novel at the same time.  Combining all three of those things at the same time made for very little progress, until about the middle part of the month.

Things progressed at a moderate rate (about 1k words per day) from the middle of January until snowmageddon, which hit us in the second week of February.  I got a lot of writing done while snowed in, and my work in progress at the time, To Search the Starry Sea 1.0, got a lot of momentum behind it.

That momentum started to taper off, as I realized that the story I was writing was different than the story I had in my head.  I swear, this happens EVERY time I try to write a novel.  I tried to stick with the story in my head, but the gap got wider and wider until I realized the story just wasn’t working.

At the end of February, I decided to put it on the back burner and let my ideas simmer for a while.  I’ll probably pick it up again at some point in the future, but not in the short term–I need to put it away for a while.  I’m sure I’ll finish it someday, though.

So then, in the beginning of March, I went through all the comments I’d received on Bringing Stella Home.  The HUGE spike you see right around the middle of the month represents all the revision notes I put together for the 3.0 draft.  I read through the entire manuscript in about a week and a half, made a detailed scene by scene outline, and figured out my strategy for the revision.

Things dropped off again pretty sharply the last couple weeks of March because that was right around when I was fired from my internship.  That was one hell of a stressful week.  They picked up pretty quick after that, though, because 1) I had a lot more free time, and 2) I’m REALLY excited about this project.

Looking ahead, I think if I push myself, I can finish Bringing Stella Home 3.0 by the end of April.  It will be difficult because I’ll be looking for an apartment and a job at the same time, but after next week I won’t have to worry about schoolwork anymore (potentially for the rest of my life…whoa).  Definitely, I’ll have it done in time for CONduit 2010.

One thing I need to work on a lot more is submitting.  I’ve got a list of agents to submit Genesis Earth to, I just haven’t got around to sending it to them all.  The responses I’ve received have been generally encouraging: all rejections, but about half form rejections, half personalized in some way.  I do think this book will find it’s way in print, though it may not be my first to be published.

Even though Bringing Stella Home will probably need at least one more major revision before the full manuscript is ready to be sent out to editors/agents, I can probably polish the first three chapters enough to shop it around sometime in May.  I’m not sure if that’s what I’ll do, but it’s an option.  It depends on whether I jump right in to the 4.0 revision after finishing the current draft, which I probably won’t do; better to let it sit for a while.

Instead, I think I’ll jump right in to finishing that novel I started in late 2008, Hero in Exile.  The title will have to change (as always), but I’ve got a lot of fresh ideas for it, plus the enthusiasm to pull it off.  In many ways, Hero in Exile is a non-linear sequel to Bringing Stella Home, so if I get a deal with the one, I can always pitch the other as the next in the series.  That’s a huge plus–and a major reason why I’ll be enthusiastic about the project, since the two novels build off of each other.

Anyway, that’s what things are looking like from here.  Somewhere in the middle of all that, I’ll read a couple of friends’ novels (I haven’t forgotten about you, Jakeson and Drek!), graduate, get an apartment, get a job (inshallah), write an article for Mormon Artist, go to a con or two, and maybe even get a girlfriend and/or figure out what to do with my life.